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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1CC8A8 it is the complementary color #E33757. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1CC8A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1CC8A8 shade: #21C8A3, #32DAB6, #43ECC9, #54FEDC and #65FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1CC8A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1CC8A8 shade: #1CC8A8, #0BB695, #00A482, #00926F and #00805C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1CC8A8 shade: #1CC8A8, #1CC87A, #1CC84B, #1CC81D and #4AC81C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1CC8A8 shade: #1CC8A8, #1CBAC8, #1C8BC8, #1C5DC8 and #1C2FC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1CC8A8 shade matches the following richer shades: #1CC8A8 and #0ADBB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1CC8A8 shade: #1CC8A8, #2FB69D, #41A391, #549185 and #667E7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1CC8A8 shade: #1CC84A, #1CC878, #1CC8A6, #1CBDC8 and #1C8FC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1CC8A8 shade: #12806C, #17A48A, #1CC8A8, #2DE1BF and #51E6CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1CC8A8 shade: #1CC8A8, #1C1CC8 and #C8611C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1CC8A8 shade: #1CC8A8, #A61CC8 and #C8A61C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1CC8A8 shade: #1CC8A8, #1C1CC8, #C81C3F and #C8C81C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1CC8A8 shade: #1CC8A8, #501CC8, #C81C3F and #95C81C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 16 / 22

HEX #1CC8A8

RGB 28 200 168

HSL 168.84, 0.75%, 0.45%

LAB 72.48, -47.91, 4.55

 

Complementary color

CMYK 0 / 76 / 62 / 11

HEX #E33757

RGB 227 55 87

HSL 348.84, 0.75%, 0.55%

LAB 51.55, 66.39, 23.33

 

CMYK 84 / 0 / 19 / 22

HEX #21C8A3

RGB 33 200 163

HSL 166.71, 0.72%, 0.46%

LAB 72.41, -48.82, 7.16

 

CMYK 77 / 0 / 17 / 15

HEX #32DAB6

RGB 50 218 182

HSL 167.14, 0.69%, 0.53%

LAB 78.58, -49.86, 5.85

 

CMYK 72 / 0 / 15 / 7

HEX #43ECC9

RGB 67 236 201

HSL 167.57, 0.82%, 0.59%

LAB 84.69, -50.61, 4.66

 

CMYK 67 / 0 / 13 / 0

HEX #54FEDC

RGB 84 254 220

HSL 168, 0.99%, 0.66%

LAB 90.75, -51.15, 3.57

 

CMYK 60 / 0 / 6 / 0

HEX #65FFEF

RGB 101 255 239

HSL 173.77, 1%, 0.7%

LAB 91.92, -44.24, -4.52

 

CMYK 86 / 0 / 16 / 22

HEX #1CC8A8

RGB 28 200 168

HSL 168.84, 0.75%, 0.45%

LAB 72.48, -47.91, 4.55

 

CMYK 94 / 0 / 18 / 29

HEX #0BB695

RGB 11 182 149

HSL 168.42, 0.89%, 0.38%

LAB 66.29, -46.35, 5.99

 

CMYK 100 / 0 / 21 / 36

HEX #00A482

RGB 0 164 130

HSL 167.56, 1%, 0.32%

LAB 60.04, -44.35, 7.59

 

CMYK 100 / 0 / 24 / 43

HEX #00926F

RGB 0 146 111

HSL 165.62, 1%, 0.29%

LAB 53.71, -41.9, 9.35

 

CMYK 100 / 0 / 28 / 50

HEX #00805C

RGB 0 128 92

HSL 163.13, 1%, 0.25%

LAB 47.25, -39.37, 11.22

 

CMYK 86 / 0 / 16 / 22

HEX #1CC8A8

RGB 28 200 168

HSL 168.84, 0.75%, 0.45%

LAB 72.48, -47.91, 4.55

 

CMYK 86 / 0 / 39 / 22

HEX #1CC87A

RGB 28 200 122

HSL 152.79, 0.75%, 0.45%

LAB 71.53, -58.44, 27.78

 

CMYK 86 / 0 / 63 / 22

HEX #1CC84B

RGB 28 200 75

HSL 136.4, 0.75%, 0.45%

LAB 70.91, -65.77, 49.89

 

CMYK 86 / 0 / 86 / 22

HEX #1CC81D

RGB 28 200 29

HSL 120.35, 0.75%, 0.45%

LAB 70.62, -69.42, 65.33

 

CMYK 63 / 0 / 86 / 22

HEX #4AC81C

RGB 74 200 28

HSL 103.95, 0.75%, 0.45%

LAB 71.45, -62.29, 66.59

 

CMYK 86 / 0 / 16 / 22

HEX #1CC8A8

RGB 28 200 168

HSL 168.84, 0.75%, 0.45%

LAB 72.48, -47.91, 4.55

 

CMYK 86 / 7 / 0 / 22

HEX #1CBAC8

RGB 28 186 200

HSL 184.88, 0.75%, 0.45%

LAB 69.14, -32.45, -17.88

 

CMYK 86 / 31 / 0 / 22

HEX #1C8BC8

RGB 28 139 200

HSL 201.28, 0.75%, 0.45%

LAB 54.95, -7.75, -39.8

 

CMYK 86 / 54 / 0 / 22

HEX #1C5DC8

RGB 28 93 200

HSL 217.33, 0.75%, 0.45%

LAB 41.6, 20.81, -61.14

 

CMYK 86 / 77 / 0 / 22

HEX #1C2FC8

RGB 28 47 200

HSL 233.37, 0.75%, 0.45%

LAB 30.52, 49.76, -79.32

 

CMYK 86 / 0 / 16 / 22

HEX #1CC8A8

RGB 28 200 168

HSL 168.84, 0.75%, 0.45%

LAB 72.48, -47.91, 4.55

 

CMYK 95 / 0 / 18 / 14

HEX #0ADBB4

RGB 10 219 180

HSL 168.8, 0.91%, 0.45%

LAB 78.48, -53.35, 6.73

 

CMYK 86 / 0 / 16 / 22

HEX #1CC8A8

RGB 28 200 168

HSL 168.84, 0.75%, 0.45%

LAB 72.48, -47.91, 4.55

 

CMYK 74 / 0 / 14 / 29

HEX #2FB69D

RGB 47 182 157

HSL 168.89, 0.59%, 0.45%

LAB 66.9, -41.34, 2.51

 

CMYK 60 / 0 / 11 / 36

HEX #41A391

RGB 65 163 145

HSL 168.98, 0.43%, 0.45%

LAB 61.1, -33.02, 0.82

 

CMYK 42 / 0 / 8 / 43

HEX #549185

RGB 84 145 133

HSL 168.2, 0.27%, 0.45%

LAB 55.92, -22.77, 0.17

 

CMYK 19 / 0 / 3 / 51

HEX #667E7A

RGB 102 126 122

HSL 170, 0.11%, 0.45%

LAB 50.86, -9.55, -0.71

 

CMYK 86 / 0 / 63 / 22

HEX #1CC84A

RGB 28 200 74

HSL 136.05, 0.75%, 0.45%

LAB 70.91, -65.89, 50.31

 

CMYK 86 / 0 / 40 / 22

HEX #1CC878

RGB 28 200 120

HSL 152.09, 0.75%, 0.45%

LAB 71.49, -58.82, 28.78

 

CMYK 86 / 0 / 17 / 22

HEX #1CC8A6

RGB 28 200 166

HSL 168.14, 0.75%, 0.45%

LAB 72.43, -48.43, 5.57

 

CMYK 86 / 5 / 0 / 22

HEX #1CBDC8

RGB 28 189 200

HSL 183.84, 0.75%, 0.45%

LAB 70.04, -33.88, -16.51

 

CMYK 86 / 29 / 0 / 22

HEX #1C8FC8

RGB 28 143 200

HSL 199.88, 0.75%, 0.45%

LAB 56.15, -10.04, -37.91

 

CMYK 86 / 0 / 16 / 50

HEX #12806C

RGB 18 128 108

HSL 169.09, 0.75%, 0.29%

LAB 47.82, -33.83, 2.67

 

CMYK 86 / 0 / 16 / 36

HEX #17A48A

RGB 23 164 138

HSL 168.94, 0.75%, 0.37%

LAB 60.4, -41.03, 3.64

 

CMYK 86 / 0 / 16 / 22

HEX #1CC8A8

RGB 28 200 168

HSL 168.84, 0.75%, 0.45%

LAB 72.48, -47.91, 4.55

 

CMYK 80 / 0 / 15 / 12

HEX #2DE1BF

RGB 45 225 191

HSL 168.67, 0.75%, 0.53%

LAB 80.83, -50.95, 4.32

 

CMYK 65 / 0 / 12 / 10

HEX #51E6CA

RGB 81 230 202

HSL 168.72, 0.75%, 0.61%

LAB 83.24, -45.84, 2.07

 

CMYK 86 / 0 / 16 / 22

HEX #1CC8A8

RGB 28 200 168

HSL 168.84, 0.75%, 0.45%

LAB 72.48, -47.91, 4.55

 

CMYK 86 / 86 / 0 / 22

HEX #1C1CC8

RGB 28 28 200

HSL 240, 0.75%, 0.45%

LAB 27.43, 58.81, -84.46

 

CMYK 0 / 52 / 86 / 22

HEX #C8611C

RGB 200 97 28

HSL 24.07, 0.75%, 0.45%

LAB 52.85, 37.11, 54.27

 

CMYK 86 / 0 / 16 / 22

HEX #1CC8A8

RGB 28 200 168

HSL 168.84, 0.75%, 0.45%

LAB 72.48, -47.91, 4.55

 

CMYK 17 / 86 / 0 / 22

HEX #A61CC8

RGB 166 28 200

HSL 288.14, 0.75%, 0.45%

LAB 42.92, 72.93, -58.43

 

CMYK 0 / 17 / 86 / 22

HEX #C8A61C

RGB 200 166 28

HSL 48.14, 0.75%, 0.45%

LAB 69.21, -0.02, 67.7

 

CMYK 86 / 0 / 16 / 22

HEX #1CC8A8

RGB 28 200 168

HSL 168.84, 0.75%, 0.45%

LAB 72.48, -47.91, 4.55

 

CMYK 86 / 86 / 0 / 22

HEX #1C1CC8

RGB 28 28 200

HSL 240, 0.75%, 0.45%

LAB 27.43, 58.81, -84.46

 

CMYK 0 / 86 / 69 / 22

HEX #C81C3F

RGB 200 28 63

HSL 347.79, 0.75%, 0.45%

LAB 43.46, 64.62, 26.51

 

CMYK 0 / 0 / 86 / 22

HEX #C8C81C

RGB 200 200 28

HSL 60, 0.75%, 0.45%

LAB 78.27, -17.55, 75.08

 

CMYK 86 / 0 / 16 / 22

HEX #1CC8A8

RGB 28 200 168

HSL 168.84, 0.75%, 0.45%

LAB 72.48, -47.91, 4.55

 

CMYK 60 / 86 / 0 / 22

HEX #501CC8

RGB 80 28 200

HSL 258.14, 0.75%, 0.45%

LAB 31.13, 61.85, -78.21

 

CMYK 0 / 86 / 69 / 22

HEX #C81C3F

RGB 200 28 63

HSL 347.79, 0.75%, 0.45%

LAB 43.46, 64.62, 26.51

 

CMYK 26 / 0 / 86 / 22

HEX #95C81C

RGB 149 200 28

HSL 77.79, 0.75%, 0.45%

LAB 74.69, -38.56, 70.65

 

Description

Color code: HEX #1CC8A8 | qconv.com Color code: HEX #1CC8A8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 200 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 200 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 16 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 16% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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