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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 40 220 it is the complementary color RGB 175 215 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 40 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 40 220 shade: RGB 85 40 215, RGB 102 58 234, RGB 119 76 253, RGB 136 94 255 and RGB 153 112 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 40 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 40 220 shade: RGB 80 40 220, RGB 63 22 201, RGB 46 4 182, RGB 29 0 163 and RGB 12 0 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 40 220 shade: RGB 80 40 220, RGB 128 40 220, RGB 177 40 220, RGB 220 40 214 and RGB 220 40 165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 40 220 shade: RGB 80 40 220 and RGB 40 40 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 40 220 shade matches the following richer shades: RGB 80 40 220 and RGB 68 19 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 40 220 shade: RGB 80 40 220, RGB 91 60 199, RGB 102 80 179, RGB 113 100 159 and RGB 124 120 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 40 220 shade: RGB 40 97 220, RGB 40 49 220, RGB 79 40 220, RGB 127 40 220 and RGB 175 40 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 40 220 shade: RGB 53 24 152, RGB 65 30 188, RGB 80 40 220, RGB 108 75 225 and RGB 137 111 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 40 220 shade: RGB 80 40 220, RGB 220 40 145 and RGB 73 220 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 40 220 shade: RGB 80 40 220, RGB 220 79 40 and RGB 40 220 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 40 220 shade: RGB 80 40 220, RGB 220 40 145, RGB 181 220 40 and RGB 40 220 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 40 220 shade: RGB 80 40 220, RGB 220 40 91, RGB 181 220 40 and RGB 40 220 169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 82 / 0 / 14

HEX #5028DC

RGB 80 40 220

HSL 253.33, 0.72%, 0.51%

LAB 34.78, 62.74, -83.76

 

Complementary color

CMYK 19 / 0 / 84 / 16

HEX #AFD723

RGB 175 215 35

HSL 73.33, 0.72%, 0.49%

LAB 80.65, -34.89, 74.85

 

CMYK 60 / 81 / 0 / 16

HEX #5528D7

RGB 85 40 215

HSL 255.43, 0.69%, 0.5%

LAB 34.71, 61.86, -80.98

 

CMYK 56 / 75 / 0 / 8

HEX #663AEA

RGB 102 58 234

HSL 255, 0.81%, 0.57%

LAB 40.88, 61.08, -81.62

 

CMYK 53 / 70 / 0 / 1

HEX #774CFD

RGB 119 76 253

HSL 254.58, 0.98%, 0.65%

LAB 47.21, 59.91, -81.84

 

CMYK 47 / 63 / 0 / 0

HEX #885EFF

RGB 136 94 255

HSL 255.65, 1%, 0.68%

LAB 52.35, 53.96, -74.5

 

CMYK 40 / 56 / 0 / 0

HEX #9970FF

RGB 153 112 255

HSL 257.2, 1%, 0.72%

LAB 57.64, 47.62, -65.88

 

CMYK 64 / 82 / 0 / 14

HEX #5028DC

RGB 80 40 220

HSL 253.33, 0.72%, 0.51%

LAB 34.78, 62.74, -83.76

 

CMYK 69 / 89 / 0 / 21

HEX #3F16C9

RGB 63 22 201

HSL 253.74, 0.8%, 0.44%

LAB 29.02, 62.74, -82.33

 

CMYK 75 / 98 / 0 / 29

HEX #2E04B6

RGB 46 4 182

HSL 254.16, 0.96%, 0.36%

LAB 23.82, 61.33, -79.8

 

CMYK 82 / 100 / 0 / 36

HEX #1D00A3

RGB 29 0 163

HSL 250.67, 1%, 0.32%

LAB 19.66, 57.04, -75.3

 

CMYK 92 / 100 / 0 / 44

HEX #0C0090

RGB 12 0 144

HSL 245, 1%, 0.28%

LAB 15.96, 51.87, -69.79

 

CMYK 64 / 82 / 0 / 14

HEX #5028DC

RGB 80 40 220

HSL 253.33, 0.72%, 0.51%

LAB 34.78, 62.74, -83.76

 

CMYK 42 / 82 / 0 / 14

HEX #8028DC

RGB 128 40 220

HSL 269.33, 0.72%, 0.51%

LAB 40.04, 68.12, -74.92

 

CMYK 20 / 82 / 0 / 14

HEX #B128DC

RGB 177 40 220

HSL 285.67, 0.72%, 0.51%

LAB 47.02, 75.52, -63.25

 

CMYK 0 / 82 / 3 / 14

HEX #DC28D6

RGB 220 40 214

HSL 302, 0.72%, 0.51%

LAB 53.59, 82.13, -48.9

 

CMYK 0 / 82 / 25 / 14

HEX #DC28A5

RGB 220 40 165

HSL 318.33, 0.72%, 0.51%

LAB 51.21, 75.6, -24.19

 

CMYK 64 / 82 / 0 / 14

HEX #5028DC

RGB 80 40 220

HSL 253.33, 0.72%, 0.51%

LAB 34.78, 62.74, -83.76

 

CMYK 82 / 82 / 0 / 14

HEX #2828DC

RGB 40 40 220

HSL 240, 0.72%, 0.51%

LAB 32.11, 60.09, -88.27

 

CMYK 64 / 82 / 0 / 14

HEX #5028DC

RGB 80 40 220

HSL 253.33, 0.72%, 0.51%

LAB 34.78, 62.74, -83.76

 

CMYK 72 / 92 / 0 / 6

HEX #4413F0

RGB 68 19 240

HSL 253.3, 0.88%, 0.51%

LAB 33.95, 73.64, -96.58

 

CMYK 64 / 82 / 0 / 14

HEX #5028DC

RGB 80 40 220

HSL 253.33, 0.72%, 0.51%

LAB 34.78, 62.74, -83.76

 

CMYK 54 / 70 / 0 / 22

HEX #5B3CC7

RGB 91 60 199

HSL 253.38, 0.55%, 0.51%

LAB 37.08, 48.67, -67.79

 

CMYK 43 / 55 / 0 / 30

HEX #6650B3

RGB 102 80 179

HSL 253.33, 0.39%, 0.51%

LAB 40.92, 33.48, -49.79

 

CMYK 29 / 37 / 0 / 38

HEX #71649F

RGB 113 100 159

HSL 253.22, 0.24%, 0.51%

LAB 45.81, 18.71, -30.16

 

CMYK 11 / 14 / 0 / 45

HEX #7C788B

RGB 124 120 139

HSL 252.63, 0.08%, 0.51%

LAB 51.36, 5.49, -9.77

 

CMYK 82 / 56 / 0 / 14

HEX #2861DC

RGB 40 97 220

HSL 221, 0.72%, 0.51%

LAB 44.47, 26.84, -67.93

 

CMYK 82 / 78 / 0 / 14

HEX #2831DC

RGB 40 49 220

HSL 237, 0.72%, 0.51%

LAB 33.59, 55.78, -85.81

 

CMYK 64 / 82 / 0 / 14

HEX #4F28DC

RGB 79 40 220

HSL 253, 0.72%, 0.51%

LAB 34.7, 62.65, -83.91

 

CMYK 42 / 82 / 0 / 14

HEX #7F28DC

RGB 127 40 220

HSL 269, 0.72%, 0.51%

LAB 39.91, 67.99, -75.13

 

CMYK 20 / 82 / 0 / 14

HEX #AF28DC

RGB 175 40 220

HSL 285, 0.72%, 0.51%

LAB 46.71, 75.19, -63.76

 

CMYK 65 / 84 / 0 / 40

HEX #351898

RGB 53 24 152

HSL 253.59, 0.73%, 0.35%

LAB 22.57, 47.83, -63.67

 

CMYK 65 / 84 / 0 / 26

HEX #411EBC

RGB 65 30 188

HSL 253.29, 0.72%, 0.43%

LAB 28.6, 56.64, -75.38

 

CMYK 64 / 82 / 0 / 14

HEX #5028DC

RGB 80 40 220

HSL 253.33, 0.72%, 0.51%

LAB 34.78, 62.74, -83.76

 

CMYK 52 / 67 / 0 / 12

HEX #6C4BE1

RGB 108 75 225

HSL 253.2, 0.71%, 0.59%

LAB 43.74, 50.86, -71.81

 

CMYK 41 / 52 / 0 / 9

HEX #896FE7

RGB 137 111 231

HSL 253, 0.71%, 0.67%

LAB 54.51, 38.12, -57.64

 

CMYK 64 / 82 / 0 / 14

HEX #5028DC

RGB 80 40 220

HSL 253.33, 0.72%, 0.51%

LAB 34.78, 62.74, -83.76

 

CMYK 0 / 82 / 34 / 14

HEX #DC2891

RGB 220 40 145

HSL 325, 0.72%, 0.51%

LAB 50.43, 73.37, -13.48

 

CMYK 67 / 0 / 82 / 14

HEX #49DC28

RGB 73 220 40

HSL 109, 0.72%, 0.51%

LAB 77.73, -68.48, 69.38

 

CMYK 64 / 82 / 0 / 14

HEX #5028DC

RGB 80 40 220

HSL 253.33, 0.72%, 0.51%

LAB 34.78, 62.74, -83.76

 

CMYK 0 / 64 / 82 / 14

HEX #DC4F28

RGB 220 79 40

HSL 13, 0.72%, 0.51%

LAB 52.91, 53.32, 50.54

 

CMYK 82 / 0 / 64 / 14

HEX #28DC4F

RGB 40 220 79

HSL 133, 0.72%, 0.51%

LAB 77.4, -70.38, 55.49

 

CMYK 64 / 82 / 0 / 14

HEX #5028DC

RGB 80 40 220

HSL 253.33, 0.72%, 0.51%

LAB 34.78, 62.74, -83.76

 

CMYK 0 / 82 / 34 / 14

HEX #DC2891

RGB 220 40 145

HSL 325, 0.72%, 0.51%

LAB 50.43, 73.37, -13.48

 

CMYK 18 / 0 / 82 / 14

HEX #B5DC28

RGB 181 220 40

HSL 73, 0.72%, 0.51%

LAB 82.47, -34.63, 75.4

 

CMYK 82 / 0 / 48 / 14

HEX #28DC73

RGB 40 220 115

HSL 145, 0.72%, 0.51%

LAB 77.8, -65.55, 39.47

 

CMYK 64 / 82 / 0 / 14

HEX #5028DC

RGB 80 40 220

HSL 253.33, 0.72%, 0.51%

LAB 34.78, 62.74, -83.76

 

CMYK 0 / 82 / 59 / 14

HEX #DC285B

RGB 220 40 91

HSL 343, 0.72%, 0.51%

LAB 48.87, 68.81, 17.09

 

CMYK 18 / 0 / 82 / 14

HEX #B5DC28

RGB 181 220 40

HSL 73, 0.72%, 0.51%

LAB 82.47, -34.63, 75.4

 

CMYK 82 / 0 / 23 / 14

HEX #28DCA9

RGB 40 220 169

HSL 163, 0.72%, 0.51%

LAB 78.75, -54.78, 12.99

 

Description

Color code: RGB 80 40 220 | qconv.com Color code: RGB 80 40 220 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 40 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 40 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 82 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 82% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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