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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 125 190 it is the complementary color RGB 175 130 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 125 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 125 190 shade: RGB 85 125 185, RGB 102 143 204, RGB 119 161 223, RGB 136 179 242 and RGB 153 197 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 125 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 125 190 shade: RGB 80 125 190, RGB 63 107 171, RGB 46 89 152, RGB 29 71 133 and RGB 12 53 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 125 190 shade: RGB 80 125 190, RGB 80 95 190, RGB 94 80 190, RGB 124 80 190 and RGB 153 80 190

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 125 190 shade: RGB 80 125 190, RGB 80 95 190 and RGB 80 80 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 125 190 shade matches the following richer shades: RGB 80 125 190, RGB 60 121 209, RGB 41 118 229 and RGB 21 114 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 125 190 shade: RGB 80 125 190, RGB 99 128 170, RGB 118 132 151, RGB 138 135 132 and RGB 157 139 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 125 190 shade: RGB 80 184 190, RGB 80 155 190, RGB 80 125 190, RGB 80 96 190 and RGB 92 80 190

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 125 190 shade: RGB 50 86 137, RGB 61 104 167, RGB 80 125 190, RGB 110 147 201 and RGB 140 169 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 125 190 shade: RGB 80 125 190, RGB 166 80 190 and RGB 170 190 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 125 190 shade: RGB 80 125 190, RGB 190 80 125 and RGB 125 190 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 125 190 shade: RGB 80 125 190, RGB 166 80 190, RGB 190 144 80 and RGB 103 190 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 125 190 shade: RGB 80 125 190, RGB 190 80 181, RGB 190 144 80 and RGB 80 190 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 34 / 0 / 25

HEX #507DBE

RGB 80 125 190

HSL 215.45, 0.46%, 0.53%

LAB 51.94, 4.24, -38.73

 

Complementary color

CMYK 0 / 26 / 63 / 31

HEX #AF8241

RGB 175 130 65

HSL 35.45, 0.46%, 0.47%

LAB 57.52, 10.21, 41.24

 

CMYK 54 / 32 / 0 / 27

HEX #557DB9

RGB 85 125 185

HSL 216, 0.42%, 0.53%

LAB 51.95, 3.69, -35.83

 

CMYK 50 / 30 / 0 / 20

HEX #668FCC

RGB 102 143 204

HSL 215.88, 0.5%, 0.6%

LAB 58.82, 2.93, -35.81

 

CMYK 47 / 28 / 0 / 13

HEX #77A1DF

RGB 119 161 223

HSL 215.77, 0.62%, 0.67%

LAB 65.55, 2.3, -35.83

 

CMYK 44 / 26 / 0 / 5

HEX #88B3F2

RGB 136 179 242

HSL 215.66, 0.8%, 0.74%

LAB 72.15, 1.78, -35.88

 

CMYK 40 / 23 / 0 / 0

HEX #99C5FF

RGB 153 197 255

HSL 214.12, 1%, 0.8%

LAB 78.42, -0.27, -33.11

 

CMYK 58 / 34 / 0 / 25

HEX #507DBE

RGB 80 125 190

HSL 215.45, 0.46%, 0.53%

LAB 51.94, 4.24, -38.73

 

CMYK 63 / 37 / 0 / 33

HEX #3F6BAB

RGB 63 107 171

HSL 215.56, 0.46%, 0.46%

LAB 44.96, 5.38, -38.8

 

CMYK 70 / 41 / 0 / 40

HEX #2E5998

RGB 46 89 152

HSL 215.66, 0.54%, 0.39%

LAB 37.83, 6.87, -38.89

 

CMYK 78 / 47 / 0 / 48

HEX #1D4785

RGB 29 71 133

HSL 215.77, 0.64%, 0.32%

LAB 30.55, 8.88, -38.98

 

CMYK 89 / 54 / 0 / 55

HEX #0C3572

RGB 12 53 114

HSL 215.88, 0.81%, 0.25%

LAB 23.13, 11.7, -39

 

CMYK 58 / 34 / 0 / 25

HEX #507DBE

RGB 80 125 190

HSL 215.45, 0.46%, 0.53%

LAB 51.94, 4.24, -38.73

 

CMYK 58 / 50 / 0 / 25

HEX #505FBE

RGB 80 95 190

HSL 231.82, 0.46%, 0.53%

LAB 43.66, 22.84, -51.9

 

CMYK 51 / 58 / 0 / 25

HEX #5E50BE

RGB 94 80 190

HSL 247.64, 0.46%, 0.53%

LAB 40.95, 35, -56.23

 

CMYK 35 / 58 / 0 / 25

HEX #7C50BE

RGB 124 80 190

HSL 264, 0.46%, 0.53%

LAB 43.86, 41.72, -51.39

 

CMYK 19 / 58 / 0 / 25

HEX #9950BE

RGB 153 80 190

HSL 279.82, 0.46%, 0.53%

LAB 47.27, 48.91, -45.74

 

CMYK 58 / 34 / 0 / 25

HEX #507DBE

RGB 80 125 190

HSL 215.45, 0.46%, 0.53%

LAB 51.94, 4.24, -38.73

 

CMYK 58 / 50 / 0 / 25

HEX #505FBE

RGB 80 95 190

HSL 231.82, 0.46%, 0.53%

LAB 43.66, 22.84, -51.9

 

CMYK 58 / 58 / 0 / 25

HEX #5050BE

RGB 80 80 190

HSL 240, 0.46%, 0.53%

LAB 39.85, 32.27, -58.06

 

CMYK 58 / 34 / 0 / 25

HEX #507DBE

RGB 80 125 190

HSL 215.45, 0.46%, 0.53%

LAB 51.94, 4.24, -38.73

 

CMYK 71 / 42 / 0 / 18

HEX #3C79D1

RGB 60 121 209

HSL 215.44, 0.62%, 0.53%

LAB 50.97, 9.79, -51.17

 

CMYK 82 / 48 / 0 / 10

HEX #2976E5

RGB 41 118 229

HSL 215.43, 0.78%, 0.53%

LAB 50.79, 16.95, -62.79

 

CMYK 92 / 54 / 0 / 3

HEX #1572F8

RGB 21 114 248

HSL 215.42, 0.94%, 0.53%

LAB 50.65, 25.49, -73.64

 

CMYK 58 / 34 / 0 / 25

HEX #507DBE

RGB 80 125 190

HSL 215.45, 0.46%, 0.53%

LAB 51.94, 4.24, -38.73

 

CMYK 42 / 25 / 0 / 33

HEX #6380AA

RGB 99 128 170

HSL 215.49, 0.29%, 0.53%

LAB 52.94, 0.83, -25.58

 

CMYK 22 / 13 / 0 / 41

HEX #768497

RGB 118 132 151

HSL 214.55, 0.14%, 0.53%

LAB 54.65, -0.76, -11.88

 

CMYK 0 / 2 / 4 / 46

HEX #8A8784

RGB 138 135 132

HSL 30, 0.02%, 0.53%

LAB 56.48, 0.54, 2

 

CMYK 0 / 11 / 29 / 38

HEX #9D8B70

RGB 157 139 112

HSL 36, 0.19%, 0.53%

LAB 58.79, 2.45, 16.94

 

CMYK 58 / 3 / 0 / 25

HEX #50B8BE

RGB 80 184 190

HSL 183.27, 0.46%, 0.53%

LAB 69.26, -28.04, -12.1

 

CMYK 58 / 18 / 0 / 25

HEX #509BBE

RGB 80 155 190

HSL 199.09, 0.46%, 0.53%

LAB 60.66, -13, -25.15

 

CMYK 58 / 34 / 0 / 25

HEX #507DBE

RGB 80 125 190

HSL 215.45, 0.46%, 0.53%

LAB 51.94, 4.24, -38.73

 

CMYK 58 / 49 / 0 / 25

HEX #5060BE

RGB 80 96 190

HSL 231.27, 0.46%, 0.53%

LAB 43.93, 22.21, -51.48

 

CMYK 52 / 58 / 0 / 25

HEX #5C50BE

RGB 92 80 190

HSL 246.55, 0.46%, 0.53%

LAB 40.78, 34.59, -56.5

 

CMYK 64 / 37 / 0 / 46

HEX #325689

RGB 50 86 137

HSL 215.17, 0.47%, 0.37%

LAB 36.25, 4, -32.29

 

CMYK 63 / 38 / 0 / 35

HEX #3D68A7

RGB 61 104 167

HSL 215.66, 0.46%, 0.45%

LAB 43.77, 5.46, -38.33

 

CMYK 58 / 34 / 0 / 25

HEX #507DBE

RGB 80 125 190

HSL 215.45, 0.46%, 0.53%

LAB 51.94, 4.24, -38.73

 

CMYK 45 / 27 / 0 / 21

HEX #6E93C9

RGB 110 147 201

HSL 215.6, 0.46%, 0.61%

LAB 60.25, 1.67, -31.86

 

CMYK 34 / 20 / 0 / 17

HEX #8CA9D4

RGB 140 169 212

HSL 215.83, 0.46%, 0.69%

LAB 68.54, 0.33, -25.04

 

CMYK 58 / 34 / 0 / 25

HEX #507DBE

RGB 80 125 190

HSL 215.45, 0.46%, 0.53%

LAB 51.94, 4.24, -38.73

 

CMYK 13 / 58 / 0 / 25

HEX #A650BE

RGB 166 80 190

HSL 286.91, 0.46%, 0.53%

LAB 48.96, 52.25, -42.95

 

CMYK 11 / 0 / 58 / 25

HEX #AABE50

RGB 170 190 80

HSL 70.91, 0.46%, 0.53%

LAB 73.51, -22.61, 52.11

 

CMYK 58 / 34 / 0 / 25

HEX #507DBE

RGB 80 125 190

HSL 215.45, 0.46%, 0.53%

LAB 51.94, 4.24, -38.73

 

CMYK 0 / 58 / 34 / 25

HEX #BE507D

RGB 190 80 125

HSL 335.45, 0.46%, 0.53%

LAB 49.7, 48.75, -3.09

 

CMYK 34 / 0 / 58 / 25

HEX #7DBE50

RGB 125 190 80

HSL 95.45, 0.46%, 0.53%

LAB 70.71, -39.8, 48.17

 

CMYK 58 / 34 / 0 / 25

HEX #507DBE

RGB 80 125 190

HSL 215.45, 0.46%, 0.53%

LAB 51.94, 4.24, -38.73

 

CMYK 13 / 58 / 0 / 25

HEX #A650BE

RGB 166 80 190

HSL 286.91, 0.46%, 0.53%

LAB 48.96, 52.25, -42.95

 

CMYK 0 / 24 / 58 / 25

HEX #BE9050

RGB 190 144 80

HSL 34.91, 0.46%, 0.53%

LAB 62.9, 10.09, 40.31

 

CMYK 46 / 0 / 58 / 25

HEX #67BE50

RGB 103 190 80

HSL 107.45, 0.46%, 0.53%

LAB 69.68, -47, 46.71

 

CMYK 58 / 34 / 0 / 25

HEX #507DBE

RGB 80 125 190

HSL 215.45, 0.46%, 0.53%

LAB 51.94, 4.24, -38.73

 

CMYK 0 / 58 / 5 / 25

HEX #BE50B5

RGB 190 80 181

HSL 304.91, 0.46%, 0.53%

LAB 51.86, 56.94, -32.93

 

CMYK 0 / 24 / 58 / 25

HEX #BE9050

RGB 190 144 80

HSL 34.91, 0.46%, 0.53%

LAB 62.9, 10.09, 40.31

 

CMYK 58 / 0 / 53 / 25

HEX #50BE59

RGB 80 190 89

HSL 124.91, 0.46%, 0.53%

LAB 68.93, -52.17, 41.37

 

Description

Color code: RGB 80 125 190 | qconv.com Color code: RGB 80 125 190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 125 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 125 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 34 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 34% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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