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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 136 179 242 it is the complementary color RGB 119 76 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 136 179 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 136 179 242 shade: RGB 141 179 237, RGB 158 197 255, RGB 175 215 255, RGB 192 233 255 and RGB 209 251 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 136 179 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 136 179 242 shade: RGB 136 179 242, RGB 119 161 223, RGB 102 143 204, RGB 85 125 185 and RGB 68 107 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 136 179 242 shade: RGB 135 178 241, RGB 135 150 241, RGB 149 135 241, RGB 178 135 241 and RGB 207 135 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 136 179 242 shade: RGB 135 178 241, RGB 135 150 241 and RGB 135 135 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 136 179 242 shade matches the following richer shades: RGB 135 178 241 and RGB 124 176 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 136 179 242 shade: RGB 135 178 241, RGB 146 180 231, RGB 157 182 220, RGB 167 184 209 and RGB 178 186 198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 136 179 242 shade: RGB 135 236 241, RGB 135 208 241, RGB 135 179 241, RGB 135 151 241 and RGB 148 135 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 136 179 242 shade: RGB 61 131 233, RGB 98 154 237, RGB 135 178 241, RGB 172 202 245 and RGB 209 226 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 136 179 242 shade: RGB 136 179 242, RGB 218 135 241 and RGB 222 241 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 136 179 242 shade: RGB 136 179 242, RGB 241 135 179 and RGB 179 241 135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 136 179 242 shade: RGB 136 179 242, RGB 218 135 241, RGB 241 197 135 and RGB 158 241 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 136 179 242 shade: RGB 136 179 242, RGB 241 135 232, RGB 241 197 135 and RGB 135 241 144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 26 / 0 / 5

HEX #88B3F2

RGB 136 179 242

HSL 215.66, 0.8%, 0.74%

LAB 72.15, 1.78, -35.88

 

Complementary color

CMYK 0 / 36 / 89 / 53

HEX #774C0D

RGB 119 76 13

HSL 35.66, 0.8%, 0.26%

LAB 36.21, 13.05, 41.04

 

CMYK 41 / 24 / 0 / 7

HEX #8DB3ED

RGB 141 179 237

HSL 216.25, 0.73%, 0.74%

LAB 72.24, 1.67, -33.01

 

CMYK 38 / 23 / 0 / 0

HEX #9EC5FF

RGB 158 197 255

HSL 215.88, 1%, 0.81%

LAB 78.71, 1.03, -32.64

 

CMYK 31 / 16 / 0 / 0

HEX #AFD7FF

RGB 175 215 255

HSL 210, 1%, 0.84%

LAB 84.45, -3.99, -23.76

 

CMYK 25 / 9 / 0 / 0

HEX #C0E9FF

RGB 192 233 255

HSL 200.95, 1%, 0.88%

LAB 90.19, -8.48, -15

 

CMYK 18 / 2 / 0 / 0

HEX #D1FBFF

RGB 209 251 255

HSL 185.22, 1%, 0.91%

LAB 95.9, -12.54, -6.39

 

CMYK 44 / 26 / 0 / 5

HEX #88B3F2

RGB 136 179 242

HSL 215.66, 0.8%, 0.74%

LAB 72.15, 1.78, -35.88

 

CMYK 47 / 28 / 0 / 13

HEX #77A1DF

RGB 119 161 223

HSL 215.77, 0.62%, 0.67%

LAB 65.55, 2.3, -35.83

 

CMYK 50 / 30 / 0 / 20

HEX #668FCC

RGB 102 143 204

HSL 215.88, 0.5%, 0.6%

LAB 58.82, 2.93, -35.81

 

CMYK 54 / 32 / 0 / 27

HEX #557DB9

RGB 85 125 185

HSL 216, 0.42%, 0.53%

LAB 51.95, 3.69, -35.83

 

CMYK 59 / 36 / 0 / 35

HEX #446BA6

RGB 68 107 166

HSL 216.12, 0.42%, 0.46%

LAB 44.94, 4.65, -35.88

 

CMYK 44 / 26 / 0 / 5

HEX #87B2F1

RGB 135 178 241

HSL 215.66, 0.79%, 0.74%

LAB 71.79, 1.81, -35.91

 

CMYK 44 / 38 / 0 / 5

HEX #8796F1

RGB 135 150 241

HSL 231.51, 0.79%, 0.74%

LAB 64.41, 17.73, -47.45

 

CMYK 38 / 44 / 0 / 5

HEX #9587F1

RGB 149 135 241

HSL 247.92, 0.79%, 0.74%

LAB 61.71, 29.9, -51.65

 

CMYK 26 / 44 / 0 / 5

HEX #B287F1

RGB 178 135 241

HSL 264.34, 0.79%, 0.74%

LAB 64.28, 37.52, -47.43

 

CMYK 14 / 44 / 0 / 5

HEX #CF87F1

RGB 207 135 241

HSL 280.75, 0.79%, 0.74%

LAB 67.24, 45.59, -42.58

 

CMYK 44 / 26 / 0 / 5

HEX #87B2F1

RGB 135 178 241

HSL 215.66, 0.79%, 0.74%

LAB 71.79, 1.81, -35.91

 

CMYK 44 / 38 / 0 / 5

HEX #8796F1

RGB 135 150 241

HSL 231.51, 0.79%, 0.74%

LAB 64.41, 17.73, -47.45

 

CMYK 44 / 44 / 0 / 5

HEX #8787F1

RGB 135 135 241

HSL 240, 0.79%, 0.74%

LAB 60.63, 26.47, -53.44

 

CMYK 44 / 26 / 0 / 5

HEX #87B2F1

RGB 135 178 241

HSL 215.66, 0.79%, 0.74%

LAB 71.79, 1.81, -35.91

 

CMYK 51 / 30 / 0 / 1

HEX #7CB0FC

RGB 124 176 252

HSL 215.63, 0.96%, 0.74%

LAB 71.12, 3.52, -42.95

 

CMYK 44 / 26 / 0 / 5

HEX #87B2F1

RGB 135 178 241

HSL 215.66, 0.79%, 0.74%

LAB 71.79, 1.81, -35.91

 

CMYK 37 / 22 / 0 / 9

HEX #92B4E7

RGB 146 180 231

HSL 216, 0.64%, 0.74%

LAB 72.58, 0.84, -29.21

 

CMYK 29 / 17 / 0 / 14

HEX #9DB6DC

RGB 157 182 220

HSL 216.19, 0.47%, 0.74%

LAB 73.41, 0.08, -21.89

 

CMYK 20 / 12 / 0 / 18

HEX #A7B8D1

RGB 167 184 209

HSL 215.71, 0.31%, 0.74%

LAB 74.25, -0.53, -14.56

 

CMYK 10 / 6 / 0 / 22

HEX #B2BAC6

RGB 178 186 198

HSL 216, 0.15%, 0.74%

LAB 75.24, -0.39, -7.01

 

CMYK 44 / 2 / 0 / 5

HEX #87ECF1

RGB 135 236 241

HSL 182.83, 0.79%, 0.74%

LAB 87.72, -28.26, -11.65

 

CMYK 44 / 14 / 0 / 5

HEX #87D0F1

RGB 135 208 241

HSL 198.68, 0.79%, 0.74%

LAB 79.96, -14.28, -23.35

 

CMYK 44 / 26 / 0 / 5

HEX #87B3F1

RGB 135 179 241

HSL 215.09, 0.79%, 0.74%

LAB 72.06, 1.25, -35.49

 

CMYK 44 / 37 / 0 / 5

HEX #8797F1

RGB 135 151 241

HSL 230.94, 0.79%, 0.74%

LAB 64.67, 17.15, -47.04

 

CMYK 39 / 44 / 0 / 5

HEX #9487F1

RGB 148 135 241

HSL 247.36, 0.79%, 0.74%

LAB 61.63, 29.65, -51.79

 

CMYK 74 / 44 / 0 / 9

HEX #3D83E9

RGB 61 131 233

HSL 215.58, 0.8%, 0.58%

LAB 55.18, 12.46, -57.93

 

CMYK 59 / 35 / 0 / 7

HEX #629AED

RGB 98 154 237

HSL 215.83, 0.79%, 0.66%

LAB 63.2, 6.03, -47.31

 

CMYK 44 / 26 / 0 / 5

HEX #87B2F1

RGB 135 178 241

HSL 215.66, 0.79%, 0.74%

LAB 71.79, 1.81, -35.91

 

CMYK 30 / 18 / 0 / 4

HEX #ACCAF5

RGB 172 202 245

HSL 215.34, 0.78%, 0.82%

LAB 80.52, -0.34, -24.45

 

CMYK 16 / 9 / 0 / 2

HEX #D1E2F9

RGB 209 226 249

HSL 214.5, 0.77%, 0.9%

LAB 89.29, -1.05, -13.08

 

CMYK 44 / 26 / 0 / 5

HEX #88B3F2

RGB 136 179 242

HSL 215.66, 0.8%, 0.74%

LAB 72.15, 1.78, -35.88

 

CMYK 10 / 44 / 0 / 5

HEX #DA87F1

RGB 218 135 241

HSL 286.98, 0.79%, 0.74%

LAB 68.45, 48.71, -40.59

 

CMYK 8 / 0 / 44 / 5

HEX #DEF187

RGB 222 241 135

HSL 70.75, 0.79%, 0.74%

LAB 91.77, -21.87, 48.91

 

CMYK 44 / 26 / 0 / 5

HEX #88B3F2

RGB 136 179 242

HSL 215.66, 0.8%, 0.74%

LAB 72.15, 1.78, -35.88

 

CMYK 0 / 44 / 26 / 5

HEX #F187B3

RGB 241 135 179

HSL 335.09, 0.79%, 0.74%

LAB 68.96, 45.55, -5.14

 

CMYK 26 / 0 / 44 / 5

HEX #B3F187

RGB 179 241 135

HSL 95.09, 0.79%, 0.74%

LAB 89.04, -37.56, 44.9

 

CMYK 44 / 26 / 0 / 5

HEX #88B3F2

RGB 136 179 242

HSL 215.66, 0.8%, 0.74%

LAB 72.15, 1.78, -35.88

 

CMYK 10 / 44 / 0 / 5

HEX #DA87F1

RGB 218 135 241

HSL 286.98, 0.79%, 0.74%

LAB 68.45, 48.71, -40.59

 

CMYK 0 / 18 / 44 / 5

HEX #F1C587

RGB 241 197 135

HSL 35.09, 0.79%, 0.74%

LAB 82.05, 7.77, 36.93

 

CMYK 34 / 0 / 44 / 5

HEX #9EF187

RGB 158 241 135

HSL 106.98, 0.79%, 0.74%

LAB 87.93, -44.56, 43.28

 

CMYK 44 / 26 / 0 / 5

HEX #88B3F2

RGB 136 179 242

HSL 215.66, 0.8%, 0.74%

LAB 72.15, 1.78, -35.88

 

CMYK 0 / 44 / 4 / 5

HEX #F187E8

RGB 241 135 232

HSL 305.09, 0.79%, 0.74%

LAB 70.77, 53.72, -31.83

 

CMYK 0 / 18 / 44 / 5

HEX #F1C587

RGB 241 197 135

HSL 35.09, 0.79%, 0.74%

LAB 82.05, 7.77, 36.93

 

CMYK 44 / 0 / 40 / 5

HEX #87F190

RGB 135 241 144

HSL 125.09, 0.79%, 0.74%

LAB 87.03, -50.18, 37.5

 

Description

Color code: RGB 136 179 242 | qconv.com Color code: RGB 136 179 242 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 179 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 179 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 26 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 26% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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