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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 42 126 it is the complementary color RGB 174 213 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 42 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 42 126 shade: RGB 86 42 121, RGB 103 60 140, RGB 120 78 159, RGB 137 96 178 and RGB 154 114 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 42 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 42 126 shade: RGB 81 42 126, RGB 64 24 107, RGB 47 6 88, RGB 30 0 69 and RGB 13 0 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 42 126 shade: RGB 81 42 126, RGB 103 42 126, RGB 126 42 125, RGB 126 42 103 and RGB 126 42 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 42 126 shade: RGB 81 42 126, RGB 58 42 126 and RGB 42 42 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 42 126 shade matches the following richer shades: RGB 81 42 126, RGB 80 28 139, RGB 79 14 153 and RGB 78 1 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 42 126 shade: RGB 81 42 126, RGB 82 55 112, RGB 83 69 98, RGB 84 82 85 and RGB 85 96 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 42 126 shade: RGB 42 49 126, RGB 57 42 126, RGB 79 42 126, RGB 102 42 126 and RGB 124 42 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 42 126 shade: RGB 41 21 64, RGB 61 31 95, RGB 81 42 126, RGB 101 52 157 and RGB 120 62 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 42 126 shade: RGB 81 42 126, RGB 126 42 71 and RGB 42 126 46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 42 126 shade: RGB 81 42 126, RGB 126 79 42 and RGB 42 126 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 42 126 shade: RGB 81 42 126, RGB 126 42 71, RGB 88 126 42 and RGB 42 126 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 42 126 shade: RGB 81 42 126, RGB 126 42 46, RGB 88 126 42 and RGB 42 126 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 67 / 0 / 51

HEX #512A7E

RGB 81 42 126

HSL 267.86, 0.5%, 0.33%

LAB 26.48, 35.9, -40.95

 

Complementary color

CMYK 18 / 0 / 39 / 16

HEX #AED581

RGB 174 213 129

HSL 87.86, 0.5%, 0.67%

LAB 80.83, -27.08, 37.37

 

CMYK 29 / 65 / 0 / 53

HEX #562A79

RGB 86 42 121

HSL 273.42, 0.48%, 0.32%

LAB 26.78, 35.8, -37.28

 

CMYK 26 / 57 / 0 / 45

HEX #673C8C

RGB 103 60 140

HSL 272.25, 0.4%, 0.39%

LAB 34, 34.91, -37.44

 

CMYK 25 / 51 / 0 / 38

HEX #784E9F

RGB 120 78 159

HSL 271.11, 0.34%, 0.46%

LAB 41.13, 33.96, -37.49

 

CMYK 23 / 46 / 0 / 30

HEX #8960B2

RGB 137 96 178

HSL 270, 0.35%, 0.54%

LAB 48.13, 33.03, -37.51

 

CMYK 22 / 42 / 0 / 23

HEX #9A72C5

RGB 154 114 197

HSL 268.92, 0.42%, 0.61%

LAB 55.01, 32.17, -37.53

 

CMYK 36 / 67 / 0 / 51

HEX #512A7E

RGB 81 42 126

HSL 267.86, 0.5%, 0.33%

LAB 26.48, 35.9, -40.95

 

CMYK 40 / 78 / 0 / 58

HEX #40186B

RGB 64 24 107

HSL 268.92, 0.63%, 0.26%

LAB 19.24, 36.61, -40.62

 

CMYK 47 / 93 / 0 / 65

HEX #2F0658

RGB 47 6 88

HSL 270, 0.87%, 0.18%

LAB 12.22, 36.37, -39.6

 

CMYK 57 / 100 / 0 / 73

HEX #1E0045

RGB 30 0 69

HSL 266.09, 1%, 0.14%

LAB 6.37, 31.96, -36.16

 

CMYK 74 / 100 / 0 / 80

HEX #0D0032

RGB 13 0 50

HSL 255.6, 1%, 0.1%

LAB 2.85, 18.09, -28.17

 

CMYK 36 / 67 / 0 / 51

HEX #512A7E

RGB 81 42 126

HSL 267.86, 0.5%, 0.33%

LAB 26.48, 35.9, -40.95

 

CMYK 18 / 67 / 0 / 51

HEX #672A7E

RGB 103 42 126

HSL 283.57, 0.5%, 0.33%

LAB 29.53, 41.27, -35.89

 

CMYK 0 / 67 / 1 / 51

HEX #7E2A7D

RGB 126 42 125

HSL 300.71, 0.5%, 0.33%

LAB 33.08, 46.96, -29.4

 

CMYK 0 / 67 / 18 / 51

HEX #7E2A67

RGB 126 42 103

HSL 316.43, 0.5%, 0.33%

LAB 31.97, 43.24, -17.2

 

CMYK 0 / 67 / 37 / 51

HEX #7E2A50

RGB 126 42 80

HSL 332.86, 0.5%, 0.33%

LAB 31.05, 39.99, -3.7

 

CMYK 36 / 67 / 0 / 51

HEX #512A7E

RGB 81 42 126

HSL 267.86, 0.5%, 0.33%

LAB 26.48, 35.9, -40.95

 

CMYK 54 / 67 / 0 / 51

HEX #3A2A7E

RGB 58 42 126

HSL 251.43, 0.5%, 0.33%

LAB 23.87, 30.89, -45.3

 

CMYK 67 / 67 / 0 / 51

HEX #2A2A7E

RGB 42 42 126

HSL 240, 0.5%, 0.33%

LAB 22.49, 28.04, -47.61

 

CMYK 36 / 67 / 0 / 51

HEX #512A7E

RGB 81 42 126

HSL 267.86, 0.5%, 0.33%

LAB 26.48, 35.9, -40.95

 

CMYK 42 / 80 / 0 / 45

HEX #501C8B

RGB 80 28 139

HSL 268.11, 0.66%, 0.33%

LAB 24.95, 46.05, -51.59

 

CMYK 48 / 91 / 0 / 40

HEX #4F0E99

RGB 79 14 153

HSL 268.06, 0.83%, 0.33%

LAB 24.56, 54.15, -60.9

 

CMYK 53 / 99 / 0 / 35

HEX #4E01A7

RGB 78 1 167

HSL 267.83, 0.99%, 0.33%

LAB 25.05, 60.11, -68.64

 

CMYK 36 / 67 / 0 / 51

HEX #512A7E

RGB 81 42 126

HSL 267.86, 0.5%, 0.33%

LAB 26.48, 35.9, -40.95

 

CMYK 27 / 51 / 0 / 56

HEX #523770

RGB 82 55 112

HSL 268.42, 0.34%, 0.33%

LAB 28.63, 24.63, -28.63

 

CMYK 15 / 30 / 0 / 62

HEX #534562

RGB 83 69 98

HSL 268.97, 0.17%, 0.33%

LAB 31.75, 12.37, -14.83

 

CMYK 1 / 4 / 0 / 67

HEX #545255

RGB 84 82 85

HSL 280, 0.02%, 0.33%

LAB 35.15, 1.46, -1.47

 

CMYK 11 / 0 / 26 / 62

HEX #556047

RGB 85 96 71

HSL 86.4, 0.15%, 0.33%

LAB 39.16, -9.3, 12.91

 

CMYK 67 / 61 / 0 / 51

HEX #2A317E

RGB 42 49 126

HSL 235, 0.5%, 0.33%

LAB 24.31, 23.33, -44.65

 

CMYK 55 / 67 / 0 / 51

HEX #392A7E

RGB 57 42 126

HSL 250.71, 0.5%, 0.33%

LAB 23.78, 30.69, -45.46

 

CMYK 37 / 67 / 0 / 51

HEX #4F2A7E

RGB 79 42 126

HSL 266.43, 0.5%, 0.33%

LAB 26.23, 35.43, -41.37

 

CMYK 19 / 67 / 0 / 51

HEX #662A7E

RGB 102 42 126

HSL 282.86, 0.5%, 0.33%

LAB 29.38, 41.02, -36.13

 

CMYK 2 / 67 / 0 / 51

HEX #7C2A7E

RGB 124 42 126

HSL 298.57, 0.5%, 0.33%

LAB 32.8, 46.63, -30.48

 

CMYK 36 / 67 / 0 / 75

HEX #291540

RGB 41 21 64

HSL 267.91, 0.51%, 0.17%

LAB 11.81, 20.61, -23.7

 

CMYK 36 / 67 / 0 / 63

HEX #3D1F5F

RGB 61 31 95

HSL 268.13, 0.51%, 0.25%

LAB 19.22, 28.81, -32.8

 

CMYK 36 / 67 / 0 / 51

HEX #512A7E

RGB 81 42 126

HSL 267.86, 0.5%, 0.33%

LAB 26.48, 35.9, -40.95

 

CMYK 36 / 67 / 0 / 38

HEX #65349D

RGB 101 52 157

HSL 268, 0.5%, 0.41%

LAB 33.26, 43.17, -49.02

 

CMYK 36 / 67 / 0 / 26

HEX #783EBC

RGB 120 62 188

HSL 267.62, 0.5%, 0.49%

LAB 39.7, 49.93, -56.96

 

CMYK 36 / 67 / 0 / 51

HEX #512A7E

RGB 81 42 126

HSL 267.86, 0.5%, 0.33%

LAB 26.48, 35.9, -40.95

 

CMYK 0 / 67 / 44 / 51

HEX #7E2A47

RGB 126 42 71

HSL 339.29, 0.5%, 0.33%

LAB 30.75, 38.93, 1.77

 

CMYK 67 / 0 / 63 / 51

HEX #2A7E2E

RGB 42 126 46

HSL 122.86, 0.5%, 0.33%

LAB 46.46, -42.1, 35.46

 

CMYK 36 / 67 / 0 / 51

HEX #512A7E

RGB 81 42 126

HSL 267.86, 0.5%, 0.33%

LAB 26.48, 35.9, -40.95

 

CMYK 0 / 37 / 67 / 51

HEX #7E4F2A

RGB 126 79 42

HSL 26.43, 0.5%, 0.33%

LAB 38.19, 15.98, 29.63

 

CMYK 67 / 0 / 37 / 51

HEX #2A7E4F

RGB 42 126 79

HSL 146.43, 0.5%, 0.33%

LAB 46.95, -36.65, 18.4

 

CMYK 36 / 67 / 0 / 51

HEX #512A7E

RGB 81 42 126

HSL 267.86, 0.5%, 0.33%

LAB 26.48, 35.9, -40.95

 

CMYK 0 / 67 / 44 / 51

HEX #7E2A47

RGB 126 42 71

HSL 339.29, 0.5%, 0.33%

LAB 30.75, 38.93, 1.77

 

CMYK 30 / 0 / 67 / 51

HEX #587E2A

RGB 88 126 42

HSL 87.14, 0.5%, 0.33%

LAB 48.47, -27.71, 40.12

 

CMYK 67 / 0 / 24 / 51

HEX #2A7E60

RGB 42 126 96

HSL 158.57, 0.5%, 0.33%

LAB 47.31, -32.78, 9.06

 

CMYK 36 / 67 / 0 / 51

HEX #512A7E

RGB 81 42 126

HSL 267.86, 0.5%, 0.33%

LAB 26.48, 35.9, -40.95

 

CMYK 0 / 67 / 63 / 51

HEX #7E2A2E

RGB 126 42 46

HSL 357.14, 0.5%, 0.33%

LAB 30.13, 36.62, 17.33

 

CMYK 30 / 0 / 67 / 51

HEX #587E2A

RGB 88 126 42

HSL 87.14, 0.5%, 0.33%

LAB 48.47, -27.71, 40.12

 

CMYK 67 / 0 / 3 / 51

HEX #2A7E7A

RGB 42 126 122

HSL 177.14, 0.5%, 0.33%

LAB 48.03, -25.66, -5.21

 

Description

Color code: RGB 81 42 126 | qconv.com Color code: RGB 81 42 126 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 42 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 42 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 67 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 67% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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