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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 111 244 it is the complementary color RGB 174 144 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 111 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 111 244 shade: RGB 86 111 239, RGB 103 129 255, RGB 120 147 255, RGB 137 165 255 and RGB 154 183 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 111 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 111 244 shade: RGB 81 111 244, RGB 64 93 225, RGB 47 75 206, RGB 30 57 187 and RGB 13 39 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 111 244 shade: RGB 82 112 243, RGB 96 82 243, RGB 139 82 243, RGB 183 82 243 and RGB 226 82 243

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 111 244 shade: RGB 82 112 243 and RGB 82 82 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 111 244 shade matches the following richer shades: RGB 82 112 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 111 244 shade: RGB 82 112 243, RGB 97 121 229, RGB 112 130 214, RGB 126 140 199 and RGB 141 149 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 111 244 shade: RGB 82 200 243, RGB 82 157 243, RGB 82 114 243, RGB 93 82 243 and RGB 136 82 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 111 244 shade: RGB 14 54 229, RGB 43 80 241, RGB 82 112 243, RGB 121 144 246 and RGB 159 176 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 111 244 shade: RGB 81 111 244, RGB 243 82 243 and RGB 179 243 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 111 244 shade: RGB 81 111 244, RGB 243 82 114 and RGB 114 243 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 111 244 shade: RGB 81 111 244, RGB 243 82 243, RGB 243 211 82 and RGB 82 243 82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 111 244 shade: RGB 81 111 244, RGB 243 82 195, RGB 243 211 82 and RGB 82 243 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 55 / 0 / 4

HEX #516FF4

RGB 81 111 244

HSL 228.96, 0.88%, 0.64%

LAB 51.44, 31.4, -70.05

 

Complementary color

CMYK 0 / 17 / 94 / 32

HEX #AE900B

RGB 174 144 11

HSL 48.96, 0.88%, 0.36%

LAB 60.75, -0.18, 63.4

 

CMYK 64 / 54 / 0 / 6

HEX #566FEF

RGB 86 111 239

HSL 230.2, 0.83%, 0.64%

LAB 51.36, 30.46, -67.38

 

CMYK 60 / 49 / 0 / 0

HEX #6781FF

RGB 103 129 255

HSL 229.74, 1%, 0.7%

LAB 57.85, 27.67, -65.73

 

CMYK 53 / 42 / 0 / 0

HEX #7893FF

RGB 120 147 255

HSL 228, 1%, 0.74%

LAB 63.41, 20.25, -56.77

 

CMYK 46 / 35 / 0 / 0

HEX #89A5FF

RGB 137 165 255

HSL 225.76, 1%, 0.77%

LAB 69.08, 13.6, -47.74

 

CMYK 40 / 28 / 0 / 0

HEX #9AB7FF

RGB 154 183 255

HSL 222.77, 1%, 0.8%

LAB 74.8, 7.66, -38.71

 

CMYK 67 / 55 / 0 / 4

HEX #516FF4

RGB 81 111 244

HSL 228.96, 0.88%, 0.64%

LAB 51.44, 31.4, -70.05

 

CMYK 72 / 59 / 0 / 12

HEX #405DE1

RGB 64 93 225

HSL 229.19, 0.73%, 0.57%

LAB 44.74, 33.7, -70.3

 

CMYK 77 / 64 / 0 / 19

HEX #2F4BCE

RGB 47 75 206

HSL 229.43, 0.63%, 0.5%

LAB 38.01, 36.38, -70.45

 

CMYK 84 / 70 / 0 / 27

HEX #1E39BB

RGB 30 57 187

HSL 229.68, 0.72%, 0.43%

LAB 31.32, 39.44, -70.35

 

CMYK 92 / 77 / 0 / 34

HEX #0D27A8

RGB 13 39 168

HSL 229.94, 0.86%, 0.35%

LAB 24.84, 42.72, -69.74

 

CMYK 66 / 54 / 0 / 5

HEX #5270F3

RGB 82 112 243

HSL 228.82, 0.87%, 0.64%

LAB 51.67, 30.59, -69.12

 

CMYK 60 / 66 / 0 / 5

HEX #6052F3

RGB 96 82 243

HSL 245.22, 0.87%, 0.64%

LAB 45.62, 50.49, -78.93

 

CMYK 43 / 66 / 0 / 5

HEX #8B52F3

RGB 139 82 243

HSL 261.24, 0.87%, 0.64%

LAB 49.49, 57.55, -72.46

 

CMYK 25 / 66 / 0 / 5

HEX #B752F3

RGB 183 82 243

HSL 277.64, 0.87%, 0.64%

LAB 54.63, 66.23, -63.89

 

CMYK 7 / 66 / 0 / 5

HEX #E252F3

RGB 226 82 243

HSL 293.66, 0.87%, 0.64%

LAB 60.49, 75.41, -54.17

 

CMYK 66 / 54 / 0 / 5

HEX #5270F3

RGB 82 112 243

HSL 228.82, 0.87%, 0.64%

LAB 51.67, 30.59, -69.12

 

CMYK 66 / 66 / 0 / 5

HEX #5252F3

RGB 82 82 243

HSL 240, 0.87%, 0.64%

LAB 44.66, 48.64, -80.55

 

CMYK 66 / 54 / 0 / 5

HEX #5270F3

RGB 82 112 243

HSL 228.82, 0.87%, 0.64%

LAB 51.67, 30.59, -69.12

 

CMYK 66 / 54 / 0 / 5

HEX #5270F3

RGB 82 112 243

HSL 228.82, 0.87%, 0.64%

LAB 51.67, 30.59, -69.12

 

CMYK 58 / 47 / 0 / 10

HEX #6179E5

RGB 97 121 229

HSL 229.09, 0.72%, 0.64%

LAB 53.89, 22.94, -57.67

 

CMYK 48 / 39 / 0 / 16

HEX #7082D6

RGB 112 130 214

HSL 229.41, 0.55%, 0.64%

LAB 56.35, 16.02, -45.27

 

CMYK 37 / 30 / 0 / 22

HEX #7E8CC7

RGB 126 140 199

HSL 228.49, 0.39%, 0.64%

LAB 59.27, 9.42, -32.19

 

CMYK 23 / 19 / 0 / 28

HEX #8D95B8

RGB 141 149 184

HSL 228.84, 0.23%, 0.64%

LAB 62.18, 4.88, -19.15

 

CMYK 66 / 18 / 0 / 5

HEX #52C8F3

RGB 82 200 243

HSL 196.02, 0.87%, 0.64%

LAB 75.81, -20.05, -30.95

 

CMYK 66 / 35 / 0 / 5

HEX #529DF3

RGB 82 157 243

HSL 212.05, 0.87%, 0.64%

LAB 63.65, 3.46, -49.92

 

CMYK 66 / 53 / 0 / 5

HEX #5272F3

RGB 82 114 243

HSL 228.07, 0.87%, 0.64%

LAB 52.17, 29.36, -68.3

 

CMYK 62 / 66 / 0 / 5

HEX #5D52F3

RGB 93 82 243

HSL 244.1, 0.87%, 0.64%

LAB 45.4, 50.07, -79.3

 

CMYK 44 / 66 / 0 / 5

HEX #8852F3

RGB 136 82 243

HSL 260.12, 0.87%, 0.64%

LAB 49.18, 57, -72.98

 

CMYK 94 / 76 / 0 / 10

HEX #0E36E5

RGB 14 54 229

HSL 228.84, 0.88%, 0.48%

LAB 34.78, 55.13, -89.02

 

CMYK 82 / 67 / 0 / 5

HEX #2B50F1

RGB 43 80 241

HSL 228.79, 0.88%, 0.56%

LAB 42.16, 45.43, -83.6

 

CMYK 66 / 54 / 0 / 5

HEX #5270F3

RGB 82 112 243

HSL 228.82, 0.87%, 0.64%

LAB 51.67, 30.59, -69.12

 

CMYK 51 / 41 / 0 / 4

HEX #7990F6

RGB 121 144 246

HSL 228.96, 0.87%, 0.72%

LAB 62.22, 19.47, -53.72

 

CMYK 36 / 29 / 0 / 3

HEX #9FB0F8

RGB 159 176 248

HSL 228.54, 0.86%, 0.8%

LAB 73.02, 11.01, -37.67

 

CMYK 67 / 55 / 0 / 4

HEX #516FF4

RGB 81 111 244

HSL 228.96, 0.88%, 0.64%

LAB 51.44, 31.4, -70.05

 

CMYK 0 / 66 / 0 / 5

HEX #F352F3

RGB 243 82 243

HSL 300, 0.87%, 0.64%

LAB 62.98, 79.14, -50.08

 

CMYK 26 / 0 / 66 / 5

HEX #B3F352

RGB 179 243 82

HSL 83.85, 0.87%, 0.64%

LAB 89.06, -43.48, 68.26

 

CMYK 67 / 55 / 0 / 4

HEX #516FF4

RGB 81 111 244

HSL 228.96, 0.88%, 0.64%

LAB 51.44, 31.4, -70.05

 

CMYK 0 / 66 / 53 / 5

HEX #F35272

RGB 243 82 114

HSL 348.07, 0.87%, 0.64%

LAB 58.32, 63.52, 16.92

 

CMYK 53 / 0 / 66 / 5

HEX #72F352

RGB 114 243 82

HSL 108.07, 0.87%, 0.64%

LAB 86.15, -64.01, 64.3

 

CMYK 67 / 55 / 0 / 4

HEX #516FF4

RGB 81 111 244

HSL 228.96, 0.88%, 0.64%

LAB 51.44, 31.4, -70.05

 

CMYK 0 / 66 / 0 / 5

HEX #F352F3

RGB 243 82 243

HSL 300, 0.87%, 0.64%

LAB 62.98, 79.14, -50.08

 

CMYK 0 / 13 / 66 / 5

HEX #F3D352

RGB 243 211 82

HSL 48.07, 0.87%, 0.64%

LAB 85.13, -2.77, 65.58

 

CMYK 66 / 0 / 66 / 5

HEX #52F352

RGB 82 243 82

HSL 120, 0.87%, 0.64%

LAB 85.25, -71.18, 63.07

 

CMYK 67 / 55 / 0 / 4

HEX #516FF4

RGB 81 111 244

HSL 228.96, 0.88%, 0.64%

LAB 51.44, 31.4, -70.05

 

CMYK 0 / 66 / 20 / 5

HEX #F352C3

RGB 243 82 195

HSL 317.89, 0.87%, 0.64%

LAB 60.81, 72.1, -26.47

 

CMYK 0 / 13 / 66 / 5

HEX #F3D352

RGB 243 211 82

HSL 48.07, 0.87%, 0.64%

LAB 85.13, -2.77, 65.58

 

CMYK 66 / 0 / 47 / 5

HEX #52F382

RGB 82 243 130

HSL 137.89, 0.87%, 0.64%

LAB 85.76, -65.3, 42.39

 

Description

Color code: RGB 81 111 244 | qconv.com Color code: RGB 81 111 244 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 111 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 111 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 55 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 55% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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