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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 9 116 it is the complementary color RGB 168 246 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 9 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 9 116 shade: RGB 92 9 111, RGB 109 27 130, RGB 126 45 149, RGB 143 63 168 and RGB 160 81 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 9 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 9 116 shade: RGB 87 9 116, RGB 70 0 97, RGB 53 0 78, RGB 36 0 59 and RGB 19 0 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 9 116 shade: RGB 88 8 118, RGB 118 8 118, RGB 118 8 89, RGB 118 8 59 and RGB 118 8 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 9 116 shade: RGB 88 8 118, RGB 59 8 118, RGB 29 8 118 and RGB 8 8 118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 9 116 shade matches the following richer shades: RGB 88 8 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 9 116 shade: RGB 88 8 118, RGB 84 19 108, RGB 79 29 97, RGB 74 39 87 and RGB 69 50 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 9 116 shade: RGB 29 8 118, RGB 58 8 118, RGB 87 8 118, RGB 116 8 118 and RGB 118 8 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 9 116 shade: RGB 31 3 41, RGB 60 6 80, RGB 88 8 118, RGB 117 11 156 and RGB 146 14 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 9 116 shade: RGB 87 9 116, RGB 118 8 18 and RGB 8 118 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 9 116 shade: RGB 87 9 116, RGB 118 87 8 and RGB 8 118 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 9 116 shade: RGB 87 9 116, RGB 118 8 18, RGB 39 118 8 and RGB 8 118 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 9 116 shade: RGB 87 9 116, RGB 118 32 8, RGB 39 118 8 and RGB 8 94 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 92 / 0 / 55

HEX #570974

RGB 87 9 116

HSL 283.74, 0.86%, 0.25%

LAB 21.88, 48.09, -41.99

 

Complementary color

CMYK 32 / 0 / 43 / 4

HEX #A8F68B

RGB 168 246 139

HSL 103.74, 0.86%, 0.75%

LAB 89.91, -42.98, 43.94

 

CMYK 17 / 92 / 0 / 56

HEX #5C096F

RGB 92 9 111

HSL 288.82, 0.85%, 0.24%

LAB 22.37, 47.94, -37.94

 

CMYK 16 / 79 / 0 / 49

HEX #6D1B82

RGB 109 27 130

HSL 287.77, 0.66%, 0.31%

LAB 28.5, 49.81, -39.99

 

CMYK 15 / 70 / 0 / 42

HEX #7E2D95

RGB 126 45 149

HSL 286.73, 0.54%, 0.38%

LAB 34.97, 50.32, -41.22

 

CMYK 15 / 63 / 0 / 34

HEX #8F3FA8

RGB 143 63 168

HSL 285.71, 0.45%, 0.45%

LAB 41.57, 50.12, -41.98

 

CMYK 14 / 57 / 0 / 27

HEX #A051BB

RGB 160 81 187

HSL 284.72, 0.44%, 0.53%

LAB 48.19, 49.58, -42.48

 

CMYK 25 / 92 / 0 / 55

HEX #570974

RGB 87 9 116

HSL 283.74, 0.86%, 0.25%

LAB 21.88, 48.09, -41.99

 

CMYK 28 / 100 / 0 / 62

HEX #460061

RGB 70 0 97

HSL 283.3, 1%, 0.19%

LAB 16.33, 43.95, -38.74

 

CMYK 32 / 100 / 0 / 69

HEX #35004E

RGB 53 0 78

HSL 280.77, 1%, 0.15%

LAB 11.32, 37.44, -34.18

 

CMYK 39 / 100 / 0 / 77

HEX #24003B

RGB 36 0 59

HSL 276.61, 1%, 0.12%

LAB 6.24, 30.02, -29.18

 

CMYK 53 / 100 / 0 / 84

HEX #130028

RGB 19 0 40

HSL 268.5, 1%, 0.08%

LAB 2.63, 15.34, -20.9

 

CMYK 25 / 93 / 0 / 54

HEX #580876

RGB 88 8 118

HSL 283.64, 0.87%, 0.25%

LAB 22.15, 48.9, -42.84

 

CMYK 0 / 93 / 0 / 54

HEX #760876

RGB 118 8 118

HSL 300, 0.87%, 0.25%

LAB 27.66, 54.18, -33.66

 

CMYK 0 / 93 / 25 / 54

HEX #760859

RGB 118 8 89

HSL 315.82, 0.87%, 0.25%

LAB 26, 49.87, -17.44

 

CMYK 0 / 93 / 50 / 54

HEX #76083B

RGB 118 8 59

HSL 332.18, 0.87%, 0.25%

LAB 24.77, 46.53, 0.96

 

CMYK 0 / 93 / 75 / 54

HEX #76081E

RGB 118 8 30

HSL 348, 0.87%, 0.25%

LAB 24.06, 44.53, 19.95

 

CMYK 25 / 93 / 0 / 54

HEX #580876

RGB 88 8 118

HSL 283.64, 0.87%, 0.25%

LAB 22.15, 48.9, -42.84

 

CMYK 50 / 93 / 0 / 54

HEX #3B0876

RGB 59 8 118

HSL 267.82, 0.87%, 0.25%

LAB 17.51, 44.88, -50.61

 

CMYK 75 / 93 / 0 / 54

HEX #1D0876

RGB 29 8 118

HSL 251.45, 0.87%, 0.25%

LAB 14.08, 42.28, -56.41

 

CMYK 93 / 93 / 0 / 54

HEX #080876

RGB 8 8 118

HSL 240, 0.87%, 0.25%

LAB 12.82, 41.45, -58.54

 

CMYK 25 / 93 / 0 / 54

HEX #580876

RGB 88 8 118

HSL 283.64, 0.87%, 0.25%

LAB 22.15, 48.9, -42.84

 

CMYK 25 / 93 / 0 / 54

HEX #580876

RGB 88 8 118

HSL 283.64, 0.87%, 0.25%

LAB 22.15, 48.9, -42.84

 

CMYK 22 / 82 / 0 / 58

HEX #54136C

RGB 84 19 108

HSL 283.82, 0.7%, 0.25%

LAB 21.7, 42.96, -37.14

 

CMYK 19 / 70 / 0 / 62

HEX #4F1D61

RGB 79 29 97

HSL 284.12, 0.54%, 0.25%

LAB 21.59, 35.05, -30.16

 

CMYK 15 / 55 / 0 / 66

HEX #4A2757

RGB 74 39 87

HSL 283.75, 0.38%, 0.25%

LAB 22.28, 25.64, -22.49

 

CMYK 10 / 35 / 0 / 70

HEX #45324D

RGB 69 50 77

HSL 282.22, 0.21%, 0.25%

LAB 23.94, 14.36, -13.3

 

CMYK 75 / 93 / 0 / 54

HEX #1D0876

RGB 29 8 118

HSL 251.45, 0.87%, 0.25%

LAB 14.08, 42.28, -56.41

 

CMYK 51 / 93 / 0 / 54

HEX #3A0876

RGB 58 8 118

HSL 267.27, 0.87%, 0.25%

LAB 17.37, 44.76, -50.85

 

CMYK 26 / 93 / 0 / 54

HEX #570876

RGB 87 8 118

HSL 283.09, 0.87%, 0.25%

LAB 21.97, 48.74, -43.13

 

CMYK 2 / 93 / 0 / 54

HEX #740876

RGB 116 8 118

HSL 298.91, 0.87%, 0.25%

LAB 27.28, 53.8, -34.29

 

CMYK 0 / 93 / 23 / 54

HEX #76085B

RGB 118 8 91

HSL 314.73, 0.87%, 0.25%

LAB 26.1, 50.14, -18.61

 

CMYK 24 / 93 / 0 / 84

HEX #1F0329

RGB 31 3 41

HSL 284.21, 0.86%, 0.09%

LAB 4.67, 20.41, -18.38

 

CMYK 25 / 93 / 0 / 69

HEX #3C0650

RGB 60 6 80

HSL 283.78, 0.86%, 0.17%

LAB 13.65, 36.56, -31.71

 

CMYK 25 / 93 / 0 / 54

HEX #580876

RGB 88 8 118

HSL 283.64, 0.87%, 0.25%

LAB 22.15, 48.9, -42.84

 

CMYK 25 / 93 / 0 / 39

HEX #750B9C

RGB 117 11 156

HSL 283.86, 0.87%, 0.33%

LAB 30.45, 60.37, -52.86

 

CMYK 25 / 93 / 0 / 24

HEX #920EC3

RGB 146 14 195

HSL 283.76, 0.87%, 0.41%

LAB 38.49, 71.48, -62.86

 

CMYK 25 / 92 / 0 / 55

HEX #570974

RGB 87 9 116

HSL 283.74, 0.86%, 0.25%

LAB 21.88, 48.09, -41.99

 

CMYK 0 / 93 / 85 / 54

HEX #760812

RGB 118 8 18

HSL 354.55, 0.87%, 0.25%

LAB 23.9, 44.07, 27.56

 

CMYK 93 / 0 / 64 / 54

HEX #08762B

RGB 8 118 43

HSL 139.09, 0.87%, 0.25%

LAB 43.04, -44.74, 32.84

 

CMYK 25 / 92 / 0 / 55

HEX #570974

RGB 87 9 116

HSL 283.74, 0.86%, 0.25%

LAB 21.88, 48.09, -41.99

 

CMYK 0 / 26 / 93 / 54

HEX #765708

RGB 118 87 8

HSL 43.09, 0.87%, 0.25%

LAB 39.05, 5.83, 44.76

 

CMYK 93 / 0 / 26 / 54

HEX #087657

RGB 8 118 87

HSL 163.09, 0.87%, 0.25%

LAB 43.79, -35.92, 9.32

 

CMYK 25 / 92 / 0 / 55

HEX #570974

RGB 87 9 116

HSL 283.74, 0.86%, 0.25%

LAB 21.88, 48.09, -41.99

 

CMYK 0 / 93 / 85 / 54

HEX #760812

RGB 118 8 18

HSL 354.55, 0.87%, 0.25%

LAB 23.9, 44.07, 27.56

 

CMYK 67 / 0 / 93 / 54

HEX #277608

RGB 39 118 8

HSL 103.09, 0.87%, 0.25%

LAB 43.37, -42.79, 46.05

 

CMYK 93 / 0 / 8 / 54

HEX #08766D

RGB 8 118 109

HSL 175.09, 0.87%, 0.25%

LAB 44.39, -29.6, -2.93

 

CMYK 25 / 92 / 0 / 55

HEX #570974

RGB 87 9 116

HSL 283.74, 0.86%, 0.25%

LAB 21.88, 48.09, -41.99

 

CMYK 0 / 73 / 93 / 54

HEX #762008

RGB 118 32 8

HSL 13.09, 0.87%, 0.25%

LAB 26.45, 36.42, 34.85

 

CMYK 67 / 0 / 93 / 54

HEX #277608

RGB 39 118 8

HSL 103.09, 0.87%, 0.25%

LAB 43.37, -42.79, 46.05

 

CMYK 93 / 20 / 0 / 54

HEX #085E76

RGB 8 94 118

HSL 193.09, 0.87%, 0.25%

LAB 36.68, -13.82, -20.07

 

Description

Color code: RGB 87 9 116 | qconv.com Color code: RGB 87 9 116 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 9 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 9 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 92 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 92% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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