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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 58 46 it is the complementary color RGB 170 197 209. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 58 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 58 46 shade: RGB 90 58 41, RGB 107 76 60, RGB 124 94 79, RGB 141 112 98 and RGB 158 130 117

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 58 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 58 46 shade: RGB 85 58 46, RGB 68 40 27, RGB 51 22 8, RGB 34 4 0 and RGB 17 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 58 46 shade: RGB 86 58 46, RGB 86 47 46 and RGB 86 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 58 46 shade: RGB 86 58 46, RGB 86 69 46, RGB 86 80 46, RGB 81 86 46 and RGB 70 86 46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 58 46 shade matches the following richer shades: RGB 86 58 46, RGB 96 54 35, RGB 107 50 24, RGB 118 46 14 and RGB 129 42 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 58 46 shade: RGB 86 58 46, RGB 75 62 57, RGB 64 66 67, RGB 54 71 78 and RGB 43 75 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 58 46 shade: RGB 86 46 55, RGB 86 47 46, RGB 86 58 46, RGB 86 68 46 and RGB 86 79 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 58 46 shade: RGB 32 22 17, RGB 59 40 31, RGB 86 58 46, RGB 113 76 60 and RGB 139 95 75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 58 46 shade: RGB 85 58 46, RGB 66 86 46 and RGB 46 50 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 58 46 shade: RGB 85 58 46, RGB 46 86 58 and RGB 58 46 86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 58 46 shade: RGB 85 58 46, RGB 66 86 46, RGB 46 74 86 and RGB 66 46 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 58 46 shade: RGB 85 58 46, RGB 54 86 46, RGB 46 74 86 and RGB 78 46 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 46 / 67

HEX #553A2E

RGB 85 58 46

HSL 18.46, 0.3%, 0.26%

LAB 27.17, 10.23, 12.22

 

Complementary color

CMYK 19 / 6 / 0 / 18

HEX #AAC5D1

RGB 170 197 209

HSL 198.46, 0.3%, 0.74%

LAB 77.92, -6.53, -9.05

 

CMYK 0 / 36 / 54 / 65

HEX #5A3A29

RGB 90 58 41

HSL 20.82, 0.37%, 0.26%

LAB 27.74, 11.99, 16.31

 

CMYK 0 / 29 / 44 / 58

HEX #6B4C3C

RGB 107 76 60

HSL 20.43, 0.28%, 0.33%

LAB 35.24, 10.86, 14.69

 

CMYK 0 / 24 / 36 / 51

HEX #7C5E4F

RGB 124 94 79

HSL 20, 0.22%, 0.4%

LAB 42.54, 9.98, 13.32

 

CMYK 0 / 21 / 30 / 45

HEX #8D7062

RGB 141 112 98

HSL 19.53, 0.18%, 0.47%

LAB 49.66, 9.26, 12.12

 

CMYK 0 / 18 / 26 / 38

HEX #9E8275

RGB 158 130 117

HSL 19.02, 0.17%, 0.54%

LAB 56.6, 8.66, 11.06

 

CMYK 0 / 32 / 46 / 67

HEX #553A2E

RGB 85 58 46

HSL 18.46, 0.3%, 0.26%

LAB 27.17, 10.23, 12.22

 

CMYK 0 / 41 / 60 / 73

HEX #44281B

RGB 68 40 27

HSL 19.02, 0.43%, 0.19%

LAB 19.33, 11.49, 13.99

 

CMYK 0 / 57 / 84 / 80

HEX #331608

RGB 51 22 8

HSL 19.53, 0.73%, 0.12%

LAB 11.24, 13.24, 13.8

 

CMYK 0 / 88 / 100 / 87

HEX #220400

RGB 34 4 0

HSL 7.06, 1%, 0.07%

LAB 3.86, 12.18, 6

 

CMYK 0 / 100 / 100 / 93

HEX #110000

RGB 17 0 0

HSL 0, 1%, 0.03%

LAB 1.08, 4.83, 1.7

 

CMYK 0 / 33 / 47 / 66

HEX #563A2E

RGB 86 58 46

HSL 18, 0.3%, 0.26%

LAB 27.3, 10.7, 12.42

 

CMYK 0 / 45 / 47 / 66

HEX #562F2E

RGB 86 47 46

HSL 1.5, 0.3%, 0.26%

LAB 24.35, 17.67, 8.4

 

CMYK 0 / 47 / 47 / 66

HEX #562E2E

RGB 86 46 46

HSL 0, 0.3%, 0.26%

LAB 24.1, 18.29, 8.05

 

CMYK 0 / 33 / 47 / 66

HEX #563A2E

RGB 86 58 46

HSL 18, 0.3%, 0.26%

LAB 27.3, 10.7, 12.42

 

CMYK 0 / 20 / 47 / 66

HEX #56452E

RGB 86 69 46

HSL 34.5, 0.3%, 0.26%

LAB 30.48, 3.71, 16.63

 

CMYK 0 / 7 / 47 / 66

HEX #56502E

RGB 86 80 46

HSL 51, 0.3%, 0.26%

LAB 33.8, -3.1, 20.89

 

CMYK 6 / 0 / 47 / 66

HEX #51562E

RGB 81 86 46

HSL 67.5, 0.3%, 0.26%

LAB 35.21, -9.02, 22.56

 

CMYK 19 / 0 / 47 / 66

HEX #46562E

RGB 70 86 46

HSL 84, 0.3%, 0.26%

LAB 34.3, -13.98, 21.23

 

CMYK 0 / 33 / 47 / 66

HEX #563A2E

RGB 86 58 46

HSL 18, 0.3%, 0.26%

LAB 27.3, 10.7, 12.42

 

CMYK 0 / 44 / 64 / 62

HEX #603623

RGB 96 54 35

HSL 18.69, 0.47%, 0.26%

LAB 27.43, 16.73, 19.88

 

CMYK 0 / 53 / 78 / 58

HEX #6B3218

RGB 107 50 24

HSL 18.8, 0.63%, 0.26%

LAB 28.04, 23.37, 27.65

 

CMYK 0 / 61 / 88 / 54

HEX #762E0E

RGB 118 46 14

HSL 18.46, 0.79%, 0.26%

LAB 29, 29.88, 34.44

 

CMYK 0 / 67 / 98 / 49

HEX #812A03

RGB 129 42 3

HSL 18.57, 0.95%, 0.26%

LAB 30.23, 35.97, 40.87

 

CMYK 0 / 33 / 47 / 66

HEX #563A2E

RGB 86 58 46

HSL 18, 0.3%, 0.26%

LAB 27.3, 10.7, 12.42

 

CMYK 0 / 17 / 24 / 71

HEX #4B3E39

RGB 75 62 57

HSL 16.67, 0.14%, 0.26%

LAB 27.4, 4.71, 5.17

 

CMYK 4 / 1 / 0 / 74

HEX #404243

RGB 64 66 67

HSL 200, 0.02%, 0.26%

LAB 27.82, -0.6, -0.9

 

CMYK 31 / 9 / 0 / 69

HEX #36474E

RGB 54 71 78

HSL 197.5, 0.18%, 0.26%

LAB 29.01, -4.8, -6.39

 

CMYK 52 / 16 / 0 / 65

HEX #2B4B59

RGB 43 75 89

HSL 198.26, 0.35%, 0.26%

LAB 30.08, -7.4, -11.92

 

CMYK 0 / 47 / 36 / 66

HEX #562E37

RGB 86 46 55

HSL 346.5, 0.3%, 0.26%

LAB 24.35, 19.53, 2.33

 

CMYK 0 / 45 / 47 / 66

HEX #562F2E

RGB 86 47 46

HSL 1.5, 0.3%, 0.26%

LAB 24.35, 17.67, 8.4

 

CMYK 0 / 33 / 47 / 66

HEX #563A2E

RGB 86 58 46

HSL 18, 0.3%, 0.26%

LAB 27.3, 10.7, 12.42

 

CMYK 0 / 21 / 47 / 66

HEX #56442E

RGB 86 68 46

HSL 33, 0.3%, 0.26%

LAB 30.18, 4.34, 16.24

 

CMYK 0 / 8 / 47 / 66

HEX #564F2E

RGB 86 79 46

HSL 49.5, 0.3%, 0.26%

LAB 33.49, -2.5, 20.51

 

CMYK 0 / 31 / 47 / 87

HEX #201611

RGB 32 22 17

HSL 20, 0.31%, 0.1%

LAB 8.32, 4.14, 4.95

 

CMYK 0 / 32 / 47 / 77

HEX #3B281F

RGB 59 40 31

HSL 19.29, 0.31%, 0.18%

LAB 18.13, 7.5, 9.45

 

CMYK 0 / 33 / 47 / 66

HEX #563A2E

RGB 86 58 46

HSL 18, 0.3%, 0.26%

LAB 27.3, 10.7, 12.42

 

CMYK 0 / 33 / 47 / 56

HEX #714C3C

RGB 113 76 60

HSL 18.11, 0.31%, 0.34%

LAB 36, 13.57, 15.83

 

CMYK 0 / 32 / 46 / 45

HEX #8B5F4B

RGB 139 95 75

HSL 18.75, 0.3%, 0.42%

LAB 44.49, 15.39, 18.65

 

CMYK 0 / 32 / 46 / 67

HEX #553A2E

RGB 85 58 46

HSL 18.46, 0.3%, 0.26%

LAB 27.17, 10.23, 12.22

 

CMYK 23 / 0 / 47 / 66

HEX #42562E

RGB 66 86 46

HSL 90, 0.3%, 0.26%

LAB 34.01, -15.71, 20.79

 

CMYK 47 / 42 / 0 / 66

HEX #2E3256

RGB 46 50 86

HSL 234, 0.3%, 0.26%

LAB 22.07, 9.07, -22.38

 

CMYK 0 / 32 / 46 / 67

HEX #553A2E

RGB 85 58 46

HSL 18.46, 0.3%, 0.26%

LAB 27.17, 10.23, 12.22

 

CMYK 47 / 0 / 33 / 66

HEX #2E563A

RGB 46 86 58

HSL 138, 0.3%, 0.26%

LAB 33.01, -21.22, 12.01

 

CMYK 33 / 47 / 0 / 66

HEX #3A2E56

RGB 58 46 86

HSL 258, 0.3%, 0.26%

LAB 22.04, 15.61, -22.35

 

CMYK 0 / 32 / 46 / 67

HEX #553A2E

RGB 85 58 46

HSL 18.46, 0.3%, 0.26%

LAB 27.17, 10.23, 12.22

 

CMYK 23 / 0 / 47 / 66

HEX #42562E

RGB 66 86 46

HSL 90, 0.3%, 0.26%

LAB 34.01, -15.71, 20.79

 

CMYK 47 / 14 / 0 / 66

HEX #2E4A56

RGB 46 74 86

HSL 198, 0.3%, 0.26%

LAB 29.79, -6.88, -10.42

 

CMYK 23 / 47 / 0 / 66

HEX #422E56

RGB 66 46 86

HSL 270, 0.3%, 0.26%

LAB 22.94, 18.27, -20.86

 

CMYK 0 / 32 / 46 / 67

HEX #553A2E

RGB 85 58 46

HSL 18.46, 0.3%, 0.26%

LAB 27.17, 10.23, 12.22

 

CMYK 37 / 0 / 47 / 66

HEX #36562E

RGB 54 86 46

HSL 108, 0.3%, 0.26%

LAB 33.22, -20.61, 19.63

 

CMYK 47 / 14 / 0 / 66

HEX #2E4A56

RGB 46 74 86

HSL 198, 0.3%, 0.26%

LAB 29.79, -6.88, -10.42

 

CMYK 9 / 47 / 0 / 66

HEX #4E2E56

RGB 78 46 86

HSL 288, 0.3%, 0.26%

LAB 24.47, 22.41, -18.36

 

Description

Color code: RGB 85 58 46 | qconv.com Color code: RGB 85 58 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 58 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 58 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 46 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 46% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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