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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 185 139 it is the complementary color RGB 170 70 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 185 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 185 139 shade: RGB 90 185 134, RGB 107 203 153, RGB 124 221 172, RGB 141 239 191 and RGB 158 255 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 185 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 185 139 shade: RGB 85 185 139, RGB 68 167 120, RGB 51 149 101, RGB 34 131 82 and RGB 17 113 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 185 139 shade: RGB 84 185 139, RGB 84 185 112, RGB 84 185 84, RGB 111 185 84 and RGB 139 185 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 185 139 shade: RGB 84 185 139, RGB 84 185 166, RGB 84 177 185, RGB 84 150 185 and RGB 84 123 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 185 139 shade matches the following richer shades: RGB 84 185 139, RGB 65 204 140, RGB 46 224 142 and RGB 26 243 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 185 139 shade: RGB 84 185 139, RGB 104 166 137, RGB 123 146 136, RGB 142 127 134 and RGB 162 107 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 185 139 shade: RGB 84 185 84, RGB 84 185 111, RGB 84 185 138, RGB 84 185 165 and RGB 84 178 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 185 139 shade: RGB 54 133 97, RGB 66 162 118, RGB 84 185 139, RGB 114 197 159 and RGB 143 209 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 185 139 shade: RGB 85 185 139, RGB 84 111 185 and RGB 185 98 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 185 139 shade: RGB 85 185 139, RGB 138 84 185 and RGB 185 138 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 185 139 shade: RGB 85 185 139, RGB 84 111 185, RGB 185 84 131 and RGB 185 158 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 185 139 shade: RGB 85 185 139, RGB 88 84 185, RGB 185 84 131 and RGB 182 185 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 25 / 27

HEX #55B98B

RGB 85 185 139

HSL 152.4, 0.42%, 0.53%

LAB 68.38, -40.16, 14.63

 

Complementary color

CMYK 0 / 59 / 32 / 33

HEX #AA4674

RGB 170 70 116

HSL 332.4, 0.42%, 0.47%

LAB 44.5, 45.85, -5.67

 

CMYK 51 / 0 / 28 / 27

HEX #5AB986

RGB 90 185 134

HSL 147.79, 0.4%, 0.54%

LAB 68.46, -40, 17.47

 

CMYK 47 / 0 / 25 / 20

HEX #6BCB99

RGB 107 203 153

HSL 148.75, 0.48%, 0.61%

LAB 74.91, -39.84, 16.33

 

CMYK 44 / 0 / 22 / 13

HEX #7CDDAC

RGB 124 221 172

HSL 149.69, 0.59%, 0.68%

LAB 81.28, -39.63, 15.27

 

CMYK 41 / 0 / 20 / 6

HEX #8DEFBF

RGB 141 239 191

HSL 150.61, 0.75%, 0.75%

LAB 87.56, -39.41, 14.29

 

CMYK 38 / 0 / 18 / 0

HEX #9EFFD2

RGB 158 255 210

HSL 152.16, 1%, 0.81%

LAB 93.21, -38.28, 12.58

 

CMYK 54 / 0 / 25 / 27

HEX #55B98B

RGB 85 185 139

HSL 152.4, 0.42%, 0.53%

LAB 68.38, -40.16, 14.63

 

CMYK 59 / 0 / 28 / 35

HEX #44A778

RGB 68 167 120

HSL 151.52, 0.42%, 0.46%

LAB 61.85, -40.18, 15.85

 

CMYK 66 / 0 / 32 / 42

HEX #339565

RGB 51 149 101

HSL 150.61, 0.49%, 0.39%

LAB 55.21, -40.03, 17.21

 

CMYK 74 / 0 / 37 / 49

HEX #228352

RGB 34 131 82

HSL 149.69, 0.59%, 0.32%

LAB 48.49, -39.6, 18.73

 

CMYK 85 / 0 / 44 / 56

HEX #11713F

RGB 17 113 63

HSL 148.75, 0.74%, 0.25%

LAB 41.67, -38.66, 20.46

 

CMYK 55 / 0 / 25 / 27

HEX #54B98B

RGB 84 185 139

HSL 152.67, 0.42%, 0.53%

LAB 68.35, -40.4, 14.58

 

CMYK 55 / 0 / 39 / 27

HEX #54B970

RGB 84 185 112

HSL 136.63, 0.42%, 0.53%

LAB 67.84, -45.65, 28.35

 

CMYK 55 / 0 / 55 / 27

HEX #54B954

RGB 84 185 84

HSL 120, 0.42%, 0.53%

LAB 67.44, -49.89, 42.02

 

CMYK 40 / 0 / 55 / 27

HEX #6FB954

RGB 111 185 84

HSL 103.96, 0.42%, 0.53%

LAB 68.55, -41.92, 43.6

 

CMYK 25 / 0 / 55 / 27

HEX #8BB954

RGB 139 185 84

HSL 87.33, 0.42%, 0.53%

LAB 70.05, -32.02, 45.75

 

CMYK 55 / 0 / 25 / 27

HEX #54B98B

RGB 84 185 139

HSL 152.67, 0.42%, 0.53%

LAB 68.35, -40.4, 14.58

 

CMYK 55 / 0 / 10 / 27

HEX #54B9A6

RGB 84 185 166

HSL 168.71, 0.42%, 0.53%

LAB 68.99, -34.1, 0.72

 

CMYK 55 / 4 / 0 / 27

HEX #54B1B9

RGB 84 177 185

HSL 184.75, 0.42%, 0.53%

LAB 67.15, -25.18, -12.49

 

CMYK 55 / 19 / 0 / 27

HEX #5496B9

RGB 84 150 185

HSL 200.79, 0.42%, 0.53%

LAB 59.16, -10.95, -24.63

 

CMYK 55 / 34 / 0 / 27

HEX #547BB9

RGB 84 123 185

HSL 216.83, 0.42%, 0.53%

LAB 51.33, 4.67, -36.81

 

CMYK 55 / 0 / 25 / 27

HEX #54B98B

RGB 84 185 139

HSL 152.67, 0.42%, 0.53%

LAB 68.35, -40.4, 14.58

 

CMYK 68 / 0 / 31 / 20

HEX #41CC8C

RGB 65 204 140

HSL 152.37, 0.58%, 0.53%

LAB 73.68, -51.85, 21.33

 

CMYK 79 / 0 / 37 / 12

HEX #2EE08E

RGB 46 224 142

HSL 152.36, 0.74%, 0.53%

LAB 79.53, -61.52, 28.16

 

CMYK 89 / 0 / 41 / 5

HEX #1AF38F

RGB 26 243 143

HSL 152.35, 0.9%, 0.53%

LAB 85.15, -69.49, 35.07

 

CMYK 55 / 0 / 25 / 27

HEX #54B98B

RGB 84 185 139

HSL 152.67, 0.42%, 0.53%

LAB 68.35, -40.4, 14.58

 

CMYK 37 / 0 / 17 / 35

HEX #68A689

RGB 104 166 137

HSL 151.94, 0.26%, 0.53%

LAB 63.36, -26.66, 8.76

 

CMYK 16 / 0 / 7 / 43

HEX #7B9288

RGB 123 146 136

HSL 153.91, 0.1%, 0.53%

LAB 58.55, -10.26, 2.56

 

CMYK 0 / 11 / 6 / 44

HEX #8E7F86

RGB 142 127 134

HSL 332, 0.06%, 0.53%

LAB 54.71, 7.01, -1.7

 

CMYK 0 / 34 / 19 / 36

HEX #A26B84

RGB 162 107 132

HSL 332.73, 0.23%, 0.53%

LAB 51.68, 25.71, -4.76

 

CMYK 55 / 0 / 55 / 27

HEX #54B954

RGB 84 185 84

HSL 120, 0.42%, 0.53%

LAB 67.44, -49.89, 42.02

 

CMYK 55 / 0 / 40 / 27

HEX #54B96F

RGB 84 185 111

HSL 136.04, 0.42%, 0.53%

LAB 67.82, -45.82, 28.85

 

CMYK 55 / 0 / 25 / 27

HEX #54B98A

RGB 84 185 138

HSL 152.08, 0.42%, 0.53%

LAB 68.33, -40.61, 15.09

 

CMYK 55 / 0 / 11 / 27

HEX #54B9A5

RGB 84 185 165

HSL 168.12, 0.42%, 0.53%

LAB 68.97, -34.35, 1.23

 

CMYK 55 / 4 / 0 / 27

HEX #54B2B9

RGB 84 178 185

HSL 184.16, 0.42%, 0.53%

LAB 67.45, -25.68, -12.04

 

CMYK 59 / 0 / 27 / 48

HEX #368561

RGB 54 133 97

HSL 152.66, 0.42%, 0.37%

LAB 50, -33.21, 12.31

 

CMYK 59 / 0 / 27 / 36

HEX #42A276

RGB 66 162 118

HSL 152.5, 0.42%, 0.45%

LAB 60.17, -38.86, 14.62

 

CMYK 55 / 0 / 25 / 27

HEX #54B98B

RGB 84 185 139

HSL 152.67, 0.42%, 0.53%

LAB 68.35, -40.4, 14.58

 

CMYK 42 / 0 / 19 / 23

HEX #72C59F

RGB 114 197 159

HSL 152.53, 0.42%, 0.61%

LAB 73.55, -34.01, 11.24

 

CMYK 32 / 0 / 14 / 18

HEX #8FD1B3

RGB 143 209 179

HSL 152.73, 0.42%, 0.69%

LAB 78.87, -27.27, 8.26

 

CMYK 54 / 0 / 25 / 27

HEX #55B98B

RGB 85 185 139

HSL 152.4, 0.42%, 0.53%

LAB 68.38, -40.16, 14.63

 

CMYK 55 / 40 / 0 / 27

HEX #546FB9

RGB 84 111 185

HSL 223.96, 0.42%, 0.53%

LAB 47.95, 12, -42.14

 

CMYK 0 / 47 / 55 / 27

HEX #B96254

RGB 185 98 84

HSL 8.32, 0.42%, 0.53%

LAB 51.48, 33.59, 23.72

 

CMYK 54 / 0 / 25 / 27

HEX #55B98B

RGB 85 185 139

HSL 152.4, 0.42%, 0.53%

LAB 68.38, -40.16, 14.63

 

CMYK 25 / 55 / 0 / 27

HEX #8A54B9

RGB 138 84 185

HSL 272.08, 0.42%, 0.53%

LAB 45.97, 41.77, -45.01

 

CMYK 0 / 25 / 55 / 27

HEX #B98A54

RGB 185 138 84

HSL 32.08, 0.42%, 0.53%

LAB 60.9, 11.59, 35.66

 

CMYK 54 / 0 / 25 / 27

HEX #55B98B

RGB 85 185 139

HSL 152.4, 0.42%, 0.53%

LAB 68.38, -40.16, 14.63

 

CMYK 55 / 40 / 0 / 27

HEX #546FB9

RGB 84 111 185

HSL 223.96, 0.42%, 0.53%

LAB 47.95, 12, -42.14

 

CMYK 0 / 55 / 29 / 27

HEX #B95483

RGB 185 84 131

HSL 332.08, 0.42%, 0.53%

LAB 49.85, 45.96, -6.55

 

CMYK 0 / 15 / 55 / 27

HEX #B99E54

RGB 185 158 84

HSL 43.96, 0.42%, 0.53%

LAB 66.07, 0.63, 41.91

 

CMYK 54 / 0 / 25 / 27

HEX #55B98B

RGB 85 185 139

HSL 152.4, 0.42%, 0.53%

LAB 68.38, -40.16, 14.63

 

CMYK 52 / 55 / 0 / 27

HEX #5854B9

RGB 88 84 185

HSL 242.38, 0.42%, 0.53%

LAB 41.09, 29.74, -53.11

 

CMYK 0 / 55 / 29 / 27

HEX #B95483

RGB 185 84 131

HSL 332.08, 0.42%, 0.53%

LAB 49.85, 45.96, -6.55

 

CMYK 2 / 0 / 55 / 27

HEX #B6B954

RGB 182 185 84

HSL 61.78, 0.42%, 0.53%

LAB 73.08, -14.84, 50.03

 

Description

Color code: RGB 85 185 139 | qconv.com Color code: RGB 85 185 139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 185 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 185 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 25 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 25% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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