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Color name
RGB 88 143 196

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88 143 196 it is the complementary color RGB 167 112 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88 143 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 88 143 196 shade: RGB 93 143 191, RGB 110 161 210, RGB 127 179 229, RGB 144 197 248 and RGB 161 215 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88 143 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 88 143 196 shade: RGB 88 143 196, RGB 71 125 177, RGB 54 107 158, RGB 37 89 139 and RGB 20 71 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 88 143 196 shade: RGB 88 143 196, RGB 88 114 196, RGB 92 88 196, RGB 121 88 196 and RGB 150 88 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 88 143 196 shade: RGB 88 143 196, RGB 88 114 196 and RGB 88 88 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 88 143 196 shade matches the following richer shades: RGB 88 143 196, RGB 70 144 214, RGB 52 144 232 and RGB 34 144 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 88 143 196 shade: RGB 88 143 196, RGB 107 143 178, RGB 125 143 160, RGB 143 142 142 and RGB 161 142 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 88 143 196 shade: RGB 88 196 191, RGB 88 173 196, RGB 88 144 196, RGB 88 115 196 and RGB 90 88 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 88 143 196 shade: RGB 52 102 150, RGB 63 123 180, RGB 88 143 196, RGB 119 164 207 and RGB 150 184 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 88 143 196 shade: RGB 88 143 196, RGB 162 88 196 and RGB 187 196 88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 88 143 196 shade: RGB 88 143 196, RGB 196 88 144 and RGB 144 196 88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 88 143 196 shade: RGB 88 143 196, RGB 162 88 196, RGB 196 141 88 and RGB 123 196 88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 88 143 196 shade: RGB 88 143 196, RGB 194 88 196, RGB 196 141 88 and RGB 90 196 88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 27 / 0 / 23

HEX #588FC4

RGB 88 143 196

HSL 209.44, 0.48%, 0.56%

LAB 57.76, -2.72, -33.01

 

Complementary color

CMYK 0 / 33 / 65 / 35

HEX #A7703B

RGB 167 112 59

HSL 29.44, 0.48%, 0.44%

LAB 51.97, 16.41, 37.71

 

CMYK 51 / 25 / 0 / 25

HEX #5D8FBF

RGB 93 143 191

HSL 209.39, 0.43%, 0.56%

LAB 57.78, -3.14, -30.12

 

CMYK 48 / 23 / 0 / 18

HEX #6EA1D2

RGB 110 161 210

HSL 209.4, 0.53%, 0.63%

LAB 64.53, -3.65, -30.25

 

CMYK 45 / 22 / 0 / 10

HEX #7FB3E5

RGB 127 179 229

HSL 209.41, 0.66%, 0.7%

LAB 71.15, -4.06, -30.4

 

CMYK 42 / 21 / 0 / 3

HEX #90C5F8

RGB 144 197 248

HSL 209.42, 0.88%, 0.77%

LAB 77.66, -4.41, -30.57

 

CMYK 37 / 16 / 0 / 0

HEX #A1D7FF

RGB 161 215 255

HSL 205.53, 1%, 0.82%

LAB 83.65, -7.77, -25.05

 

CMYK 55 / 27 / 0 / 23

HEX #588FC4

RGB 88 143 196

HSL 209.44, 0.48%, 0.56%

LAB 57.76, -2.72, -33.01

 

CMYK 60 / 29 / 0 / 31

HEX #477DB1

RGB 71 125 177

HSL 209.43, 0.43%, 0.49%

LAB 50.9, -1.93, -32.92

 

CMYK 66 / 32 / 0 / 38

HEX #366B9E

RGB 54 107 158

HSL 209.42, 0.49%, 0.42%

LAB 43.9, -0.9, -32.84

 

CMYK 73 / 36 / 0 / 45

HEX #25598B

RGB 37 89 139

HSL 209.41, 0.58%, 0.35%

LAB 36.75, 0.5, -32.76

 

CMYK 83 / 41 / 0 / 53

HEX #144778

RGB 20 71 120

HSL 209.4, 0.71%, 0.27%

LAB 29.44, 2.46, -32.66

 

CMYK 55 / 27 / 0 / 23

HEX #588FC4

RGB 88 143 196

HSL 209.44, 0.48%, 0.56%

LAB 57.76, -2.72, -33.01

 

CMYK 55 / 42 / 0 / 23

HEX #5872C4

RGB 88 114 196

HSL 225.56, 0.48%, 0.56%

LAB 49.61, 14.62, -45.83

 

CMYK 53 / 55 / 0 / 23

HEX #5C58C4

RGB 92 88 196

HSL 242.22, 0.48%, 0.56%

LAB 43.12, 31.58, -56.22

 

CMYK 38 / 55 / 0 / 23

HEX #7958C4

RGB 121 88 196

HSL 258.33, 0.48%, 0.56%

LAB 45.68, 38.05, -51.97

 

CMYK 23 / 55 / 0 / 23

HEX #9658C4

RGB 150 88 196

HSL 274.44, 0.48%, 0.56%

LAB 48.82, 45.3, -46.76

 

CMYK 55 / 27 / 0 / 23

HEX #588FC4

RGB 88 143 196

HSL 209.44, 0.48%, 0.56%

LAB 57.76, -2.72, -33.01

 

CMYK 55 / 42 / 0 / 23

HEX #5872C4

RGB 88 114 196

HSL 225.56, 0.48%, 0.56%

LAB 49.61, 14.62, -45.83

 

CMYK 55 / 55 / 0 / 23

HEX #5858C4

RGB 88 88 196

HSL 240, 0.48%, 0.56%

LAB 42.82, 30.78, -56.72

 

CMYK 55 / 27 / 0 / 23

HEX #588FC4

RGB 88 143 196

HSL 209.44, 0.48%, 0.56%

LAB 57.76, -2.72, -33.01

 

CMYK 67 / 33 / 0 / 16

HEX #4690D6

RGB 70 144 214

HSL 209.17, 0.64%, 0.56%

LAB 58.14, -0.75, -42.6

 

CMYK 78 / 38 / 0 / 9

HEX #3490E8

RGB 52 144 232

HSL 209.33, 0.8%, 0.56%

LAB 58.51, 3.22, -52.07

 

CMYK 86 / 43 / 0 / 2

HEX #2290FB

RGB 34 144 251

HSL 209.59, 0.96%, 0.56%

LAB 59.21, 8.71, -61.48

 

CMYK 55 / 27 / 0 / 23

HEX #588FC4

RGB 88 143 196

HSL 209.44, 0.48%, 0.56%

LAB 57.76, -2.72, -33.01

 

CMYK 40 / 20 / 0 / 30

HEX #6B8FB2

RGB 107 143 178

HSL 209.58, 0.32%, 0.56%

LAB 58.02, -3.38, -22.31

 

CMYK 22 / 11 / 0 / 37

HEX #7D8FA0

RGB 125 143 160

HSL 209.14, 0.16%, 0.56%

LAB 58.55, -2.58, -11.14

 

CMYK 0 / 1 / 1 / 44

HEX #8F8E8E

RGB 143 142 142

HSL 0, 0%, 0.56%

LAB 59.1, 0.37, 0.12

 

CMYK 0 / 12 / 23 / 37

HEX #A18E7C

RGB 161 142 124

HSL 29.19, 0.16%, 0.56%

LAB 60.23, 4.16, 12.2

 

CMYK 55 / 0 / 3 / 23

HEX #58C4BF

RGB 88 196 191

HSL 177.22, 0.48%, 0.56%

LAB 73.1, -32.03, -6.9

 

CMYK 55 / 12 / 0 / 23

HEX #58ADC4

RGB 88 173 196

HSL 192.78, 0.48%, 0.56%

LAB 66.48, -19.17, -19.58

 

CMYK 55 / 27 / 0 / 23

HEX #5890C4

RGB 88 144 196

HSL 208.89, 0.48%, 0.56%

LAB 58.04, -3.29, -32.56

 

CMYK 55 / 41 / 0 / 23

HEX #5873C4

RGB 88 115 196

HSL 225, 0.48%, 0.56%

LAB 49.88, 14, -45.4

 

CMYK 54 / 55 / 0 / 23

HEX #5A58C4

RGB 90 88 196

HSL 241.11, 0.48%, 0.56%

LAB 42.97, 31.18, -56.47

 

CMYK 65 / 32 / 0 / 41

HEX #346696

RGB 52 102 150

HSL 209.39, 0.49%, 0.4%

LAB 41.9, -1.03, -31.23

 

CMYK 65 / 32 / 0 / 29

HEX #3F7BB4

RGB 63 123 180

HSL 209.23, 0.48%, 0.48%

LAB 50.12, -1.25, -35.9

 

CMYK 55 / 27 / 0 / 23

HEX #588FC4

RGB 88 143 196

HSL 209.44, 0.48%, 0.56%

LAB 57.76, -2.72, -33.01

 

CMYK 43 / 21 / 0 / 19

HEX #77A4CF

RGB 119 164 207

HSL 209.32, 0.48%, 0.64%

LAB 65.73, -3.93, -26.7

 

CMYK 31 / 16 / 0 / 15

HEX #96B8DA

RGB 150 184 218

HSL 210, 0.48%, 0.72%

LAB 73.43, -3.53, -20.8

 

CMYK 55 / 27 / 0 / 23

HEX #588FC4

RGB 88 143 196

HSL 209.44, 0.48%, 0.56%

LAB 57.76, -2.72, -33.01

 

CMYK 17 / 55 / 0 / 23

HEX #A258C4

RGB 162 88 196

HSL 281.11, 0.48%, 0.56%

LAB 50.27, 48.44, -44.37

 

CMYK 5 / 0 / 55 / 23

HEX #BBC458

RGB 187 196 88

HSL 65, 0.48%, 0.56%

LAB 76.53, -18, 52.23

 

CMYK 55 / 27 / 0 / 23

HEX #588FC4

RGB 88 143 196

HSL 209.44, 0.48%, 0.56%

LAB 57.76, -2.72, -33.01

 

CMYK 0 / 55 / 27 / 23

HEX #C45890

RGB 196 88 144

HSL 328.89, 0.48%, 0.56%

LAB 52.65, 49.33, -9.93

 

CMYK 27 / 0 / 55 / 23

HEX #90C458

RGB 144 196 88

HSL 88.89, 0.48%, 0.56%

LAB 73.62, -34.86, 48.12

 

CMYK 55 / 27 / 0 / 23

HEX #588FC4

RGB 88 143 196

HSL 209.44, 0.48%, 0.56%

LAB 57.76, -2.72, -33.01

 

CMYK 17 / 55 / 0 / 23

HEX #A258C4

RGB 162 88 196

HSL 281.11, 0.48%, 0.56%

LAB 50.27, 48.44, -44.37

 

CMYK 0 / 28 / 55 / 23

HEX #C48D58

RGB 196 141 88

HSL 29.44, 0.48%, 0.56%

LAB 62.92, 14.95, 36.3

 

CMYK 37 / 0 / 55 / 23

HEX #7BC458

RGB 123 196 88

HSL 100.56, 0.48%, 0.56%

LAB 72.49, -42.25, 46.51

 

CMYK 55 / 27 / 0 / 23

HEX #588FC4

RGB 88 143 196

HSL 209.44, 0.48%, 0.56%

LAB 57.76, -2.72, -33.01

 

CMYK 1 / 55 / 0 / 23

HEX #C258C4

RGB 194 88 196

HSL 298.89, 0.48%, 0.56%

LAB 54.48, 56.95, -37.44

 

CMYK 0 / 28 / 55 / 23

HEX #C48D58

RGB 196 141 88

HSL 29.44, 0.48%, 0.56%

LAB 62.92, 14.95, 36.3

 

CMYK 54 / 0 / 55 / 23

HEX #5AC458

RGB 90 196 88

HSL 118.89, 0.48%, 0.56%

LAB 71.12, -52.11, 44.55

 

Description

Color code: RGB 88 143 196 | qconv.com Color code: RGB 88 143 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 143 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 143 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 27 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 27% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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