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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 161 219 it is the complementary color RGB 166 94 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 161 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 161 219 shade: RGB 94 161 214, RGB 111 179 233, RGB 128 197 252, RGB 145 215 255 and RGB 162 233 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 161 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 161 219 shade: RGB 89 161 219, RGB 72 143 200, RGB 55 125 181, RGB 38 107 162 and RGB 21 89 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 161 219 shade: RGB 87 160 218, RGB 87 124 218, RGB 87 89 218, RGB 121 87 218 and RGB 156 87 218

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 161 219 shade: RGB 87 160 218, RGB 87 124 218, RGB 87 89 218 and RGB 87 87 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 161 219 shade matches the following richer shades: RGB 87 160 218, RGB 71 161 234 and RGB 54 163 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 161 219 shade: RGB 87 160 218, RGB 104 158 201, RGB 120 156 185, RGB 137 154 168 and RGB 153 152 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 161 219 shade: RGB 87 218 205, RGB 87 196 218, RGB 87 161 218, RGB 87 126 218 and RGB 87 92 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 161 219 shade: RGB 40 119 183, RGB 53 140 210, RGB 87 160 218, RGB 121 179 225 and RGB 155 198 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 161 219 shade: RGB 89 161 219, RGB 170 87 218 and RGB 213 218 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 161 219 shade: RGB 89 161 219, RGB 218 87 161 and RGB 161 218 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 161 219 shade: RGB 89 161 219, RGB 170 87 218, RGB 218 144 87 and RGB 135 218 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 161 219 shade: RGB 89 161 219, RGB 209 87 218, RGB 218 144 87 and RGB 96 218 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 26 / 0 / 14

HEX #59A1DB

RGB 89 161 219

HSL 206.77, 0.64%, 0.6%

LAB 63.94, -5.46, -36.23

 

Complementary color

CMYK 0 / 43 / 78 / 35

HEX #A65E24

RGB 166 94 36

HSL 26.77, 0.64%, 0.4%

LAB 47.29, 24.84, 44.06

 

CMYK 56 / 25 / 0 / 16

HEX #5EA1D6

RGB 94 161 214

HSL 206.5, 0.59%, 0.6%

LAB 63.94, -6.03, -33.45

 

CMYK 52 / 23 / 0 / 9

HEX #6FB3E9

RGB 111 179 233

HSL 206.56, 0.73%, 0.67%

LAB 70.53, -6.62, -33.61

 

CMYK 49 / 22 / 0 / 1

HEX #80C5FC

RGB 128 197 252

HSL 206.61, 0.95%, 0.75%

LAB 77.01, -7.1, -33.78

 

CMYK 43 / 16 / 0 / 0

HEX #91D7FF

RGB 145 215 255

HSL 201.82, 1%, 0.78%

LAB 82.83, -11.8, -26.38

 

CMYK 36 / 9 / 0 / 0

HEX #A2E9FF

RGB 162 233 255

HSL 194.19, 1%, 0.82%

LAB 88.53, -16.73, -17.65

 

CMYK 59 / 26 / 0 / 14

HEX #59A1DB

RGB 89 161 219

HSL 206.77, 0.64%, 0.6%

LAB 63.94, -5.46, -36.23

 

CMYK 64 / 29 / 0 / 22

HEX #488FC8

RGB 72 143 200

HSL 206.72, 0.54%, 0.53%

LAB 57.26, -4.57, -36.09

 

CMYK 70 / 31 / 0 / 29

HEX #377DB5

RGB 55 125 181

HSL 206.67, 0.53%, 0.46%

LAB 50.47, -3.43, -35.94

 

CMYK 77 / 34 / 0 / 36

HEX #266BA2

RGB 38 107 162

HSL 206.61, 0.62%, 0.39%

LAB 43.56, -1.92, -35.78

 

CMYK 85 / 38 / 0 / 44

HEX #15598F

RGB 21 89 143

HSL 206.56, 0.74%, 0.32%

LAB 36.53, 0.1, -35.56

 

CMYK 60 / 27 / 0 / 15

HEX #57A0DA

RGB 87 160 218

HSL 206.56, 0.64%, 0.6%

LAB 63.53, -5.6, -36.32

 

CMYK 60 / 43 / 0 / 15

HEX #577CDA

RGB 87 124 218

HSL 223.05, 0.64%, 0.6%

LAB 53.5, 15.57, -52.15

 

CMYK 60 / 59 / 0 / 15

HEX #5759DA

RGB 87 89 218

HSL 239.08, 0.64%, 0.6%

LAB 44.57, 37.12, -66.54

 

CMYK 44 / 60 / 0 / 15

HEX #7957DA

RGB 121 87 218

HSL 255.57, 0.64%, 0.6%

LAB 46.9, 44.68, -62.63

 

CMYK 28 / 60 / 0 / 15

HEX #9C57DA

RGB 156 87 218

HSL 271.6, 0.64%, 0.6%

LAB 50.62, 52.4, -56.43

 

CMYK 60 / 27 / 0 / 15

HEX #57A0DA

RGB 87 160 218

HSL 206.56, 0.64%, 0.6%

LAB 63.53, -5.6, -36.32

 

CMYK 60 / 43 / 0 / 15

HEX #577CDA

RGB 87 124 218

HSL 223.05, 0.64%, 0.6%

LAB 53.5, 15.57, -52.15

 

CMYK 60 / 59 / 0 / 15

HEX #5759DA

RGB 87 89 218

HSL 239.08, 0.64%, 0.6%

LAB 44.57, 37.12, -66.54

 

CMYK 60 / 60 / 0 / 15

HEX #5757DA

RGB 87 87 218

HSL 240, 0.64%, 0.6%

LAB 44.1, 38.33, -67.31

 

CMYK 60 / 27 / 0 / 15

HEX #57A0DA

RGB 87 160 218

HSL 206.56, 0.64%, 0.6%

LAB 63.53, -5.6, -36.32

 

CMYK 70 / 31 / 0 / 8

HEX #47A1EA

RGB 71 161 234

HSL 206.87, 0.8%, 0.6%

LAB 63.97, -3.55, -44.5

 

CMYK 78 / 35 / 0 / 2

HEX #36A3FB

RGB 54 163 251

HSL 206.8, 0.96%, 0.6%

LAB 64.92, -0.84, -52.35

 

CMYK 60 / 27 / 0 / 15

HEX #57A0DA

RGB 87 160 218

HSL 206.56, 0.64%, 0.6%

LAB 63.53, -5.6, -36.32

 

CMYK 48 / 21 / 0 / 21

HEX #689EC9

RGB 104 158 201

HSL 206.6, 0.47%, 0.6%

LAB 63.02, -6.04, -27.59

 

CMYK 35 / 16 / 0 / 27

HEX #789CB9

RGB 120 156 185

HSL 206.77, 0.32%, 0.6%

LAB 62.74, -5.15, -19

 

CMYK 18 / 8 / 0 / 34

HEX #899AA8

RGB 137 154 168

HSL 207.1, 0.15%, 0.6%

LAB 62.72, -2.95, -9.34

 

CMYK 0 / 1 / 1 / 40

HEX #999898

RGB 153 152 152

HSL 0, 0%, 0.6%

LAB 62.92, 0.37, 0.12

 

CMYK 60 / 0 / 6 / 15

HEX #57DACD

RGB 87 218 205

HSL 174.05, 0.64%, 0.6%

LAB 79.94, -38.78, -4.33

 

CMYK 60 / 10 / 0 / 15

HEX #57C4DA

RGB 87 196 218

HSL 190.08, 0.64%, 0.6%

LAB 73.91, -24.7, -20.35

 

CMYK 60 / 26 / 0 / 15

HEX #57A1DA

RGB 87 161 218

HSL 206.11, 0.64%, 0.6%

LAB 63.82, -6.16, -35.87

 

CMYK 60 / 42 / 0 / 15

HEX #577EDA

RGB 87 126 218

HSL 222.14, 0.64%, 0.6%

LAB 54.04, 14.35, -51.29

 

CMYK 60 / 58 / 0 / 15

HEX #575CDA

RGB 87 92 218

HSL 237.71, 0.64%, 0.6%

LAB 45.28, 35.29, -65.38

 

CMYK 78 / 35 / 0 / 28

HEX #2877B7

RGB 40 119 183

HSL 206.85, 0.64%, 0.44%

LAB 48.34, -1.14, -40.49

 

CMYK 75 / 33 / 0 / 18

HEX #358CD2

RGB 53 140 210

HSL 206.75, 0.64%, 0.52%

LAB 56.25, -2.23, -43.35

 

CMYK 60 / 27 / 0 / 15

HEX #57A0DA

RGB 87 160 218

HSL 206.56, 0.64%, 0.6%

LAB 63.53, -5.6, -36.32

 

CMYK 46 / 20 / 0 / 12

HEX #79B3E1

RGB 121 179 225

HSL 206.54, 0.63%, 0.68%

LAB 70.69, -6.64, -28.96

 

CMYK 33 / 15 / 0 / 9

HEX #9BC6E9

RGB 155 198 233

HSL 206.92, 0.64%, 0.76%

LAB 78.02, -5.91, -21.92

 

CMYK 59 / 26 / 0 / 14

HEX #59A1DB

RGB 89 161 219

HSL 206.77, 0.64%, 0.6%

LAB 63.94, -5.46, -36.23

 

CMYK 22 / 60 / 0 / 15

HEX #AA57DA

RGB 170 87 218

HSL 278.02, 0.64%, 0.6%

LAB 52.31, 55.69, -53.63

 

CMYK 2 / 0 / 60 / 15

HEX #D5DA57

RGB 213 218 87

HSL 62.29, 0.64%, 0.6%

LAB 84.47, -18.36, 62.06

 

CMYK 59 / 26 / 0 / 14

HEX #59A1DB

RGB 89 161 219

HSL 206.77, 0.64%, 0.6%

LAB 63.94, -5.46, -36.23

 

CMYK 0 / 60 / 26 / 15

HEX #DA57A1

RGB 218 87 161

HSL 326.11, 0.64%, 0.6%

LAB 56.38, 58.77, -13.97

 

CMYK 26 / 0 / 60 / 15

HEX #A1DA57

RGB 161 218 87

HSL 86.11, 0.64%, 0.6%

LAB 80.97, -38.66, 57.2

 

CMYK 59 / 26 / 0 / 14

HEX #59A1DB

RGB 89 161 219

HSL 206.77, 0.64%, 0.6%

LAB 63.94, -5.46, -36.23

 

CMYK 22 / 60 / 0 / 15

HEX #AA57DA

RGB 170 87 218

HSL 278.02, 0.64%, 0.6%

LAB 52.31, 55.69, -53.63

 

CMYK 0 / 34 / 60 / 15

HEX #DA9057

RGB 218 144 87

HSL 26.11, 0.64%, 0.6%

LAB 66.17, 22.41, 41.36

 

CMYK 38 / 0 / 60 / 15

HEX #87DA57

RGB 135 218 87

HSL 98.02, 0.64%, 0.6%

LAB 79.6, -47.72, 55.3

 

CMYK 59 / 26 / 0 / 14

HEX #59A1DB

RGB 89 161 219

HSL 206.77, 0.64%, 0.6%

LAB 63.94, -5.46, -36.23

 

CMYK 4 / 60 / 0 / 15

HEX #D157DA

RGB 209 87 218

HSL 295.88, 0.64%, 0.6%

LAB 57.5, 65.12, -45.08

 

CMYK 0 / 34 / 60 / 15

HEX #DA9057

RGB 218 144 87

HSL 26.11, 0.64%, 0.6%

LAB 66.17, 22.41, 41.36

 

CMYK 56 / 0 / 60 / 15

HEX #60DA57

RGB 96 218 87

HSL 115.88, 0.64%, 0.6%

LAB 78.06, -59, 53.14

 

Description

Color code: RGB 89 161 219 | qconv.com Color code: RGB 89 161 219 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 161 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 161 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 26 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 26% 0% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

93% - Contact us
Link: http://gliderz.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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