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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 8 78 240 it is the complementary color RGB 247 177 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 8 78 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 8 78 240 shade: RGB 13 78 235, RGB 30 96 254, RGB 47 114 255, RGB 64 132 255 and RGB 81 150 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 8 78 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 8 78 240 shade: RGB 8 78 240, RGB 0 60 221, RGB 0 42 202, RGB 0 24 183 and RGB 0 6 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 8 78 240 shade: RGB 7 78 242, RGB 7 15 242, RGB 63 7 242, RGB 126 7 242 and RGB 190 7 242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 8 78 240 shade: RGB 7 78 242, RGB 7 15 242 and RGB 7 7 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 8 78 240 shade matches the following richer shades: RGB 7 78 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 8 78 240 shade: RGB 7 78 242, RGB 27 86 222, RGB 47 94 201, RGB 68 102 181 and RGB 88 110 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 8 78 240 shade: RGB 7 207 242, RGB 7 144 242, RGB 7 81 242, RGB 7 19 242 and RGB 58 7 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 8 78 240 shade: RGB 5 52 162, RGB 6 65 202, RGB 7 78 242, RGB 42 104 248 and RGB 82 133 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 8 78 240 shade: RGB 8 78 240, RGB 214 7 242 and RGB 175 242 7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 8 78 240 shade: RGB 8 78 240, RGB 242 7 81 and RGB 81 242 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 8 78 240 shade: RGB 8 78 240, RGB 214 7 242, RGB 242 168 7 and RGB 34 242 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 8 78 240 shade: RGB 8 78 240, RGB 242 7 199, RGB 242 168 7 and RGB 7 242 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 68 / 0 / 6

HEX #084EF0

RGB 8 78 240

HSL 221.9, 0.94%, 0.49%

LAB 40.88, 44.86, -85.16

 

Complementary color

CMYK 0 / 28 / 94 / 3

HEX #F7B10F

RGB 247 177 15

HSL 41.9, 0.94%, 0.51%

LAB 76.83, 14.4, 78.11

 

CMYK 94 / 67 / 0 / 8

HEX #0D4EEB

RGB 13 78 235

HSL 222.43, 0.9%, 0.49%

LAB 40.46, 43.15, -83.03

 

CMYK 88 / 62 / 0 / 0

HEX #1E60FE

RGB 30 96 254

HSL 222.32, 0.99%, 0.56%

LAB 46.71, 39.5, -83.41

 

CMYK 82 / 55 / 0 / 0

HEX #2F72FF

RGB 47 114 255

HSL 220.67, 1%, 0.59%

LAB 51.68, 29.67, -75.83

 

CMYK 75 / 48 / 0 / 0

HEX #4084FF

RGB 64 132 255

HSL 218.64, 1%, 0.63%

LAB 56.89, 20.14, -67.36

 

CMYK 68 / 41 / 0 / 0

HEX #5196FF

RGB 81 150 255

HSL 216.21, 1%, 0.66%

LAB 62.32, 11.5, -58.61

 

CMYK 97 / 68 / 0 / 6

HEX #084EF0

RGB 8 78 240

HSL 221.9, 0.94%, 0.49%

LAB 40.88, 44.86, -85.16

 

CMYK 100 / 73 / 0 / 13

HEX #003CDD

RGB 0 60 221

HSL 223.71, 1%, 0.43%

LAB 34.91, 48.76, -84.24

 

CMYK 100 / 79 / 0 / 21

HEX #002ACA

RGB 0 42 202

HSL 227.52, 1%, 0.4%

LAB 29.21, 52.35, -82.69

 

CMYK 100 / 87 / 0 / 28

HEX #0018B7

RGB 0 24 183

HSL 232.13, 1%, 0.36%

LAB 23.91, 54.81, -80.3

 

CMYK 100 / 96 / 0 / 36

HEX #0006A4

RGB 0 6 164

HSL 237.8, 1%, 0.32%

LAB 19.27, 55.2, -76.6

 

CMYK 97 / 68 / 0 / 5

HEX #074EF2

RGB 7 78 242

HSL 221.87, 0.94%, 0.49%

LAB 41.06, 45.56, -85.99

 

CMYK 97 / 94 / 0 / 5

HEX #070FF2

RGB 7 15 242

HSL 237.96, 0.94%, 0.49%

LAB 31.34, 73.65, -102.14

 

CMYK 74 / 97 / 0 / 5

HEX #3F07F2

RGB 63 7 242

HSL 254.3, 0.94%, 0.49%

LAB 33.18, 75.97, -99.02

 

CMYK 48 / 97 / 0 / 5

HEX #7E07F2

RGB 126 7 242

HSL 270.38, 0.94%, 0.49%

LAB 39.58, 79.54, -88.2

 

CMYK 21 / 97 / 0 / 5

HEX #BE07F2

RGB 190 7 242

HSL 286.72, 0.94%, 0.49%

LAB 48.9, 86.47, -72.56

 

CMYK 97 / 68 / 0 / 5

HEX #074EF2

RGB 7 78 242

HSL 221.87, 0.94%, 0.49%

LAB 41.06, 45.56, -85.99

 

CMYK 97 / 94 / 0 / 5

HEX #070FF2

RGB 7 15 242

HSL 237.96, 0.94%, 0.49%

LAB 31.34, 73.65, -102.14

 

CMYK 97 / 97 / 0 / 5

HEX #0707F2

RGB 7 7 242

HSL 240, 0.94%, 0.49%

LAB 30.9, 75.03, -102.88

 

CMYK 97 / 68 / 0 / 5

HEX #074EF2

RGB 7 78 242

HSL 221.87, 0.94%, 0.49%

LAB 41.06, 45.56, -85.99

 

CMYK 97 / 68 / 0 / 5

HEX #074EF2

RGB 7 78 242

HSL 221.87, 0.94%, 0.49%

LAB 41.06, 45.56, -85.99

 

CMYK 88 / 61 / 0 / 13

HEX #1B56DE

RGB 27 86 222

HSL 221.85, 0.78%, 0.49%

LAB 41.47, 33.79, -73.98

 

CMYK 77 / 53 / 0 / 21

HEX #2F5EC9

RGB 47 94 201

HSL 221.69, 0.62%, 0.49%

LAB 42.5, 22.28, -60.24

 

CMYK 62 / 44 / 0 / 29

HEX #4466B5

RGB 68 102 181

HSL 221.95, 0.45%, 0.49%

LAB 44.33, 12.98, -45.63

 

CMYK 45 / 32 / 0 / 37

HEX #586EA1

RGB 88 110 161

HSL 221.92, 0.29%, 0.49%

LAB 46.71, 5.96, -30.08

 

CMYK 97 / 14 / 0 / 5

HEX #07CFF2

RGB 7 207 242

HSL 188.94, 0.94%, 0.49%

LAB 76.73, -29.97, -29.09

 

CMYK 97 / 40 / 0 / 5

HEX #0790F2

RGB 7 144 242

HSL 205.02, 0.94%, 0.49%

LAB 58.42, 4.18, -57.8

 

CMYK 97 / 67 / 0 / 5

HEX #0751F2

RGB 7 81 242

HSL 221.11, 0.94%, 0.49%

LAB 41.75, 43.71, -84.86

 

CMYK 97 / 92 / 0 / 5

HEX #0713F2

RGB 7 19 242

HSL 236.94, 0.94%, 0.49%

LAB 31.63, 72.77, -101.66

 

CMYK 76 / 97 / 0 / 5

HEX #3A07F2

RGB 58 7 242

HSL 253.02, 0.94%, 0.49%

LAB 32.84, 75.82, -99.59

 

CMYK 97 / 68 / 0 / 36

HEX #0534A2

RGB 5 52 162

HSL 222.04, 0.94%, 0.33%

LAB 27.01, 32.01, -62.53

 

CMYK 97 / 68 / 0 / 21

HEX #0641CA

RGB 6 65 202

HSL 221.94, 0.94%, 0.41%

LAB 34.16, 38.93, -74.5

 

CMYK 97 / 68 / 0 / 5

HEX #074EF2

RGB 7 78 242

HSL 221.87, 0.94%, 0.49%

LAB 41.06, 45.56, -85.99

 

CMYK 83 / 58 / 0 / 3

HEX #2A68F8

RGB 42 104 248

HSL 221.94, 0.94%, 0.57%

LAB 48.47, 32.99, -77.17

 

CMYK 67 / 47 / 0 / 2

HEX #5285F9

RGB 82 133 249

HSL 221.68, 0.93%, 0.65%

LAB 57.47, 19.79, -63.09

 

CMYK 97 / 68 / 0 / 6

HEX #084EF0

RGB 8 78 240

HSL 221.9, 0.94%, 0.49%

LAB 40.88, 44.86, -85.16

 

CMYK 12 / 97 / 0 / 5

HEX #D607F2

RGB 214 7 242

HSL 292.85, 0.94%, 0.49%

LAB 52.79, 89.78, -66.06

 

CMYK 28 / 0 / 97 / 5

HEX #AFF207

RGB 175 242 7

HSL 77.11, 0.94%, 0.49%

LAB 88.27, -47.26, 84.93

 

CMYK 97 / 68 / 0 / 6

HEX #084EF0

RGB 8 78 240

HSL 221.9, 0.94%, 0.49%

LAB 40.88, 44.86, -85.16

 

CMYK 0 / 97 / 67 / 5

HEX #F20751

RGB 242 7 81

HSL 341.11, 0.94%, 0.49%

LAB 51.41, 78.37, 27.33

 

CMYK 67 / 0 / 97 / 5

HEX #51F207

RGB 81 242 7

HSL 101.11, 0.94%, 0.49%

LAB 84.62, -74.71, 80.49

 

CMYK 97 / 68 / 0 / 6

HEX #084EF0

RGB 8 78 240

HSL 221.9, 0.94%, 0.49%

LAB 40.88, 44.86, -85.16

 

CMYK 12 / 97 / 0 / 5

HEX #D607F2

RGB 214 7 242

HSL 292.85, 0.94%, 0.49%

LAB 52.79, 89.78, -66.06

 

CMYK 0 / 31 / 97 / 5

HEX #F2A807

RGB 242 168 7

HSL 41.11, 0.94%, 0.49%

LAB 74.12, 16.93, 76.89

 

CMYK 86 / 0 / 97 / 5

HEX #22F207

RGB 34 242 7

HSL 113.11, 0.94%, 0.49%

LAB 83.89, -81.11, 79.6

 

CMYK 97 / 68 / 0 / 6

HEX #084EF0

RGB 8 78 240

HSL 221.9, 0.94%, 0.49%

LAB 40.88, 44.86, -85.16

 

CMYK 0 / 97 / 18 / 5

HEX #F207C7

RGB 242 7 199

HSL 310.98, 0.94%, 0.49%

LAB 55.23, 88.37, -37.45

 

CMYK 0 / 31 / 97 / 5

HEX #F2A807

RGB 242 168 7

HSL 41.11, 0.94%, 0.49%

LAB 74.12, 16.93, 76.89

 

CMYK 97 / 0 / 79 / 5

HEX #07F232

RGB 7 242 50

HSL 130.98, 0.94%, 0.49%

LAB 83.85, -81.06, 72.13

 

Description

Color code: RGB 8 78 240 | qconv.com Color code: RGB 8 78 240 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 78 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 78 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 68 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 68% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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