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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 90 100 109 it is the complementary color RGB 165 155 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 90 100 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 90 100 109 shade: RGB 95 100 104, RGB 112 118 123, RGB 129 136 142, RGB 146 154 161 and RGB 163 172 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 90 100 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 90 100 109 shade: RGB 90 100 109, RGB 73 82 90, RGB 56 64 71, RGB 39 46 52 and RGB 22 28 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 90 100 109 shade: RGB 89 99 109, RGB 89 94 109, RGB 89 89 109, RGB 95 89 109 and RGB 100 89 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 90 100 109 shade: RGB 89 99 109, RGB 89 94 109 and RGB 89 89 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 90 100 109 shade matches the following richer shades: RGB 89 99 109, RGB 73 100 125, RGB 57 101 141, RGB 41 102 157 and RGB 25 103 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 90 100 109 shade: RGB 89 99 109, RGB 105 99 93, RGB 121 98 77, RGB 137 97 61 and RGB 153 96 45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 90 100 109 shade: RGB 89 109 108, RGB 89 105 109, RGB 89 100 109, RGB 89 94 109 and RGB 89 89 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 90 100 109 shade: RGB 52 58 64, RGB 70 79 86, RGB 89 99 109, RGB 108 120 132 and RGB 129 141 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 90 100 109 shade: RGB 90 100 109, RGB 102 89 109 and RGB 108 109 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 90 100 109 shade: RGB 90 100 109, RGB 109 89 100 and RGB 100 109 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 90 100 109 shade: RGB 90 100 109, RGB 102 89 109, RGB 109 98 89 and RGB 96 109 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 90 100 109 shade: RGB 90 100 109, RGB 108 89 109, RGB 109 98 89 and RGB 90 109 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 8 / 0 / 57

HEX #5A646D

RGB 90 100 109

HSL 208.42, 0.1%, 0.39%

LAB 41.83, -1.74, -6.38

 

Complementary color

CMYK 0 / 6 / 12 / 35

HEX #A59B92

RGB 165 155 146

HSL 28.42, 0.1%, 0.61%

LAB 64.58, 2.06, 6.02

 

CMYK 9 / 4 / 0 / 59

HEX #5F6468

RGB 95 100 104

HSL 206.67, 0.05%, 0.39%

LAB 42.07, -1.05, -2.93

 

CMYK 9 / 4 / 0 / 52

HEX #70767B

RGB 112 118 123

HSL 207.27, 0.05%, 0.46%

LAB 49.29, -1.18, -3.53

 

CMYK 9 / 4 / 0 / 44

HEX #81888E

RGB 129 136 142

HSL 207.69, 0.05%, 0.53%

LAB 56.32, -1.31, -4.1

 

CMYK 9 / 4 / 0 / 37

HEX #929AA1

RGB 146 154 161

HSL 208, 0.07%, 0.6%

LAB 63.17, -1.43, -4.65

 

CMYK 9 / 4 / 0 / 29

HEX #A3ACB4

RGB 163 172 180

HSL 208.24, 0.1%, 0.67%

LAB 69.89, -1.55, -5.19

 

CMYK 17 / 8 / 0 / 57

HEX #5A646D

RGB 90 100 109

HSL 208.42, 0.1%, 0.39%

LAB 41.83, -1.74, -6.38

 

CMYK 19 / 9 / 0 / 65

HEX #49525A

RGB 73 82 90

HSL 208.24, 0.1%, 0.32%

LAB 34.37, -1.62, -5.88

 

CMYK 21 / 10 / 0 / 72

HEX #384047

RGB 56 64 71

HSL 208, 0.12%, 0.25%

LAB 26.63, -1.51, -5.37

 

CMYK 25 / 12 / 0 / 80

HEX #272E34

RGB 39 46 52

HSL 207.69, 0.14%, 0.18%

LAB 18.51, -1.39, -4.86

 

CMYK 33 / 15 / 0 / 87

HEX #161C21

RGB 22 28 33

HSL 207.27, 0.2%, 0.11%

LAB 9.88, -1.25, -4.36

 

CMYK 18 / 9 / 0 / 57

HEX #59636D

RGB 89 99 109

HSL 210, 0.1%, 0.39%

LAB 41.46, -1.49, -6.95

 

CMYK 18 / 14 / 0 / 57

HEX #595E6D

RGB 89 94 109

HSL 225, 0.1%, 0.39%

LAB 39.97, 1.54, -9.18

 

CMYK 18 / 18 / 0 / 57

HEX #59596D

RGB 89 89 109

HSL 240, 0.1%, 0.39%

LAB 38.5, 4.62, -11.39

 

CMYK 13 / 18 / 0 / 57

HEX #5F596D

RGB 95 89 109

HSL 258, 0.1%, 0.39%

LAB 39.04, 6.81, -10.53

 

CMYK 8 / 18 / 0 / 57

HEX #64596D

RGB 100 89 109

HSL 273, 0.1%, 0.39%

LAB 39.51, 8.66, -9.77

 

CMYK 18 / 9 / 0 / 57

HEX #59636D

RGB 89 99 109

HSL 210, 0.1%, 0.39%

LAB 41.46, -1.49, -6.95

 

CMYK 18 / 14 / 0 / 57

HEX #595E6D

RGB 89 94 109

HSL 225, 0.1%, 0.39%

LAB 39.97, 1.54, -9.18

 

CMYK 18 / 18 / 0 / 57

HEX #59596D

RGB 89 89 109

HSL 240, 0.1%, 0.39%

LAB 38.5, 4.62, -11.39

 

CMYK 18 / 9 / 0 / 57

HEX #59636D

RGB 89 99 109

HSL 210, 0.1%, 0.39%

LAB 41.46, -1.49, -6.95

 

CMYK 42 / 20 / 0 / 51

HEX #49647D

RGB 73 100 125

HSL 208.85, 0.26%, 0.39%

LAB 41.23, -2.99, -17.13

 

CMYK 60 / 28 / 0 / 45

HEX #39658D

RGB 57 101 141

HSL 208.57, 0.42%, 0.39%

LAB 41.38, -2.55, -26.65

 

CMYK 74 / 35 / 0 / 38

HEX #29669D

RGB 41 102 157

HSL 208.45, 0.59%, 0.39%

LAB 41.86, -0.3, -35.5

 

CMYK 86 / 40 / 0 / 32

HEX #1967AD

RGB 25 103 173

HSL 208.38, 0.75%, 0.39%

LAB 42.65, 3.45, -43.72

 

CMYK 18 / 9 / 0 / 57

HEX #59636D

RGB 89 99 109

HSL 210, 0.1%, 0.39%

LAB 41.46, -1.49, -6.95

 

CMYK 0 / 6 / 11 / 59

HEX #69635D

RGB 105 99 93

HSL 30, 0.06%, 0.39%

LAB 42.33, 1.21, 4.25

 

CMYK 0 / 19 / 36 / 53

HEX #79624D

RGB 121 98 77

HSL 28.64, 0.22%, 0.39%

LAB 43.27, 6.02, 15.45

 

CMYK 0 / 29 / 55 / 46

HEX #89613D

RGB 137 97 61

HSL 28.42, 0.38%, 0.39%

LAB 44.53, 11.9, 26.82

 

CMYK 0 / 37 / 71 / 40

HEX #99602D

RGB 153 96 45

HSL 28.33, 0.55%, 0.39%

LAB 46.08, 18.44, 37.87

 

CMYK 18 / 0 / 1 / 57

HEX #596D6C

RGB 89 109 108

HSL 177, 0.1%, 0.39%

LAB 44.44, -7.64, -1.92

 

CMYK 18 / 4 / 0 / 57

HEX #59696D

RGB 89 105 109

HSL 192, 0.1%, 0.39%

LAB 43.26, -5.07, -4.27

 

CMYK 18 / 8 / 0 / 57

HEX #59646D

RGB 89 100 109

HSL 207, 0.1%, 0.39%

LAB 41.76, -2.1, -6.5

 

CMYK 18 / 14 / 0 / 57

HEX #595E6D

RGB 89 94 109

HSL 225, 0.1%, 0.39%

LAB 39.97, 1.54, -9.18

 

CMYK 18 / 18 / 0 / 57

HEX #59596D

RGB 89 89 109

HSL 240, 0.1%, 0.39%

LAB 38.5, 4.62, -11.39

 

CMYK 19 / 9 / 0 / 75

HEX #343A40

RGB 52 58 64

HSL 210, 0.1%, 0.23%

LAB 24.08, -0.99, -4.57

 

CMYK 19 / 8 / 0 / 66

HEX #464F56

RGB 70 79 86

HSL 206.25, 0.1%, 0.31%

LAB 33.06, -1.88, -5.33

 

CMYK 18 / 9 / 0 / 57

HEX #59636D

RGB 89 99 109

HSL 210, 0.1%, 0.39%

LAB 41.46, -1.49, -6.95

 

CMYK 18 / 9 / 0 / 48

HEX #6C7884

RGB 108 120 132

HSL 210, 0.1%, 0.47%

LAB 49.84, -1.73, -8.06

 

CMYK 15 / 7 / 0 / 40

HEX #818D98

RGB 129 141 152

HSL 208.7, 0.1%, 0.55%

LAB 58.02, -1.96, -7.32

 

CMYK 17 / 8 / 0 / 57

HEX #5A646D

RGB 90 100 109

HSL 208.42, 0.1%, 0.39%

LAB 41.83, -1.74, -6.38

 

CMYK 6 / 18 / 0 / 57

HEX #66596D

RGB 102 89 109

HSL 279, 0.1%, 0.39%

LAB 39.7, 9.41, -9.46

 

CMYK 1 / 0 / 18 / 57

HEX #6C6D59

RGB 108 109 89

HSL 63, 0.1%, 0.39%

LAB 45.42, -4.16, 11.07

 

CMYK 17 / 8 / 0 / 57

HEX #5A646D

RGB 90 100 109

HSL 208.42, 0.1%, 0.39%

LAB 41.83, -1.74, -6.38

 

CMYK 0 / 18 / 8 / 57

HEX #6D5964

RGB 109 89 100

HSL 327, 0.1%, 0.39%

LAB 40.11, 10.23, -3.23

 

CMYK 8 / 0 / 18 / 57

HEX #646D59

RGB 100 109 89

HSL 87, 0.1%, 0.39%

LAB 44.76, -7.42, 10.04

 

CMYK 17 / 8 / 0 / 57

HEX #5A646D

RGB 90 100 109

HSL 208.42, 0.1%, 0.39%

LAB 41.83, -1.74, -6.38

 

CMYK 6 / 18 / 0 / 57

HEX #66596D

RGB 102 89 109

HSL 279, 0.1%, 0.39%

LAB 39.7, 9.41, -9.46

 

CMYK 0 / 10 / 18 / 57

HEX #6D6259

RGB 109 98 89

HSL 27, 0.1%, 0.39%

LAB 42.32, 2.74, 6.71

 

CMYK 12 / 0 / 18 / 57

HEX #606D59

RGB 96 109 89

HSL 99, 0.1%, 0.39%

LAB 44.44, -9.02, 9.55

 

CMYK 17 / 8 / 0 / 57

HEX #5A646D

RGB 90 100 109

HSL 208.42, 0.1%, 0.39%

LAB 41.83, -1.74, -6.38

 

CMYK 1 / 18 / 0 / 57

HEX #6C596D

RGB 108 89 109

HSL 297, 0.1%, 0.39%

LAB 40.31, 11.68, -8.49

 

CMYK 0 / 10 / 18 / 57

HEX #6D6259

RGB 109 98 89

HSL 27, 0.1%, 0.39%

LAB 42.32, 2.74, 6.71

 

CMYK 17 / 0 / 18 / 57

HEX #5A6D59

RGB 90 109 89

HSL 117, 0.1%, 0.39%

LAB 43.99, -11.37, 8.85

 

Description

Color code: RGB 90 100 109 | qconv.com Color code: RGB 90 100 109 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 100 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 100 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 8 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 8% 0% 57% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

58% - Your Palettes
Link: http://www.yourpalettes.com

14% - 1805-1.jpg (400x300 ...
Link: http://www.flowerbank.ru

Verification of their color palette as a manufacturer!

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