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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 13 185 3 it is the complementary color RGB 242 70 252. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 13 185 3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 13 185 3 shade: RGB 18 185 0, RGB 35 203 17, RGB 52 221 36, RGB 69 239 55 and RGB 86 255 74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 13 185 3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 13 185 3 shade: RGB 13 185 3, RGB 0 167 0, RGB 0 149 0, RGB 0 131 0 and RGB 0 113 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 13 185 3 shade: RGB 12 185 2, RGB 62 185 2, RGB 111 185 2, RGB 160 185 2 and RGB 185 161 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 13 185 3 shade: RGB 12 185 2, RGB 2 185 42, RGB 2 185 91, RGB 2 185 140 and RGB 2 181 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 13 185 3 shade matches the following richer shades: RGB 12 185 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 13 185 3 shade: RGB 12 185 2, RGB 26 170 18, RGB 40 155 33, RGB 53 140 48 and RGB 67 124 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 13 185 3 shade: RGB 112 185 2, RGB 63 185 2, RGB 15 185 2, RGB 2 185 39 and RGB 2 185 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 13 185 3 shade: RGB 7 104 1, RGB 10 145 2, RGB 12 185 2, RGB 15 226 3 and RGB 32 251 19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 13 185 3 shade: RGB 13 185 3, RGB 2 161 185 and RGB 185 2 88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 13 185 3 shade: RGB 13 185 3, RGB 2 15 185 and RGB 185 2 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 13 185 3 shade: RGB 13 185 3, RGB 2 161 185, RGB 173 2 185 and RGB 185 27 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 13 185 3 shade: RGB 13 185 3, RGB 2 106 185, RGB 173 2 185 and RGB 185 82 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 98 / 27

HEX #0DB903

RGB 13 185 3

HSL 116.7, 0.97%, 0.37%

LAB 65.58, -67.04, 65.08

 

Complementary color

CMYK 4 / 72 / 0 / 1

HEX #F246FC

RGB 242 70 252

HSL 296.7, 0.97%, 0.63%

LAB 61.9, 84.33, -56.78

 

CMYK 90 / 0 / 100 / 27

HEX #12B900

RGB 18 185 0

HSL 114.16, 1%, 0.36%

LAB 65.61, -66.8, 65.48

 

CMYK 83 / 0 / 92 / 20

HEX #23CB11

RGB 35 203 17

HSL 114.19, 0.85%, 0.43%

LAB 71.63, -70.02, 68.44

 

CMYK 76 / 0 / 84 / 13

HEX #34DD24

RGB 52 221 36

HSL 114.81, 0.73%, 0.5%

LAB 77.62, -72.47, 70.1

 

CMYK 71 / 0 / 77 / 6

HEX #45EF37

RGB 69 239 55

HSL 115.43, 0.85%, 0.58%

LAB 83.59, -74.28, 70.67

 

CMYK 66 / 0 / 71 / 0

HEX #56FF4A

RGB 86 255 74

HSL 116.02, 1%, 0.65%

LAB 88.92, -74.96, 69.91

 

CMYK 93 / 0 / 98 / 27

HEX #0DB903

RGB 13 185 3

HSL 116.7, 0.97%, 0.37%

LAB 65.58, -67.04, 65.08

 

CMYK 100 / 0 / 100 / 35

HEX #00A700

RGB 0 167 0

HSL 120, 1%, 0.33%

LAB 59.56, -62.77, 60.59

 

CMYK 100 / 0 / 100 / 42

HEX #009500

RGB 0 149 0

HSL 120, 1%, 0.29%

LAB 53.49, -57.73, 55.72

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 94 / 0 / 99 / 27

HEX #0CB902

RGB 12 185 2

HSL 116.72, 0.98%, 0.37%

LAB 65.58, -67.12, 65.19

 

CMYK 66 / 0 / 99 / 27

HEX #3EB902

RGB 62 185 2

HSL 100.33, 0.98%, 0.37%

LAB 66.31, -60.67, 66.09

 

CMYK 40 / 0 / 99 / 27

HEX #6FB902

RGB 111 185 2

HSL 84.26, 0.98%, 0.37%

LAB 68.08, -46.76, 68.24

 

CMYK 14 / 0 / 99 / 27

HEX #A0B902

RGB 160 185 2

HSL 68.2, 0.98%, 0.37%

LAB 70.99, -27.65, 71.74

 

CMYK 0 / 13 / 99 / 27

HEX #B9A102

RGB 185 161 2

HSL 52.13, 0.98%, 0.37%

LAB 66.37, -4.48, 69.26

 

CMYK 94 / 0 / 99 / 27

HEX #0CB902

RGB 12 185 2

HSL 116.72, 0.98%, 0.37%

LAB 65.58, -67.12, 65.19

 

CMYK 99 / 0 / 77 / 27

HEX #02B92A

RGB 2 185 42

HSL 133.11, 0.98%, 0.37%

LAB 65.65, -65.93, 57.07

 

CMYK 99 / 0 / 51 / 27

HEX #02B95B

RGB 2 185 91

HSL 149.18, 0.98%, 0.37%

LAB 66.11, -60.23, 36.63

 

CMYK 99 / 0 / 24 / 27

HEX #02B98C

RGB 2 185 140

HSL 165.25, 0.98%, 0.37%

LAB 66.98, -50.17, 11.91

 

CMYK 99 / 2 / 0 / 27

HEX #02B5B9

RGB 2 181 185

HSL 181.31, 0.98%, 0.37%

LAB 66.95, -35.87, -12.94

 

CMYK 94 / 0 / 99 / 27

HEX #0CB902

RGB 12 185 2

HSL 116.72, 0.98%, 0.37%

LAB 65.58, -67.12, 65.19

 

CMYK 94 / 0 / 99 / 27

HEX #0CB902

RGB 12 185 2

HSL 116.72, 0.98%, 0.37%

LAB 65.58, -67.12, 65.19

 

CMYK 85 / 0 / 89 / 33

HEX #1AAA12

RGB 26 170 18

HSL 116.84, 0.81%, 0.37%

LAB 60.79, -61.34, 58.98

 

CMYK 74 / 0 / 79 / 39

HEX #289B21

RGB 40 155 33

HSL 116.56, 0.65%, 0.37%

LAB 56.09, -53.98, 50.84

 

CMYK 62 / 0 / 66 / 45

HEX #358C30

RGB 53 140 48

HSL 116.74, 0.49%, 0.37%

LAB 51.53, -44.63, 40.3

 

CMYK 46 / 0 / 49 / 51

HEX #437C3F

RGB 67 124 63

HSL 116.07, 0.33%, 0.37%

LAB 46.93, -31.96, 27.49

 

CMYK 39 / 0 / 99 / 27

HEX #70B902

RGB 112 185 2

HSL 83.93, 0.98%, 0.37%

LAB 68.13, -46.41, 68.3

 

CMYK 66 / 0 / 99 / 27

HEX #3FB902

RGB 63 185 2

HSL 100, 0.98%, 0.37%

LAB 66.34, -60.45, 66.12

 

CMYK 92 / 0 / 99 / 27

HEX #0FB902

RGB 15 185 2

HSL 115.74, 0.98%, 0.37%

LAB 65.6, -66.95, 65.21

 

CMYK 99 / 0 / 79 / 27

HEX #02B927

RGB 2 185 39

HSL 132.13, 0.98%, 0.37%

LAB 65.64, -66.14, 58

 

CMYK 99 / 0 / 52 / 27

HEX #02B958

RGB 2 185 88

HSL 148.2, 0.98%, 0.37%

LAB 66.07, -60.71, 38.07

 

CMYK 93 / 0 / 99 / 59

HEX #076801

RGB 7 104 1

HSL 116.5, 0.98%, 0.21%

LAB 37.75, -43.79, 42.85

 

CMYK 93 / 0 / 99 / 43

HEX #0A9102

RGB 10 145 2

HSL 116.64, 0.97%, 0.29%

LAB 52.2, -55.87, 54.36

 

CMYK 94 / 0 / 99 / 27

HEX #0CB902

RGB 12 185 2

HSL 116.72, 0.98%, 0.37%

LAB 65.58, -67.12, 65.19

 

CMYK 93 / 0 / 99 / 11

HEX #0FE203

RGB 15 226 3

HSL 116.77, 0.97%, 0.45%

LAB 78.75, -78.08, 75.73

 

CMYK 87 / 0 / 92 / 2

HEX #20FB13

RGB 32 251 19

HSL 116.64, 0.97%, 0.53%

LAB 86.68, -83.47, 80.75

 

CMYK 93 / 0 / 98 / 27

HEX #0DB903

RGB 13 185 3

HSL 116.7, 0.97%, 0.37%

LAB 65.58, -67.04, 65.08

 

CMYK 99 / 13 / 0 / 27

HEX #02A1B9

RGB 2 161 185

HSL 187.87, 0.98%, 0.37%

LAB 60.79, -26.2, -22.28

 

CMYK 0 / 99 / 52 / 27

HEX #B90258

RGB 185 2 88

HSL 331.8, 0.98%, 0.37%

LAB 39.69, 66, 5.12

 

CMYK 93 / 0 / 98 / 27

HEX #0DB903

RGB 13 185 3

HSL 116.7, 0.97%, 0.37%

LAB 65.58, -67.04, 65.08

 

CMYK 99 / 92 / 0 / 27

HEX #020FB9

RGB 2 15 185

HSL 235.74, 0.98%, 0.37%

LAB 23.19, 58.56, -82.68

 

CMYK 0 / 99 / 92 / 27

HEX #B9020F

RGB 185 2 15

HSL 355.74, 0.98%, 0.37%

LAB 38.54, 62.89, 47.2

 

CMYK 93 / 0 / 98 / 27

HEX #0DB903

RGB 13 185 3

HSL 116.7, 0.97%, 0.37%

LAB 65.58, -67.04, 65.08

 

CMYK 99 / 13 / 0 / 27

HEX #02A1B9

RGB 2 161 185

HSL 187.87, 0.98%, 0.37%

LAB 60.79, -26.2, -22.28

 

CMYK 6 / 99 / 0 / 27

HEX #AD02B9

RGB 173 2 185

HSL 296.07, 0.98%, 0.37%

LAB 41.89, 75.09, -51.26

 

CMYK 0 / 85 / 99 / 27

HEX #B91B02

RGB 185 27 2

HSL 8.2, 0.98%, 0.37%

LAB 39.75, 59.1, 52.57

 

CMYK 93 / 0 / 98 / 27

HEX #0DB903

RGB 13 185 3

HSL 116.7, 0.97%, 0.37%

LAB 65.58, -67.04, 65.08

 

CMYK 99 / 43 / 0 / 27

HEX #026AB9

RGB 2 106 185

HSL 205.9, 0.98%, 0.37%

LAB 43.98, 5.12, -48.63

 

CMYK 6 / 99 / 0 / 27

HEX #AD02B9

RGB 173 2 185

HSL 296.07, 0.98%, 0.37%

LAB 41.89, 75.09, -51.26

 

CMYK 0 / 56 / 99 / 27

HEX #B95202

RGB 185 82 2

HSL 26.23, 0.98%, 0.37%

LAB 47.43, 38.31, 56.6

 

Description

Color code: RGB 13 185 3 | qconv.com Color code: RGB 13 185 3 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 185 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 185 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 98 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 98% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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