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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 172 182 it is the complementary color RGB 245 83 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 172 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 172 182 shade: RGB 15 172 177, RGB 32 190 196, RGB 49 208 215, RGB 66 226 234 and RGB 83 244 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 172 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 172 182 shade: RGB 10 172 182, RGB 0 154 163, RGB 0 136 144, RGB 0 118 125 and RGB 0 100 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 172 182 shade: RGB 9 173 184, RGB 9 126 184, RGB 9 79 184, RGB 9 32 184 and RGB 33 9 184

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 172 182 shade: RGB 9 173 184, RGB 9 126 184, RGB 9 79 184, RGB 9 32 184 and RGB 9 9 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 172 182 shade matches the following richer shades: RGB 9 173 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 172 182 shade: RGB 9 173 184, RGB 25 160 168, RGB 41 146 152, RGB 56 132 137 and RGB 72 118 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 172 182 shade: RGB 9 184 99, RGB 9 184 146, RGB 9 175 184, RGB 9 128 184 and RGB 9 82 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 172 182 shade: RGB 5 99 105, RGB 7 136 144, RGB 9 173 184, RGB 11 211 223 and RGB 33 231 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 172 182 shade: RGB 10 172 182, RGB 53 9 184 and RGB 184 123 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 172 182 shade: RGB 10 172 182, RGB 184 9 175 and RGB 175 184 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 172 182 shade: RGB 10 172 182, RGB 53 9 184, RGB 184 18 9 and RGB 140 184 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 172 182 shade: RGB 10 172 182, RGB 105 9 184, RGB 184 18 9 and RGB 88 184 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 5 / 0 / 29

HEX #0AACB6

RGB 10 172 182

HSL 183.49, 0.9%, 0.38%

LAB 64.12, -32.31, -15.53

 

Complementary color

CMYK 0 / 66 / 70 / 4

HEX #F55349

RGB 245 83 73

HSL 3.49, 0.9%, 0.62%

LAB 58.11, 61.24, 40.25

 

CMYK 92 / 3 / 0 / 31

HEX #0FACB1

RGB 15 172 177

HSL 181.85, 0.84%, 0.38%

LAB 63.98, -33.7, -12.94

 

CMYK 84 / 3 / 0 / 23

HEX #20BEC4

RGB 32 190 196

HSL 182.2, 0.72%, 0.45%

LAB 70.26, -35.31, -13.99

 

CMYK 77 / 3 / 0 / 16

HEX #31D0D7

RGB 49 208 215

HSL 182.53, 0.67%, 0.52%

LAB 76.48, -36.56, -14.93

 

CMYK 72 / 3 / 0 / 8

HEX #42E2EA

RGB 66 226 234

HSL 182.86, 0.8%, 0.59%

LAB 82.64, -37.53, -15.78

 

CMYK 67 / 4 / 0 / 1

HEX #53F4FD

RGB 83 244 253

HSL 183.18, 0.98%, 0.66%

LAB 88.75, -38.29, -16.56

 

CMYK 95 / 5 / 0 / 29

HEX #0AACB6

RGB 10 172 182

HSL 183.49, 0.9%, 0.38%

LAB 64.12, -32.31, -15.53

 

CMYK 100 / 6 / 0 / 36

HEX #009AA3

RGB 0 154 163

HSL 183.31, 1%, 0.32%

LAB 57.8, -30.11, -14.38

 

CMYK 100 / 6 / 0 / 44

HEX #008890

RGB 0 136 144

HSL 183.33, 1%, 0.28%

LAB 51.41, -27.51, -13.11

 

CMYK 100 / 6 / 0 / 51

HEX #00767D

RGB 0 118 125

HSL 183.36, 1%, 0.25%

LAB 44.85, -24.85, -11.82

 

CMYK 100 / 6 / 0 / 58

HEX #00646A

RGB 0 100 106

HSL 183.4, 1%, 0.21%

LAB 38.12, -22.12, -10.48

 

CMYK 95 / 6 / 0 / 28

HEX #09ADB8

RGB 9 173 184

HSL 183.77, 0.91%, 0.38%

LAB 64.49, -32.19, -16.09

 

CMYK 95 / 32 / 0 / 28

HEX #097EB8

RGB 9 126 184

HSL 199.89, 0.91%, 0.38%

LAB 50.03, -7.23, -38.43

 

CMYK 95 / 57 / 0 / 28

HEX #094FB8

RGB 9 79 184

HSL 216, 0.91%, 0.38%

LAB 36.2, 22.75, -60.61

 

CMYK 95 / 83 / 0 / 28

HEX #0920B8

RGB 9 32 184

HSL 232.11, 0.91%, 0.38%

LAB 25.42, 51.72, -78.37

 

CMYK 82 / 95 / 0 / 28

HEX #2109B8

RGB 33 9 184

HSL 248.23, 0.91%, 0.38%

LAB 23.6, 60.33, -81.38

 

CMYK 95 / 6 / 0 / 28

HEX #09ADB8

RGB 9 173 184

HSL 183.77, 0.91%, 0.38%

LAB 64.49, -32.19, -16.09

 

CMYK 95 / 32 / 0 / 28

HEX #097EB8

RGB 9 126 184

HSL 199.89, 0.91%, 0.38%

LAB 50.03, -7.23, -38.43

 

CMYK 95 / 57 / 0 / 28

HEX #094FB8

RGB 9 79 184

HSL 216, 0.91%, 0.38%

LAB 36.2, 22.75, -60.61

 

CMYK 95 / 83 / 0 / 28

HEX #0920B8

RGB 9 32 184

HSL 232.11, 0.91%, 0.38%

LAB 25.42, 51.72, -78.37

 

CMYK 95 / 95 / 0 / 28

HEX #0909B8

RGB 9 9 184

HSL 240, 0.91%, 0.38%

LAB 22.7, 59.9, -82.9

 

CMYK 95 / 6 / 0 / 28

HEX #09ADB8

RGB 9 173 184

HSL 183.77, 0.91%, 0.38%

LAB 64.49, -32.19, -16.09

 

CMYK 95 / 6 / 0 / 28

HEX #09ADB8

RGB 9 173 184

HSL 183.77, 0.91%, 0.38%

LAB 64.49, -32.19, -16.09

 

CMYK 85 / 5 / 0 / 34

HEX #19A0A8

RGB 25 160 168

HSL 183.36, 0.74%, 0.38%

LAB 60.05, -30.2, -13.81

 

CMYK 73 / 4 / 0 / 40

HEX #299298

RGB 41 146 152

HSL 183.24, 0.58%, 0.38%

LAB 55.38, -26.71, -11.7

 

CMYK 59 / 4 / 0 / 46

HEX #388489

RGB 56 132 137

HSL 183.7, 0.42%, 0.38%

LAB 50.86, -21.66, -9.76

 

CMYK 40 / 2 / 0 / 53

HEX #487679

RGB 72 118 121

HSL 183.67, 0.25%, 0.38%

LAB 46.6, -14.86, -6.62

 

CMYK 95 / 0 / 46 / 28

HEX #09B863

RGB 9 184 99

HSL 150.86, 0.91%, 0.38%

LAB 65.94, -58.25, 32.37

 

CMYK 95 / 0 / 21 / 28

HEX #09B892

RGB 9 184 146

HSL 166.97, 0.91%, 0.38%

LAB 66.84, -48.01, 8.42

 

CMYK 95 / 5 / 0 / 28

HEX #09AFB8

RGB 9 175 184

HSL 183.09, 0.91%, 0.38%

LAB 65.1, -33.14, -15.16

 

CMYK 95 / 30 / 0 / 28

HEX #0980B8

RGB 9 128 184

HSL 199.2, 0.91%, 0.38%

LAB 50.64, -8.4, -37.47

 

CMYK 95 / 55 / 0 / 28

HEX #0952B8

RGB 9 82 184

HSL 214.97, 0.91%, 0.38%

LAB 37.03, 20.73, -59.26

 

CMYK 95 / 6 / 0 / 59

HEX #056369

RGB 5 99 105

HSL 183.6, 0.91%, 0.22%

LAB 37.8, -21.57, -10.35

 

CMYK 95 / 6 / 0 / 44

HEX #078890

RGB 7 136 144

HSL 183.5, 0.91%, 0.3%

LAB 51.46, -27.18, -13.03

 

CMYK 95 / 6 / 0 / 28

HEX #09ADB8

RGB 9 173 184

HSL 183.77, 0.91%, 0.38%

LAB 64.49, -32.19, -16.09

 

CMYK 95 / 5 / 0 / 13

HEX #0BD3DF

RGB 11 211 223

HSL 183.4, 0.91%, 0.46%

LAB 77.27, -37.78, -18.07

 

CMYK 86 / 5 / 0 / 5

HEX #21E7F3

RGB 33 231 243

HSL 183.43, 0.9%, 0.54%

LAB 83.94, -39.97, -18.63

 

CMYK 95 / 5 / 0 / 29

HEX #0AACB6

RGB 10 172 182

HSL 183.49, 0.9%, 0.38%

LAB 64.12, -32.31, -15.53

 

CMYK 71 / 95 / 0 / 28

HEX #3509B8

RGB 53 9 184

HSL 255.09, 0.91%, 0.38%

LAB 24.99, 61.05, -79.02

 

CMYK 0 / 33 / 95 / 28

HEX #B87B09

RGB 184 123 9

HSL 39.09, 0.91%, 0.38%

LAB 56.46, 15.94, 61.07

 

CMYK 95 / 5 / 0 / 29

HEX #0AACB6

RGB 10 172 182

HSL 183.49, 0.9%, 0.38%

LAB 64.12, -32.31, -15.53

 

CMYK 0 / 95 / 5 / 28

HEX #B809AF

RGB 184 9 175

HSL 303.09, 0.91%, 0.38%

LAB 43.48, 74.74, -42.7

 

CMYK 5 / 0 / 95 / 28

HEX #AFB809

RGB 175 184 9

HSL 63.09, 0.91%, 0.38%

LAB 71.84, -20.67, 72.09

 

CMYK 95 / 5 / 0 / 29

HEX #0AACB6

RGB 10 172 182

HSL 183.49, 0.9%, 0.38%

LAB 64.12, -32.31, -15.53

 

CMYK 71 / 95 / 0 / 28

HEX #3509B8

RGB 53 9 184

HSL 255.09, 0.91%, 0.38%

LAB 24.99, 61.05, -79.02

 

CMYK 0 / 90 / 95 / 28

HEX #B81209

RGB 184 18 9

HSL 3.09, 0.91%, 0.38%

LAB 38.97, 60.61, 49.58

 

CMYK 24 / 0 / 95 / 28

HEX #8CB809

RGB 140 184 9

HSL 75.09, 0.91%, 0.38%

LAB 69.38, -35.31, 69.13

 

CMYK 95 / 5 / 0 / 29

HEX #0AACB6

RGB 10 172 182

HSL 183.49, 0.9%, 0.38%

LAB 64.12, -32.31, -15.53

 

CMYK 43 / 95 / 0 / 28

HEX #6909B8

RGB 105 9 184

HSL 272.91, 0.91%, 0.38%

LAB 31.02, 64.96, -68.86

 

CMYK 0 / 90 / 95 / 28

HEX #B81209

RGB 184 18 9

HSL 3.09, 0.91%, 0.38%

LAB 38.97, 60.61, 49.58

 

CMYK 52 / 0 / 95 / 28

HEX #58B809

RGB 88 184 9

HSL 92.91, 0.91%, 0.38%

LAB 66.81, -53.63, 65.98

 

Description

Color code: RGB 10 172 182 | qconv.com Color code: RGB 10 172 182 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 172 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 172 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 5 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 5% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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