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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 40 173 it is the complementary color RGB 144 215 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 40 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 40 173 shade: RGB 116 40 168, RGB 133 58 187, RGB 150 76 206, RGB 167 94 225 and RGB 184 112 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 40 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 40 173 shade: RGB 111 40 173, RGB 94 22 154, RGB 77 4 135, RGB 60 0 116 and RGB 43 0 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 40 173 shade: RGB 111 40 173, RGB 147 40 173, RGB 173 40 163, RGB 173 40 127 and RGB 173 40 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 40 173 shade: RGB 111 40 173, RGB 75 40 173 and RGB 40 40 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 40 173 shade matches the following richer shades: RGB 111 40 173, RGB 112 23 190 and RGB 113 6 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 40 173 shade: RGB 111 40 173, RGB 110 58 156, RGB 109 75 138, RGB 108 92 121 and RGB 106 110 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 40 173 shade: RGB 40 40 173, RGB 76 40 173, RGB 111 40 173, RGB 146 40 173 and RGB 173 40 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 40 173 shade: RGB 68 25 106, RGB 90 32 140, RGB 111 40 173, RGB 133 48 206 and RGB 152 82 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 40 173 shade: RGB 111 40 173, RGB 173 40 76 and RGB 40 173 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 40 173 shade: RGB 111 40 173, RGB 173 111 40 and RGB 40 173 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 40 173 shade: RGB 111 40 173, RGB 173 40 76, RGB 102 173 40 and RGB 40 173 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 40 173 shade: RGB 111 40 173, RGB 173 45 40, RGB 102 173 40 and RGB 40 169 173

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 77 / 0 / 32

HEX #6F28AD

RGB 111 40 173

HSL 272.03, 0.62%, 0.42%

LAB 33.8, 54.67, -57.7

 

Complementary color

CMYK 33 / 0 / 62 / 16

HEX #90D752

RGB 144 215 82

HSL 92.03, 0.62%, 0.58%

LAB 79.12, -43.86, 57.03

 

CMYK 31 / 76 / 0 / 34

HEX #7428A8

RGB 116 40 168

HSL 275.63, 0.62%, 0.41%

LAB 34.1, 54.42, -54.19

 

CMYK 29 / 69 / 0 / 27

HEX #853ABB

RGB 133 58 187

HSL 274.88, 0.53%, 0.48%

LAB 40.57, 54.31, -54.87

 

CMYK 27 / 63 / 0 / 19

HEX #964CCE

RGB 150 76 206

HSL 274.15, 0.57%, 0.55%

LAB 47.12, 53.77, -55.25

 

CMYK 26 / 58 / 0 / 12

HEX #A75EE1

RGB 167 94 225

HSL 273.44, 0.69%, 0.63%

LAB 53.66, 53.03, -55.46

 

CMYK 25 / 54 / 0 / 4

HEX #B870F4

RGB 184 112 244

HSL 272.73, 0.86%, 0.7%

LAB 60.17, 52.2, -55.57

 

CMYK 36 / 77 / 0 / 32

HEX #6F28AD

RGB 111 40 173

HSL 272.03, 0.62%, 0.42%

LAB 33.8, 54.67, -57.7

 

CMYK 39 / 86 / 0 / 40

HEX #5E169A

RGB 94 22 154

HSL 272.73, 0.75%, 0.35%

LAB 27.54, 54.04, -56.55

 

CMYK 43 / 97 / 0 / 47

HEX #4D0487

RGB 77 4 135

HSL 273.44, 0.94%, 0.27%

LAB 21.63, 52.04, -54.55

 

CMYK 48 / 100 / 0 / 55

HEX #3C0074

RGB 60 0 116

HSL 271.03, 1%, 0.23%

LAB 16.61, 46.99, -50.81

 

CMYK 56 / 100 / 0 / 62

HEX #2B0061

RGB 43 0 97

HSL 266.6, 1%, 0.19%

LAB 11.8, 40.84, -46.35

 

CMYK 36 / 77 / 0 / 32

HEX #6F28AD

RGB 111 40 173

HSL 272.03, 0.62%, 0.42%

LAB 33.8, 54.67, -57.7

 

CMYK 15 / 77 / 0 / 32

HEX #9328AD

RGB 147 40 173

HSL 288.27, 0.62%, 0.42%

LAB 39.14, 61.39, -48.82

 

CMYK 0 / 77 / 6 / 32

HEX #AD28A3

RGB 173 40 163

HSL 304.51, 0.62%, 0.42%

LAB 42.83, 65.07, -36.7

 

CMYK 0 / 77 / 27 / 32

HEX #AD287F

RGB 173 40 127

HSL 320.75, 0.62%, 0.42%

LAB 41.11, 60, -17.51

 

CMYK 0 / 77 / 47 / 32

HEX #AD285C

RGB 173 40 92

HSL 336.54, 0.62%, 0.42%

LAB 39.87, 56.19, 2.53

 

CMYK 36 / 77 / 0 / 32

HEX #6F28AD

RGB 111 40 173

HSL 272.03, 0.62%, 0.42%

LAB 33.8, 54.67, -57.7

 

CMYK 57 / 77 / 0 / 32

HEX #4B28AD

RGB 75 40 173

HSL 255.79, 0.62%, 0.42%

LAB 29.49, 49.08, -64.94

 

CMYK 77 / 77 / 0 / 32

HEX #2828AD

RGB 40 40 173

HSL 240, 0.62%, 0.42%

LAB 26.69, 45.35, -69.65

 

CMYK 36 / 77 / 0 / 32

HEX #6F28AD

RGB 111 40 173

HSL 272.03, 0.62%, 0.42%

LAB 33.8, 54.67, -57.7

 

CMYK 41 / 88 / 0 / 25

HEX #7017BE

RGB 112 23 190

HSL 271.98, 0.78%, 0.42%

LAB 33.51, 64.29, -68.27

 

CMYK 46 / 97 / 0 / 18

HEX #7106D0

RGB 113 6 208

HSL 271.78, 0.94%, 0.42%

LAB 34.39, 71.33, -77.36

 

CMYK 36 / 77 / 0 / 32

HEX #6F28AD

RGB 111 40 173

HSL 272.03, 0.62%, 0.42%

LAB 33.8, 54.67, -57.7

 

CMYK 29 / 63 / 0 / 39

HEX #6E3A9C

RGB 110 58 156

HSL 271.84, 0.46%, 0.42%

LAB 35.48, 41.8, -44.77

 

CMYK 21 / 46 / 0 / 46

HEX #6D4B8A

RGB 109 75 138

HSL 272.38, 0.3%, 0.42%

LAB 38.05, 27.31, -29.74

 

CMYK 11 / 24 / 0 / 53

HEX #6C5C79

RGB 108 92 121

HSL 273.1, 0.14%, 0.42%

LAB 41.57, 12.5, -13.94

 

CMYK 4 / 0 / 5 / 57

HEX #6A6E68

RGB 106 110 104

HSL 100, 0.03%, 0.42%

LAB 45.93, -2.76, 2.81

 

CMYK 77 / 77 / 0 / 32

HEX #2828AD

RGB 40 40 173

HSL 240, 0.62%, 0.42%

LAB 26.69, 45.35, -69.65

 

CMYK 56 / 77 / 0 / 32

HEX #4C28AD

RGB 76 40 173

HSL 256.24, 0.62%, 0.42%

LAB 29.59, 49.21, -64.77

 

CMYK 36 / 77 / 0 / 32

HEX #6F28AD

RGB 111 40 173

HSL 272.03, 0.62%, 0.42%

LAB 33.8, 54.67, -57.7

 

CMYK 16 / 77 / 0 / 32

HEX #9228AD

RGB 146 40 173

HSL 287.82, 0.62%, 0.42%

LAB 38.98, 61.19, -49.08

 

CMYK 0 / 77 / 5 / 32

HEX #AD28A4

RGB 173 40 164

HSL 304.06, 0.62%, 0.42%

LAB 42.89, 65.22, -37.21

 

CMYK 36 / 76 / 0 / 58

HEX #44196A

RGB 68 25 106

HSL 271.85, 0.62%, 0.26%

LAB 19.9, 36.67, -38.87

 

CMYK 36 / 77 / 0 / 45

HEX #5A208C

RGB 90 32 140

HSL 272.22, 0.63%, 0.34%

LAB 27.02, 46.35, -48.78

 

CMYK 36 / 77 / 0 / 32

HEX #6F28AD

RGB 111 40 173

HSL 272.03, 0.62%, 0.42%

LAB 33.8, 54.67, -57.7

 

CMYK 35 / 77 / 0 / 19

HEX #8530CE

RGB 133 48 206

HSL 272.28, 0.62%, 0.5%

LAB 40.5, 62.85, -66.07

 

CMYK 29 / 62 / 0 / 16

HEX #9852D6

RGB 152 82 214

HSL 271.82, 0.62%, 0.58%

LAB 48.96, 53.08, -56.85

 

CMYK 36 / 77 / 0 / 32

HEX #6F28AD

RGB 111 40 173

HSL 272.03, 0.62%, 0.42%

LAB 33.8, 54.67, -57.7

 

CMYK 0 / 77 / 56 / 32

HEX #AD284C

RGB 173 40 76

HSL 343.76, 0.62%, 0.42%

LAB 39.45, 54.85, 12.09

 

CMYK 77 / 0 / 66 / 32

HEX #28AD3A

RGB 40 173 58

HSL 128.12, 0.62%, 0.42%

LAB 62.21, -57.71, 47.57

 

CMYK 36 / 77 / 0 / 32

HEX #6F28AD

RGB 111 40 173

HSL 272.03, 0.62%, 0.42%

LAB 33.8, 54.67, -57.7

 

CMYK 0 / 36 / 77 / 32

HEX #AD6F28

RGB 173 111 40

HSL 32.03, 0.62%, 0.42%

LAB 52.29, 18.56, 47.5

 

CMYK 77 / 0 / 36 / 32

HEX #28AD6F

RGB 40 173 111

HSL 152.03, 0.62%, 0.42%

LAB 62.92, -49.41, 22.12

 

CMYK 36 / 77 / 0 / 32

HEX #6F28AD

RGB 111 40 173

HSL 272.03, 0.62%, 0.42%

LAB 33.8, 54.67, -57.7

 

CMYK 0 / 77 / 56 / 32

HEX #AD284C

RGB 173 40 76

HSL 343.76, 0.62%, 0.42%

LAB 39.45, 54.85, 12.09

 

CMYK 41 / 0 / 77 / 32

HEX #66AD28

RGB 102 173 40

HSL 92.03, 0.62%, 0.42%

LAB 64.05, -43.71, 56.94

 

CMYK 77 / 0 / 20 / 32

HEX #28AD8A

RGB 40 173 138

HSL 164.21, 0.62%, 0.42%

LAB 63.49, -43.22, 8.1

 

CMYK 36 / 77 / 0 / 32

HEX #6F28AD

RGB 111 40 173

HSL 272.03, 0.62%, 0.42%

LAB 33.8, 54.67, -57.7

 

CMYK 0 / 74 / 77 / 32

HEX #AD2D28

RGB 173 45 40

HSL 2.26, 0.62%, 0.42%

LAB 39.44, 51.11, 34.27

 

CMYK 41 / 0 / 77 / 32

HEX #66AD28

RGB 102 173 40

HSL 92.03, 0.62%, 0.42%

LAB 64.05, -43.71, 56.94

 

CMYK 77 / 2 / 0 / 32

HEX #28A9AD

RGB 40 169 173

HSL 181.8, 0.62%, 0.42%

LAB 63.21, -31.65, -11.83

 

Description

Color code: RGB 111 40 173 | qconv.com Color code: RGB 111 40 173 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 40 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 40 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 77 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 77% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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