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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 150 222 it is the complementary color RGB 143 105 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 150 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 150 222 shade: RGB 117 150 217, RGB 134 168 236, RGB 151 186 255, RGB 168 204 255 and RGB 185 222 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 150 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 150 222 shade: RGB 112 150 222, RGB 95 132 203, RGB 78 114 184, RGB 61 96 165 and RGB 44 78 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 150 222 shade: RGB 109 148 221, RGB 109 118 221, RGB 131 109 221, RGB 161 109 221 and RGB 191 109 221

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 150 222 shade: RGB 109 148 221, RGB 109 118 221 and RGB 109 109 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 150 222 shade matches the following richer shades: RGB 109 148 221, RGB 95 143 236 and RGB 80 139 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 150 222 shade: RGB 109 148 221, RGB 123 152 207, RGB 138 157 193, RGB 152 161 178 and RGB 167 166 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 150 222 shade: RGB 109 208 221, RGB 109 178 221, RGB 109 148 221, RGB 109 118 221 and RGB 130 109 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 150 222 shade: RGB 46 100 202, RGB 75 123 214, RGB 109 148 221, RGB 143 173 229 and RGB 176 197 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 150 222 shade: RGB 112 150 222, RGB 205 109 221 and RGB 193 221 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 150 222 shade: RGB 112 150 222, RGB 221 109 148 and RGB 148 221 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 150 222 shade: RGB 112 150 222, RGB 205 109 221, RGB 221 182 109 and RGB 126 221 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 150 222 shade: RGB 112 150 222, RGB 221 109 205, RGB 221 182 109 and RGB 109 221 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 32 / 0 / 13

HEX #7096DE

RGB 112 150 222

HSL 219.27, 0.63%, 0.65%

LAB 62.11, 6.65, -40.68

 

Complementary color

CMYK 0 / 27 / 77 / 44

HEX #8F6921

RGB 143 105 33

HSL 39.27, 0.63%, 0.35%

LAB 47.04, 8.05, 44.15

 

CMYK 46 / 31 / 0 / 15

HEX #7596D9

RGB 117 150 217

HSL 220.2, 0.57%, 0.65%

LAB 62.17, 6.36, -37.78

 

CMYK 43 / 29 / 0 / 7

HEX #86A8EC

RGB 134 168 236

HSL 220, 0.73%, 0.73%

LAB 68.85, 5.75, -37.77

 

CMYK 41 / 27 / 0 / 0

HEX #97BAFF

RGB 151 186 255

HSL 219.81, 1%, 0.8%

LAB 75.4, 5.23, -37.79

 

CMYK 34 / 20 / 0 / 0

HEX #A8CCFF

RGB 168 204 255

HSL 215.17, 1%, 0.83%

LAB 81.14, -0.08, -28.84

 

CMYK 27 / 13 / 0 / 0

HEX #B9DEFF

RGB 185 222 255

HSL 208.29, 1%, 0.86%

LAB 86.89, -4.83, -20.01

 

CMYK 50 / 32 / 0 / 13

HEX #7096DE

RGB 112 150 222

HSL 219.27, 0.63%, 0.65%

LAB 62.11, 6.65, -40.68

 

CMYK 53 / 35 / 0 / 20

HEX #5F84CB

RGB 95 132 203

HSL 219.44, 0.51%, 0.58%

LAB 55.33, 7.49, -40.75

 

CMYK 58 / 38 / 0 / 28

HEX #4E72B8

RGB 78 114 184

HSL 219.62, 0.43%, 0.51%

LAB 48.4, 8.52, -40.87

 

CMYK 63 / 42 / 0 / 35

HEX #3D60A5

RGB 61 96 165

HSL 219.81, 0.46%, 0.44%

LAB 41.33, 9.82, -41.02

 

CMYK 70 / 47 / 0 / 43

HEX #2C4E92

RGB 44 78 146

HSL 220, 0.54%, 0.37%

LAB 34.11, 11.51, -41.21

 

CMYK 51 / 33 / 0 / 13

HEX #6D94DD

RGB 109 148 221

HSL 219.11, 0.62%, 0.65%

LAB 61.35, 6.82, -41.32

 

CMYK 51 / 47 / 0 / 13

HEX #6D76DD

RGB 109 118 221

HSL 235.18, 0.62%, 0.65%

LAB 53.42, 24.69, -53.9

 

CMYK 41 / 51 / 0 / 13

HEX #836DDD

RGB 131 109 221

HSL 251.79, 0.62%, 0.65%

LAB 52.93, 35.1, -54.58

 

CMYK 27 / 51 / 0 / 13

HEX #A16DDD

RGB 161 109 221

HSL 267.86, 0.62%, 0.65%

LAB 55.82, 42.62, -49.8

 

CMYK 14 / 51 / 0 / 13

HEX #BF6DDD

RGB 191 109 221

HSL 283.93, 0.62%, 0.65%

LAB 59.19, 50.62, -44.24

 

CMYK 51 / 33 / 0 / 13

HEX #6D94DD

RGB 109 148 221

HSL 219.11, 0.62%, 0.65%

LAB 61.35, 6.82, -41.32

 

CMYK 51 / 47 / 0 / 13

HEX #6D76DD

RGB 109 118 221

HSL 235.18, 0.62%, 0.65%

LAB 53.42, 24.69, -53.9

 

CMYK 51 / 51 / 0 / 13

HEX #6D6DDD

RGB 109 109 221

HSL 240, 0.62%, 0.65%

LAB 51.16, 30.12, -57.51

 

CMYK 51 / 33 / 0 / 13

HEX #6D94DD

RGB 109 148 221

HSL 219.11, 0.62%, 0.65%

LAB 61.35, 6.82, -41.32

 

CMYK 60 / 39 / 0 / 7

HEX #5F8FEC

RGB 95 143 236

HSL 219.57, 0.79%, 0.65%

LAB 60.01, 11.6, -51.81

 

CMYK 68 / 44 / 0 / 2

HEX #508BFA

RGB 80 139 250

HSL 219.18, 0.94%, 0.65%

LAB 59.04, 16.2, -61.12

 

CMYK 51 / 33 / 0 / 13

HEX #6D94DD

RGB 109 148 221

HSL 219.11, 0.62%, 0.65%

LAB 61.35, 6.82, -41.32

 

CMYK 41 / 27 / 0 / 19

HEX #7B98CF

RGB 123 152 207

HSL 219.29, 0.47%, 0.65%

LAB 62.65, 3.89, -31.43

 

CMYK 28 / 19 / 0 / 24

HEX #8A9DC1

RGB 138 157 193

HSL 219.27, 0.31%, 0.65%

LAB 64.46, 1.63, -20.75

 

CMYK 15 / 10 / 0 / 30

HEX #98A1B2

RGB 152 161 178

HSL 219.23, 0.14%, 0.65%

LAB 66.04, 0.36, -9.88

 

CMYK 0 / 1 / 2 / 35

HEX #A7A6A4

RGB 167 166 164

HSL 40, 0.02%, 0.65%

LAB 68.14, -0.01, 1.15

 

CMYK 51 / 6 / 0 / 13

HEX #6DD0DD

RGB 109 208 221

HSL 186.96, 0.62%, 0.65%

LAB 78.22, -25.54, -15.39

 

CMYK 51 / 19 / 0 / 13

HEX #6DB2DD

RGB 109 178 221

HSL 203.04, 0.62%, 0.65%

LAB 69.69, -10.03, -28.36

 

CMYK 51 / 33 / 0 / 13

HEX #6D94DD

RGB 109 148 221

HSL 219.11, 0.62%, 0.65%

LAB 61.35, 6.82, -41.32

 

CMYK 51 / 47 / 0 / 13

HEX #6D76DD

RGB 109 118 221

HSL 235.18, 0.62%, 0.65%

LAB 53.42, 24.69, -53.9

 

CMYK 41 / 51 / 0 / 13

HEX #826DDD

RGB 130 109 221

HSL 251.25, 0.62%, 0.65%

LAB 52.84, 34.86, -54.72

 

CMYK 77 / 50 / 0 / 21

HEX #2E64CA

RGB 46 100 202

HSL 219.23, 0.63%, 0.49%

LAB 44.17, 18.67, -58.11

 

CMYK 65 / 43 / 0 / 16

HEX #4B7BD6

RGB 75 123 214

HSL 219.28, 0.63%, 0.57%

LAB 52.42, 12.66, -51.65

 

CMYK 51 / 33 / 0 / 13

HEX #6D94DD

RGB 109 148 221

HSL 219.11, 0.62%, 0.65%

LAB 61.35, 6.82, -41.32

 

CMYK 38 / 24 / 0 / 10

HEX #8FADE5

RGB 143 173 229

HSL 219.07, 0.62%, 0.73%

LAB 70.44, 3.38, -31.42

 

CMYK 26 / 17 / 0 / 7

HEX #B0C5ED

RGB 176 197 237

HSL 219.34, 0.63%, 0.81%

LAB 79.2, 1.6, -22.15

 

CMYK 50 / 32 / 0 / 13

HEX #7096DE

RGB 112 150 222

HSL 219.27, 0.63%, 0.65%

LAB 62.11, 6.65, -40.68

 

CMYK 7 / 51 / 0 / 13

HEX #CD6DDD

RGB 205 109 221

HSL 291.43, 0.62%, 0.65%

LAB 60.9, 54.42, -41.43

 

CMYK 13 / 0 / 51 / 13

HEX #C1DD6D

RGB 193 221 109

HSL 75, 0.62%, 0.65%

LAB 84.05, -25.97, 51.37

 

CMYK 50 / 32 / 0 / 13

HEX #7096DE

RGB 112 150 222

HSL 219.27, 0.63%, 0.65%

LAB 62.11, 6.65, -40.68

 

CMYK 0 / 51 / 33 / 13

HEX #DD6D94

RGB 221 109 148

HSL 339.11, 0.62%, 0.65%

LAB 60.29, 47.82, -0.55

 

CMYK 33 / 0 / 51 / 13

HEX #94DD6D

RGB 148 221 109

HSL 99.11, 0.62%, 0.65%

LAB 81.35, -42.36, 47.5

 

CMYK 50 / 32 / 0 / 13

HEX #7096DE

RGB 112 150 222

HSL 219.27, 0.63%, 0.65%

LAB 62.11, 6.65, -40.68

 

CMYK 7 / 51 / 0 / 13

HEX #CD6DDD

RGB 205 109 221

HSL 291.43, 0.62%, 0.65%

LAB 60.9, 54.42, -41.43

 

CMYK 0 / 18 / 51 / 13

HEX #DDB66D

RGB 221 182 109

HSL 39.11, 0.62%, 0.65%

LAB 76.03, 5.08, 42.19

 

CMYK 43 / 0 / 51 / 13

HEX #7EDD6D

RGB 126 221 109

HSL 110.89, 0.62%, 0.65%

LAB 80.32, -49.37, 46.01

 

CMYK 50 / 32 / 0 / 13

HEX #7096DE

RGB 112 150 222

HSL 219.27, 0.63%, 0.65%

LAB 62.11, 6.65, -40.68

 

CMYK 0 / 51 / 7 / 13

HEX #DD6DCD

RGB 221 109 205

HSL 308.57, 0.62%, 0.65%

LAB 62.27, 56.07, -30.15

 

CMYK 0 / 18 / 51 / 13

HEX #DDB66D

RGB 221 182 109

HSL 39.11, 0.62%, 0.65%

LAB 76.03, 5.08, 42.19

 

CMYK 51 / 0 / 43 / 13

HEX #6DDD7E

RGB 109 221 126

HSL 129.11, 0.62%, 0.65%

LAB 79.88, -51.75, 37.01

 

Description

Color code: RGB 112 150 222 | qconv.com Color code: RGB 112 150 222 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 150 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 150 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 32 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 32% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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