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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 42 77 it is the complementary color RGB 143 213 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 42 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 42 77 shade: RGB 117 42 72, RGB 134 60 91, RGB 151 78 110, RGB 168 96 129 and RGB 185 114 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 42 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 42 77 shade: RGB 112 42 77, RGB 95 24 58, RGB 78 6 39, RGB 61 0 20 and RGB 44 0 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 42 77 shade: RGB 110 42 76, RGB 110 42 57 and RGB 110 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 42 77 shade: RGB 110 42 76, RGB 110 42 95, RGB 108 42 110, RGB 89 42 110 and RGB 71 42 110

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 42 77 shade matches the following richer shades: RGB 110 42 76, RGB 123 29 76, RGB 135 17 76 and RGB 148 4 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 42 77 shade: RGB 110 42 76, RGB 98 54 76, RGB 86 66 76, RGB 73 79 76 and RGB 61 91 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 42 77 shade: RGB 108 42 110, RGB 110 42 94, RGB 110 42 76, RGB 110 42 58 and RGB 110 44 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 42 77 shade: RGB 51 19 35, RGB 81 30 55, RGB 110 42 76, RGB 140 53 97 and RGB 170 64 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 42 77 shade: RGB 112 42 77, RGB 110 90 42 and RGB 42 104 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 42 77 shade: RGB 112 42 77, RGB 76 110 42 and RGB 42 76 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 42 77 shade: RGB 112 42 77, RGB 110 90 42, RGB 42 110 76 and RGB 42 62 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 42 77 shade: RGB 112 42 77, RGB 110 110 42, RGB 42 110 76 and RGB 42 42 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 31 / 56

HEX #702A4D

RGB 112 42 77

HSL 330, 0.45%, 0.3%

LAB 28.48, 34.91, -5.82

 

Complementary color

CMYK 33 / 0 / 16 / 16

HEX #8FD5B2

RGB 143 213 178

HSL 150, 0.45%, 0.7%

LAB 79.98, -29.39, 10.38

 

CMYK 0 / 64 / 38 / 54

HEX #752A48

RGB 117 42 72

HSL 336, 0.47%, 0.31%

LAB 29.17, 35.97, -1.38

 

CMYK 0 / 55 / 32 / 47

HEX #863C5B

RGB 134 60 91

HSL 334.86, 0.38%, 0.38%

LAB 36.09, 35.29, -3.17

 

CMYK 0 / 48 / 27 / 41

HEX #974E6E

RGB 151 78 110

HSL 333.7, 0.32%, 0.45%

LAB 42.99, 34.44, -4.54

 

CMYK 0 / 43 / 23 / 34

HEX #A86081

RGB 168 96 129

HSL 332.5, 0.29%, 0.52%

LAB 49.83, 33.57, -5.64

 

CMYK 0 / 38 / 20 / 27

HEX #B97294

RGB 185 114 148

HSL 331.27, 0.34%, 0.59%

LAB 56.57, 32.73, -6.57

 

CMYK 0 / 63 / 31 / 56

HEX #702A4D

RGB 112 42 77

HSL 330, 0.45%, 0.3%

LAB 28.48, 34.91, -5.82

 

CMYK 0 / 75 / 39 / 63

HEX #5F183A

RGB 95 24 58

HSL 331.27, 0.6%, 0.23%

LAB 21.55, 35.11, -3.64

 

CMYK 0 / 92 / 50 / 69

HEX #4E0627

RGB 78 6 39

HSL 332.5, 0.86%, 0.16%

LAB 14.93, 34.16, -0.28

 

CMYK 0 / 100 / 67 / 76

HEX #3D0014

RGB 61 0 20

HSL 340.33, 1%, 0.12%

LAB 9.34, 29.97, 5.31

 

CMYK 0 / 100 / 98 / 83

HEX #2C0001

RGB 44 0 1

HSL 358.64, 1%, 0.09%

LAB 4.86, 21.25, 7.27

 

CMYK 0 / 62 / 31 / 57

HEX #6E2A4C

RGB 110 42 76

HSL 330, 0.45%, 0.3%

LAB 28.09, 34.08, -5.76

 

CMYK 0 / 62 / 48 / 57

HEX #6E2A39

RGB 110 42 57

HSL 346.76, 0.45%, 0.3%

LAB 27.48, 31.68, 5.99

 

CMYK 0 / 62 / 62 / 57

HEX #6E2A2A

RGB 110 42 42

HSL 0, 0.45%, 0.3%

LAB 27.12, 30.24, 15.48

 

CMYK 0 / 62 / 31 / 57

HEX #6E2A4C

RGB 110 42 76

HSL 330, 0.45%, 0.3%

LAB 28.09, 34.08, -5.76

 

CMYK 0 / 62 / 14 / 57

HEX #6E2A5F

RGB 110 42 95

HSL 313.24, 0.45%, 0.3%

LAB 28.89, 37.09, -17.01

 

CMYK 2 / 62 / 0 / 57

HEX #6C2A6E

RGB 108 42 110

HSL 298.24, 0.45%, 0.3%

LAB 29.34, 39.26, -26.01

 

CMYK 19 / 62 / 0 / 57

HEX #592A6E

RGB 89 42 110

HSL 281.47, 0.45%, 0.3%

LAB 26.46, 33.9, -30.74

 

CMYK 35 / 62 / 0 / 57

HEX #472A6E

RGB 71 42 110

HSL 265.59, 0.45%, 0.3%

LAB 24.07, 29.01, -34.71

 

CMYK 0 / 62 / 31 / 57

HEX #6E2A4C

RGB 110 42 76

HSL 330, 0.45%, 0.3%

LAB 28.09, 34.08, -5.76

 

CMYK 0 / 76 / 38 / 52

HEX #7B1D4C

RGB 123 29 76

HSL 330, 0.62%, 0.3%

LAB 28.41, 43.93, -5.04

 

CMYK 0 / 87 / 44 / 47

HEX #87114C

RGB 135 17 76

HSL 330, 0.78%, 0.3%

LAB 29.6, 50.73, -3.02

 

CMYK 0 / 97 / 49 / 42

HEX #94044C

RGB 148 4 76

HSL 330, 0.95%, 0.3%

LAB 31.59, 56.14, 0.23

 

CMYK 0 / 62 / 31 / 57

HEX #6E2A4C

RGB 110 42 76

HSL 330, 0.45%, 0.3%

LAB 28.09, 34.08, -5.76

 

CMYK 0 / 45 / 22 / 62

HEX #62364C

RGB 98 54 76

HSL 330, 0.29%, 0.3%

LAB 28.79, 22.92, -4.92

 

CMYK 0 / 23 / 12 / 66

HEX #56424C

RGB 86 66 76

HSL 330, 0.13%, 0.3%

LAB 30.39, 10.52, -2.71

 

CMYK 8 / 0 / 4 / 69

HEX #494F4C

RGB 73 79 76

HSL 150, 0.04%, 0.3%

LAB 32.98, -3.08, 0.93

 

CMYK 33 / 0 / 16 / 64

HEX #3D5B4C

RGB 61 91 76

HSL 150, 0.2%, 0.3%

LAB 35.98, -14.75, 5.13

 

CMYK 2 / 62 / 0 / 57

HEX #6C2A6E

RGB 108 42 110

HSL 298.24, 0.45%, 0.3%

LAB 29.34, 39.26, -26.01

 

CMYK 0 / 62 / 15 / 57

HEX #6E2A5E

RGB 110 42 94

HSL 314.12, 0.45%, 0.3%

LAB 28.85, 36.91, -16.43

 

CMYK 0 / 62 / 31 / 57

HEX #6E2A4C

RGB 110 42 76

HSL 330, 0.45%, 0.3%

LAB 28.09, 34.08, -5.76

 

CMYK 0 / 62 / 47 / 57

HEX #6E2A3A

RGB 110 42 58

HSL 345.88, 0.45%, 0.3%

LAB 27.51, 31.79, 5.36

 

CMYK 0 / 60 / 62 / 57

HEX #6E2C2A

RGB 110 44 42

HSL 1.76, 0.45%, 0.3%

LAB 27.53, 29.19, 16

 

CMYK 0 / 63 / 31 / 80

HEX #331323

RGB 51 19 35

HSL 330, 0.46%, 0.14%

LAB 11.21, 18.44, -3.45

 

CMYK 0 / 63 / 32 / 68

HEX #511E37

RGB 81 30 55

HSL 330.59, 0.46%, 0.22%

LAB 19.86, 26.95, -4.36

 

CMYK 0 / 62 / 31 / 57

HEX #6E2A4C

RGB 110 42 76

HSL 330, 0.45%, 0.3%

LAB 28.09, 34.08, -5.76

 

CMYK 0 / 62 / 31 / 45

HEX #8C3561

RGB 140 53 97

HSL 329.66, 0.45%, 0.38%

LAB 35.95, 41.65, -7.09

 

CMYK 0 / 62 / 31 / 33

HEX #AA4075

RGB 170 64 117

HSL 330, 0.45%, 0.46%

LAB 43.5, 48.75, -7.77

 

CMYK 0 / 63 / 31 / 56

HEX #702A4D

RGB 112 42 77

HSL 330, 0.45%, 0.3%

LAB 28.48, 34.91, -5.82

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 62 / 5 / 0 / 57

HEX #2A686E

RGB 42 104 110

HSL 185.29, 0.45%, 0.3%

LAB 40.44, -17.77, -9.35

 

CMYK 0 / 63 / 31 / 56

HEX #702A4D

RGB 112 42 77

HSL 330, 0.45%, 0.3%

LAB 28.48, 34.91, -5.82

 

CMYK 31 / 0 / 62 / 57

HEX #4C6E2A

RGB 76 110 42

HSL 90, 0.45%, 0.3%

LAB 42.54, -24.67, 33.37

 

CMYK 62 / 31 / 0 / 57

HEX #2A4C6E

RGB 42 76 110

HSL 210, 0.45%, 0.3%

LAB 31.32, -1.03, -23.36

 

CMYK 0 / 63 / 31 / 56

HEX #702A4D

RGB 112 42 77

HSL 330, 0.45%, 0.3%

LAB 28.48, 34.91, -5.82

 

CMYK 0 / 18 / 62 / 57

HEX #6E5A2A

RGB 110 90 42

HSL 42.35, 0.45%, 0.3%

LAB 39.23, 1.88, 30.33

 

CMYK 62 / 0 / 31 / 57

HEX #2A6E4C

RGB 42 110 76

HSL 150, 0.45%, 0.3%

LAB 41.48, -30.14, 12.72

 

CMYK 62 / 44 / 0 / 57

HEX #2A3E6E

RGB 42 62 110

HSL 222.35, 0.45%, 0.3%

LAB 26.91, 8.32, -30.3

 

CMYK 0 / 63 / 31 / 56

HEX #702A4D

RGB 112 42 77

HSL 330, 0.45%, 0.3%

LAB 28.48, 34.91, -5.82

 

CMYK 0 / 0 / 62 / 57

HEX #6E6E2A

RGB 110 110 42

HSL 60, 0.45%, 0.3%

LAB 45.13, -9.73, 36.97

 

CMYK 62 / 0 / 31 / 57

HEX #2A6E4C

RGB 42 110 76

HSL 150, 0.45%, 0.3%

LAB 41.48, -30.14, 12.72

 

CMYK 62 / 62 / 0 / 57

HEX #2A2A6E

RGB 42 42 110

HSL 240, 0.45%, 0.3%

LAB 21.11, 22.22, -39.64

 

Description

Color code: RGB 112 42 77 | qconv.com Color code: RGB 112 42 77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 42 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 42 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 31 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 31% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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