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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 243 234 it is the complementary color RGB 137 12 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 243 234. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 243 234 shade: RGB 123 243 229, RGB 140 255 248, RGB 157 255 255, RGB 174 255 255 and RGB 191 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 243 234. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 243 234 shade: RGB 118 243 234, RGB 101 225 215, RGB 84 207 196, RGB 67 189 177 and RGB 50 171 158

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 243 234 shade: RGB 118 243 234, RGB 118 243 200, RGB 118 243 167, RGB 118 243 133 and RGB 137 243 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 243 234 shade: RGB 118 243 234, RGB 118 218 243, RGB 118 185 243, RGB 118 151 243 and RGB 118 118 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 243 234 shade matches the following richer shades: RGB 118 243 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 243 234 shade: RGB 118 243 234, RGB 130 231 223, RGB 142 219 213, RGB 154 207 203 and RGB 166 195 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 243 234 shade: RGB 118 243 166, RGB 118 243 199, RGB 118 243 232, RGB 118 220 243 and RGB 118 187 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 243 234 shade: RGB 43 236 222, RGB 80 239 228, RGB 118 243 234, RGB 156 246 240 and RGB 194 249 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 243 234 shade: RGB 118 243 234, RGB 133 118 243 and RGB 243 183 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 243 234 shade: RGB 118 243 234, RGB 232 118 243 and RGB 243 232 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 243 234 shade: RGB 118 243 234, RGB 133 118 243, RGB 243 118 129 and RGB 228 243 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 243 234 shade: RGB 118 243 234, RGB 170 118 243, RGB 243 118 129 and RGB 191 243 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 4 / 5

HEX #76F3EA

RGB 118 243 234

HSL 175.68, 0.84%, 0.71%

LAB 88.87, -36.97, -6.35

 

Complementary color

CMYK 0 / 91 / 85 / 46

HEX #890C15

RGB 137 12 21

HSL 355.68, 0.84%, 0.29%

LAB 28.47, 48.85, 31.69

 

CMYK 49 / 0 / 6 / 5

HEX #7BF3E5

RGB 123 243 229

HSL 173, 0.83%, 0.72%

LAB 88.91, -37.15, -3.67

 

CMYK 45 / 0 / 3 / 0

HEX #8CFFF8

RGB 140 255 248

HSL 176.35, 1%, 0.77%

LAB 93.4, -34.39, -6.86

 

CMYK 38 / 0 / 0 / 0

HEX #9DFFFF

RGB 157 255 255

HSL 180, 1%, 0.81%

LAB 94.27, -28.75, -9.1

 

CMYK 32 / 0 / 0 / 0

HEX #AEFFFF

RGB 174 255 255

HSL 180, 1%, 0.84%

LAB 95.05, -24.43, -7.86

 

CMYK 25 / 0 / 0 / 0

HEX #BFFFFF

RGB 191 255 255

HSL 180, 1%, 0.87%

LAB 95.92, -19.77, -6.48

 

CMYK 51 / 0 / 4 / 5

HEX #76F3EA

RGB 118 243 234

HSL 175.68, 0.84%, 0.71%

LAB 88.87, -36.97, -6.35

 

CMYK 55 / 0 / 4 / 12

HEX #65E1D7

RGB 101 225 215

HSL 175.16, 0.67%, 0.64%

LAB 82.66, -36.84, -5.59

 

CMYK 59 / 0 / 5 / 19

HEX #54CFC4

RGB 84 207 196

HSL 174.63, 0.56%, 0.57%

LAB 76.37, -36.62, -4.78

 

CMYK 65 / 0 / 6 / 26

HEX #43BDB1

RGB 67 189 177

HSL 174.1, 0.48%, 0.5%

LAB 70.01, -36.27, -3.88

 

CMYK 71 / 0 / 8 / 33

HEX #32AB9E

RGB 50 171 158

HSL 173.55, 0.55%, 0.43%

LAB 63.57, -35.74, -2.9

 

CMYK 51 / 0 / 4 / 5

HEX #76F3EA

RGB 118 243 234

HSL 175.68, 0.84%, 0.71%

LAB 88.87, -36.97, -6.35

 

CMYK 51 / 0 / 18 / 5

HEX #76F3C8

RGB 118 243 200

HSL 159.36, 0.84%, 0.71%

LAB 88.03, -44.91, 10.15

 

CMYK 51 / 0 / 31 / 5

HEX #76F3A7

RGB 118 243 167

HSL 143.52, 0.84%, 0.71%

LAB 87.36, -51.54, 26.24

 

CMYK 51 / 0 / 45 / 5

HEX #76F385

RGB 118 243 133

HSL 127.2, 0.84%, 0.71%

LAB 86.82, -57.13, 42.5

 

CMYK 44 / 0 / 51 / 5

HEX #89F376

RGB 137 243 118

HSL 110.88, 0.84%, 0.71%

LAB 87.35, -53.96, 50.43

 

CMYK 51 / 0 / 4 / 5

HEX #76F3EA

RGB 118 243 234

HSL 175.68, 0.84%, 0.71%

LAB 88.87, -36.97, -6.35

 

CMYK 51 / 10 / 0 / 5

HEX #76DAF3

RGB 118 218 243

HSL 192, 0.84%, 0.71%

LAB 82.09, -22.65, -21.25

 

CMYK 51 / 24 / 0 / 5

HEX #76B9F3

RGB 118 185 243

HSL 207.84, 0.84%, 0.71%

LAB 72.91, -5.43, -35.33

 

CMYK 51 / 38 / 0 / 5

HEX #7697F3

RGB 118 151 243

HSL 224.16, 0.84%, 0.71%

LAB 63.72, 13.8, -49.71

 

CMYK 51 / 51 / 0 / 5

HEX #7676F3

RGB 118 118 243

HSL 240, 0.84%, 0.71%

LAB 55.36, 33.33, -63.05

 

CMYK 51 / 0 / 4 / 5

HEX #76F3EA

RGB 118 243 234

HSL 175.68, 0.84%, 0.71%

LAB 88.87, -36.97, -6.35

 

CMYK 51 / 0 / 4 / 5

HEX #76F3EA

RGB 118 243 234

HSL 175.68, 0.84%, 0.71%

LAB 88.87, -36.97, -6.35

 

CMYK 44 / 0 / 3 / 9

HEX #82E7DF

RGB 130 231 223

HSL 175.25, 0.68%, 0.71%

LAB 85.62, -31.44, -5.34

 

CMYK 35 / 0 / 3 / 14

HEX #8EDBD5

RGB 142 219 213

HSL 175.32, 0.52%, 0.71%

LAB 82.5, -25.01, -4.59

 

CMYK 26 / 0 / 2 / 19

HEX #9ACFCB

RGB 154 207 203

HSL 175.47, 0.36%, 0.71%

LAB 79.5, -17.9, -3.59

 

CMYK 15 / 0 / 1 / 24

HEX #A6C3C1

RGB 166 195 193

HSL 175.86, 0.19%, 0.71%

LAB 76.67, -10.13, -2.28

 

CMYK 51 / 0 / 32 / 5

HEX #76F3A6

RGB 118 243 166

HSL 143.04, 0.84%, 0.71%

LAB 87.34, -51.73, 26.73

 

CMYK 51 / 0 / 18 / 5

HEX #76F3C7

RGB 118 243 199

HSL 158.88, 0.84%, 0.71%

LAB 88.01, -45.13, 10.64

 

CMYK 51 / 0 / 5 / 5

HEX #76F3E8

RGB 118 243 232

HSL 174.72, 0.84%, 0.71%

LAB 88.82, -37.46, -5.39

 

CMYK 51 / 9 / 0 / 5

HEX #76DCF3

RGB 118 220 243

HSL 191.04, 0.84%, 0.71%

LAB 82.65, -23.65, -20.4

 

CMYK 51 / 23 / 0 / 5

HEX #76BBF3

RGB 118 187 243

HSL 206.88, 0.84%, 0.71%

LAB 73.46, -6.51, -34.47

 

CMYK 82 / 0 / 6 / 7

HEX #2BECDE

RGB 43 236 222

HSL 175.65, 0.84%, 0.55%

LAB 84.88, -47.54, -6.14

 

CMYK 67 / 0 / 5 / 6

HEX #50EFE4

RGB 80 239 228

HSL 175.85, 0.83%, 0.63%

LAB 86.52, -43.25, -6.8

 

CMYK 51 / 0 / 4 / 5

HEX #76F3EA

RGB 118 243 234

HSL 175.68, 0.84%, 0.71%

LAB 88.87, -36.97, -6.35

 

CMYK 37 / 0 / 2 / 4

HEX #9CF6F0

RGB 156 246 240

HSL 176, 0.83%, 0.79%

LAB 91.36, -28.2, -5.64

 

CMYK 22 / 0 / 2 / 2

HEX #C2F9F5

RGB 194 249 245

HSL 175.64, 0.82%, 0.87%

LAB 94.23, -18.07, -3.78

 

CMYK 51 / 0 / 4 / 5

HEX #76F3EA

RGB 118 243 234

HSL 175.68, 0.84%, 0.71%

LAB 88.87, -36.97, -6.35

 

CMYK 45 / 51 / 0 / 5

HEX #8576F3

RGB 133 118 243

HSL 247.2, 0.84%, 0.71%

LAB 56.5, 36.52, -61.16

 

CMYK 0 / 25 / 51 / 5

HEX #F3B776

RGB 243 183 118

HSL 31.2, 0.84%, 0.71%

LAB 78.6, 14.32, 41.29

 

CMYK 51 / 0 / 4 / 5

HEX #76F3EA

RGB 118 243 234

HSL 175.68, 0.84%, 0.71%

LAB 88.87, -36.97, -6.35

 

CMYK 5 / 51 / 0 / 5

HEX #E876F3

RGB 232 118 243

HSL 294.72, 0.84%, 0.71%

LAB 66.96, 61.4, -43.89

 

CMYK 0 / 5 / 51 / 5

HEX #F3E876

RGB 243 232 118

HSL 54.72, 0.84%, 0.71%

LAB 90.81, -10.84, 56.13

 

CMYK 51 / 0 / 4 / 5

HEX #76F3EA

RGB 118 243 234

HSL 175.68, 0.84%, 0.71%

LAB 88.87, -36.97, -6.35

 

CMYK 45 / 51 / 0 / 5

HEX #8576F3

RGB 133 118 243

HSL 247.2, 0.84%, 0.71%

LAB 56.5, 36.52, -61.16

 

CMYK 0 / 51 / 47 / 5

HEX #F37681

RGB 243 118 129

HSL 354.72, 0.84%, 0.71%

LAB 64.64, 48.92, 16.97

 

CMYK 6 / 0 / 51 / 5

HEX #E4F376

RGB 228 243 118

HSL 67.2, 0.84%, 0.71%

LAB 92.53, -22.12, 57.86

 

CMYK 51 / 0 / 4 / 5

HEX #76F3EA

RGB 118 243 234

HSL 175.68, 0.84%, 0.71%

LAB 88.87, -36.97, -6.35

 

CMYK 30 / 51 / 0 / 5

HEX #AA76F3

RGB 170 118 243

HSL 264.96, 0.84%, 0.71%

LAB 59.87, 45.28, -55.58

 

CMYK 0 / 51 / 47 / 5

HEX #F37681

RGB 243 118 129

HSL 354.72, 0.84%, 0.71%

LAB 64.64, 48.92, 16.97

 

CMYK 21 / 0 / 51 / 5

HEX #BFF376

RGB 191 243 118

HSL 84.96, 0.84%, 0.71%

LAB 90.08, -36.09, 54.36

 

Description

Color code: RGB 118 243 234 | qconv.com Color code: RGB 118 243 234 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 243 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 243 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 4 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 4% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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