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Color name
RGB 11 245 97

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 245 97 it is the complementary color RGB 244 10 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 245 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 245 97 shade: RGB 16 245 92, RGB 33 255 111, RGB 50 255 130, RGB 67 255 149 and RGB 84 255 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 245 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 245 97 shade: RGB 11 245 97, RGB 0 227 78, RGB 0 209 59, RGB 0 191 40 and RGB 0 173 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 245 97 shade: RGB 10 244 96, RGB 10 244 33, RGB 50 244 10, RGB 113 244 10 and RGB 177 244 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 245 97 shade: RGB 10 244 96, RGB 10 244 159, RGB 10 244 222, RGB 10 203 244 and RGB 10 140 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 245 97 shade matches the following richer shades: RGB 10 244 96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 245 97 shade: RGB 10 244 96, RGB 30 224 101, RGB 51 203 107, RGB 72 182 112 and RGB 92 162 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 245 97 shade: RGB 49 244 10, RGB 10 244 33, RGB 10 244 96, RGB 10 244 158 and RGB 10 244 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 245 97 shade: RGB 6 165 65, RGB 8 205 80, RGB 10 244 96, RGB 49 246 122 and RGB 89 248 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 245 97 shade: RGB 11 245 97, RGB 10 111 244 and RGB 244 10 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 245 97 shade: RGB 11 245 97, RGB 96 10 244 and RGB 244 96 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 245 97 shade: RGB 11 245 97, RGB 10 111 244, RGB 244 10 158 and RGB 244 143 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 245 97 shade: RGB 11 245 97, RGB 10 41 244, RGB 244 10 158 and RGB 244 213 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 60 / 4

HEX #0BF561

RGB 11 245 97

HSL 142.05, 0.92%, 0.5%

LAB 85.12, -77.65, 56.53

 

Complementary color

CMYK 0 / 96 / 35 / 4

HEX #F40A9E

RGB 244 10 158

HSL 322.05, 0.92%, 0.5%

LAB 53.94, 84.11, -15.47

 

CMYK 93 / 0 / 62 / 4

HEX #10F55C

RGB 16 245 92

HSL 139.91, 0.92%, 0.51%

LAB 85.09, -78.05, 58.62

 

CMYK 87 / 0 / 56 / 0

HEX #21FF6F

RGB 33 255 111

HSL 141.08, 1%, 0.56%

LAB 88.44, -77.83, 54.33

 

CMYK 80 / 0 / 49 / 0

HEX #32FF82

RGB 50 255 130

HSL 143.41, 1%, 0.6%

LAB 88.83, -73.75, 46.13

 

CMYK 74 / 0 / 42 / 0

HEX #43FF95

RGB 67 255 149

HSL 146.17, 1%, 0.63%

LAB 89.34, -68.73, 37.67

 

CMYK 67 / 0 / 34 / 0

HEX #54FFA8

RGB 84 255 168

HSL 149.47, 1%, 0.66%

LAB 89.97, -62.82, 29.11

 

CMYK 96 / 0 / 60 / 4

HEX #0BF561

RGB 11 245 97

HSL 142.05, 0.92%, 0.5%

LAB 85.12, -77.65, 56.53

 

CMYK 100 / 0 / 66 / 11

HEX #00E34E

RGB 0 227 78

HSL 140.62, 1%, 0.45%

LAB 79.32, -74.87, 57.94

 

CMYK 100 / 0 / 72 / 18

HEX #00D13B

RGB 0 209 59

HSL 136.94, 1%, 0.41%

LAB 73.49, -71.52, 59.06

 

CMYK 100 / 0 / 79 / 25

HEX #00BF28

RGB 0 191 40

HSL 132.57, 1%, 0.37%

LAB 67.59, -67.86, 59.56

 

CMYK 100 / 0 / 88 / 32

HEX #00AD15

RGB 0 173 21

HSL 127.28, 1%, 0.34%

LAB 61.6, -63.82, 59.01

 

CMYK 96 / 0 / 61 / 4

HEX #0AF460

RGB 10 244 96

HSL 142.05, 0.92%, 0.5%

LAB 84.8, -77.5, 56.59

 

CMYK 96 / 0 / 86 / 4

HEX #0AF421

RGB 10 244 33

HSL 125.9, 0.92%, 0.5%

LAB 84.42, -82.31, 76.63

 

CMYK 80 / 0 / 96 / 4

HEX #32F40A

RGB 50 244 10

HSL 109.74, 0.92%, 0.5%

LAB 84.69, -80.05, 80.08

 

CMYK 54 / 0 / 96 / 4

HEX #71F40A

RGB 113 244 10

HSL 93.59, 0.92%, 0.5%

LAB 86.12, -67.96, 81.84

 

CMYK 27 / 0 / 96 / 4

HEX #B1F40A

RGB 177 244 10

HSL 77.18, 0.92%, 0.5%

LAB 88.96, -47.33, 85.28

 

CMYK 96 / 0 / 61 / 4

HEX #0AF460

RGB 10 244 96

HSL 142.05, 0.92%, 0.5%

LAB 84.8, -77.5, 56.59

 

CMYK 96 / 0 / 35 / 4

HEX #0AF49F

RGB 10 244 159

HSL 158.21, 0.92%, 0.5%

LAB 85.64, -67.4, 27.67

 

CMYK 96 / 0 / 9 / 4

HEX #0AF4DE

RGB 10 244 222

HSL 174.36, 0.92%, 0.5%

LAB 87.02, -52.44, -3.02

 

CMYK 96 / 17 / 0 / 4

HEX #0ACBF4

RGB 10 203 244

HSL 190.51, 0.92%, 0.5%

LAB 75.64, -27.28, -31.83

 

CMYK 96 / 43 / 0 / 4

HEX #0A8CF4

RGB 10 140 244

HSL 206.67, 0.92%, 0.5%

LAB 57.42, 7.42, -60.5

 

CMYK 96 / 0 / 61 / 4

HEX #0AF460

RGB 10 244 96

HSL 142.05, 0.92%, 0.5%

LAB 84.8, -77.5, 56.59

 

CMYK 96 / 0 / 61 / 4

HEX #0AF460

RGB 10 244 96

HSL 142.05, 0.92%, 0.5%

LAB 84.8, -77.5, 56.59

 

CMYK 87 / 0 / 55 / 12

HEX #1EE065

RGB 30 224 101

HSL 141.96, 0.76%, 0.5%

LAB 78.77, -69.8, 47.33

 

CMYK 75 / 0 / 47 / 20

HEX #33CB6B

RGB 51 203 107

HSL 142.11, 0.6%, 0.5%

LAB 72.55, -59.71, 36.82

 

CMYK 60 / 0 / 38 / 29

HEX #48B670

RGB 72 182 112

HSL 141.82, 0.43%, 0.5%

LAB 66.52, -47.2, 26.54

 

CMYK 43 / 0 / 27 / 36

HEX #5CA276

RGB 92 162 118

HSL 142.29, 0.28%, 0.5%

LAB 61.15, -32.2, 16.14

 

CMYK 80 / 0 / 96 / 4

HEX #31F40A

RGB 49 244 10

HSL 110, 0.92%, 0.5%

LAB 84.68, -80.16, 80.06

 

CMYK 96 / 0 / 86 / 4

HEX #0AF421

RGB 10 244 33

HSL 125.9, 0.92%, 0.5%

LAB 84.42, -82.31, 76.63

 

CMYK 96 / 0 / 61 / 4

HEX #0AF460

RGB 10 244 96

HSL 142.05, 0.92%, 0.5%

LAB 84.8, -77.5, 56.59

 

CMYK 96 / 0 / 35 / 4

HEX #0AF49E

RGB 10 244 158

HSL 157.95, 0.92%, 0.5%

LAB 85.62, -67.6, 28.15

 

CMYK 96 / 0 / 9 / 4

HEX #0AF4DD

RGB 10 244 221

HSL 174.1, 0.92%, 0.5%

LAB 86.99, -52.71, -2.54

 

CMYK 96 / 0 / 61 / 35

HEX #06A541

RGB 6 165 65

HSL 142.26, 0.93%, 0.34%

LAB 59.28, -57.41, 41.05

 

CMYK 96 / 0 / 61 / 20

HEX #08CD50

RGB 8 205 80

HSL 141.93, 0.92%, 0.42%

LAB 72.42, -67.86, 49.38

 

CMYK 96 / 0 / 61 / 4

HEX #0AF460

RGB 10 244 96

HSL 142.05, 0.92%, 0.5%

LAB 84.8, -77.5, 56.59

 

CMYK 80 / 0 / 50 / 4

HEX #31F67A

RGB 49 246 122

HSL 142.23, 0.92%, 0.58%

LAB 85.99, -72.13, 46.37

 

CMYK 64 / 0 / 41 / 3

HEX #59F893

RGB 89 248 147

HSL 141.89, 0.92%, 0.66%

LAB 87.66, -63.12, 36.55

 

CMYK 96 / 0 / 60 / 4

HEX #0BF561

RGB 11 245 97

HSL 142.05, 0.92%, 0.5%

LAB 85.12, -77.65, 56.53

 

CMYK 96 / 55 / 0 / 4

HEX #0A6FF4

RGB 10 111 244

HSL 214.1, 0.92%, 0.5%

LAB 49.45, 25.51, -73.37

 

CMYK 0 / 96 / 93 / 4

HEX #F40A12

RGB 244 10 18

HSL 357.95, 0.92%, 0.5%

LAB 51.26, 76.89, 60.23

 

CMYK 96 / 0 / 60 / 4

HEX #0BF561

RGB 11 245 97

HSL 142.05, 0.92%, 0.5%

LAB 85.12, -77.65, 56.53

 

CMYK 61 / 96 / 0 / 4

HEX #600AF4

RGB 96 10 244

HSL 262.05, 0.92%, 0.5%

LAB 36.43, 77.51, -94.65

 

CMYK 0 / 61 / 96 / 4

HEX #F4600A

RGB 244 96 10

HSL 22.05, 0.92%, 0.5%

LAB 59.54, 53.84, 67.09

 

CMYK 96 / 0 / 60 / 4

HEX #0BF561

RGB 11 245 97

HSL 142.05, 0.92%, 0.5%

LAB 85.12, -77.65, 56.53

 

CMYK 96 / 55 / 0 / 4

HEX #0A6FF4

RGB 10 111 244

HSL 214.1, 0.92%, 0.5%

LAB 49.45, 25.51, -73.37

 

CMYK 0 / 96 / 35 / 4

HEX #F40A9E

RGB 244 10 158

HSL 322.05, 0.92%, 0.5%

LAB 53.94, 84.11, -15.47

 

CMYK 0 / 41 / 96 / 4

HEX #F48F0A

RGB 244 143 10

HSL 34.1, 0.92%, 0.5%

LAB 68.68, 30.91, 72.93

 

CMYK 96 / 0 / 60 / 4

HEX #0BF561

RGB 11 245 97

HSL 142.05, 0.92%, 0.5%

LAB 85.12, -77.65, 56.53

 

CMYK 96 / 83 / 0 / 4

HEX #0A29F4

RGB 10 41 244

HSL 232.05, 0.92%, 0.5%

LAB 34.36, 66.01, -98.23

 

CMYK 0 / 96 / 35 / 4

HEX #F40A9E

RGB 244 10 158

HSL 322.05, 0.92%, 0.5%

LAB 53.94, 84.11, -15.47

 

CMYK 0 / 13 / 96 / 4

HEX #F4D50A

RGB 244 213 10

HSL 52.05, 0.92%, 0.5%

LAB 85.42, -5.52, 84.74

 

Description

Color code: RGB 11 245 97 | qconv.com Color code: RGB 11 245 97 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 245 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 245 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 60 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 60% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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