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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 104 88 it is the complementary color RGB 135 151 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 104 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 104 88 shade: RGB 125 104 83, RGB 142 122 102, RGB 159 140 121, RGB 176 158 140 and RGB 193 176 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 104 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 104 88 shade: RGB 120 104 88, RGB 103 86 69, RGB 86 68 50, RGB 69 50 31 and RGB 52 32 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 104 88 shade: RGB 120 104 88, RGB 120 96 88 and RGB 120 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 104 88 shade: RGB 120 104 88, RGB 120 113 88, RGB 118 120 88, RGB 110 120 88 and RGB 102 120 88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 104 88 shade matches the following richer shades: RGB 120 104 88, RGB 137 104 71, RGB 154 104 55, RGB 170 104 38 and RGB 187 104 21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 104 88 shade: RGB 120 104 88, RGB 103 104 105, RGB 86 104 122, RGB 69 104 139 and RGB 52 104 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 104 88 shade: RGB 120 88 89, RGB 120 96 88, RGB 120 104 88, RGB 120 112 88 and RGB 119 120 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 104 88 shade: RGB 72 63 53, RGB 96 83 71, RGB 120 104 88, RGB 143 125 106 and RGB 162 145 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 104 88 shade: RGB 120 104 88, RGB 98 120 88 and RGB 92 88 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 104 88 shade: RGB 120 104 88, RGB 88 120 104 and RGB 104 88 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 104 88 shade: RGB 120 104 88, RGB 98 120 88, RGB 88 104 120 and RGB 110 88 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 104 88 shade: RGB 120 104 88, RGB 88 120 88, RGB 88 104 120 and RGB 120 88 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 27 / 53

HEX #786858

RGB 120 104 88

HSL 30, 0.15%, 0.41%

LAB 45.08, 3.63, 11.35

 

Complementary color

CMYK 19 / 10 / 0 / 35

HEX #8797A7

RGB 135 151 167

HSL 210, 0.15%, 0.59%

LAB 61.72, -2.17, -10.29

 

CMYK 0 / 17 / 34 / 51

HEX #7D6853

RGB 125 104 83

HSL 30, 0.2%, 0.41%

LAB 45.48, 5.03, 14.96

 

CMYK 0 / 14 / 28 / 44

HEX #8E7A66

RGB 142 122 102

HSL 30, 0.16%, 0.48%

LAB 52.54, 4.48, 13.81

 

CMYK 0 / 12 / 24 / 38

HEX #9F8C79

RGB 159 140 121

HSL 30, 0.17%, 0.55%

LAB 59.44, 4.02, 12.77

 

CMYK 0 / 10 / 20 / 31

HEX #B09E8C

RGB 176 158 140

HSL 30, 0.19%, 0.62%

LAB 66.2, 3.63, 11.81

 

CMYK 0 / 9 / 18 / 24

HEX #C1B09F

RGB 193 176 159

HSL 30, 0.22%, 0.69%

LAB 72.82, 3.29, 10.91

 

CMYK 0 / 13 / 27 / 53

HEX #786858

RGB 120 104 88

HSL 30, 0.15%, 0.41%

LAB 45.08, 3.63, 11.35

 

CMYK 0 / 17 / 33 / 60

HEX #675645

RGB 103 86 69

HSL 30, 0.2%, 0.34%

LAB 37.79, 4.17, 12.51

 

CMYK 0 / 21 / 42 / 66

HEX #564432

RGB 86 68 50

HSL 30, 0.26%, 0.27%

LAB 30.26, 4.86, 13.83

 

CMYK 0 / 28 / 55 / 73

HEX #45321F

RGB 69 50 31

HSL 30, 0.38%, 0.2%

LAB 22.46, 5.81, 15.39

 

CMYK 0 / 38 / 77 / 80

HEX #34200C

RGB 52 32 12

HSL 30, 0.63%, 0.13%

LAB 14.34, 7.23, 16.32

 

CMYK 0 / 13 / 27 / 53

HEX #786858

RGB 120 104 88

HSL 30, 0.15%, 0.41%

LAB 45.08, 3.63, 11.35

 

CMYK 0 / 20 / 27 / 53

HEX #786058

RGB 120 96 88

HSL 15, 0.15%, 0.41%

LAB 42.86, 8.39, 8.24

 

CMYK 0 / 27 / 27 / 53

HEX #785858

RGB 120 88 88

HSL 0, 0.15%, 0.41%

LAB 40.7, 13.21, 5.17

 

CMYK 0 / 13 / 27 / 53

HEX #786858

RGB 120 104 88

HSL 30, 0.15%, 0.41%

LAB 45.08, 3.63, 11.35

 

CMYK 0 / 6 / 27 / 53

HEX #787158

RGB 120 113 88

HSL 46.88, 0.15%, 0.41%

LAB 47.63, -1.63, 14.88

 

CMYK 2 / 0 / 27 / 53

HEX #767858

RGB 118 120 88

HSL 63.75, 0.15%, 0.41%

LAB 49.48, -6.47, 17.38

 

CMYK 8 / 0 / 27 / 53

HEX #6E7858

RGB 110 120 88

HSL 78.75, 0.15%, 0.41%

LAB 48.83, -9.77, 16.37

 

CMYK 15 / 0 / 27 / 53

HEX #667858

RGB 102 120 88

HSL 93.75, 0.15%, 0.41%

LAB 48.21, -12.99, 15.44

 

CMYK 0 / 13 / 27 / 53

HEX #786858

RGB 120 104 88

HSL 30, 0.15%, 0.41%

LAB 45.08, 3.63, 11.35

 

CMYK 0 / 24 / 48 / 46

HEX #896847

RGB 137 104 71

HSL 30, 0.32%, 0.41%

LAB 46.54, 8.8, 23.64

 

CMYK 0 / 32 / 64 / 40

HEX #9A6837

RGB 154 104 55

HSL 29.7, 0.47%, 0.41%

LAB 48.32, 14.95, 35.19

 

CMYK 0 / 39 / 78 / 33

HEX #AA6826

RGB 170 104 38

HSL 30, 0.63%, 0.41%

LAB 50.2, 21.08, 46.2

 

CMYK 0 / 44 / 89 / 27

HEX #BB6815

RGB 187 104 21

HSL 30, 0.8%, 0.41%

LAB 52.42, 27.9, 55.47

 

CMYK 0 / 13 / 27 / 53

HEX #786858

RGB 120 104 88

HSL 30, 0.15%, 0.41%

LAB 45.08, 3.63, 11.35

 

CMYK 2 / 1 / 0 / 59

HEX #676869

RGB 103 104 105

HSL 210, 0.01%, 0.41%

LAB 43.95, -0.18, -0.7

 

CMYK 30 / 15 / 0 / 52

HEX #56687A

RGB 86 104 122

HSL 210, 0.17%, 0.41%

LAB 43.19, -2.21, -12.26

 

CMYK 50 / 25 / 0 / 45

HEX #45688B

RGB 69 104 139

HSL 210, 0.34%, 0.41%

LAB 42.81, -2.2, -23.17

 

CMYK 67 / 33 / 0 / 39

HEX #34689C

RGB 52 104 156

HSL 210, 0.5%, 0.41%

LAB 42.81, -0.13, -33.37

 

CMYK 0 / 27 / 26 / 53

HEX #785859

RGB 120 88 89

HSL 358.13, 0.15%, 0.41%

LAB 40.73, 13.36, 4.59

 

CMYK 0 / 20 / 27 / 53

HEX #786058

RGB 120 96 88

HSL 15, 0.15%, 0.41%

LAB 42.86, 8.39, 8.24

 

CMYK 0 / 13 / 27 / 53

HEX #786858

RGB 120 104 88

HSL 30, 0.15%, 0.41%

LAB 45.08, 3.63, 11.35

 

CMYK 0 / 7 / 27 / 53

HEX #787058

RGB 120 112 88

HSL 45, 0.15%, 0.41%

LAB 47.35, -1.05, 14.49

 

CMYK 1 / 0 / 27 / 53

HEX #777858

RGB 119 120 88

HSL 61.88, 0.15%, 0.41%

LAB 49.57, -6.05, 17.51

 

CMYK 0 / 13 / 26 / 72

HEX #483F35

RGB 72 63 53

HSL 31.58, 0.15%, 0.25%

LAB 27.27, 1.99, 7.56

 

CMYK 0 / 14 / 26 / 62

HEX #605347

RGB 96 83 71

HSL 28.8, 0.15%, 0.33%

LAB 36.23, 3.23, 9

 

CMYK 0 / 13 / 27 / 53

HEX #786858

RGB 120 104 88

HSL 30, 0.15%, 0.41%

LAB 45.08, 3.63, 11.35

 

CMYK 0 / 13 / 26 / 44

HEX #8F7D6A

RGB 143 125 106

HSL 30.81, 0.15%, 0.49%

LAB 53.54, 3.77, 12.9

 

CMYK 0 / 10 / 20 / 36

HEX #A29181

RGB 162 145 129

HSL 29.09, 0.15%, 0.57%

LAB 61.24, 3.65, 10.8

 

CMYK 0 / 13 / 27 / 53

HEX #786858

RGB 120 104 88

HSL 30, 0.15%, 0.41%

LAB 45.08, 3.63, 11.35

 

CMYK 18 / 0 / 27 / 53

HEX #627858

RGB 98 120 88

HSL 101.25, 0.15%, 0.41%

LAB 47.92, -14.56, 14.99

 

CMYK 23 / 27 / 0 / 53

HEX #5C5878

RGB 92 88 120

HSL 247.5, 0.15%, 0.41%

LAB 38.92, 9.1, -17.51

 

CMYK 0 / 13 / 27 / 53

HEX #786858

RGB 120 104 88

HSL 30, 0.15%, 0.41%

LAB 45.08, 3.63, 11.35

 

CMYK 27 / 0 / 13 / 53

HEX #587868

RGB 88 120 104

HSL 150, 0.15%, 0.41%

LAB 47.63, -15.09, 5.09

 

CMYK 13 / 27 / 0 / 53

HEX #685878

RGB 104 88 120

HSL 270, 0.15%, 0.41%

LAB 40.05, 13.29, -15.68

 

CMYK 0 / 13 / 27 / 53

HEX #786858

RGB 120 104 88

HSL 30, 0.15%, 0.41%

LAB 45.08, 3.63, 11.35

 

CMYK 18 / 0 / 27 / 53

HEX #627858

RGB 98 120 88

HSL 101.25, 0.15%, 0.41%

LAB 47.92, -14.56, 14.99

 

CMYK 27 / 13 / 0 / 53

HEX #586878

RGB 88 104 120

HSL 210, 0.15%, 0.41%

LAB 43.26, -2.07, -10.93

 

CMYK 8 / 27 / 0 / 53

HEX #6E5878

RGB 110 88 120

HSL 281.25, 0.15%, 0.41%

LAB 40.66, 15.45, -14.7

 

CMYK 0 / 13 / 27 / 53

HEX #786858

RGB 120 104 88

HSL 30, 0.15%, 0.41%

LAB 45.08, 3.63, 11.35

 

CMYK 27 / 0 / 27 / 53

HEX #587858

RGB 88 120 88

HSL 120, 0.15%, 0.41%

LAB 47.25, -18.35, 13.96

 

CMYK 27 / 13 / 0 / 53

HEX #586878

RGB 88 104 120

HSL 210, 0.15%, 0.41%

LAB 43.26, -2.07, -10.93

 

CMYK 0 / 27 / 0 / 53

HEX #785878

RGB 120 88 120

HSL 300, 0.15%, 0.41%

LAB 41.73, 19.08, -12.96

 

Description

Color code: RGB 120 104 88 | qconv.com Color code: RGB 120 104 88 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 104 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 104 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 27 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 27% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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