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Color name
RGB 121 15 98

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 121 15 98 it is the complementary color RGB 134 240 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 121 15 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 121 15 98 shade: RGB 126 15 93, RGB 143 33 112, RGB 160 51 131, RGB 177 69 150 and RGB 194 87 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 121 15 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 121 15 98 shade: RGB 121 15 98, RGB 104 0 79, RGB 87 0 60, RGB 70 0 41 and RGB 53 0 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 121 15 98 shade: RGB 122 15 99, RGB 122 15 70, RGB 122 15 41 and RGB 122 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 121 15 98 shade: RGB 122 15 99, RGB 116 15 122, RGB 87 15 122, RGB 58 15 122 and RGB 30 15 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 121 15 98 shade matches the following richer shades: RGB 122 15 99 and RGB 133 4 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 121 15 98 shade: RGB 122 15 99, RGB 111 26 92, RGB 100 37 86, RGB 89 48 80 and RGB 77 59 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 121 15 98 shade: RGB 88 15 122, RGB 117 15 122, RGB 122 15 99, RGB 122 15 70 and RGB 122 15 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 121 15 98 shade: RGB 49 6 39, RGB 85 10 69, RGB 122 15 99, RGB 159 19 128 and RGB 195 24 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 121 15 98 shade: RGB 121 15 98, RGB 122 59 15 and RGB 15 122 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 121 15 98 shade: RGB 121 15 98, RGB 99 122 15 and RGB 15 99 122

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 121 15 98 shade: RGB 121 15 98, RGB 122 59 15, RGB 15 122 38 and RGB 15 77 122

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 121 15 98 shade: RGB 121 15 98, RGB 122 92 15, RGB 15 122 38 and RGB 15 45 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 19 / 53

HEX #790F62

RGB 121 15 98

HSL 313.02, 0.78%, 0.27%

LAB 27.54, 50.4, -20.91

 

Complementary color

CMYK 44 / 0 / 35 / 6

HEX #86F09D

RGB 134 240 157

HSL 133.02, 0.78%, 0.73%

LAB 86.91, -47.97, 30.82

 

CMYK 0 / 88 / 26 / 51

HEX #7E0F5D

RGB 126 15 93

HSL 317.84, 0.79%, 0.28%

LAB 28.29, 50.88, -16.39

 

CMYK 0 / 77 / 22 / 44

HEX #8F2170

RGB 143 33 112

HSL 316.91, 0.63%, 0.35%

LAB 34.18, 52.66, -19.26

 

CMYK 0 / 68 / 18 / 37

HEX #A03383

RGB 160 51 131

HSL 315.96, 0.52%, 0.41%

LAB 40.38, 53.28, -21.29

 

CMYK 0 / 61 / 15 / 31

HEX #B14596

RGB 177 69 150

HSL 315, 0.44%, 0.48%

LAB 46.72, 53.26, -22.79

 

CMYK 0 / 55 / 13 / 24

HEX #C257A9

RGB 194 87 169

HSL 314.02, 0.47%, 0.55%

LAB 53.11, 52.87, -23.95

 

CMYK 0 / 88 / 19 / 53

HEX #790F62

RGB 121 15 98

HSL 313.02, 0.78%, 0.27%

LAB 27.54, 50.4, -20.91

 

CMYK 0 / 100 / 24 / 59

HEX #68004F

RGB 104 0 79

HSL 314.42, 1%, 0.2%

LAB 21.97, 47.1, -17.23

 

CMYK 0 / 100 / 31 / 66

HEX #57003C

RGB 87 0 60

HSL 318.62, 1%, 0.17%

LAB 17.24, 40.85, -11.73

 

CMYK 0 / 100 / 41 / 73

HEX #460029

RGB 70 0 41

HSL 324.86, 1%, 0.14%

LAB 12.37, 34.44, -5.78

 

CMYK 0 / 100 / 58 / 79

HEX #350016

RGB 53 0 22

HSL 335.09, 1%, 0.1%

LAB 7.36, 27.8, 0.8

 

CMYK 0 / 88 / 19 / 52

HEX #7A0F63

RGB 122 15 99

HSL 312.9, 0.78%, 0.27%

LAB 27.79, 50.77, -21.16

 

CMYK 0 / 88 / 43 / 52

HEX #7A0F46

RGB 122 15 70

HSL 329.16, 0.78%, 0.27%

LAB 26.51, 47.19, -3.87

 

CMYK 0 / 88 / 66 / 52

HEX #7A0F29

RGB 122 15 41

HSL 345.42, 0.78%, 0.27%

LAB 25.68, 44.78, 14.72

 

CMYK 0 / 88 / 88 / 52

HEX #7A0F0F

RGB 122 15 15

HSL 0, 0.78%, 0.27%

LAB 25.3, 43.65, 30.94

 

CMYK 0 / 88 / 19 / 52

HEX #7A0F63

RGB 122 15 99

HSL 312.9, 0.78%, 0.27%

LAB 27.79, 50.77, -21.16

 

CMYK 5 / 88 / 0 / 52

HEX #740F7A

RGB 116 15 122

HSL 296.64, 0.78%, 0.27%

LAB 28.01, 53.14, -35.68

 

CMYK 29 / 88 / 0 / 52

HEX #570F7A

RGB 87 15 122

HSL 280.37, 0.78%, 0.27%

LAB 22.91, 47.84, -44.17

 

CMYK 52 / 88 / 0 / 52

HEX #3A0F7A

RGB 58 15 122

HSL 264.11, 0.78%, 0.27%

LAB 18.57, 43.55, -51.45

 

CMYK 75 / 88 / 0 / 52

HEX #1E0F7A

RGB 30 15 122

HSL 248.41, 0.78%, 0.27%

LAB 15.61, 40.8, -56.44

 

CMYK 0 / 88 / 19 / 52

HEX #7A0F63

RGB 122 15 99

HSL 312.9, 0.78%, 0.27%

LAB 27.79, 50.77, -21.16

 

CMYK 0 / 97 / 21 / 48

HEX #850469

RGB 133 4 105

HSL 313.02, 0.94%, 0.27%

LAB 29.65, 55.92, -21.99

 

CMYK 0 / 88 / 19 / 52

HEX #7A0F63

RGB 122 15 99

HSL 312.9, 0.78%, 0.27%

LAB 27.79, 50.77, -21.16

 

CMYK 0 / 77 / 17 / 56

HEX #6F1A5C

RGB 111 26 92

HSL 313.41, 0.62%, 0.27%

LAB 26.42, 43.83, -18.87

 

CMYK 0 / 63 / 14 / 61

HEX #642556

RGB 100 37 86

HSL 313.33, 0.46%, 0.27%

LAB 25.88, 34.88, -15.92

 

CMYK 0 / 46 / 10 / 65

HEX #593050

RGB 89 48 80

HSL 313.17, 0.3%, 0.27%

LAB 26.21, 23.84, -11.59

 

CMYK 0 / 23 / 4 / 70

HEX #4D3B4A

RGB 77 59 74

HSL 310, 0.13%, 0.27%

LAB 27.3, 10.9, -6.13

 

CMYK 28 / 88 / 0 / 52

HEX #580F7A

RGB 88 15 122

HSL 280.93, 0.78%, 0.27%

LAB 23.07, 48.01, -43.89

 

CMYK 4 / 88 / 0 / 52

HEX #750F7A

RGB 117 15 122

HSL 297.2, 0.78%, 0.27%

LAB 28.19, 53.33, -35.37

 

CMYK 0 / 88 / 19 / 52

HEX #7A0F63

RGB 122 15 99

HSL 312.9, 0.78%, 0.27%

LAB 27.79, 50.77, -21.16

 

CMYK 0 / 88 / 43 / 52

HEX #7A0F46

RGB 122 15 70

HSL 329.16, 0.78%, 0.27%

LAB 26.51, 47.19, -3.87

 

CMYK 0 / 88 / 66 / 52

HEX #7A0F29

RGB 122 15 41

HSL 345.42, 0.78%, 0.27%

LAB 25.68, 44.78, 14.72

 

CMYK 0 / 88 / 20 / 81

HEX #310627

RGB 49 6 39

HSL 313.95, 0.78%, 0.11%

LAB 8.39, 25.57, -10.8

 

CMYK 0 / 88 / 19 / 67

HEX #550A45

RGB 85 10 69

HSL 312.8, 0.79%, 0.19%

LAB 18.27, 38.75, -16.46

 

CMYK 0 / 88 / 19 / 52

HEX #7A0F63

RGB 122 15 99

HSL 312.9, 0.78%, 0.27%

LAB 27.79, 50.77, -21.16

 

CMYK 0 / 88 / 19 / 38

HEX #9F1380

RGB 159 19 128

HSL 313.29, 0.79%, 0.35%

LAB 36.73, 62.08, -25.12

 

CMYK 0 / 88 / 19 / 24

HEX #C3189E

RGB 195 24 158

HSL 312.98, 0.78%, 0.43%

LAB 45.25, 72.6, -29.62

 

CMYK 0 / 88 / 19 / 53

HEX #790F62

RGB 121 15 98

HSL 313.02, 0.78%, 0.27%

LAB 27.54, 50.4, -20.91

 

CMYK 0 / 52 / 88 / 52

HEX #7A3B0F

RGB 122 59 15

HSL 24.67, 0.78%, 0.27%

LAB 32.48, 24.5, 37.29

 

CMYK 88 / 0 / 16 / 52

HEX #0F7A66

RGB 15 122 102

HSL 168.79, 0.78%, 0.27%

LAB 45.61, -33.06, 3.02

 

CMYK 0 / 88 / 19 / 53

HEX #790F62

RGB 121 15 98

HSL 313.02, 0.78%, 0.27%

LAB 27.54, 50.4, -20.91

 

CMYK 19 / 0 / 88 / 52

HEX #637A0F

RGB 99 122 15

HSL 72.9, 0.78%, 0.27%

LAB 47.76, -22.67, 49.43

 

CMYK 88 / 19 / 0 / 52

HEX #0F637A

RGB 15 99 122

HSL 192.9, 0.78%, 0.27%

LAB 38.6, -14.68, -19.53

 

CMYK 0 / 88 / 19 / 53

HEX #790F62

RGB 121 15 98

HSL 313.02, 0.78%, 0.27%

LAB 27.54, 50.4, -20.91

 

CMYK 0 / 52 / 88 / 52

HEX #7A3B0F

RGB 122 59 15

HSL 24.67, 0.78%, 0.27%

LAB 32.48, 24.5, 37.29

 

CMYK 88 / 0 / 69 / 52

HEX #0F7A26

RGB 15 122 38

HSL 132.9, 0.78%, 0.27%

LAB 44.46, -46.09, 36.82

 

CMYK 88 / 37 / 0 / 52

HEX #0F4D7A

RGB 15 77 122

HSL 205.23, 0.78%, 0.27%

LAB 31.38, -1.2, -30.84

 

CMYK 0 / 88 / 19 / 53

HEX #790F62

RGB 121 15 98

HSL 313.02, 0.78%, 0.27%

LAB 27.54, 50.4, -20.91

 

CMYK 0 / 25 / 88 / 52

HEX #7A5C0F

RGB 122 92 15

HSL 43.18, 0.78%, 0.27%

LAB 40.94, 4.98, 44.49

 

CMYK 88 / 0 / 69 / 52

HEX #0F7A26

RGB 15 122 38

HSL 132.9, 0.78%, 0.27%

LAB 44.46, -46.09, 36.82

 

CMYK 88 / 63 / 0 / 52

HEX #0F2D7A

RGB 15 45 122

HSL 223.18, 0.78%, 0.27%

LAB 21.52, 21.13, -46.72

 

Description

Color code: RGB 121 15 98 | qconv.com Color code: RGB 121 15 98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 15 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 15 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 19 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 19% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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