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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 183 23 it is the complementary color RGB 132 72 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 183 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 183 23 shade: RGB 128 183 18, RGB 145 201 37, RGB 162 219 56, RGB 179 237 75 and RGB 196 255 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 183 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 183 23 shade: RGB 123 183 23, RGB 106 165 4, RGB 89 147 0, RGB 72 129 0 and RGB 55 111 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 183 23 shade: RGB 121 181 22, RGB 164 181 22, RGB 181 155 22, RGB 181 112 22 and RGB 181 69 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 183 23 shade: RGB 121 181 22, RGB 78 181 22, RGB 36 181 22, RGB 22 181 51 and RGB 22 181 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 183 23 shade matches the following richer shades: RGB 121 181 22 and RGB 126 198 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 183 23 shade: RGB 121 181 22, RGB 117 165 38, RGB 113 148 55, RGB 109 132 71 and RGB 105 115 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 183 23 shade: RGB 181 155 22, RGB 165 181 22, RGB 123 181 22, RGB 80 181 22 and RGB 38 181 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 183 23 shade: RGB 72 108 13, RGB 97 144 17, RGB 121 181 22, RGB 146 218 26 and RGB 165 230 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 183 23 shade: RGB 123 183 23, RGB 22 181 112 and RGB 176 22 181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 183 23 shade: RGB 123 183 23, RGB 22 123 181 and RGB 181 22 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 183 23 shade: RGB 123 183 23, RGB 22 181 112, RGB 80 22 181 and RGB 181 22 91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 183 23 shade: RGB 123 183 23, RGB 22 181 160, RGB 80 22 181 and RGB 181 22 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 87 / 28

HEX #7BB717

RGB 123 183 23

HSL 82.5, 0.78%, 0.4%

LAB 68.12, -41.15, 65.53

 

Complementary color

CMYK 43 / 69 / 0 / 9

HEX #8448E8

RGB 132 72 232

HSL 262.5, 0.78%, 0.6%

LAB 46.13, 58.41, -71.77

 

CMYK 30 / 0 / 90 / 28

HEX #80B712

RGB 128 183 18

HSL 80, 0.82%, 0.39%

LAB 68.39, -39.39, 66.79

 

CMYK 28 / 0 / 82 / 21

HEX #91C925

RGB 145 201 37

HSL 80.49, 0.69%, 0.47%

LAB 74.78, -40.23, 68.54

 

CMYK 26 / 0 / 74 / 14

HEX #A2DB38

RGB 162 219 56

HSL 80.98, 0.69%, 0.54%

LAB 81.09, -40.86, 69.16

 

CMYK 24 / 0 / 68 / 7

HEX #B3ED4B

RGB 179 237 75

HSL 81.48, 0.82%, 0.61%

LAB 87.32, -41.33, 69.08

 

CMYK 23 / 0 / 63 / 0

HEX #C4FF5E

RGB 196 255 94

HSL 81.99, 1%, 0.68%

LAB 93.48, -41.68, 68.58

 

CMYK 33 / 0 / 87 / 28

HEX #7BB717

RGB 123 183 23

HSL 82.5, 0.78%, 0.4%

LAB 68.12, -41.15, 65.53

 

CMYK 36 / 0 / 98 / 35

HEX #6AA504

RGB 106 165 4

HSL 81.99, 0.95%, 0.33%

LAB 61.64, -40.16, 62.83

 

CMYK 39 / 0 / 100 / 42

HEX #599300

RGB 89 147 0

HSL 83.67, 1%, 0.29%

LAB 55.06, -38.81, 57.91

 

CMYK 44 / 0 / 100 / 49

HEX #488100

RGB 72 129 0

HSL 86.51, 1%, 0.25%

LAB 48.36, -37.32, 52.34

 

CMYK 50 / 0 / 100 / 56

HEX #376F00

RGB 55 111 0

HSL 90.27, 1%, 0.22%

LAB 41.5, -35.71, 46.65

 

CMYK 33 / 0 / 88 / 29

HEX #79B516

RGB 121 181 22

HSL 82.64, 0.78%, 0.4%

LAB 67.4, -41.06, 65.08

 

CMYK 9 / 0 / 88 / 29

HEX #A4B516

RGB 164 181 22

HSL 66.42, 0.78%, 0.4%

LAB 70.17, -23.68, 68.51

 

CMYK 0 / 14 / 88 / 29

HEX #B59B16

RGB 181 155 22

HSL 50.19, 0.78%, 0.4%

LAB 64.42, -2.76, 64.45

 

CMYK 0 / 38 / 88 / 29

HEX #B57016

RGB 181 112 22

HSL 33.96, 0.78%, 0.4%

LAB 53.46, 20.94, 55.65

 

CMYK 0 / 62 / 88 / 29

HEX #B54516

RGB 181 69 22

HSL 17.74, 0.78%, 0.4%

LAB 44.43, 43.37, 48.4

 

CMYK 33 / 0 / 88 / 29

HEX #79B516

RGB 121 181 22

HSL 82.64, 0.78%, 0.4%

LAB 67.4, -41.06, 65.08

 

CMYK 57 / 0 / 88 / 29

HEX #4EB516

RGB 78 181 22

HSL 98.87, 0.78%, 0.4%

LAB 65.53, -54.99, 62.74

 

CMYK 80 / 0 / 88 / 29

HEX #24B516

RGB 36 181 22

HSL 114.72, 0.78%, 0.4%

LAB 64.55, -63.31, 61.5

 

CMYK 88 / 0 / 72 / 29

HEX #16B533

RGB 22 181 51

HSL 130.94, 0.78%, 0.4%

LAB 64.53, -62.92, 52.8

 

CMYK 88 / 0 / 48 / 29

HEX #16B55E

RGB 22 181 94

HSL 147.17, 0.78%, 0.4%

LAB 64.98, -57.36, 33.73

 

CMYK 33 / 0 / 88 / 29

HEX #79B516

RGB 121 181 22

HSL 82.64, 0.78%, 0.4%

LAB 67.4, -41.06, 65.08

 

CMYK 36 / 0 / 97 / 22

HEX #7EC605

RGB 126 198 5

HSL 82.38, 0.95%, 0.4%

LAB 72.78, -46.75, 71.91

 

CMYK 33 / 0 / 88 / 29

HEX #79B516

RGB 121 181 22

HSL 82.64, 0.78%, 0.4%

LAB 67.4, -41.06, 65.08

 

CMYK 29 / 0 / 77 / 35

HEX #75A526

RGB 117 165 38

HSL 82.68, 0.63%, 0.4%

LAB 62.37, -34.84, 56.27

 

CMYK 24 / 0 / 63 / 42

HEX #719437

RGB 113 148 55

HSL 82.58, 0.46%, 0.4%

LAB 57.04, -27.23, 44.02

 

CMYK 17 / 0 / 46 / 48

HEX #6D8447

RGB 109 132 71

HSL 82.62, 0.3%, 0.4%

LAB 52.07, -19.1, 30.13

 

CMYK 9 / 0 / 23 / 55

HEX #697358

RGB 105 115 88

HSL 82.22, 0.13%, 0.4%

LAB 46.93, -9, 13.72

 

CMYK 0 / 14 / 88 / 29

HEX #B59B16

RGB 181 155 22

HSL 50.19, 0.78%, 0.4%

LAB 64.42, -2.76, 64.45

 

CMYK 9 / 0 / 88 / 29

HEX #A5B516

RGB 165 181 22

HSL 66.04, 0.78%, 0.4%

LAB 70.25, -23.26, 68.6

 

CMYK 32 / 0 / 88 / 29

HEX #7BB516

RGB 123 181 22

HSL 81.89, 0.78%, 0.4%

LAB 67.51, -40.31, 65.22

 

CMYK 56 / 0 / 88 / 29

HEX #50B516

RGB 80 181 22

HSL 98.11, 0.78%, 0.4%

LAB 65.6, -54.45, 62.83

 

CMYK 79 / 0 / 88 / 29

HEX #26B516

RGB 38 181 22

HSL 113.96, 0.78%, 0.4%

LAB 64.58, -63.04, 61.54

 

CMYK 33 / 0 / 88 / 58

HEX #486C0D

RGB 72 108 13

HSL 82.74, 0.79%, 0.24%

LAB 41.42, -27.42, 43.76

 

CMYK 33 / 0 / 88 / 44

HEX #619011

RGB 97 144 17

HSL 82.2, 0.79%, 0.32%

LAB 54.58, -34.01, 54.73

 

CMYK 33 / 0 / 88 / 29

HEX #79B516

RGB 121 181 22

HSL 82.64, 0.78%, 0.4%

LAB 67.4, -41.06, 65.08

 

CMYK 33 / 0 / 88 / 15

HEX #92DA1A

RGB 146 218 26

HSL 82.5, 0.79%, 0.48%

LAB 79.8, -47.48, 75.26

 

CMYK 28 / 0 / 76 / 10

HEX #A5E638

RGB 165 230 56

HSL 82.41, 0.78%, 0.56%

LAB 84.42, -44.52, 72.39

 

CMYK 33 / 0 / 87 / 28

HEX #7BB717

RGB 123 183 23

HSL 82.5, 0.78%, 0.4%

LAB 68.12, -41.15, 65.53

 

CMYK 88 / 0 / 38 / 29

HEX #16B570

RGB 22 181 112

HSL 153.96, 0.78%, 0.4%

LAB 65.27, -54, 24.71

 

CMYK 3 / 88 / 0 / 29

HEX #B016B5

RGB 176 22 181

HSL 298.11, 0.78%, 0.4%

LAB 42.97, 72.58, -47.14

 

CMYK 33 / 0 / 87 / 28

HEX #7BB717

RGB 123 183 23

HSL 82.5, 0.78%, 0.4%

LAB 68.12, -41.15, 65.53

 

CMYK 88 / 32 / 0 / 29

HEX #167BB5

RGB 22 123 181

HSL 201.89, 0.78%, 0.4%

LAB 49.1, -5.93, -38.16

 

CMYK 0 / 88 / 32 / 29

HEX #B5167B

RGB 181 22 123

HSL 321.89, 0.78%, 0.4%

LAB 40.94, 65.77, -15.16

 

CMYK 33 / 0 / 87 / 28

HEX #7BB717

RGB 123 183 23

HSL 82.5, 0.78%, 0.4%

LAB 68.12, -41.15, 65.53

 

CMYK 88 / 0 / 38 / 29

HEX #16B570

RGB 22 181 112

HSL 153.96, 0.78%, 0.4%

LAB 65.27, -54, 24.71

 

CMYK 56 / 88 / 0 / 29

HEX #5016B5

RGB 80 22 181

HSL 261.89, 0.78%, 0.4%

LAB 28.42, 58.91, -71.47

 

CMYK 0 / 88 / 50 / 29

HEX #B5165B

RGB 181 22 91

HSL 333.96, 0.78%, 0.4%

LAB 39.84, 62.7, 3.32

 

CMYK 33 / 0 / 87 / 28

HEX #7BB717

RGB 123 183 23

HSL 82.5, 0.78%, 0.4%

LAB 68.12, -41.15, 65.53

 

CMYK 88 / 0 / 12 / 29

HEX #16B5A0

RGB 22 181 160

HSL 172.08, 0.78%, 0.4%

LAB 66.33, -42.41, -0

 

CMYK 56 / 88 / 0 / 29

HEX #5016B5

RGB 80 22 181

HSL 261.89, 0.78%, 0.4%

LAB 28.42, 58.91, -71.47

 

CMYK 0 / 88 / 76 / 29

HEX #B5162B

RGB 181 22 43

HSL 352.08, 0.78%, 0.4%

LAB 38.85, 59.87, 32.32

 

Description

Color code: RGB 123 183 23 | qconv.com Color code: RGB 123 183 23 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 183 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 183 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 87 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 87% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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