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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 93 131 it is the complementary color RGB 132 162 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 93 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 93 131 shade: RGB 128 93 126, RGB 145 111 145, RGB 162 129 164, RGB 179 147 183 and RGB 196 165 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 93 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 93 131 shade: RGB 123 93 131, RGB 106 75 112, RGB 89 57 93, RGB 72 39 74 and RGB 55 21 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 93 131 shade: RGB 123 93 131, RGB 131 93 129, RGB 131 93 118, RGB 131 93 108 and RGB 131 93 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 93 131 shade: RGB 123 93 131, RGB 112 93 131, RGB 102 93 131 and RGB 93 93 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 93 131 shade matches the following richer shades: RGB 123 93 131, RGB 133 74 149, RGB 144 56 167, RGB 154 38 185 and RGB 165 20 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 93 131 shade: RGB 123 93 131, RGB 112 111 113, RGB 102 129 94, RGB 91 147 76 and RGB 81 165 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 93 131 shade: RGB 102 93 131, RGB 112 93 131, RGB 123 93 131, RGB 131 93 129 and RGB 131 93 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 93 131 shade: RGB 77 58 83, RGB 100 76 107, RGB 123 93 131, RGB 144 112 153 and RGB 163 136 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 93 131 shade: RGB 123 93 131, RGB 131 93 93 and RGB 93 131 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 93 131 shade: RGB 123 93 131, RGB 131 123 93 and RGB 93 131 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 93 131 shade: RGB 123 93 131, RGB 131 93 93, RGB 101 131 93 and RGB 93 131 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 93 131 shade: RGB 123 93 131, RGB 131 103 93, RGB 101 131 93 and RGB 93 120 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 29 / 0 / 49

HEX #7B5D83

RGB 123 93 131

HSL 287.37, 0.17%, 0.44%

LAB 43.77, 19.48, -16.51

 

Complementary color

CMYK 19 / 0 / 23 / 36

HEX #84A27C

RGB 132 162 124

HSL 107.37, 0.17%, 0.56%

LAB 63.51, -17.83, 16.42

 

CMYK 0 / 27 / 2 / 50

HEX #805D7E

RGB 128 93 126

HSL 303.43, 0.16%, 0.43%

LAB 44.12, 20.23, -12.9

 

CMYK 0 / 23 / 0 / 43

HEX #916F91

RGB 145 111 145

HSL 300, 0.13%, 0.5%

LAB 51.19, 19.56, -13.36

 

CMYK 1 / 21 / 0 / 36

HEX #A281A4

RGB 162 129 164

HSL 296.57, 0.16%, 0.57%

LAB 58.1, 18.96, -13.8

 

CMYK 2 / 20 / 0 / 28

HEX #B393B7

RGB 179 147 183

HSL 293.33, 0.2%, 0.65%

LAB 64.86, 18.42, -14.22

 

CMYK 3 / 18 / 0 / 21

HEX #C4A5CA

RGB 196 165 202

HSL 290.27, 0.26%, 0.72%

LAB 71.49, 17.92, -14.64

 

CMYK 6 / 29 / 0 / 49

HEX #7B5D83

RGB 123 93 131

HSL 287.37, 0.17%, 0.44%

LAB 43.77, 19.48, -16.51

 

CMYK 5 / 33 / 0 / 56

HEX #6A4B70

RGB 106 75 112

HSL 290.27, 0.2%, 0.37%

LAB 36.49, 20.21, -16.16

 

CMYK 4 / 39 / 0 / 64

HEX #59395D

RGB 89 57 93

HSL 293.33, 0.24%, 0.29%

LAB 29.01, 21.03, -15.79

 

CMYK 3 / 47 / 0 / 71

HEX #48274A

RGB 72 39 74

HSL 296.57, 0.31%, 0.22%

LAB 21.29, 21.91, -15.34

 

CMYK 0 / 62 / 0 / 78

HEX #371537

RGB 55 21 55

HSL 300, 0.45%, 0.15%

LAB 13.38, 22.73, -14.68

 

CMYK 6 / 29 / 0 / 49

HEX #7B5D83

RGB 123 93 131

HSL 287.37, 0.17%, 0.44%

LAB 43.77, 19.48, -16.51

 

CMYK 0 / 29 / 2 / 49

HEX #835D81

RGB 131 93 129

HSL 303.16, 0.17%, 0.44%

LAB 44.57, 21.92, -13.99

 

CMYK 0 / 29 / 10 / 49

HEX #835D76

RGB 131 93 118

HSL 320.53, 0.17%, 0.44%

LAB 44.18, 19.78, -7.93

 

CMYK 0 / 29 / 18 / 49

HEX #835D6C

RGB 131 93 108

HSL 336.32, 0.17%, 0.44%

LAB 43.85, 17.98, -2.34

 

CMYK 0 / 29 / 25 / 49

HEX #835D62

RGB 131 93 98

HSL 352.11, 0.17%, 0.44%

LAB 43.56, 16.32, 3.33

 

CMYK 6 / 29 / 0 / 49

HEX #7B5D83

RGB 123 93 131

HSL 287.37, 0.17%, 0.44%

LAB 43.77, 19.48, -16.51

 

CMYK 15 / 29 / 0 / 49

HEX #705D83

RGB 112 93 131

HSL 270, 0.17%, 0.44%

LAB 42.63, 15.63, -18.35

 

CMYK 22 / 29 / 0 / 49

HEX #665D83

RGB 102 93 131

HSL 254.21, 0.17%, 0.44%

LAB 41.68, 12.21, -19.9

 

CMYK 29 / 29 / 0 / 49

HEX #5D5D83

RGB 93 93 131

HSL 240, 0.17%, 0.44%

LAB 40.89, 9.23, -21.18

 

CMYK 6 / 29 / 0 / 49

HEX #7B5D83

RGB 123 93 131

HSL 287.37, 0.17%, 0.44%

LAB 43.77, 19.48, -16.51

 

CMYK 11 / 50 / 0 / 42

HEX #854A95

RGB 133 74 149

HSL 287.2, 0.34%, 0.44%

LAB 41.3, 37.71, -31.11

 

CMYK 14 / 66 / 0 / 35

HEX #9038A7

RGB 144 56 167

HSL 287.57, 0.5%, 0.44%

LAB 40.49, 53.37, -43.1

 

CMYK 17 / 79 / 0 / 27

HEX #9A26B9

RGB 154 38 185

HSL 287.35, 0.66%, 0.44%

LAB 40.83, 65.61, -53.13

 

CMYK 19 / 90 / 0 / 20

HEX #A514CB

RGB 165 20 203

HSL 287.54, 0.82%, 0.44%

LAB 42.48, 74.77, -60.9

 

CMYK 6 / 29 / 0 / 49

HEX #7B5D83

RGB 123 93 131

HSL 287.37, 0.17%, 0.44%

LAB 43.77, 19.48, -16.51

 

CMYK 1 / 2 / 0 / 56

HEX #706F71

RGB 112 111 113

HSL 270, 0.01%, 0.44%

LAB 46.98, 0.8, -0.98

 

CMYK 21 / 0 / 27 / 49

HEX #66815E

RGB 102 129 94

HSL 106.29, 0.16%, 0.44%

LAB 51.08, -16.83, 15.89

 

CMYK 38 / 0 / 48 / 42

HEX #5B934C

RGB 91 147 76

HSL 107.32, 0.32%, 0.44%

LAB 55.7, -32.67, 31.76

 

CMYK 51 / 0 / 65 / 35

HEX #51A53A

RGB 81 165 58

HSL 107.1, 0.48%, 0.44%

LAB 60.75, -45.77, 46.3

 

CMYK 22 / 29 / 0 / 49

HEX #665D83

RGB 102 93 131

HSL 254.21, 0.17%, 0.44%

LAB 41.68, 12.21, -19.9

 

CMYK 15 / 29 / 0 / 49

HEX #705D83

RGB 112 93 131

HSL 270, 0.17%, 0.44%

LAB 42.63, 15.63, -18.35

 

CMYK 6 / 29 / 0 / 49

HEX #7B5D83

RGB 123 93 131

HSL 287.37, 0.17%, 0.44%

LAB 43.77, 19.48, -16.51

 

CMYK 0 / 29 / 2 / 49

HEX #835D81

RGB 131 93 129

HSL 303.16, 0.17%, 0.44%

LAB 44.57, 21.92, -13.99

 

CMYK 0 / 29 / 9 / 49

HEX #835D77

RGB 131 93 119

HSL 318.95, 0.17%, 0.44%

LAB 44.21, 19.97, -8.49

 

CMYK 7 / 30 / 0 / 67

HEX #4D3A53

RGB 77 58 83

HSL 285.6, 0.18%, 0.28%

LAB 27.38, 13.6, -11.91

 

CMYK 7 / 29 / 0 / 58

HEX #644C6B

RGB 100 76 107

HSL 286.45, 0.17%, 0.36%

LAB 35.87, 16.3, -14.05

 

CMYK 6 / 29 / 0 / 49

HEX #7B5D83

RGB 123 93 131

HSL 287.37, 0.17%, 0.44%

LAB 43.77, 19.48, -16.51

 

CMYK 6 / 27 / 0 / 40

HEX #907099

RGB 144 112 153

HSL 286.83, 0.17%, 0.52%

LAB 51.63, 20.27, -17.4

 

CMYK 4 / 20 / 0 / 33

HEX #A388AA

RGB 163 136 170

HSL 287.65, 0.17%, 0.6%

LAB 60.16, 16.52, -14.11

 

CMYK 6 / 29 / 0 / 49

HEX #7B5D83

RGB 123 93 131

HSL 287.37, 0.17%, 0.44%

LAB 43.77, 19.48, -16.51

 

CMYK 0 / 29 / 29 / 49

HEX #835D5D

RGB 131 93 93

HSL 0, 0.17%, 0.44%

LAB 43.43, 15.55, 6.18

 

CMYK 29 / 0 / 18 / 49

HEX #5D836B

RGB 93 131 107

HSL 142.11, 0.17%, 0.44%

LAB 51.41, -18.65, 8.75

 

CMYK 6 / 29 / 0 / 49

HEX #7B5D83

RGB 123 93 131

HSL 287.37, 0.17%, 0.44%

LAB 43.77, 19.48, -16.51

 

CMYK 0 / 6 / 29 / 49

HEX #837B5D

RGB 131 123 93

HSL 47.37, 0.17%, 0.44%

LAB 51.59, -1.99, 17.54

 

CMYK 29 / 0 / 6 / 49

HEX #5D837B

RGB 93 131 123

HSL 167.37, 0.17%, 0.44%

LAB 51.83, -15.1, 0.04

 

CMYK 6 / 29 / 0 / 49

HEX #7B5D83

RGB 123 93 131

HSL 287.37, 0.17%, 0.44%

LAB 43.77, 19.48, -16.51

 

CMYK 0 / 29 / 29 / 49

HEX #835D5D

RGB 131 93 93

HSL 0, 0.17%, 0.44%

LAB 43.43, 15.55, 6.18

 

CMYK 23 / 0 / 29 / 49

HEX #65835D

RGB 101 131 93

HSL 107.37, 0.17%, 0.44%

LAB 51.6, -18.44, 17.16

 

CMYK 29 / 0 / 1 / 49

HEX #5D8382

RGB 93 131 130

HSL 178.42, 0.17%, 0.44%

LAB 52.03, -13.41, -3.74

 

CMYK 6 / 29 / 0 / 49

HEX #7B5D83

RGB 123 93 131

HSL 287.37, 0.17%, 0.44%

LAB 43.77, 19.48, -16.51

 

CMYK 0 / 21 / 29 / 49

HEX #83675D

RGB 131 103 93

HSL 15.79, 0.17%, 0.44%

LAB 46.06, 9.63, 9.91

 

CMYK 23 / 0 / 29 / 49

HEX #65835D

RGB 101 131 93

HSL 107.37, 0.17%, 0.44%

LAB 51.6, -18.44, 17.16

 

CMYK 29 / 8 / 0 / 49

HEX #5D7883

RGB 93 120 131

HSL 197.37, 0.17%, 0.44%

LAB 48.76, -6.98, -9.2

 

Description

Color code: RGB 123 93 131 | qconv.com Color code: RGB 123 93 131 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 93 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 93 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 29 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 29% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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