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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 14 169 it is the complementary color RGB 129 241 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 14 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 14 169 shade: RGB 131 14 164, RGB 148 32 183, RGB 165 50 202, RGB 182 68 221 and RGB 199 86 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 14 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 14 169 shade: RGB 126 14 169, RGB 109 0 150, RGB 92 0 131, RGB 75 0 112 and RGB 58 0 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 14 169 shade: RGB 126 13 169, RGB 168 13 169, RGB 169 13 128, RGB 169 13 86 and RGB 169 13 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 14 169 shade: RGB 126 13 169, RGB 84 13 169, RGB 42 13 169 and RGB 13 13 169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 14 169 shade matches the following richer shades: RGB 126 13 169

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 14 169 shade: RGB 126 13 169, RGB 119 28 154, RGB 113 43 140, RGB 106 58 125 and RGB 100 73 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 14 169 shade: RGB 42 13 169, RGB 83 13 169, RGB 125 13 169, RGB 167 13 169 and RGB 169 13 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 14 169 shade: RGB 69 7 93, RGB 98 10 131, RGB 126 13 169, RGB 154 16 207 and RGB 179 29 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 14 169 shade: RGB 126 14 169, RGB 169 13 26 and RGB 13 169 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 14 169 shade: RGB 126 14 169, RGB 169 125 13 and RGB 13 169 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 14 169 shade: RGB 126 14 169, RGB 169 13 26, RGB 57 169 13 and RGB 13 169 156

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 14 169 shade: RGB 126 14 169, RGB 169 47 13, RGB 57 169 13 and RGB 13 136 169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 92 / 0 / 34

HEX #7E0EA9

RGB 126 14 169

HSL 283.35, 0.85%, 0.36%

LAB 33.17, 63.71, -56.25

 

Complementary color

CMYK 46 / 0 / 64 / 5

HEX #81F156

RGB 129 241 86

HSL 103.35, 0.85%, 0.64%

LAB 86.13, -58.81, 62.87

 

CMYK 20 / 91 / 0 / 36

HEX #830EA4

RGB 131 14 164

HSL 286.8, 0.84%, 0.35%

LAB 33.6, 63.51, -52.48

 

CMYK 19 / 83 / 0 / 28

HEX #9420B7

RGB 148 32 183

HSL 286.09, 0.7%, 0.42%

LAB 39.15, 65.87, -54.71

 

CMYK 18 / 75 / 0 / 21

HEX #A532CA

RGB 165 50 202

HSL 285.39, 0.6%, 0.49%

LAB 45, 67.02, -56.24

 

CMYK 18 / 69 / 0 / 13

HEX #B644DD

RGB 182 68 221

HSL 284.71, 0.69%, 0.57%

LAB 51.04, 67.41, -57.3

 

CMYK 17 / 64 / 0 / 6

HEX #C756F0

RGB 199 86 240

HSL 284.03, 0.84%, 0.64%

LAB 57.16, 67.32, -58.04

 

CMYK 25 / 92 / 0 / 34

HEX #7E0EA9

RGB 126 14 169

HSL 283.35, 0.85%, 0.36%

LAB 33.17, 63.71, -56.25

 

CMYK 27 / 100 / 0 / 41

HEX #6D0096

RGB 109 0 150

HSL 283.6, 1%, 0.29%

LAB 27.99, 59.91, -53.26

 

CMYK 30 / 100 / 0 / 49

HEX #5C0083

RGB 92 0 131

HSL 282.14, 1%, 0.26%

LAB 23.39, 53.92, -49.06

 

CMYK 33 / 100 / 0 / 56

HEX #4B0070

RGB 75 0 112

HSL 280.18, 1%, 0.22%

LAB 18.65, 47.78, -44.77

 

CMYK 38 / 100 / 0 / 64

HEX #3A005D

RGB 58 0 93

HSL 277.42, 1%, 0.18%

LAB 13.77, 41.46, -40.35

 

CMYK 25 / 92 / 0 / 34

HEX #7E0DA9

RGB 126 13 169

HSL 283.46, 0.86%, 0.36%

LAB 33.11, 63.88, -56.34

 

CMYK 1 / 92 / 0 / 34

HEX #A80DA9

RGB 168 13 169

HSL 299.62, 0.86%, 0.36%

LAB 40.37, 70.63, -44.25

 

CMYK 0 / 92 / 24 / 34

HEX #A90D80

RGB 169 13 128

HSL 315.77, 0.86%, 0.36%

LAB 38.34, 65.14, -22.46

 

CMYK 0 / 92 / 49 / 34

HEX #A90D56

RGB 169 13 86

HSL 331.92, 0.86%, 0.36%

LAB 36.73, 60.82, 1.72

 

CMYK 0 / 92 / 74 / 34

HEX #A90D2C

RGB 169 13 44

HSL 348.08, 0.86%, 0.36%

LAB 35.8, 58.22, 27.54

 

CMYK 25 / 92 / 0 / 34

HEX #7E0DA9

RGB 126 13 169

HSL 283.46, 0.86%, 0.36%

LAB 33.11, 63.88, -56.34

 

CMYK 50 / 92 / 0 / 34

HEX #540DA9

RGB 84 13 169

HSL 267.31, 0.86%, 0.36%

LAB 26.84, 58.72, -66.86

 

CMYK 75 / 92 / 0 / 34

HEX #2A0DA9

RGB 42 13 169

HSL 251.15, 0.86%, 0.36%

LAB 22.46, 55.7, -74.26

 

CMYK 92 / 92 / 0 / 34

HEX #0D0DA9

RGB 13 13 169

HSL 240, 0.86%, 0.36%

LAB 20.97, 54.82, -76.78

 

CMYK 25 / 92 / 0 / 34

HEX #7E0DA9

RGB 126 13 169

HSL 283.46, 0.86%, 0.36%

LAB 33.11, 63.88, -56.34

 

CMYK 25 / 92 / 0 / 34

HEX #7E0DA9

RGB 126 13 169

HSL 283.46, 0.86%, 0.36%

LAB 33.11, 63.88, -56.34

 

CMYK 23 / 82 / 0 / 40

HEX #771C9A

RGB 119 28 154

HSL 283.33, 0.69%, 0.36%

LAB 32, 56.25, -49.11

 

CMYK 19 / 69 / 0 / 45

HEX #712B8C

RGB 113 43 140

HSL 283.3, 0.53%, 0.36%

LAB 32.11, 46.29, -40.39

 

CMYK 15 / 54 / 0 / 51

HEX #6A3A7D

RGB 106 58 125

HSL 282.99, 0.37%, 0.36%

LAB 33.07, 33.31, -29.6

 

CMYK 9 / 34 / 0 / 57

HEX #64496E

RGB 100 73 110

HSL 283.78, 0.2%, 0.36%

LAB 35.2, 18.85, -16.95

 

CMYK 75 / 92 / 0 / 34

HEX #2A0DA9

RGB 42 13 169

HSL 251.15, 0.86%, 0.36%

LAB 22.46, 55.7, -74.26

 

CMYK 51 / 92 / 0 / 34

HEX #530DA9

RGB 83 13 169

HSL 266.92, 0.86%, 0.36%

LAB 26.71, 58.62, -67.08

 

CMYK 26 / 92 / 0 / 34

HEX #7D0DA9

RGB 125 13 169

HSL 283.08, 0.86%, 0.36%

LAB 32.95, 63.73, -56.61

 

CMYK 1 / 92 / 0 / 34

HEX #A70DA9

RGB 167 13 169

HSL 299.23, 0.86%, 0.36%

LAB 40.19, 70.45, -44.55

 

CMYK 0 / 92 / 23 / 34

HEX #A90D82

RGB 169 13 130

HSL 315, 0.86%, 0.36%

LAB 38.44, 65.39, -23.56

 

CMYK 26 / 92 / 0 / 64

HEX #45075D

RGB 69 7 93

HSL 283.26, 0.86%, 0.2%

LAB 16.54, 40.7, -35.74

 

CMYK 25 / 92 / 0 / 49

HEX #620A83

RGB 98 10 131

HSL 283.64, 0.86%, 0.28%

LAB 25.11, 52.71, -46.2

 

CMYK 25 / 92 / 0 / 34

HEX #7E0DA9

RGB 126 13 169

HSL 283.46, 0.86%, 0.36%

LAB 33.11, 63.88, -56.34

 

CMYK 26 / 92 / 0 / 19

HEX #9A10CF

RGB 154 16 207

HSL 283.35, 0.86%, 0.44%

LAB 40.81, 74.53, -66.02

 

CMYK 24 / 88 / 0 / 7

HEX #B31DEC

RGB 179 29 236

HSL 283.48, 0.84%, 0.52%

LAB 47.65, 81.18, -71.29

 

CMYK 25 / 92 / 0 / 34

HEX #7E0EA9

RGB 126 14 169

HSL 283.35, 0.85%, 0.36%

LAB 33.17, 63.71, -56.25

 

CMYK 0 / 92 / 85 / 34

HEX #A90D1A

RGB 169 13 26

HSL 355, 0.86%, 0.36%

LAB 35.59, 57.63, 38.04

 

CMYK 92 / 0 / 63 / 34

HEX #0DA93F

RGB 13 169 63

HSL 139.23, 0.86%, 0.36%

LAB 60.62, -58.57, 43.52

 

CMYK 25 / 92 / 0 / 34

HEX #7E0EA9

RGB 126 14 169

HSL 283.35, 0.85%, 0.36%

LAB 33.17, 63.71, -56.25

 

CMYK 0 / 26 / 92 / 34

HEX #A97D0D

RGB 169 125 13

HSL 43.08, 0.86%, 0.36%

LAB 55.21, 8.08, 58.62

 

CMYK 92 / 0 / 26 / 34

HEX #0DA97D

RGB 13 169 125

HSL 163.08, 0.86%, 0.36%

LAB 61.6, -47.07, 12.6

 

CMYK 25 / 92 / 0 / 34

HEX #7E0EA9

RGB 126 14 169

HSL 283.35, 0.85%, 0.36%

LAB 33.17, 63.71, -56.25

 

CMYK 0 / 92 / 85 / 34

HEX #A90D1A

RGB 169 13 26

HSL 355, 0.86%, 0.36%

LAB 35.59, 57.63, 38.04

 

CMYK 66 / 0 / 92 / 34

HEX #39A90D

RGB 57 169 13

HSL 103.08, 0.86%, 0.36%

LAB 61.02, -56.22, 60.28

 

CMYK 92 / 0 / 8 / 34

HEX #0DA99C

RGB 13 169 156

HSL 175, 0.86%, 0.36%

LAB 62.39, -38.75, -3.57

 

CMYK 25 / 92 / 0 / 34

HEX #7E0EA9

RGB 126 14 169

HSL 283.35, 0.85%, 0.36%

LAB 33.17, 63.71, -56.25

 

CMYK 0 / 72 / 92 / 34

HEX #A92F0D

RGB 169 47 13

HSL 13.08, 0.86%, 0.36%

LAB 38.72, 48.32, 46.54

 

CMYK 66 / 0 / 92 / 34

HEX #39A90D

RGB 57 169 13

HSL 103.08, 0.86%, 0.36%

LAB 61.02, -56.22, 60.28

 

CMYK 92 / 20 / 0 / 34

HEX #0D88A9

RGB 13 136 169

HSL 192.69, 0.86%, 0.36%

LAB 52.46, -18.27, -25.98

 

Description

Color code: RGB 126 14 169 | qconv.com Color code: RGB 126 14 169 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 14 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 14 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 92 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 92% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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