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Color name
RGB 128 215 90

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 215 90 it is the complementary color RGB 127 40 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 215 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 215 90 shade: RGB 133 215 85, RGB 150 233 104, RGB 167 251 123, RGB 184 255 142 and RGB 201 255 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 215 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 215 90 shade: RGB 128 215 90, RGB 111 197 71, RGB 94 179 52, RGB 77 161 33 and RGB 60 143 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 215 90 shade: RGB 128 215 90, RGB 162 215 90, RGB 195 215 90, RGB 215 201 90 and RGB 215 167 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 215 90 shade: RGB 128 215 90, RGB 95 215 90, RGB 90 215 120, RGB 90 215 153 and RGB 90 215 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 215 90 shade matches the following richer shades: RGB 128 215 90, RGB 122 231 74 and RGB 115 248 57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 215 90 shade: RGB 128 215 90, RGB 135 198 107, RGB 141 182 123, RGB 148 165 140 and RGB 154 149 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 215 90 shade: RGB 196 215 90, RGB 163 215 90, RGB 130 215 90, RGB 97 215 90 and RGB 90 215 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 215 90 shade: RGB 85 179 43, RGB 103 207 57, RGB 128 215 90, RGB 154 223 123 and RGB 179 231 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 215 90 shade: RGB 128 215 90, RGB 90 215 200 and RGB 215 90 179

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 215 90 shade: RGB 128 215 90, RGB 90 130 215 and RGB 215 90 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 215 90 shade: RGB 128 215 90, RGB 90 215 200, RGB 175 90 215 and RGB 215 90 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 215 90 shade: RGB 128 215 90, RGB 90 192 215, RGB 175 90 215 and RGB 215 113 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 58 / 16

HEX #80D75A

RGB 128 215 90

HSL 101.76, 0.61%, 0.6%

LAB 78.42, -48.44, 52.55

 

Complementary color

CMYK 23 / 76 / 0 / 35

HEX #7F28A5

RGB 127 40 165

HSL 281.76, 0.61%, 0.4%

LAB 35.49, 55.86, -50.06

 

CMYK 38 / 0 / 60 / 16

HEX #85D755

RGB 133 215 85

HSL 97.85, 0.62%, 0.59%

LAB 78.6, -47.31, 55.02

 

CMYK 36 / 0 / 55 / 9

HEX #96E968

RGB 150 233 104

HSL 98.6, 0.75%, 0.66%

LAB 84.87, -47.38, 54.02

 

CMYK 33 / 0 / 51 / 2

HEX #A7FB7B

RGB 167 251 123

HSL 99.38, 0.94%, 0.73%

LAB 91.07, -47.38, 52.93

 

CMYK 28 / 0 / 44 / 0

HEX #B8FF8E

RGB 184 255 142

HSL 97.7, 1%, 0.78%

LAB 93.3, -41.25, 46.96

 

CMYK 21 / 0 / 37 / 0

HEX #C9FFA1

RGB 201 255 161

HSL 94.47, 1%, 0.82%

LAB 94.53, -33.03, 39.5

 

CMYK 40 / 0 / 58 / 16

HEX #80D75A

RGB 128 215 90

HSL 101.76, 0.61%, 0.6%

LAB 78.42, -48.44, 52.55

 

CMYK 44 / 0 / 64 / 23

HEX #6FC547

RGB 111 197 71

HSL 100.95, 0.52%, 0.53%

LAB 72.07, -48.29, 53.49

 

CMYK 47 / 0 / 71 / 30

HEX #5EB334

RGB 94 179 52

HSL 100.16, 0.55%, 0.45%

LAB 65.65, -47.95, 54.12

 

CMYK 52 / 0 / 80 / 37

HEX #4DA121

RGB 77 161 33

HSL 99.38, 0.66%, 0.38%

LAB 59.14, -47.33, 54.14

 

CMYK 58 / 0 / 90 / 44

HEX #3C8F0E

RGB 60 143 14

HSL 98.6, 0.82%, 0.31%

LAB 52.55, -46.29, 52.95

 

CMYK 40 / 0 / 58 / 16

HEX #80D75A

RGB 128 215 90

HSL 101.76, 0.61%, 0.6%

LAB 78.42, -48.44, 52.55

 

CMYK 25 / 0 / 58 / 16

HEX #A2D75A

RGB 162 215 90

HSL 85.44, 0.61%, 0.6%

LAB 80.19, -36.68, 55.04

 

CMYK 9 / 0 / 58 / 16

HEX #C3D75A

RGB 195 215 90

HSL 69.6, 0.61%, 0.6%

LAB 82.35, -23.94, 58.05

 

CMYK 0 / 7 / 58 / 16

HEX #D7C95A

RGB 215 201 90

HSL 53.28, 0.61%, 0.6%

LAB 80.16, -8.81, 56.04

 

CMYK 0 / 22 / 58 / 16

HEX #D7A75A

RGB 215 167 90

HSL 36.96, 0.61%, 0.6%

LAB 71.43, 9, 46.02

 

CMYK 40 / 0 / 58 / 16

HEX #80D75A

RGB 128 215 90

HSL 101.76, 0.61%, 0.6%

LAB 78.42, -48.44, 52.55

 

CMYK 56 / 0 / 58 / 16

HEX #5FD75A

RGB 95 215 90

HSL 117.6, 0.61%, 0.6%

LAB 77.14, -57.81, 50.75

 

CMYK 58 / 0 / 44 / 16

HEX #5AD778

RGB 90 215 120

HSL 134.4, 0.61%, 0.6%

LAB 77.36, -54.91, 36.65

 

CMYK 58 / 0 / 29 / 16

HEX #5AD799

RGB 90 215 153

HSL 150.24, 0.61%, 0.6%

LAB 77.92, -48.96, 20.41

 

CMYK 58 / 0 / 13 / 16

HEX #5AD7BB

RGB 90 215 187

HSL 166.56, 0.61%, 0.6%

LAB 78.67, -41.4, 3.44

 

CMYK 40 / 0 / 58 / 16

HEX #80D75A

RGB 128 215 90

HSL 101.76, 0.61%, 0.6%

LAB 78.42, -48.44, 52.55

 

CMYK 47 / 0 / 68 / 9

HEX #7AE74A

RGB 122 231 74

HSL 101.66, 0.77%, 0.6%

LAB 82.8, -58.04, 63.91

 

CMYK 54 / 0 / 77 / 3

HEX #73F839

RGB 115 248 57

HSL 101.78, 0.93%, 0.6%

LAB 87.52, -67.27, 74.26

 

CMYK 40 / 0 / 58 / 16

HEX #80D75A

RGB 128 215 90

HSL 101.76, 0.61%, 0.6%

LAB 78.42, -48.44, 52.55

 

CMYK 32 / 0 / 46 / 22

HEX #87C66B

RGB 135 198 107

HSL 101.54, 0.44%, 0.6%

LAB 73.93, -36.79, 39.19

 

CMYK 23 / 0 / 32 / 29

HEX #8DB67B

RGB 141 182 123

HSL 101.69, 0.29%, 0.6%

LAB 69.86, -24.85, 25.7

 

CMYK 10 / 0 / 15 / 35

HEX #94A58C

RGB 148 165 140

HSL 100.8, 0.12%, 0.6%

LAB 65.83, -10.75, 10.96

 

CMYK 1 / 4 / 0 / 39

HEX #9A959C

RGB 154 149 156

HSL 282.86, 0.03%, 0.6%

LAB 62.31, 3.18, -3.03

 

CMYK 9 / 0 / 58 / 16

HEX #C4D75A

RGB 196 215 90

HSL 69.12, 0.61%, 0.6%

LAB 82.42, -23.54, 58.15

 

CMYK 24 / 0 / 58 / 16

HEX #A3D75A

RGB 163 215 90

HSL 84.96, 0.61%, 0.6%

LAB 80.25, -36.31, 55.13

 

CMYK 40 / 0 / 58 / 16

HEX #82D75A

RGB 130 215 90

HSL 100.8, 0.61%, 0.6%

LAB 78.51, -47.8, 52.68

 

CMYK 55 / 0 / 58 / 16

HEX #61D75A

RGB 97 215 90

HSL 116.64, 0.61%, 0.6%

LAB 77.21, -57.31, 50.84

 

CMYK 58 / 0 / 46 / 16

HEX #5AD775

RGB 90 215 117

HSL 132.96, 0.61%, 0.6%

LAB 77.32, -55.38, 38.09

 

CMYK 53 / 0 / 76 / 30

HEX #55B32B

RGB 85 179 43

HSL 101.47, 0.61%, 0.44%

LAB 65.24, -51.27, 56.84

 

CMYK 50 / 0 / 72 / 19

HEX #67CF39

RGB 103 207 57

HSL 101.6, 0.61%, 0.52%

LAB 74.7, -55.73, 61.6

 

CMYK 40 / 0 / 58 / 16

HEX #80D75A

RGB 128 215 90

HSL 101.76, 0.61%, 0.6%

LAB 78.42, -48.44, 52.55

 

CMYK 31 / 0 / 45 / 13

HEX #9ADF7B

RGB 154 223 123

HSL 101.4, 0.61%, 0.68%

LAB 82.42, -39.53, 42.13

 

CMYK 23 / 0 / 32 / 9

HEX #B3E79D

RGB 179 231 157

HSL 102.16, 0.61%, 0.76%

LAB 86.59, -29.99, 30.78

 

CMYK 40 / 0 / 58 / 16

HEX #80D75A

RGB 128 215 90

HSL 101.76, 0.61%, 0.6%

LAB 78.42, -48.44, 52.55

 

CMYK 58 / 0 / 7 / 16

HEX #5AD7C8

RGB 90 215 200

HSL 172.8, 0.61%, 0.6%

LAB 79.01, -38.16, -3.02

 

CMYK 0 / 58 / 17 / 16

HEX #D75AB3

RGB 215 90 179

HSL 317.28, 0.61%, 0.6%

LAB 57.09, 59.08, -23.37

 

CMYK 40 / 0 / 58 / 16

HEX #80D75A

RGB 128 215 90

HSL 101.76, 0.61%, 0.6%

LAB 78.42, -48.44, 52.55

 

CMYK 58 / 40 / 0 / 16

HEX #5A82D7

RGB 90 130 215

HSL 220.8, 0.61%, 0.6%

LAB 55.12, 11.51, -47.87

 

CMYK 0 / 58 / 40 / 16

HEX #D75A82

RGB 215 90 130

HSL 340.8, 0.61%, 0.6%

LAB 55.45, 52.8, 2.81

 

CMYK 40 / 0 / 58 / 16

HEX #80D75A

RGB 128 215 90

HSL 101.76, 0.61%, 0.6%

LAB 78.42, -48.44, 52.55

 

CMYK 58 / 0 / 7 / 16

HEX #5AD7C8

RGB 90 215 200

HSL 172.8, 0.61%, 0.6%

LAB 79.01, -38.16, -3.02

 

CMYK 19 / 58 / 0 / 16

HEX #AF5AD7

RGB 175 90 215

HSL 280.8, 0.61%, 0.6%

LAB 53.31, 54.79, -50.3

 

CMYK 0 / 58 / 51 / 16

HEX #D75A69

RGB 215 90 105

HSL 352.8, 0.61%, 0.6%

LAB 54.84, 50.37, 16.7

 

CMYK 40 / 0 / 58 / 16

HEX #80D75A

RGB 128 215 90

HSL 101.76, 0.61%, 0.6%

LAB 78.42, -48.44, 52.55

 

CMYK 58 / 11 / 0 / 16

HEX #5AC0D7

RGB 90 192 215

HSL 191.04, 0.61%, 0.6%

LAB 72.75, -23.02, -20.48

 

CMYK 19 / 58 / 0 / 16

HEX #AF5AD7

RGB 175 90 215

HSL 280.8, 0.61%, 0.6%

LAB 53.31, 54.79, -50.3

 

CMYK 0 / 47 / 58 / 16

HEX #D7715A

RGB 215 113 90

HSL 11.04, 0.61%, 0.6%

LAB 58.97, 37.86, 30.78

 

Description

Color code: RGB 128 215 90 | qconv.com Color code: RGB 128 215 90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 215 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 215 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 58 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 58% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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