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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 13 113 it is the complementary color RGB 126 242 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 13 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 13 113 shade: RGB 134 13 108, RGB 151 31 127, RGB 168 49 146, RGB 185 67 165 and RGB 202 85 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 13 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 13 113 shade: RGB 129 13 113, RGB 112 0 94, RGB 95 0 75, RGB 78 0 56 and RGB 61 0 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 13 113 shade: RGB 129 12 113, RGB 129 12 82, RGB 129 12 50, RGB 129 12 19 and RGB 129 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 13 113 shade: RGB 129 12 113, RGB 114 12 129, RGB 82 12 129, RGB 51 12 129 and RGB 19 12 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 13 113 shade matches the following richer shades: RGB 129 12 113 and RGB 141 1 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 13 113 shade: RGB 129 12 113, RGB 118 24 105, RGB 106 35 97, RGB 95 47 88 and RGB 83 59 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 13 113 shade: RGB 83 12 129, RGB 114 12 129, RGB 129 12 114, RGB 129 12 83 and RGB 129 12 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 13 113 shade: RGB 54 5 48, RGB 92 9 80, RGB 129 12 113, RGB 167 16 146 and RGB 205 20 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 13 113 shade: RGB 129 13 113, RGB 129 51 12 and RGB 12 129 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 13 113 shade: RGB 129 13 113, RGB 114 129 12 and RGB 12 114 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 13 113 shade: RGB 129 13 113, RGB 129 51 12, RGB 12 129 28 and RGB 12 90 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 13 113 shade: RGB 129 13 113, RGB 129 87 12, RGB 12 129 28 and RGB 12 55 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 12 / 49

HEX #810D71

RGB 129 13 113

HSL 308.28, 0.82%, 0.28%

LAB 29.78, 54.73, -26.97

 

Complementary color

CMYK 48 / 0 / 41 / 5

HEX #7EF28E

RGB 126 242 142

HSL 128.28, 0.82%, 0.72%

LAB 86.94, -53.34, 38.31

 

CMYK 0 / 90 / 19 / 47

HEX #860D6C

RGB 134 13 108

HSL 312.89, 0.82%, 0.29%

LAB 30.49, 55.09, -22.58

 

CMYK 0 / 79 / 16 / 41

HEX #971F7F

RGB 151 31 127

HSL 312, 0.66%, 0.36%

LAB 36.16, 57.34, -25.5

 

CMYK 0 / 71 / 13 / 34

HEX #A83192

RGB 168 49 146

HSL 311.09, 0.55%, 0.43%

LAB 42.15, 58.36, -27.59

 

CMYK 0 / 64 / 11 / 27

HEX #B943A5

RGB 185 67 165

HSL 310.17, 0.47%, 0.49%

LAB 48.32, 58.63, -29.14

 

CMYK 0 / 58 / 9 / 21

HEX #CA55B8

RGB 202 85 184

HSL 309.23, 0.52%, 0.56%

LAB 54.57, 58.45, -30.31

 

CMYK 0 / 90 / 12 / 49

HEX #810D71

RGB 129 13 113

HSL 308.28, 0.82%, 0.28%

LAB 29.78, 54.73, -26.97

 

CMYK 0 / 100 / 16 / 56

HEX #70005E

RGB 112 0 94

HSL 309.64, 1%, 0.22%

LAB 24.49, 50.83, -23.2

 

CMYK 0 / 100 / 21 / 63

HEX #5F004B

RGB 95 0 75

HSL 312.63, 1%, 0.19%

LAB 19.81, 44.63, -18.04

 

CMYK 0 / 100 / 28 / 69

HEX #4E0038

RGB 78 0 56

HSL 316.92, 1%, 0.15%

LAB 14.98, 38.26, -12.54

 

CMYK 0 / 100 / 39 / 76

HEX #3D0025

RGB 61 0 37

HSL 323.61, 1%, 0.12%

LAB 10, 31.69, -6.58

 

CMYK 0 / 91 / 12 / 49

HEX #810C71

RGB 129 12 113

HSL 308.21, 0.83%, 0.28%

LAB 29.72, 54.92, -27.07

 

CMYK 0 / 91 / 36 / 49

HEX #810C52

RGB 129 12 82

HSL 324.1, 0.83%, 0.28%

LAB 28.22, 50.89, -9.2

 

CMYK 0 / 91 / 61 / 49

HEX #810C32

RGB 129 12 50

HSL 340.51, 0.83%, 0.28%

LAB 27.19, 47.99, 10.87

 

CMYK 0 / 91 / 85 / 49

HEX #810C13

RGB 129 12 19

HSL 356.41, 0.83%, 0.28%

LAB 26.67, 46.5, 30.51

 

CMYK 0 / 91 / 91 / 49

HEX #810C0C

RGB 129 12 12

HSL 0, 0.83%, 0.28%

LAB 26.61, 46.33, 34.2

 

CMYK 0 / 91 / 12 / 49

HEX #810C71

RGB 129 12 113

HSL 308.21, 0.83%, 0.28%

LAB 29.72, 54.92, -27.07

 

CMYK 12 / 91 / 0 / 49

HEX #720C81

RGB 114 12 129

HSL 292.31, 0.83%, 0.28%

LAB 27.91, 54.62, -40.27

 

CMYK 36 / 91 / 0 / 49

HEX #520C81

RGB 82 12 129

HSL 275.9, 0.83%, 0.28%

LAB 22.45, 49.43, -49.39

 

CMYK 60 / 91 / 0 / 49

HEX #330C81

RGB 51 12 129

HSL 260, 0.83%, 0.28%

LAB 18.15, 45.71, -56.62

 

CMYK 85 / 91 / 0 / 49

HEX #130C81

RGB 19 12 129

HSL 243.59, 0.83%, 0.28%

LAB 15.42, 43.61, -61.25

 

CMYK 0 / 91 / 12 / 49

HEX #810C71

RGB 129 12 113

HSL 308.21, 0.83%, 0.28%

LAB 29.72, 54.92, -27.07

 

CMYK 0 / 99 / 13 / 45

HEX #8D017A

RGB 141 1 122

HSL 308.14, 0.99%, 0.28%

LAB 32.01, 60.28, -29.02

 

CMYK 0 / 91 / 12 / 49

HEX #810C71

RGB 129 12 113

HSL 308.21, 0.83%, 0.28%

LAB 29.72, 54.92, -27.07

 

CMYK 0 / 80 / 11 / 54

HEX #761869

RGB 118 24 105

HSL 308.3, 0.66%, 0.28%

LAB 28.18, 48.31, -24.5

 

CMYK 0 / 67 / 8 / 58

HEX #6A2361

RGB 106 35 97

HSL 307.61, 0.5%, 0.28%

LAB 27.1, 39.58, -21.15

 

CMYK 0 / 51 / 7 / 63

HEX #5F2F58

RGB 95 47 88

HSL 308.75, 0.34%, 0.28%

LAB 27.22, 28.16, -15.23

 

CMYK 0 / 29 / 4 / 67

HEX #533B50

RGB 83 59 80

HSL 307.5, 0.17%, 0.28%

LAB 28.24, 14.62, -8.58

 

CMYK 36 / 91 / 0 / 49

HEX #530C81

RGB 83 12 129

HSL 276.41, 0.83%, 0.28%

LAB 22.61, 49.57, -49.13

 

CMYK 12 / 91 / 0 / 49

HEX #720C81

RGB 114 12 129

HSL 292.31, 0.83%, 0.28%

LAB 27.91, 54.62, -40.27

 

CMYK 0 / 91 / 12 / 49

HEX #810C72

RGB 129 12 114

HSL 307.69, 0.83%, 0.28%

LAB 29.78, 55.06, -27.62

 

CMYK 0 / 91 / 36 / 49

HEX #810C53

RGB 129 12 83

HSL 323.59, 0.83%, 0.28%

LAB 28.26, 51, -9.8

 

CMYK 0 / 91 / 60 / 49

HEX #810C33

RGB 129 12 51

HSL 340, 0.83%, 0.28%

LAB 27.21, 48.06, 10.23

 

CMYK 0 / 91 / 11 / 79

HEX #360530

RGB 54 5 48

HSL 307.35, 0.83%, 0.12%

LAB 9.85, 29.1, -15.16

 

CMYK 0 / 90 / 13 / 64

HEX #5C0950

RGB 92 9 80

HSL 308.67, 0.82%, 0.2%

LAB 20.24, 42.42, -20.8

 

CMYK 0 / 91 / 12 / 49

HEX #810C71

RGB 129 12 113

HSL 308.21, 0.83%, 0.28%

LAB 29.72, 54.92, -27.07

 

CMYK 0 / 90 / 13 / 35

HEX #A71092

RGB 167 16 146

HSL 308.34, 0.83%, 0.36%

LAB 39, 66.66, -32.54

 

CMYK 0 / 90 / 13 / 20

HEX #CD14B3

RGB 205 20 179

HSL 308.43, 0.82%, 0.44%

LAB 47.92, 77.88, -37.77

 

CMYK 0 / 90 / 12 / 49

HEX #810D71

RGB 129 13 113

HSL 308.28, 0.82%, 0.28%

LAB 29.78, 54.73, -26.97

 

CMYK 0 / 60 / 91 / 49

HEX #81330C

RGB 129 51 12

HSL 20, 0.83%, 0.28%

LAB 31.95, 31.74, 38.56

 

CMYK 91 / 0 / 24 / 49

HEX #0C8162

RGB 12 129 98

HSL 164.1, 0.83%, 0.28%

LAB 47.83, -37.47, 8.55

 

CMYK 0 / 90 / 12 / 49

HEX #810D71

RGB 129 13 113

HSL 308.28, 0.82%, 0.28%

LAB 29.78, 54.73, -26.97

 

CMYK 12 / 0 / 91 / 49

HEX #72810C

RGB 114 129 12

HSL 67.69, 0.83%, 0.28%

LAB 51.04, -19.64, 53.29

 

CMYK 91 / 12 / 0 / 49

HEX #0C7281

RGB 12 114 129

HSL 187.69, 0.83%, 0.28%

LAB 43.8, -20.67, -15.8

 

CMYK 0 / 90 / 12 / 49

HEX #810D71

RGB 129 13 113

HSL 308.28, 0.82%, 0.28%

LAB 29.78, 54.73, -26.97

 

CMYK 0 / 60 / 91 / 49

HEX #81330C

RGB 129 51 12

HSL 20, 0.83%, 0.28%

LAB 31.95, 31.74, 38.56

 

CMYK 91 / 0 / 78 / 49

HEX #0C811C

RGB 12 129 28

HSL 128.21, 0.83%, 0.28%

LAB 46.79, -49.63, 43.32

 

CMYK 91 / 30 / 0 / 49

HEX #0C5A81

RGB 12 90 129

HSL 200, 0.83%, 0.28%

LAB 35.94, -6.86, -27.98

 

CMYK 0 / 90 / 12 / 49

HEX #810D71

RGB 129 13 113

HSL 308.28, 0.82%, 0.28%

LAB 29.78, 54.73, -26.97

 

CMYK 0 / 33 / 91 / 49

HEX #81570C

RGB 129 87 12

HSL 38.46, 0.83%, 0.28%

LAB 40.43, 11.24, 45.33

 

CMYK 91 / 0 / 78 / 49

HEX #0C811C

RGB 12 129 28

HSL 128.21, 0.83%, 0.28%

LAB 46.79, -49.63, 43.32

 

CMYK 91 / 57 / 0 / 49

HEX #0C3781

RGB 12 55 129

HSL 217.95, 0.83%, 0.28%

LAB 24.94, 16.71, -45.57

 

Description

Color code: RGB 129 13 113 | qconv.com Color code: RGB 129 13 113 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 13 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 13 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 12 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 12% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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