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Color name
RGB 130 189 170

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 189 170 it is the complementary color RGB 125 66 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 189 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 189 170 shade: RGB 135 189 165, RGB 152 207 184, RGB 169 225 203, RGB 186 243 222 and RGB 203 255 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 189 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 189 170 shade: RGB 130 189 170, RGB 113 171 151, RGB 96 153 132, RGB 79 135 113 and RGB 62 117 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 189 170 shade: RGB 131 189 171, RGB 131 189 155, RGB 131 189 139, RGB 139 189 131 and RGB 154 189 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 189 170 shade: RGB 131 189 171, RGB 131 189 186, RGB 131 177 189, RGB 131 161 189 and RGB 131 145 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 189 170 shade matches the following richer shades: RGB 131 189 171, RGB 116 205 176, RGB 100 220 181, RGB 85 235 187 and RGB 70 250 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 189 170 shade: RGB 131 189 171, RGB 146 174 165, RGB 161 159 160, RGB 177 144 154 and RGB 192 128 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 189 170 shade: RGB 131 189 139, RGB 131 189 154, RGB 131 189 170, RGB 131 189 185 and RGB 131 178 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 189 170 shade: RGB 82 156 132, RGB 104 175 152, RGB 131 189 171, RGB 158 204 189 and RGB 185 218 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 189 170 shade: RGB 130 189 170, RGB 131 139 189 and RGB 189 147 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 189 170 shade: RGB 130 189 170, RGB 170 131 189 and RGB 189 170 131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 189 170 shade: RGB 130 189 170, RGB 131 139 189, RGB 189 131 150 and RGB 189 182 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 189 170 shade: RGB 130 189 170, RGB 141 131 189, RGB 189 131 150 and RGB 180 189 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 10 / 26

HEX #82BDAA

RGB 130 189 170

HSL 160.68, 0.31%, 0.63%

LAB 72.26, -23.2, 3.52

 

Complementary color

CMYK 0 / 47 / 32 / 51

HEX #7D4255

RGB 125 66 85

HSL 340.68, 0.31%, 0.37%

LAB 35.81, 27.81, 0.07

 

CMYK 29 / 0 / 13 / 26

HEX #87BDA5

RGB 135 189 165

HSL 153.33, 0.29%, 0.64%

LAB 72.4, -22.73, 6.49

 

CMYK 27 / 0 / 11 / 19

HEX #98CFB8

RGB 152 207 184

HSL 154.91, 0.36%, 0.7%

LAB 78.9, -22.53, 5.71

 

CMYK 25 / 0 / 10 / 12

HEX #A9E1CB

RGB 169 225 203

HSL 156.43, 0.48%, 0.77%

LAB 85.3, -22.35, 4.96

 

CMYK 23 / 0 / 9 / 5

HEX #BAF3DE

RGB 186 243 222

HSL 157.89, 0.7%, 0.84%

LAB 91.6, -22.19, 4.25

 

CMYK 20 / 0 / 5 / 0

HEX #CBFFF1

RGB 203 255 241

HSL 163.85, 1%, 0.9%

LAB 96.23, -19.13, 1.27

 

CMYK 31 / 0 / 10 / 26

HEX #82BDAA

RGB 130 189 170

HSL 160.68, 0.31%, 0.63%

LAB 72.26, -23.2, 3.52

 

CMYK 34 / 0 / 12 / 33

HEX #71AB97

RGB 113 171 151

HSL 159.31, 0.26%, 0.56%

LAB 65.65, -23.41, 4.31

 

CMYK 37 / 0 / 14 / 40

HEX #609984

RGB 96 153 132

HSL 157.89, 0.23%, 0.49%

LAB 58.91, -23.64, 5.15

 

CMYK 41 / 0 / 16 / 47

HEX #4F8771

RGB 79 135 113

HSL 156.43, 0.26%, 0.42%

LAB 52.04, -23.88, 6.08

 

CMYK 47 / 0 / 20 / 54

HEX #3E755E

RGB 62 117 94

HSL 154.91, 0.31%, 0.35%

LAB 45.02, -24.1, 7.1

 

CMYK 31 / 0 / 10 / 26

HEX #83BDAB

RGB 131 189 171

HSL 161.38, 0.31%, 0.63%

LAB 72.34, -22.69, 3.09

 

CMYK 31 / 0 / 18 / 26

HEX #83BD9B

RGB 131 189 155

HSL 144.83, 0.31%, 0.63%

LAB 71.95, -26.01, 11.25

 

CMYK 31 / 0 / 26 / 26

HEX #83BD8B

RGB 131 189 139

HSL 128.28, 0.31%, 0.63%

LAB 71.61, -29.02, 19.42

 

CMYK 26 / 0 / 31 / 26

HEX #8BBD83

RGB 139 189 131

HSL 111.72, 0.31%, 0.63%

LAB 71.91, -27.7, 24.18

 

CMYK 19 / 0 / 31 / 26

HEX #9ABD83

RGB 154 189 131

HSL 96.21, 0.31%, 0.63%

LAB 72.83, -22.39, 25.57

 

CMYK 31 / 0 / 10 / 26

HEX #83BDAB

RGB 131 189 171

HSL 161.38, 0.31%, 0.63%

LAB 72.34, -22.69, 3.09

 

CMYK 31 / 0 / 2 / 26

HEX #83BDBA

RGB 131 189 186

HSL 176.9, 0.31%, 0.63%

LAB 72.74, -19.32, -4.5

 

CMYK 31 / 6 / 0 / 26

HEX #83B1BD

RGB 131 177 189

HSL 192.41, 0.31%, 0.63%

LAB 69.43, -12.37, -11.06

 

CMYK 31 / 15 / 0 / 26

HEX #83A1BD

RGB 131 161 189

HSL 208.97, 0.31%, 0.63%

LAB 64.95, -3.69, -17.81

 

CMYK 31 / 23 / 0 / 26

HEX #8391BD

RGB 131 145 189

HSL 225.52, 0.31%, 0.63%

LAB 60.56, 5.33, -24.51

 

CMYK 31 / 0 / 10 / 26

HEX #83BDAB

RGB 131 189 171

HSL 161.38, 0.31%, 0.63%

LAB 72.34, -22.69, 3.09

 

CMYK 43 / 0 / 14 / 20

HEX #74CDB0

RGB 116 205 176

HSL 160.45, 0.47%, 0.63%

LAB 76.38, -33.54, 6.14

 

CMYK 55 / 0 / 18 / 14

HEX #64DCB5

RGB 100 220 181

HSL 160.5, 0.63%, 0.63%

LAB 80.31, -42.98, 9.02

 

CMYK 64 / 0 / 20 / 8

HEX #55EBBB

RGB 85 235 187

HSL 160.8, 0.79%, 0.63%

LAB 84.45, -50.86, 11.71

 

CMYK 72 / 0 / 23 / 2

HEX #46FAC0

RGB 70 250 192

HSL 160.67, 0.95%, 0.63%

LAB 88.68, -57.98, 15.05

 

CMYK 31 / 0 / 10 / 26

HEX #83BDAB

RGB 131 189 171

HSL 161.38, 0.31%, 0.63%

LAB 72.34, -22.69, 3.09

 

CMYK 16 / 0 / 5 / 32

HEX #92AEA5

RGB 146 174 165

HSL 160.71, 0.15%, 0.63%

LAB 68.82, -11.44, 1.4

 

CMYK 0 / 1 / 1 / 37

HEX #A19FA0

RGB 161 159 160

HSL 330, 0.01%, 0.63%

LAB 65.68, 0.91, -0.27

 

CMYK 0 / 19 / 13 / 31

HEX #B1909A

RGB 177 144 154

HSL 341.82, 0.17%, 0.63%

LAB 63.03, 14.06, -0.59

 

CMYK 0 / 33 / 22 / 25

HEX #C08095

RGB 192 128 149

HSL 340.31, 0.34%, 0.63%

LAB 60.62, 27.73, -1.09

 

CMYK 31 / 0 / 26 / 26

HEX #83BD8B

RGB 131 189 139

HSL 128.28, 0.31%, 0.63%

LAB 71.61, -29.02, 19.42

 

CMYK 31 / 0 / 19 / 26

HEX #83BD9A

RGB 131 189 154

HSL 143.79, 0.31%, 0.63%

LAB 71.93, -26.2, 11.76

 

CMYK 31 / 0 / 10 / 26

HEX #83BDAA

RGB 131 189 170

HSL 160.34, 0.31%, 0.63%

LAB 72.31, -22.9, 3.6

 

CMYK 31 / 0 / 2 / 26

HEX #83BDB9

RGB 131 189 185

HSL 175.86, 0.31%, 0.63%

LAB 72.71, -19.55, -4

 

CMYK 31 / 6 / 0 / 26

HEX #83B2BD

RGB 131 178 189

HSL 191.38, 0.31%, 0.63%

LAB 69.71, -12.9, -10.64

 

CMYK 47 / 0 / 15 / 39

HEX #529C84

RGB 82 156 132

HSL 160.54, 0.31%, 0.47%

LAB 59.19, -29.04, 5.47

 

CMYK 41 / 0 / 13 / 31

HEX #68AF98

RGB 104 175 152

HSL 160.56, 0.31%, 0.55%

LAB 66.42, -27.77, 4.81

 

CMYK 31 / 0 / 10 / 26

HEX #83BDAB

RGB 131 189 171

HSL 161.38, 0.31%, 0.63%

LAB 72.34, -22.69, 3.09

 

CMYK 23 / 0 / 7 / 20

HEX #9ECCBD

RGB 158 204 189

HSL 160.43, 0.31%, 0.71%

LAB 78.54, -18.14, 2.54

 

CMYK 15 / 0 / 5 / 15

HEX #B9DACF

RGB 185 218 207

HSL 160, 0.31%, 0.79%

LAB 84.46, -13.02, 1.76

 

CMYK 31 / 0 / 10 / 26

HEX #82BDAA

RGB 130 189 170

HSL 160.68, 0.31%, 0.63%

LAB 72.26, -23.2, 3.52

 

CMYK 31 / 26 / 0 / 26

HEX #838BBD

RGB 131 139 189

HSL 231.72, 0.31%, 0.63%

LAB 58.94, 8.79, -27.01

 

CMYK 0 / 22 / 31 / 26

HEX #BD9383

RGB 189 147 131

HSL 16.55, 0.31%, 0.63%

LAB 64.42, 13.49, 14.53

 

CMYK 31 / 0 / 10 / 26

HEX #82BDAA

RGB 130 189 170

HSL 160.68, 0.31%, 0.63%

LAB 72.26, -23.2, 3.52

 

CMYK 10 / 31 / 0 / 26

HEX #AA83BD

RGB 170 131 189

HSL 280.34, 0.31%, 0.63%

LAB 60.3, 25.65, -24.64

 

CMYK 0 / 10 / 31 / 26

HEX #BDAA83

RGB 189 170 131

HSL 40.34, 0.31%, 0.63%

LAB 70.32, 0.92, 22.64

 

CMYK 31 / 0 / 10 / 26

HEX #82BDAA

RGB 130 189 170

HSL 160.68, 0.31%, 0.63%

LAB 72.26, -23.2, 3.52

 

CMYK 31 / 26 / 0 / 26

HEX #838BBD

RGB 131 139 189

HSL 231.72, 0.31%, 0.63%

LAB 58.94, 8.79, -27.01

 

CMYK 0 / 31 / 21 / 26

HEX #BD8396

RGB 189 131 150

HSL 340.34, 0.31%, 0.63%

LAB 61, 25.12, -1.14

 

CMYK 0 / 4 / 31 / 26

HEX #BDB683

RGB 189 182 131

HSL 52.76, 0.31%, 0.63%

LAB 73.49, -5.46, 26.91

 

CMYK 31 / 0 / 10 / 26

HEX #82BDAA

RGB 130 189 170

HSL 160.68, 0.31%, 0.63%

LAB 72.26, -23.2, 3.52

 

CMYK 25 / 31 / 0 / 26

HEX #8D83BD

RGB 141 131 189

HSL 250.34, 0.31%, 0.63%

LAB 57.63, 16.47, -28.98

 

CMYK 0 / 31 / 21 / 26

HEX #BD8396

RGB 189 131 150

HSL 340.34, 0.31%, 0.63%

LAB 61, 25.12, -1.14

 

CMYK 5 / 0 / 31 / 26

HEX #B4BD83

RGB 180 189 131

HSL 69.31, 0.31%, 0.63%

LAB 74.66, -12.62, 28.34

 

Description

Color code: RGB 130 189 170 | qconv.com Color code: RGB 130 189 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 189 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 189 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 10 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 10% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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