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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 43 44 it is the complementary color RGB 125 212 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 43 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 43 44 shade: RGB 135 43 39, RGB 152 61 58, RGB 169 79 77, RGB 186 97 96 and RGB 203 115 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 43 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 43 44 shade: RGB 130 43 44, RGB 113 25 25, RGB 96 7 6, RGB 79 0 0 and RGB 62 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 43 44 shade: RGB 130 43 44 and RGB 130 43 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 43 44 shade: RGB 130 43 44, RGB 130 43 67, RGB 130 43 91, RGB 130 43 114 and RGB 122 43 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 43 44 shade matches the following richer shades: RGB 130 43 44, RGB 144 29 30, RGB 158 15 16 and RGB 172 1 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 43 44 shade: RGB 130 43 44, RGB 116 57 58, RGB 101 71 71, RGB 87 85 85 and RGB 73 99 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 43 44 shade: RGB 130 43 91, RGB 130 43 67, RGB 130 43 44, RGB 130 65 43 and RGB 130 88 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 43 44 shade: RGB 68 22 23, RGB 99 33 33, RGB 130 43 44, RGB 160 53 54 and RGB 191 64 65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 43 44 shade: RGB 130 43 44, RGB 114 130 43 and RGB 43 79 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 43 44 shade: RGB 130 43 44, RGB 44 130 43 and RGB 43 44 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 43 44 shade: RGB 130 43 44, RGB 114 130 43, RGB 43 130 128 and RGB 59 43 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 43 44 shade: RGB 130 43 44, RGB 88 130 43, RGB 43 130 128 and RGB 85 43 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 66 / 49

HEX #822B2C

RGB 130 43 44

HSL 359.31, 0.5%, 0.34%

LAB 31.01, 37.47, 19.9

 

Complementary color

CMYK 41 / 0 / 0 / 17

HEX #7DD4D3

RGB 125 212 211

HSL 179.31, 0.5%, 0.66%

LAB 79.7, -26.41, -7.75

 

CMYK 0 / 68 / 71 / 47

HEX #872B27

RGB 135 43 39

HSL 2.5, 0.55%, 0.34%

LAB 31.86, 38.98, 24.32

 

CMYK 0 / 60 / 62 / 40

HEX #983D3A

RGB 152 61 58

HSL 1.91, 0.45%, 0.41%

LAB 38.41, 37.96, 21.32

 

CMYK 0 / 53 / 54 / 34

HEX #A94F4D

RGB 169 79 77

HSL 1.3, 0.37%, 0.48%

LAB 45.03, 36.78, 18.91

 

CMYK 0 / 48 / 48 / 27

HEX #BA6160

RGB 186 97 96

HSL 0.67, 0.39%, 0.55%

LAB 51.65, 35.61, 16.93

 

CMYK 0 / 43 / 43 / 20

HEX #CB7373

RGB 203 115 115

HSL 0, 0.46%, 0.62%

LAB 58.22, 34.5, 15.25

 

CMYK 0 / 67 / 66 / 49

HEX #822B2C

RGB 130 43 44

HSL 359.31, 0.5%, 0.34%

LAB 31.01, 37.47, 19.9

 

CMYK 0 / 78 / 78 / 56

HEX #711919

RGB 113 25 25

HSL 0, 0.64%, 0.27%

LAB 24.56, 38.01, 23.55

 

CMYK 0 / 93 / 94 / 62

HEX #600706

RGB 96 7 6

HSL 0.67, 0.88%, 0.2%

LAB 18.59, 37.4, 25.99

 

CMYK 0 / 100 / 100 / 69

HEX #4F0000

RGB 79 0 0

HSL 0, 1%, 0.15%

LAB 13.6, 34.26, 21.3

 

CMYK 0 / 100 / 100 / 76

HEX #3E0000

RGB 62 0 0

HSL 0, 1%, 0.12%

LAB 9.19, 29.15, 14.52

 

CMYK 0 / 67 / 66 / 49

HEX #822B2C

RGB 130 43 44

HSL 359.31, 0.5%, 0.34%

LAB 31.01, 37.47, 19.9

 

CMYK 0 / 67 / 67 / 49

HEX #822B2B

RGB 130 43 43

HSL 0, 0.5%, 0.34%

LAB 30.99, 37.41, 20.51

 

CMYK 0 / 67 / 66 / 49

HEX #822B2C

RGB 130 43 44

HSL 359.31, 0.5%, 0.34%

LAB 31.01, 37.47, 19.9

 

CMYK 0 / 67 / 48 / 49

HEX #822B43

RGB 130 43 67

HSL 343.45, 0.5%, 0.34%

LAB 31.53, 39.4, 5.61

 

CMYK 0 / 67 / 30 / 49

HEX #822B5B

RGB 130 43 91

HSL 326.9, 0.5%, 0.34%

LAB 32.32, 42.25, -8.87

 

CMYK 0 / 67 / 12 / 49

HEX #822B72

RGB 130 43 114

HSL 311.03, 0.5%, 0.34%

LAB 33.33, 45.71, -22.04

 

CMYK 6 / 67 / 0 / 49

HEX #7A2B82

RGB 122 43 130

HSL 294.48, 0.5%, 0.34%

LAB 32.87, 46.44, -32.89

 

CMYK 0 / 67 / 66 / 49

HEX #822B2C

RGB 130 43 44

HSL 359.31, 0.5%, 0.34%

LAB 31.01, 37.47, 19.9

 

CMYK 0 / 80 / 79 / 44

HEX #901D1E

RGB 144 29 30

HSL 359.48, 0.66%, 0.34%

LAB 31.58, 46.95, 29.99

 

CMYK 0 / 91 / 90 / 38

HEX #9E0F10

RGB 158 15 16

HSL 359.58, 0.83%, 0.34%

LAB 33.24, 54.1, 40.27

 

CMYK 0 / 99 / 98 / 33

HEX #AC0103

RGB 172 1 3

HSL 359.3, 0.99%, 0.34%

LAB 35.59, 59.55, 48.69

 

CMYK 0 / 67 / 66 / 49

HEX #822B2C

RGB 130 43 44

HSL 359.31, 0.5%, 0.34%

LAB 31.01, 37.47, 19.9

 

CMYK 0 / 51 / 50 / 55

HEX #74393A

RGB 116 57 58

HSL 358.98, 0.34%, 0.34%

LAB 31.68, 25.94, 11.33

 

CMYK 0 / 30 / 30 / 60

HEX #654747

RGB 101 71 71

HSL 0, 0.17%, 0.34%

LAB 33.41, 12.86, 5.1

 

CMYK 0 / 2 / 2 / 66

HEX #575555

RGB 87 85 85

HSL 0, 0.01%, 0.34%

LAB 36.33, 0.81, 0.28

 

CMYK 26 / 0 / 0 / 61

HEX #496363

RGB 73 99 99

HSL 180, 0.15%, 0.34%

LAB 39.98, -9.58, -3.15

 

CMYK 0 / 67 / 30 / 49

HEX #822B5B

RGB 130 43 91

HSL 326.9, 0.5%, 0.34%

LAB 32.32, 42.25, -8.87

 

CMYK 0 / 67 / 48 / 49

HEX #822B43

RGB 130 43 67

HSL 343.45, 0.5%, 0.34%

LAB 31.53, 39.4, 5.61

 

CMYK 0 / 67 / 66 / 49

HEX #822B2C

RGB 130 43 44

HSL 359.31, 0.5%, 0.34%

LAB 31.01, 37.47, 19.9

 

CMYK 0 / 50 / 67 / 49

HEX #82412B

RGB 130 65 43

HSL 15.17, 0.5%, 0.34%

LAB 35.4, 25.97, 25.91

 

CMYK 0 / 32 / 67 / 49

HEX #82582B

RGB 130 88 43

HSL 31.03, 0.5%, 0.34%

LAB 41.06, 12.55, 32.5

 

CMYK 0 / 68 / 66 / 73

HEX #441617

RGB 68 22 23

HSL 358.7, 0.51%, 0.18%

LAB 14.76, 22.3, 10.85

 

CMYK 0 / 67 / 67 / 61

HEX #632121

RGB 99 33 33

HSL 0, 0.5%, 0.26%

LAB 23.17, 29.85, 15.95

 

CMYK 0 / 67 / 66 / 49

HEX #822B2C

RGB 130 43 44

HSL 359.31, 0.5%, 0.34%

LAB 31.01, 37.47, 19.9

 

CMYK 0 / 67 / 66 / 37

HEX #A03536

RGB 160 53 54

HSL 359.44, 0.5%, 0.42%

LAB 38.35, 44.29, 24.01

 

CMYK 0 / 66 / 66 / 25

HEX #BF4041

RGB 191 64 65

HSL 359.53, 0.5%, 0.5%

LAB 45.8, 50.83, 27.83

 

CMYK 0 / 67 / 66 / 49

HEX #822B2C

RGB 130 43 44

HSL 359.31, 0.5%, 0.34%

LAB 31.01, 37.47, 19.9

 

CMYK 12 / 0 / 67 / 49

HEX #72822B

RGB 114 130 43

HSL 71.03, 0.5%, 0.34%

LAB 51.52, -18.68, 43.47

 

CMYK 67 / 39 / 0 / 49

HEX #2B4F82

RGB 43 79 130

HSL 215.17, 0.5%, 0.34%

LAB 33.39, 4.61, -32.56

 

CMYK 0 / 67 / 66 / 49

HEX #822B2C

RGB 130 43 44

HSL 359.31, 0.5%, 0.34%

LAB 31.01, 37.47, 19.9

 

CMYK 66 / 0 / 67 / 49

HEX #2C822B

RGB 44 130 43

HSL 119.31, 0.5%, 0.34%

LAB 47.85, -43.51, 38.44

 

CMYK 67 / 66 / 0 / 49

HEX #2B2C82

RGB 43 44 130

HSL 239.31, 0.5%, 0.34%

LAB 23.43, 28.32, -48.6

 

CMYK 0 / 67 / 66 / 49

HEX #822B2C

RGB 130 43 44

HSL 359.31, 0.5%, 0.34%

LAB 31.01, 37.47, 19.9

 

CMYK 12 / 0 / 67 / 49

HEX #72822B

RGB 114 130 43

HSL 71.03, 0.5%, 0.34%

LAB 51.52, -18.68, 43.47

 

CMYK 67 / 0 / 2 / 49

HEX #2B8280

RGB 43 130 128

HSL 178.62, 0.5%, 0.34%

LAB 49.54, -25.72, -6.5

 

CMYK 55 / 67 / 0 / 49

HEX #3B2B82

RGB 59 43 130

HSL 251.03, 0.5%, 0.34%

LAB 24.54, 31.76, -46.73

 

CMYK 0 / 67 / 66 / 49

HEX #822B2C

RGB 130 43 44

HSL 359.31, 0.5%, 0.34%

LAB 31.01, 37.47, 19.9

 

CMYK 32 / 0 / 67 / 49

HEX #58822B

RGB 88 130 43

HSL 88.97, 0.5%, 0.34%

LAB 49.76, -29.54, 41.06

 

CMYK 67 / 0 / 2 / 49

HEX #2B8280

RGB 43 130 128

HSL 178.62, 0.5%, 0.34%

LAB 49.54, -25.72, -6.5

 

CMYK 35 / 67 / 0 / 49

HEX #552B82

RGB 85 43 130

HSL 268.97, 0.5%, 0.34%

LAB 27.49, 37.34, -41.8

 

Description

Color code: RGB 130 43 44 | qconv.com Color code: RGB 130 43 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 43 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 43 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 66 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 66% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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