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Color name
RGB 130 87 22

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 130 87 22 it is the complementary color RGB 125 168 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 130 87 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 130 87 22 shade: RGB 135 87 17, RGB 152 105 36, RGB 169 123 55, RGB 186 141 74 and RGB 203 159 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 130 87 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 130 87 22 shade: RGB 130 87 22, RGB 113 69 3, RGB 96 51 0, RGB 79 33 0 and RGB 62 15 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 130 87 22 shade: RGB 130 87 22, RGB 130 58 22, RGB 130 28 22 and RGB 130 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 130 87 22 shade: RGB 130 87 22, RGB 130 116 22, RGB 115 130 22, RGB 86 130 22 and RGB 56 130 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 130 87 22 shade matches the following richer shades: RGB 130 87 22 and RGB 143 90 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 130 87 22 shade: RGB 130 87 22, RGB 118 85 34, RGB 106 82 46, RGB 93 79 59 and RGB 81 77 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 130 87 22 shade: RGB 130 29 22, RGB 130 58 22, RGB 130 87 22, RGB 130 116 22 and RGB 116 130 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 130 87 22 shade: RGB 60 40 10, RGB 95 63 16, RGB 130 87 22, RGB 166 111 28 and RGB 201 134 34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 130 87 22 shade: RGB 130 87 22, RGB 43 130 22 and RGB 43 22 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 130 87 22 shade: RGB 130 87 22, RGB 22 130 87 and RGB 87 22 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 130 87 22 shade: RGB 130 87 22, RGB 43 130 22, RGB 22 65 130 and RGB 109 22 130

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 130 87 22 shade: RGB 130 87 22, RGB 22 130 33, RGB 22 65 130 and RGB 130 22 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 83 / 49

HEX #825716

RGB 130 87 22

HSL 36.11, 0.71%, 0.3%

LAB 40.61, 12.02, 42.07

 

Complementary color

CMYK 46 / 28 / 0 / 9

HEX #7DA8E9

RGB 125 168 233

HSL 216.11, 0.71%, 0.7%

LAB 68.2, 2.69, -37.16

 

CMYK 0 / 36 / 87 / 47

HEX #875711

RGB 135 87 17

HSL 35.59, 0.78%, 0.3%

LAB 41.23, 14.21, 44.73

 

CMYK 0 / 31 / 76 / 40

HEX #986924

RGB 152 105 36

HSL 35.69, 0.62%, 0.37%

LAB 48.14, 12.35, 44.29

 

CMYK 0 / 27 / 67 / 34

HEX #A97B37

RGB 169 123 55

HSL 35.79, 0.51%, 0.44%

LAB 54.95, 10.82, 43.13

 

CMYK 0 / 24 / 60 / 27

HEX #BA8D4A

RGB 186 141 74

HSL 35.89, 0.45%, 0.51%

LAB 61.64, 9.56, 41.77

 

CMYK 0 / 22 / 54 / 20

HEX #CB9F5D

RGB 203 159 93

HSL 36, 0.51%, 0.58%

LAB 68.23, 8.5, 40.37

 

CMYK 0 / 33 / 83 / 49

HEX #825716

RGB 130 87 22

HSL 36.11, 0.71%, 0.3%

LAB 40.61, 12.02, 42.07

 

CMYK 0 / 39 / 97 / 56

HEX #714503

RGB 113 69 3

HSL 36, 0.95%, 0.23%

LAB 33.51, 14.12, 41.93

 

CMYK 0 / 47 / 100 / 62

HEX #603300

RGB 96 51 0

HSL 31.88, 1%, 0.19%

LAB 26.32, 16.77, 36.5

 

CMYK 0 / 58 / 100 / 69

HEX #4F2100

RGB 79 33 0

HSL 25.06, 1%, 0.15%

LAB 19.01, 19.57, 28.03

 

CMYK 0 / 76 / 100 / 76

HEX #3E0F00

RGB 62 15 0

HSL 14.52, 1%, 0.12%

LAB 11.73, 22.05, 18.08

 

CMYK 0 / 33 / 83 / 49

HEX #825716

RGB 130 87 22

HSL 36.11, 0.71%, 0.3%

LAB 40.61, 12.02, 42.07

 

CMYK 0 / 55 / 83 / 49

HEX #823A16

RGB 130 58 22

HSL 20, 0.71%, 0.3%

LAB 33.63, 28.75, 35.6

 

CMYK 0 / 78 / 83 / 49

HEX #821C16

RGB 130 28 22

HSL 3.33, 0.71%, 0.3%

LAB 28.47, 42.5, 30.59

 

CMYK 0 / 83 / 83 / 49

HEX #821616

RGB 130 22 22

HSL 0, 0.71%, 0.3%

LAB 27.78, 44.43, 29.91

 

CMYK 0 / 33 / 83 / 49

HEX #825716

RGB 130 87 22

HSL 36.11, 0.71%, 0.3%

LAB 40.61, 12.02, 42.07

 

CMYK 0 / 11 / 83 / 49

HEX #827416

RGB 130 116 22

HSL 52.22, 0.71%, 0.3%

LAB 48.63, -4.84, 49.23

 

CMYK 12 / 0 / 83 / 49

HEX #738216

RGB 115 130 22

HSL 68.33, 0.71%, 0.3%

LAB 51.46, -19.39, 51.21

 

CMYK 34 / 0 / 83 / 49

HEX #568216

RGB 86 130 22

HSL 84.44, 0.71%, 0.3%

LAB 49.5, -31.73, 48.72

 

CMYK 57 / 0 / 83 / 49

HEX #388216

RGB 56 130 22

HSL 101.11, 0.71%, 0.3%

LAB 48.09, -42.12, 46.91

 

CMYK 0 / 33 / 83 / 49

HEX #825716

RGB 130 87 22

HSL 36.11, 0.71%, 0.3%

LAB 40.61, 12.02, 42.07

 

CMYK 0 / 37 / 94 / 44

HEX #8F5A09

RGB 143 90 9

HSL 36.27, 0.88%, 0.3%

LAB 43.02, 16, 48.92

 

CMYK 0 / 33 / 83 / 49

HEX #825716

RGB 130 87 22

HSL 36.11, 0.71%, 0.3%

LAB 40.61, 12.02, 42.07

 

CMYK 0 / 28 / 71 / 54

HEX #765522

RGB 118 85 34

HSL 36.43, 0.55%, 0.3%

LAB 38.66, 8.11, 34.16

 

CMYK 0 / 23 / 57 / 58

HEX #6A522E

RGB 106 82 46

HSL 36, 0.39%, 0.3%

LAB 36.55, 5.17, 24.78

 

CMYK 0 / 15 / 37 / 64

HEX #5D4F3B

RGB 93 79 59

HSL 35.29, 0.22%, 0.3%

LAB 34.47, 2.5, 13.99

 

CMYK 0 / 5 / 12 / 68

HEX #514D47

RGB 81 77 71

HSL 36, 0.07%, 0.3%

LAB 32.95, 0.44, 4.14

 

CMYK 0 / 78 / 83 / 49

HEX #821D16

RGB 130 29 22

HSL 3.89, 0.71%, 0.3%

LAB 28.6, 42.15, 30.72

 

CMYK 0 / 55 / 83 / 49

HEX #823A16

RGB 130 58 22

HSL 20, 0.71%, 0.3%

LAB 33.63, 28.75, 35.6

 

CMYK 0 / 33 / 83 / 49

HEX #825716

RGB 130 87 22

HSL 36.11, 0.71%, 0.3%

LAB 40.61, 12.02, 42.07

 

CMYK 0 / 11 / 83 / 49

HEX #827416

RGB 130 116 22

HSL 52.22, 0.71%, 0.3%

LAB 48.63, -4.84, 49.23

 

CMYK 11 / 0 / 83 / 49

HEX #748216

RGB 116 130 22

HSL 67.78, 0.71%, 0.3%

LAB 51.54, -18.94, 51.31

 

CMYK 0 / 33 / 83 / 76

HEX #3C280A

RGB 60 40 10

HSL 36, 0.71%, 0.14%

LAB 17.92, 5.92, 21.9

 

CMYK 0 / 34 / 83 / 63

HEX #5F3F10

RGB 95 63 16

HSL 35.7, 0.71%, 0.22%

LAB 29.48, 9.39, 32.63

 

CMYK 0 / 33 / 83 / 49

HEX #825716

RGB 130 87 22

HSL 36.11, 0.71%, 0.3%

LAB 40.61, 12.02, 42.07

 

CMYK 0 / 33 / 83 / 35

HEX #A66F1C

RGB 166 111 28

HSL 36.09, 0.71%, 0.38%

LAB 51.34, 14.98, 51.11

 

CMYK 0 / 33 / 83 / 21

HEX #C98622

RGB 201 134 34

HSL 35.93, 0.71%, 0.46%

LAB 61.29, 17.91, 59.38

 

CMYK 0 / 33 / 83 / 49

HEX #825716

RGB 130 87 22

HSL 36.11, 0.71%, 0.3%

LAB 40.61, 12.02, 42.07

 

CMYK 67 / 0 / 83 / 49

HEX #2B8216

RGB 43 130 22

HSL 108.33, 0.71%, 0.3%

LAB 47.67, -45.51, 46.37

 

CMYK 67 / 83 / 0 / 49

HEX #2B1682

RGB 43 22 130

HSL 251.67, 0.71%, 0.3%

LAB 18.8, 41.19, -56.22

 

CMYK 0 / 33 / 83 / 49

HEX #825716

RGB 130 87 22

HSL 36.11, 0.71%, 0.3%

LAB 40.61, 12.02, 42.07

 

CMYK 83 / 0 / 33 / 49

HEX #168257

RGB 22 130 87

HSL 156.11, 0.71%, 0.3%

LAB 48.04, -39.72, 15.23

 

CMYK 33 / 83 / 0 / 49

HEX #571682

RGB 87 22 130

HSL 276.11, 0.71%, 0.3%

LAB 24.36, 47.39, -46.87

 

CMYK 0 / 33 / 83 / 49

HEX #825716

RGB 130 87 22

HSL 36.11, 0.71%, 0.3%

LAB 40.61, 12.02, 42.07

 

CMYK 67 / 0 / 83 / 49

HEX #2B8216

RGB 43 130 22

HSL 108.33, 0.71%, 0.3%

LAB 47.67, -45.51, 46.37

 

CMYK 83 / 50 / 0 / 49

HEX #164182

RGB 22 65 130

HSL 216.11, 0.71%, 0.3%

LAB 28.28, 10.95, -40.77

 

CMYK 16 / 83 / 0 / 49

HEX #6D1682

RGB 109 22 130

HSL 288.33, 0.71%, 0.3%

LAB 27.94, 51.43, -40.89

 

CMYK 0 / 33 / 83 / 49

HEX #825716

RGB 130 87 22

HSL 36.11, 0.71%, 0.3%

LAB 40.61, 12.02, 42.07

 

CMYK 83 / 0 / 75 / 49

HEX #168221

RGB 22 130 33

HSL 126.11, 0.71%, 0.3%

LAB 47.3, -48.46, 41.97

 

CMYK 83 / 50 / 0 / 49

HEX #164182

RGB 22 65 130

HSL 216.11, 0.71%, 0.3%

LAB 28.28, 10.95, -40.77

 

CMYK 0 / 83 / 8 / 49

HEX #821677

RGB 130 22 119

HSL 306.11, 0.71%, 0.3%

LAB 31, 53.85, -28.85

 

Description

Color code: RGB 130 87 22 | qconv.com Color code: RGB 130 87 22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 87 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 87 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 83 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 83% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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