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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 138 249 149 it is the complementary color RGB 117 6 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 138 249 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 138 249 149 shade: RGB 143 249 144, RGB 160 255 163, RGB 177 255 182, RGB 194 255 201 and RGB 211 255 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 138 249 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 138 249 149 shade: RGB 138 249 149, RGB 121 231 130, RGB 104 213 111, RGB 87 195 92 and RGB 70 177 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 138 249 149 shade: RGB 138 248 149, RGB 157 248 138, RGB 187 248 138, RGB 216 248 138 and RGB 246 248 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 138 249 149 shade: RGB 138 248 149, RGB 138 248 179, RGB 138 248 209, RGB 138 248 238 and RGB 138 229 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 138 249 149 shade matches the following richer shades: RGB 138 248 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 138 249 149 shade: RGB 138 248 149, RGB 148 238 157, RGB 158 229 165, RGB 168 219 173 and RGB 178 209 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 138 249 149 shade: RGB 188 248 138, RGB 158 248 138, RGB 138 248 147, RGB 138 248 177 and RGB 138 248 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 138 249 149 shade: RGB 60 244 78, RGB 99 246 114, RGB 138 248 149, RGB 177 250 185 and RGB 217 253 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 138 249 149 shade: RGB 138 249 149, RGB 138 217 248 and RGB 248 138 173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 138 249 149 shade: RGB 138 249 149, RGB 147 138 248 and RGB 248 147 138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 138 249 149 shade: RGB 138 249 149, RGB 138 217 248, RGB 248 138 239 and RGB 248 169 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 138 249 149 shade: RGB 138 249 149, RGB 138 184 248, RGB 248 138 239 and RGB 248 202 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 40 / 2

HEX #8AF995

RGB 138 249 149

HSL 125.95, 0.9%, 0.76%

LAB 89.54, -51.9, 38.32

 

Complementary color

CMYK 0 / 95 / 9 / 54

HEX #75066A

RGB 117 6 106

HSL 305.95, 0.9%, 0.24%

LAB 26.6, 52.44, -27.65

 

CMYK 43 / 0 / 42 / 2

HEX #8FF990

RGB 143 249 144

HSL 120.57, 0.9%, 0.77%

LAB 89.68, -51.23, 40.98

 

CMYK 37 / 0 / 36 / 0

HEX #A0FFA3

RGB 160 255 163

HSL 121.89, 1%, 0.81%

LAB 92.41, -45.98, 35.33

 

CMYK 31 / 0 / 29 / 0

HEX #B1FFB6

RGB 177 255 182

HSL 123.85, 1%, 0.85%

LAB 93.56, -37.82, 27.48

 

CMYK 24 / 0 / 21 / 0

HEX #C2FFC9

RGB 194 255 201

HSL 126.89, 1%, 0.88%

LAB 94.83, -29.3, 19.73

 

CMYK 17 / 0 / 14 / 0

HEX #D3FFDC

RGB 211 255 220

HSL 132.27, 1%, 0.91%

LAB 96.22, -20.55, 12.11

 

CMYK 45 / 0 / 40 / 2

HEX #8AF995

RGB 138 249 149

HSL 125.95, 0.9%, 0.76%

LAB 89.54, -51.9, 38.32

 

CMYK 48 / 0 / 44 / 9

HEX #79E782

RGB 121 231 130

HSL 124.91, 0.7%, 0.69%

LAB 83.35, -52.02, 39.57

 

CMYK 51 / 0 / 48 / 16

HEX #68D56F

RGB 104 213 111

HSL 123.85, 0.56%, 0.62%

LAB 77.09, -52.06, 40.86

 

CMYK 55 / 0 / 53 / 24

HEX #57C35C

RGB 87 195 92

HSL 122.78, 0.47%, 0.55%

LAB 70.75, -51.97, 42.17

 

CMYK 60 / 0 / 59 / 31

HEX #46B149

RGB 70 177 73

HSL 121.68, 0.43%, 0.48%

LAB 64.34, -51.67, 43.46

 

CMYK 44 / 0 / 40 / 3

HEX #8AF895

RGB 138 248 149

HSL 126, 0.89%, 0.76%

LAB 89.26, -51.48, 37.94

 

CMYK 37 / 0 / 44 / 3

HEX #9DF88A

RGB 157 248 138

HSL 109.64, 0.89%, 0.76%

LAB 89.92, -47.47, 44.33

 

CMYK 25 / 0 / 44 / 3

HEX #BBF88A

RGB 187 248 138

HSL 93.27, 0.89%, 0.76%

LAB 91.48, -37.58, 46.62

 

CMYK 13 / 0 / 44 / 3

HEX #D8F88A

RGB 216 248 138

HSL 77.45, 0.89%, 0.76%

LAB 93.26, -27.14, 49.23

 

CMYK 1 / 0 / 44 / 3

HEX #F6F88A

RGB 246 248 138

HSL 61.09, 0.89%, 0.76%

LAB 95.4, -15.75, 52.34

 

CMYK 44 / 0 / 40 / 3

HEX #8AF895

RGB 138 248 149

HSL 126, 0.89%, 0.76%

LAB 89.26, -51.48, 37.94

 

CMYK 44 / 0 / 28 / 3

HEX #8AF8B3

RGB 138 248 179

HSL 142.36, 0.89%, 0.76%

LAB 89.76, -46.45, 23.53

 

CMYK 44 / 0 / 16 / 3

HEX #8AF8D1

RGB 138 248 209

HSL 158.73, 0.89%, 0.76%

LAB 90.39, -40.5, 8.95

 

CMYK 44 / 0 / 4 / 3

HEX #8AF8EE

RGB 138 248 238

HSL 174.55, 0.89%, 0.76%

LAB 91.1, -33.97, -5.06

 

CMYK 44 / 8 / 0 / 3

HEX #8AE5F8

RGB 138 229 248

HSL 190.36, 0.89%, 0.76%

LAB 86.12, -22.38, -17.73

 

CMYK 44 / 0 / 40 / 3

HEX #8AF895

RGB 138 248 149

HSL 126, 0.89%, 0.76%

LAB 89.26, -51.48, 37.94

 

CMYK 44 / 0 / 40 / 3

HEX #8AF895

RGB 138 248 149

HSL 126, 0.89%, 0.76%

LAB 89.26, -51.48, 37.94

 

CMYK 38 / 0 / 34 / 7

HEX #94EE9D

RGB 148 238 157

HSL 126, 0.73%, 0.76%

LAB 86.94, -43.12, 30.96

 

CMYK 31 / 0 / 28 / 10

HEX #9EE5A5

RGB 158 229 165

HSL 125.92, 0.58%, 0.76%

LAB 85.01, -34.71, 24.34

 

CMYK 23 / 0 / 21 / 14

HEX #A8DBAD

RGB 168 219 173

HSL 125.88, 0.41%, 0.76%

LAB 82.92, -25.38, 17.36

 

CMYK 15 / 0 / 13 / 18

HEX #B2D1B5

RGB 178 209 181

HSL 125.81, 0.25%, 0.76%

LAB 80.96, -15.66, 10.47

 

CMYK 24 / 0 / 44 / 3

HEX #BCF88A

RGB 188 248 138

HSL 92.73, 0.89%, 0.76%

LAB 91.53, -37.24, 46.7

 

CMYK 36 / 0 / 44 / 3

HEX #9EF88A

RGB 158 248 138

HSL 109.09, 0.89%, 0.76%

LAB 89.97, -47.16, 44.4

 

CMYK 44 / 0 / 41 / 3

HEX #8AF893

RGB 138 248 147

HSL 124.91, 0.89%, 0.76%

LAB 89.23, -51.79, 38.89

 

CMYK 44 / 0 / 29 / 3

HEX #8AF8B1

RGB 138 248 177

HSL 141.27, 0.89%, 0.76%

LAB 89.73, -46.82, 24.5

 

CMYK 44 / 0 / 17 / 3

HEX #8AF8CE

RGB 138 248 206

HSL 157.09, 0.89%, 0.76%

LAB 90.32, -41.14, 10.41

 

CMYK 75 / 0 / 68 / 4

HEX #3CF44E

RGB 60 244 78

HSL 125.87, 0.89%, 0.6%

LAB 85.1, -75.41, 64.32

 

CMYK 60 / 0 / 54 / 4

HEX #63F672

RGB 99 246 114

HSL 126.12, 0.89%, 0.68%

LAB 86.89, -65.27, 51.4

 

CMYK 44 / 0 / 40 / 3

HEX #8AF895

RGB 138 248 149

HSL 126, 0.89%, 0.76%

LAB 89.26, -51.48, 37.94

 

CMYK 29 / 0 / 26 / 2

HEX #B1FAB9

RGB 177 250 185

HSL 126.58, 0.88%, 0.84%

LAB 92.23, -35.05, 24.15

 

CMYK 14 / 0 / 13 / 1

HEX #D9FDDC

RGB 217 253 220

HSL 125, 0.9%, 0.92%

LAB 96.07, -17.63, 11.94

 

CMYK 45 / 0 / 40 / 2

HEX #8AF995

RGB 138 249 149

HSL 125.95, 0.9%, 0.76%

LAB 89.54, -51.9, 38.32

 

CMYK 44 / 13 / 0 / 3

HEX #8AD9F8

RGB 138 217 248

HSL 196.91, 0.89%, 0.76%

LAB 82.81, -16.35, -22.73

 

CMYK 0 / 44 / 30 / 3

HEX #F88AAD

RGB 248 138 173

HSL 340.91, 0.89%, 0.76%

LAB 70.28, 45.62, 0.27

 

CMYK 45 / 0 / 40 / 2

HEX #8AF995

RGB 138 249 149

HSL 125.95, 0.9%, 0.76%

LAB 89.54, -51.9, 38.32

 

CMYK 41 / 44 / 0 / 3

HEX #938AF8

RGB 147 138 248

HSL 244.91, 0.89%, 0.76%

LAB 62.64, 29.58, -54.05

 

CMYK 0 / 41 / 44 / 3

HEX #F8938A

RGB 248 147 138

HSL 4.91, 0.89%, 0.76%

LAB 71.32, 37.04, 21.22

 

CMYK 45 / 0 / 40 / 2

HEX #8AF995

RGB 138 249 149

HSL 125.95, 0.9%, 0.76%

LAB 89.54, -51.9, 38.32

 

CMYK 44 / 13 / 0 / 3

HEX #8AD9F8

RGB 138 217 248

HSL 196.91, 0.89%, 0.76%

LAB 82.81, -16.35, -22.73

 

CMYK 0 / 44 / 4 / 3

HEX #F88AEF

RGB 248 138 239

HSL 304.91, 0.89%, 0.76%

LAB 72.47, 55.48, -32.97

 

CMYK 0 / 32 / 44 / 3

HEX #F8A98A

RGB 248 169 138

HSL 16.91, 0.89%, 0.76%

LAB 76.17, 25.55, 27.77

 

CMYK 45 / 0 / 40 / 2

HEX #8AF995

RGB 138 249 149

HSL 125.95, 0.9%, 0.76%

LAB 89.54, -51.9, 38.32

 

CMYK 44 / 26 / 0 / 3

HEX #8AB8F8

RGB 138 184 248

HSL 214.91, 0.89%, 0.76%

LAB 73.84, 1.18, -36.49

 

CMYK 0 / 44 / 4 / 3

HEX #F88AEF

RGB 248 138 239

HSL 304.91, 0.89%, 0.76%

LAB 72.47, 55.48, -32.97

 

CMYK 0 / 19 / 44 / 3

HEX #F8CA8A

RGB 248 202 138

HSL 34.91, 0.89%, 0.76%

LAB 83.98, 8.24, 38.03

 

Description

Color code: RGB 138 249 149 | qconv.com Color code: RGB 138 249 149 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 249 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 249 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 40 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 40% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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