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Color name
RGB 17 110 139

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 17 110 139 it is the complementary color RGB 238 145 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 17 110 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 17 110 139 shade: RGB 22 110 134, RGB 39 128 153, RGB 56 146 172, RGB 73 164 191 and RGB 90 182 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 17 110 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 17 110 139 shade: RGB 17 110 139, RGB 0 92 120, RGB 0 74 101, RGB 0 56 82 and RGB 0 38 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 17 110 139 shade: RGB 17 111 140, RGB 17 78 140, RGB 17 44 140, RGB 23 17 140 and RGB 56 17 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 17 110 139 shade: RGB 17 111 140, RGB 17 78 140, RGB 17 44 140 and RGB 17 17 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 17 110 139 shade matches the following richer shades: RGB 17 111 140 and RGB 4 118 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 17 110 139 shade: RGB 17 111 140, RGB 30 104 127, RGB 42 97 115, RGB 55 91 102 and RGB 68 84 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 17 110 139 shade: RGB 17 140 103, RGB 17 140 136, RGB 17 111 140, RGB 17 79 140 and RGB 17 46 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 17 110 139 shade: RGB 8 53 67, RGB 12 82 103, RGB 17 111 140, RGB 21 140 177 and RGB 26 169 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 17 110 139 shade: RGB 17 110 139, RGB 70 17 140 and RGB 140 120 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 17 110 139 shade: RGB 17 110 139, RGB 140 17 111 and RGB 111 140 17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 17 110 139 shade: RGB 17 110 139, RGB 70 17 140, RGB 140 46 17 and RGB 87 140 17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 17 110 139 shade: RGB 17 110 139, RGB 107 17 140, RGB 140 46 17 and RGB 50 140 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 21 / 0 / 45

HEX #116E8B

RGB 17 110 139

HSL 194.26, 0.78%, 0.31%

LAB 42.97, -14.5, -23.06

 

Complementary color

CMYK 0 / 39 / 51 / 7

HEX #EE9174

RGB 238 145 116

HSL 14.26, 0.78%, 0.69%

LAB 69.25, 32.21, 30.29

 

CMYK 84 / 18 / 0 / 47

HEX #166E86

RGB 22 110 134

HSL 192.86, 0.72%, 0.31%

LAB 42.83, -15.89, -20.27

 

CMYK 75 / 16 / 0 / 40

HEX #278099

RGB 39 128 153

HSL 193.16, 0.59%, 0.38%

LAB 49.7, -17.23, -20.92

 

CMYK 67 / 15 / 0 / 33

HEX #3892AC

RGB 56 146 172

HSL 193.45, 0.51%, 0.45%

LAB 56.46, -18.17, -21.47

 

CMYK 62 / 14 / 0 / 25

HEX #49A4BF

RGB 73 164 191

HSL 193.73, 0.48%, 0.52%

LAB 63.12, -18.85, -21.97

 

CMYK 57 / 13 / 0 / 18

HEX #5AB6D2

RGB 90 182 210

HSL 194, 0.57%, 0.59%

LAB 69.67, -19.35, -22.43

 

CMYK 88 / 21 / 0 / 45

HEX #116E8B

RGB 17 110 139

HSL 194.26, 0.78%, 0.31%

LAB 42.97, -14.5, -23.06

 

CMYK 100 / 23 / 0 / 53

HEX #005C78

RGB 0 92 120

HSL 194, 1%, 0.24%

LAB 36, -12.43, -22.35

 

CMYK 100 / 27 / 0 / 60

HEX #004A65

RGB 0 74 101

HSL 196.04, 1%, 0.2%

LAB 29, -9.17, -21.37

 

CMYK 100 / 32 / 0 / 68

HEX #003852

RGB 0 56 82

HSL 199.02, 1%, 0.16%

LAB 21.72, -5.67, -20.42

 

CMYK 100 / 40 / 0 / 75

HEX #00263F

RGB 0 38 63

HSL 203.81, 1%, 0.12%

LAB 14.09, -1.81, -19.53

 

CMYK 88 / 21 / 0 / 45

HEX #116F8C

RGB 17 111 140

HSL 194.15, 0.78%, 0.31%

LAB 43.33, -14.7, -23.09

 

CMYK 88 / 44 / 0 / 45

HEX #114E8C

RGB 17 78 140

HSL 210.24, 0.78%, 0.31%

LAB 32.84, 5.75, -39.64

 

CMYK 88 / 69 / 0 / 45

HEX #112C8C

RGB 17 44 140

HSL 226.83, 0.78%, 0.31%

LAB 23.05, 29.28, -55.53

 

CMYK 84 / 88 / 0 / 45

HEX #17118C

RGB 23 17 140

HSL 242.93, 0.78%, 0.31%

LAB 17.81, 45.13, -64.19

 

CMYK 60 / 88 / 0 / 45

HEX #38118C

RGB 56 17 140

HSL 259.02, 0.78%, 0.31%

LAB 20.58, 47.49, -59.52

 

CMYK 88 / 21 / 0 / 45

HEX #116F8C

RGB 17 111 140

HSL 194.15, 0.78%, 0.31%

LAB 43.33, -14.7, -23.09

 

CMYK 88 / 44 / 0 / 45

HEX #114E8C

RGB 17 78 140

HSL 210.24, 0.78%, 0.31%

LAB 32.84, 5.75, -39.64

 

CMYK 88 / 69 / 0 / 45

HEX #112C8C

RGB 17 44 140

HSL 226.83, 0.78%, 0.31%

LAB 23.05, 29.28, -55.53

 

CMYK 88 / 88 / 0 / 45

HEX #11118C

RGB 17 17 140

HSL 240, 0.78%, 0.31%

LAB 17.52, 44.89, -64.68

 

CMYK 88 / 21 / 0 / 45

HEX #116F8C

RGB 17 111 140

HSL 194.15, 0.78%, 0.31%

LAB 43.33, -14.7, -23.09

 

CMYK 97 / 23 / 0 / 40

HEX #047699

RGB 4 118 153

HSL 194.09, 0.95%, 0.31%

LAB 46.02, -14.57, -26.65

 

CMYK 88 / 21 / 0 / 45

HEX #116F8C

RGB 17 111 140

HSL 194.15, 0.78%, 0.31%

LAB 43.33, -14.7, -23.09

 

CMYK 76 / 18 / 0 / 50

HEX #1E687F

RGB 30 104 127

HSL 194.23, 0.62%, 0.31%

LAB 40.75, -14.07, -19.24

 

CMYK 63 / 16 / 0 / 55

HEX #2A6173

RGB 42 97 115

HSL 194.79, 0.46%, 0.31%

LAB 38.34, -12.18, -15.6

 

CMYK 46 / 11 / 0 / 60

HEX #375B66

RGB 55 91 102

HSL 194.04, 0.3%, 0.31%

LAB 36.47, -9.67, -10.36

 

CMYK 24 / 6 / 0 / 65

HEX #445459

RGB 68 84 89

HSL 194.29, 0.13%, 0.31%

LAB 34.58, -4.93, -4.98

 

CMYK 88 / 0 / 26 / 45

HEX #118C67

RGB 17 140 103

HSL 161.95, 0.78%, 0.31%

LAB 51.67, -40.46, 11.07

 

CMYK 88 / 0 / 3 / 45

HEX #118C88

RGB 17 140 136

HSL 178.05, 0.78%, 0.31%

LAB 52.57, -31.16, -6.71

 

CMYK 88 / 21 / 0 / 45

HEX #116F8C

RGB 17 111 140

HSL 194.15, 0.78%, 0.31%

LAB 43.33, -14.7, -23.09

 

CMYK 88 / 44 / 0 / 45

HEX #114F8C

RGB 17 79 140

HSL 209.76, 0.78%, 0.31%

LAB 33.15, 5.08, -39.14

 

CMYK 88 / 67 / 0 / 45

HEX #112E8C

RGB 17 46 140

HSL 225.85, 0.78%, 0.31%

LAB 23.56, 27.92, -54.69

 

CMYK 88 / 21 / 0 / 74

HEX #083543

RGB 8 53 67

HSL 194.24, 0.79%, 0.15%

LAB 20.06, -9.01, -12.93

 

CMYK 88 / 20 / 0 / 60

HEX #0C5267

RGB 12 82 103

HSL 193.85, 0.79%, 0.23%

LAB 32.02, -12.21, -17.93

 

CMYK 88 / 21 / 0 / 45

HEX #116F8C

RGB 17 111 140

HSL 194.15, 0.78%, 0.31%

LAB 43.33, -14.7, -23.09

 

CMYK 88 / 21 / 0 / 31

HEX #158CB1

RGB 21 140 177

HSL 194.23, 0.79%, 0.39%

LAB 54.12, -17.14, -28

 

CMYK 88 / 21 / 0 / 16

HEX #1AA9D6

RGB 26 169 214

HSL 194.36, 0.78%, 0.47%

LAB 64.52, -19.41, -32.67

 

CMYK 88 / 21 / 0 / 45

HEX #116E8B

RGB 17 110 139

HSL 194.26, 0.78%, 0.31%

LAB 42.97, -14.5, -23.06

 

CMYK 50 / 88 / 0 / 45

HEX #46118C

RGB 70 17 140

HSL 265.85, 0.78%, 0.31%

LAB 22.29, 49.03, -56.63

 

CMYK 0 / 14 / 88 / 45

HEX #8C7811

RGB 140 120 17

HSL 50.24, 0.78%, 0.31%

LAB 50.74, -2.52, 52.86

 

CMYK 88 / 21 / 0 / 45

HEX #116E8B

RGB 17 110 139

HSL 194.26, 0.78%, 0.31%

LAB 42.97, -14.5, -23.06

 

CMYK 0 / 88 / 21 / 45

HEX #8C116F

RGB 140 17 111

HSL 314.15, 0.78%, 0.31%

LAB 32.09, 56.06, -21.93

 

CMYK 21 / 0 / 88 / 45

HEX #6F8C11

RGB 111 140 17

HSL 74.15, 0.78%, 0.31%

LAB 54.21, -26.37, 54.76

 

CMYK 88 / 21 / 0 / 45

HEX #116E8B

RGB 17 110 139

HSL 194.26, 0.78%, 0.31%

LAB 42.97, -14.5, -23.06

 

CMYK 50 / 88 / 0 / 45

HEX #46118C

RGB 70 17 140

HSL 265.85, 0.78%, 0.31%

LAB 22.29, 49.03, -56.63

 

CMYK 0 / 67 / 88 / 45

HEX #8C2E11

RGB 140 46 17

HSL 14.15, 0.78%, 0.31%

LAB 33.07, 38.58, 38.15

 

CMYK 38 / 0 / 88 / 45

HEX #578C11

RGB 87 140 17

HSL 85.85, 0.78%, 0.31%

LAB 52.76, -36.06, 52.94

 

CMYK 88 / 21 / 0 / 45

HEX #116E8B

RGB 17 110 139

HSL 194.26, 0.78%, 0.31%

LAB 42.97, -14.5, -23.06

 

CMYK 24 / 88 / 0 / 45

HEX #6B118C

RGB 107 17 140

HSL 283.9, 0.78%, 0.31%

LAB 27.9, 54.42, -47.23

 

CMYK 0 / 67 / 88 / 45

HEX #8C2E11

RGB 140 46 17

HSL 14.15, 0.78%, 0.31%

LAB 33.07, 38.58, 38.15

 

CMYK 64 / 0 / 88 / 45

HEX #328C11

RGB 50 140 17

HSL 103.9, 0.78%, 0.31%

LAB 51.24, -47.68, 51.03

 

Description

Color code: RGB 17 110 139 | qconv.com Color code: RGB 17 110 139 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 110 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 110 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 21 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 21% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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