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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 145 116 it is the complementary color RGB 17 110 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 145 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 145 116 shade: RGB 243 145 111, RGB 255 163 130, RGB 255 181 149, RGB 255 199 168 and RGB 255 217 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 145 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 145 116 shade: RGB 238 145 116, RGB 221 127 97, RGB 204 109 78, RGB 187 91 59 and RGB 170 73 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 145 116 shade: RGB 237 143 114 and RGB 237 114 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 145 116 shade: RGB 237 143 114, RGB 237 176 114, RGB 237 210 114, RGB 231 237 114 and RGB 198 237 114

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 145 116 shade matches the following richer shades: RGB 237 143 114 and RGB 250 136 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 145 116 shade: RGB 237 143 114, RGB 224 150 127, RGB 212 157 139, RGB 199 163 152 and RGB 186 170 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 145 116 shade: RGB 237 114 151, RGB 237 114 118, RGB 237 143 114, RGB 237 175 114 and RGB 237 208 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 145 116 shade: RGB 228 85 40, RGB 233 114 77, RGB 237 143 114, RGB 242 172 151 and RGB 246 201 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 145 116 shade: RGB 238 145 116, RGB 184 237 114 and RGB 114 134 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 145 116 shade: RGB 238 145 116, RGB 114 237 143 and RGB 143 114 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 145 116 shade: RGB 238 145 116, RGB 184 237 114, RGB 114 208 237 and RGB 167 114 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 145 116 shade: RGB 238 145 116, RGB 147 237 114, RGB 114 208 237 and RGB 204 114 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 51 / 7

HEX #EE9174

RGB 238 145 116

HSL 14.26, 0.78%, 0.69%

LAB 69.25, 32.21, 30.29

 

Complementary color

CMYK 88 / 21 / 0 / 45

HEX #116E8B

RGB 17 110 139

HSL 194.26, 0.78%, 0.31%

LAB 42.97, -14.5, -23.06

 

CMYK 0 / 40 / 54 / 5

HEX #F3916F

RGB 243 145 111

HSL 15.45, 0.85%, 0.69%

LAB 69.79, 33.72, 33.82

 

CMYK 0 / 36 / 49 / 0

HEX #FFA382

RGB 255 163 130

HSL 15.84, 1%, 0.75%

LAB 75.49, 30.63, 31.3

 

CMYK 0 / 29 / 42 / 0

HEX #FFB595

RGB 255 181 149

HSL 18.11, 1%, 0.79%

LAB 79.88, 23.09, 27.02

 

CMYK 0 / 22 / 34 / 0

HEX #FFC7A8

RGB 255 199 168

HSL 21.38, 1%, 0.83%

LAB 84.45, 15.82, 23.17

 

CMYK 0 / 15 / 27 / 0

HEX #FFD9BB

RGB 255 217 187

HSL 26.47, 1%, 0.87%

LAB 89.15, 8.87, 19.69

 

CMYK 0 / 39 / 51 / 7

HEX #EE9174

RGB 238 145 116

HSL 14.26, 0.78%, 0.69%

LAB 69.25, 32.21, 30.29

 

CMYK 0 / 43 / 56 / 13

HEX #DD7F61

RGB 221 127 97

HSL 14.52, 0.65%, 0.62%

LAB 62.86, 33.44, 32.01

 

CMYK 0 / 47 / 62 / 20

HEX #CC6D4E

RGB 204 109 78

HSL 14.76, 0.55%, 0.55%

LAB 56.41, 34.79, 33.93

 

CMYK 0 / 51 / 68 / 27

HEX #BB5B3B

RGB 187 91 59

HSL 15, 0.52%, 0.48%

LAB 49.93, 36.27, 36.07

 

CMYK 0 / 57 / 76 / 33

HEX #AA4928

RGB 170 73 40

HSL 15.23, 0.62%, 0.41%

LAB 43.45, 37.83, 38.39

 

CMYK 0 / 40 / 52 / 7

HEX #ED8F72

RGB 237 143 114

HSL 14.15, 0.77%, 0.69%

LAB 68.65, 32.69, 30.58

 

CMYK 0 / 52 / 52 / 7

HEX #ED7272

RGB 237 114 114

HSL 0, 0.77%, 0.69%

LAB 62.72, 47.41, 22.73

 

CMYK 0 / 40 / 52 / 7

HEX #ED8F72

RGB 237 143 114

HSL 14.15, 0.77%, 0.69%

LAB 68.65, 32.69, 30.58

 

CMYK 0 / 26 / 52 / 7

HEX #EDB072

RGB 237 176 114

HSL 30.24, 0.77%, 0.69%

LAB 76.23, 15.24, 40.25

 

CMYK 0 / 11 / 52 / 7

HEX #EDD272

RGB 237 210 114

HSL 46.83, 0.77%, 0.69%

LAB 84.64, -2.5, 50.55

 

CMYK 3 / 0 / 52 / 7

HEX #E7ED72

RGB 231 237 114

HSL 62.93, 0.77%, 0.69%

LAB 91.13, -18.39, 58.09

 

CMYK 16 / 0 / 52 / 7

HEX #C6ED72

RGB 198 237 114

HSL 79.02, 0.77%, 0.69%

LAB 88.82, -31.14, 54.8

 

CMYK 0 / 40 / 52 / 7

HEX #ED8F72

RGB 237 143 114

HSL 14.15, 0.77%, 0.69%

LAB 68.65, 32.69, 30.58

 

CMYK 0 / 46 / 60 / 2

HEX #FA8865

RGB 250 136 101

HSL 14.09, 0.94%, 0.69%

LAB 68.66, 40.27, 37.95

 

CMYK 0 / 40 / 52 / 7

HEX #ED8F72

RGB 237 143 114

HSL 14.15, 0.77%, 0.69%

LAB 68.65, 32.69, 30.58

 

CMYK 0 / 33 / 43 / 12

HEX #E0967F

RGB 224 150 127

HSL 14.23, 0.61%, 0.69%

LAB 68.89, 25.17, 23.49

 

CMYK 0 / 26 / 34 / 17

HEX #D49D8B

RGB 212 157 139

HSL 14.79, 0.46%, 0.69%

LAB 69.45, 18.08, 17.44

 

CMYK 0 / 18 / 24 / 22

HEX #C7A398

RGB 199 163 152

HSL 14.04, 0.3%, 0.69%

LAB 69.9, 11.55, 10.69

 

CMYK 0 / 9 / 11 / 27

HEX #BAAAA5

RGB 186 170 165

HSL 14.29, 0.13%, 0.69%

LAB 70.81, 4.9, 4.65

 

CMYK 0 / 52 / 36 / 7

HEX #ED7297

RGB 237 114 151

HSL 341.95, 0.77%, 0.69%

LAB 63.57, 51.09, 2.77

 

CMYK 0 / 52 / 50 / 7

HEX #ED7276

RGB 237 114 118

HSL 358.05, 0.77%, 0.69%

LAB 62.8, 47.76, 20.57

 

CMYK 0 / 40 / 52 / 7

HEX #ED8F72

RGB 237 143 114

HSL 14.15, 0.77%, 0.69%

LAB 68.65, 32.69, 30.58

 

CMYK 0 / 26 / 52 / 7

HEX #EDAF72

RGB 237 175 114

HSL 29.76, 0.77%, 0.69%

LAB 76, 15.77, 39.95

 

CMYK 0 / 12 / 52 / 7

HEX #EDD072

RGB 237 208 114

HSL 45.85, 0.77%, 0.69%

LAB 84.14, -1.48, 49.94

 

CMYK 0 / 63 / 82 / 11

HEX #E45528

RGB 228 85 40

HSL 14.36, 0.78%, 0.53%

LAB 55.22, 53.52, 53.15

 

CMYK 0 / 51 / 67 / 9

HEX #E9724D

RGB 233 114 77

HSL 14.23, 0.78%, 0.61%

LAB 61.56, 43.35, 41.63

 

CMYK 0 / 40 / 52 / 7

HEX #ED8F72

RGB 237 143 114

HSL 14.15, 0.77%, 0.69%

LAB 68.65, 32.69, 30.58

 

CMYK 0 / 29 / 38 / 5

HEX #F2AC97

RGB 242 172 151

HSL 13.85, 0.78%, 0.77%

LAB 76.45, 23.06, 21.03

 

CMYK 0 / 18 / 24 / 4

HEX #F6C9BB

RGB 246 201 187

HSL 14.24, 0.77%, 0.85%

LAB 84.46, 13.87, 12.99

 

CMYK 0 / 39 / 51 / 7

HEX #EE9174

RGB 238 145 116

HSL 14.26, 0.78%, 0.69%

LAB 69.25, 32.21, 30.29

 

CMYK 22 / 0 / 52 / 7

HEX #B8ED72

RGB 184 237 114

HSL 85.85, 0.77%, 0.69%

LAB 87.96, -36.31, 53.56

 

CMYK 52 / 43 / 0 / 7

HEX #7286ED

RGB 114 134 237

HSL 230.24, 0.77%, 0.69%

LAB 58.73, 21.12, -54.33

 

CMYK 0 / 39 / 51 / 7

HEX #EE9174

RGB 238 145 116

HSL 14.26, 0.78%, 0.69%

LAB 69.25, 32.21, 30.29

 

CMYK 52 / 0 / 40 / 7

HEX #72ED8F

RGB 114 237 143

HSL 134.15, 0.77%, 0.69%

LAB 85.06, -54.23, 35.28

 

CMYK 40 / 52 / 0 / 7

HEX #8F72ED

RGB 143 114 237

HSL 254.15, 0.77%, 0.69%

LAB 56.08, 39.43, -58.45

 

CMYK 0 / 39 / 51 / 7

HEX #EE9174

RGB 238 145 116

HSL 14.26, 0.78%, 0.69%

LAB 69.25, 32.21, 30.29

 

CMYK 22 / 0 / 52 / 7

HEX #B8ED72

RGB 184 237 114

HSL 85.85, 0.77%, 0.69%

LAB 87.96, -36.31, 53.56

 

CMYK 52 / 12 / 0 / 7

HEX #72D0ED

RGB 114 208 237

HSL 194.15, 0.77%, 0.69%

LAB 78.93, -20.11, -22.87

 

CMYK 30 / 52 / 0 / 7

HEX #A772ED

RGB 167 114 237

HSL 265.85, 0.77%, 0.69%

LAB 58.38, 45.26, -54.64

 

CMYK 0 / 39 / 51 / 7

HEX #EE9174

RGB 238 145 116

HSL 14.26, 0.78%, 0.69%

LAB 69.25, 32.21, 30.29

 

CMYK 38 / 0 / 52 / 7

HEX #93ED72

RGB 147 237 114

HSL 103.9, 0.77%, 0.69%

LAB 86, -48.94, 50.75

 

CMYK 52 / 12 / 0 / 7

HEX #72D0ED

RGB 114 208 237

HSL 194.15, 0.77%, 0.69%

LAB 78.93, -20.11, -22.87

 

CMYK 14 / 52 / 0 / 7

HEX #CC72ED

RGB 204 114 237

HSL 283.9, 0.77%, 0.69%

LAB 62.5, 54.8, -47.85

 

Description

Color code: RGB 238 145 116 | qconv.com Color code: RGB 238 145 116 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 145 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 145 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 51 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 51% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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