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Color name
RGB 141 225 206

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 141 225 206 it is the complementary color RGB 114 30 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 141 225 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 141 225 206 shade: RGB 146 225 201, RGB 163 243 220, RGB 180 255 239, RGB 197 255 255 and RGB 214 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 141 225 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 141 225 206 shade: RGB 141 225 206, RGB 124 207 187, RGB 107 189 168, RGB 90 171 149 and RGB 73 153 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 141 225 206 shade: RGB 142 225 206, RGB 142 225 183, RGB 142 225 161, RGB 145 225 142 and RGB 167 225 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 141 225 206 shade: RGB 142 225 206, RGB 142 221 225, RGB 142 199 225, RGB 142 176 225 and RGB 142 154 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 141 225 206 shade matches the following richer shades: RGB 142 225 206, RGB 130 236 212 and RGB 119 248 218

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 141 225 206 shade: RGB 142 225 206, RGB 153 213 199, RGB 165 201 193, RGB 176 190 187 and RGB 188 178 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 141 225 206 shade: RGB 142 225 161, RGB 142 225 183, RGB 142 225 205, RGB 142 222 225 and RGB 142 200 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 141 225 206 shade: RGB 76 207 178, RGB 109 216 192, RGB 142 225 206, RGB 174 233 220 and RGB 207 242 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 141 225 206 shade: RGB 141 225 206, RGB 142 144 225 and RGB 225 172 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 141 225 206 shade: RGB 141 225 206, RGB 205 142 225 and RGB 225 205 142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 141 225 206 shade: RGB 141 225 206, RGB 142 144 225, RGB 225 142 161 and RGB 225 222 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 141 225 206 shade: RGB 141 225 206, RGB 164 142 225, RGB 225 142 161 and RGB 202 225 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 8 / 12

HEX #8DE1CE

RGB 141 225 206

HSL 166.43, 0.58%, 0.72%

LAB 83.95, -29.76, 1.24

 

Complementary color

CMYK 0 / 74 / 57 / 55

HEX #721E31

RGB 114 30 49

HSL 346.43, 0.58%, 0.28%

LAB 25.94, 37.94, 9.35

 

CMYK 35 / 0 / 11 / 12

HEX #92E1C9

RGB 146 225 201

HSL 161.77, 0.57%, 0.73%

LAB 84.06, -29.49, 4.07

 

CMYK 33 / 0 / 9 / 5

HEX #A3F3DC

RGB 163 243 220

HSL 162.75, 0.77%, 0.8%

LAB 90.35, -29.3, 3.33

 

CMYK 29 / 0 / 6 / 0

HEX #B4FFEF

RGB 180 255 239

HSL 167.2, 1%, 0.85%

LAB 94.93, -26.27, 0.25

 

CMYK 23 / 0 / 0 / 0

HEX #C5FFFF

RGB 197 255 255

HSL 180, 1%, 0.89%

LAB 96.25, -18.06, -5.95

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214 255 255

HSL 180, 1%, 0.92%

LAB 97.24, -13.01, -4.38

 

CMYK 37 / 0 / 8 / 12

HEX #8DE1CE

RGB 141 225 206

HSL 166.43, 0.58%, 0.72%

LAB 83.95, -29.76, 1.24

 

CMYK 40 / 0 / 10 / 19

HEX #7CCFBB

RGB 124 207 187

HSL 165.54, 0.46%, 0.65%

LAB 77.58, -29.93, 2

 

CMYK 43 / 0 / 11 / 26

HEX #6BBDA8

RGB 107 189 168

HSL 164.63, 0.38%, 0.58%

LAB 71.11, -30.09, 2.81

 

CMYK 47 / 0 / 13 / 33

HEX #5AAB95

RGB 90 171 149

HSL 163.7, 0.33%, 0.51%

LAB 64.54, -30.23, 3.68

 

CMYK 52 / 0 / 15 / 40

HEX #499982

RGB 73 153 130

HSL 162.75, 0.35%, 0.44%

LAB 57.86, -30.33, 4.64

 

CMYK 37 / 0 / 8 / 12

HEX #8EE1CE

RGB 142 225 206

HSL 166.27, 0.58%, 0.72%

LAB 84, -29.5, 1.32

 

CMYK 37 / 0 / 19 / 12

HEX #8EE1B7

RGB 142 225 183

HSL 149.64, 0.58%, 0.72%

LAB 83.45, -34.34, 12.67

 

CMYK 37 / 0 / 28 / 12

HEX #8EE1A1

RGB 142 225 161

HSL 133.73, 0.58%, 0.72%

LAB 83.01, -38.46, 23.54

 

CMYK 36 / 0 / 37 / 12

HEX #91E18E

RGB 145 225 142

HSL 117.83, 0.58%, 0.72%

LAB 82.82, -40.67, 33.07

 

CMYK 26 / 0 / 37 / 12

HEX #A7E18E

RGB 167 225 142

HSL 101.93, 0.58%, 0.72%

LAB 83.98, -33.47, 34.81

 

CMYK 37 / 0 / 8 / 12

HEX #8EE1CE

RGB 142 225 206

HSL 166.27, 0.58%, 0.72%

LAB 84, -29.5, 1.32

 

CMYK 37 / 2 / 0 / 12

HEX #8EDDE1

RGB 142 221 225

HSL 182.89, 0.58%, 0.72%

LAB 83.39, -23.16, -9.64

 

CMYK 37 / 12 / 0 / 12

HEX #8EC7E1

RGB 142 199 225

HSL 198.8, 0.58%, 0.72%

LAB 77.3, -11.97, -18.77

 

CMYK 37 / 22 / 0 / 12

HEX #8EB0E1

RGB 142 176 225

HSL 215.42, 0.58%, 0.72%

LAB 71.03, 0.39, -28.33

 

CMYK 37 / 32 / 0 / 12

HEX #8E9AE1

RGB 142 154 225

HSL 231.33, 0.58%, 0.72%

LAB 65.2, 12.78, -37.37

 

CMYK 37 / 0 / 8 / 12

HEX #8EE1CE

RGB 142 225 206

HSL 166.27, 0.58%, 0.72%

LAB 84, -29.5, 1.32

 

CMYK 45 / 0 / 10 / 7

HEX #82ECD4

RGB 130 236 212

HSL 166.42, 0.74%, 0.72%

LAB 86.75, -36.35, 2.1

 

CMYK 52 / 0 / 12 / 3

HEX #77F8DA

RGB 119 248 218

HSL 166.05, 0.9%, 0.72%

LAB 89.91, -42.85, 3.52

 

CMYK 37 / 0 / 8 / 12

HEX #8EE1CE

RGB 142 225 206

HSL 166.27, 0.58%, 0.72%

LAB 84, -29.5, 1.32

 

CMYK 28 / 0 / 7 / 16

HEX #99D5C7

RGB 153 213 199

HSL 166, 0.42%, 0.72%

LAB 81.01, -22.08, 0.75

 

CMYK 18 / 0 / 4 / 21

HEX #A5C9C1

RGB 165 201 193

HSL 166.67, 0.25%, 0.72%

LAB 78.24, -13.57, 0.01

 

CMYK 7 / 0 / 2 / 25

HEX #B0BEBB

RGB 176 190 187

HSL 167.14, 0.1%, 0.72%

LAB 75.85, -5.38, -0.15

 

CMYK 0 / 5 / 4 / 26

HEX #BCB2B4

RGB 188 178 180

HSL 348, 0.07%, 0.72%

LAB 73.43, 3.91, 0.25

 

CMYK 37 / 0 / 28 / 12

HEX #8EE1A1

RGB 142 225 161

HSL 133.73, 0.58%, 0.72%

LAB 83.01, -38.46, 23.54

 

CMYK 37 / 0 / 19 / 12

HEX #8EE1B7

RGB 142 225 183

HSL 149.64, 0.58%, 0.72%

LAB 83.45, -34.34, 12.67

 

CMYK 37 / 0 / 9 / 12

HEX #8EE1CD

RGB 142 225 205

HSL 165.54, 0.58%, 0.72%

LAB 83.97, -29.72, 1.81

 

CMYK 37 / 1 / 0 / 12

HEX #8EDEE1

RGB 142 222 225

HSL 182.17, 0.58%, 0.72%

LAB 83.67, -23.66, -9.23

 

CMYK 37 / 11 / 0 / 12

HEX #8EC8E1

RGB 142 200 225

HSL 198.07, 0.58%, 0.72%

LAB 77.58, -12.5, -18.36

 

CMYK 63 / 0 / 14 / 19

HEX #4CCFB2

RGB 76 207 178

HSL 166.72, 0.58%, 0.55%

LAB 75.68, -42.61, 3.89

 

CMYK 50 / 0 / 11 / 15

HEX #6DD8C0

RGB 109 216 192

HSL 166.54, 0.58%, 0.64%

LAB 79.71, -36.67, 2.35

 

CMYK 37 / 0 / 8 / 12

HEX #8EE1CE

RGB 142 225 206

HSL 166.27, 0.58%, 0.72%

LAB 84, -29.5, 1.32

 

CMYK 25 / 0 / 6 / 9

HEX #AEE9DC

RGB 174 233 220

HSL 166.78, 0.57%, 0.8%

LAB 88.18, -21.31, 0.25

 

CMYK 14 / 0 / 3 / 5

HEX #CFF2EA

RGB 207 242 234

HSL 166.29, 0.57%, 0.88%

LAB 92.89, -12.84, 0.04

 

CMYK 37 / 0 / 8 / 12

HEX #8DE1CE

RGB 141 225 206

HSL 166.43, 0.58%, 0.72%

LAB 83.95, -29.76, 1.24

 

CMYK 37 / 36 / 0 / 12

HEX #8E90E1

RGB 142 144 225

HSL 238.55, 0.58%, 0.72%

LAB 62.62, 18.54, -41.4

 

CMYK 0 / 24 / 37 / 12

HEX #E1AC8E

RGB 225 172 142

HSL 21.69, 0.58%, 0.72%

LAB 74.49, 15.44, 22.93

 

CMYK 37 / 0 / 8 / 12

HEX #8DE1CE

RGB 141 225 206

HSL 166.43, 0.58%, 0.72%

LAB 83.95, -29.76, 1.24

 

CMYK 9 / 37 / 0 / 12

HEX #CD8EE1

RGB 205 142 225

HSL 285.54, 0.58%, 0.72%

LAB 67.84, 37.99, -32.83

 

CMYK 0 / 9 / 37 / 12

HEX #E1CD8E

RGB 225 205 142

HSL 45.54, 0.58%, 0.72%

LAB 82.71, -1.96, 33.92

 

CMYK 37 / 0 / 8 / 12

HEX #8DE1CE

RGB 141 225 206

HSL 166.43, 0.58%, 0.72%

LAB 83.95, -29.76, 1.24

 

CMYK 37 / 36 / 0 / 12

HEX #8E90E1

RGB 142 144 225

HSL 238.55, 0.58%, 0.72%

LAB 62.62, 18.54, -41.4

 

CMYK 0 / 37 / 28 / 12

HEX #E18EA1

RGB 225 142 161

HSL 346.27, 0.58%, 0.72%

LAB 67.97, 33.9, 3.28

 

CMYK 0 / 1 / 37 / 12

HEX #E1DE8E

RGB 225 222 142

HSL 57.83, 0.58%, 0.72%

LAB 87.1, -10.62, 39.62

 

CMYK 37 / 0 / 8 / 12

HEX #8DE1CE

RGB 141 225 206

HSL 166.43, 0.58%, 0.72%

LAB 83.95, -29.76, 1.24

 

CMYK 27 / 37 / 0 / 12

HEX #A48EE1

RGB 164 142 225

HSL 255.9, 0.58%, 0.72%

LAB 63.9, 25.8, -39.27

 

CMYK 0 / 37 / 28 / 12

HEX #E18EA1

RGB 225 142 161

HSL 346.27, 0.58%, 0.72%

LAB 67.97, 33.9, 3.28

 

CMYK 10 / 0 / 37 / 12

HEX #CAE18E

RGB 202 225 142

HSL 76.63, 0.58%, 0.72%

LAB 86.19, -20.88, 38.11

 

Description

Color code: RGB 141 225 206 | qconv.com Color code: RGB 141 225 206 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 225 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 225 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 8 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 8% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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