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Color name
RGB 142 32 146

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 142 32 146 it is the complementary color RGB 113 223 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 142 32 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 142 32 146 shade: RGB 147 32 141, RGB 164 50 160, RGB 181 68 179, RGB 198 86 198 and RGB 215 104 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 142 32 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 142 32 146 shade: RGB 142 32 146, RGB 125 14 127, RGB 108 0 108, RGB 91 0 89 and RGB 74 0 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 142 32 146 shade: RGB 142 32 146, RGB 146 32 119, RGB 146 32 88, RGB 146 32 57 and RGB 146 32 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 142 32 146 shade: RGB 142 32 146, RGB 111 32 146, RGB 80 32 146, RGB 49 32 146 and RGB 32 32 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 142 32 146 shade matches the following richer shades: RGB 142 32 146, RGB 155 17 160 and RGB 169 3 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 142 32 146 shade: RGB 142 32 146, RGB 128 46 131, RGB 115 61 117, RGB 102 75 103 and RGB 88 89 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 142 32 146 shade: RGB 79 32 146, RGB 110 32 146, RGB 140 32 146, RGB 146 32 121 and RGB 146 32 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 142 32 146 shade: RGB 76 17 78, RGB 109 24 112, RGB 142 32 146, RGB 175 39 180 and RGB 204 50 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 142 32 146 shade: RGB 142 32 146, RGB 146 49 32 and RGB 32 146 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 142 32 146 shade: RGB 142 32 146, RGB 146 140 32 and RGB 32 146 140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 142 32 146 shade: RGB 142 32 146, RGB 146 49 32, RGB 37 146 32 and RGB 32 129 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 142 32 146 shade: RGB 142 32 146, RGB 146 83 32, RGB 37 146 32 and RGB 32 94 146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 78 / 0 / 43

HEX #8E2092

RGB 142 32 146

HSL 297.89, 0.64%, 0.35%

LAB 35.71, 58.04, -38.05

 

Complementary color

CMYK 49 / 0 / 51 / 13

HEX #71DF6D

RGB 113 223 109

HSL 117.89, 0.64%, 0.65%

LAB 80.4, -53.89, 45.98

 

CMYK 0 / 78 / 4 / 42

HEX #93208D

RGB 147 32 141

HSL 303.13, 0.64%, 0.35%

LAB 36.29, 58.29, -34.01

 

CMYK 0 / 70 / 2 / 36

HEX #A432A0

RGB 164 50 160

HSL 302.11, 0.53%, 0.42%

LAB 42.33, 59.25, -35.8

 

CMYK 0 / 62 / 1 / 29

HEX #B544B3

RGB 181 68 179

HSL 301.06, 0.45%, 0.49%

LAB 48.53, 59.48, -37.09

 

CMYK 0 / 57 / 0 / 22

HEX #C656C6

RGB 198 86 198

HSL 300, 0.5%, 0.56%

LAB 54.8, 59.27, -38.05

 

CMYK 1 / 52 / 0 / 15

HEX #D768D9

RGB 215 104 217

HSL 298.94, 0.6%, 0.63%

LAB 61.1, 58.82, -38.79

 

CMYK 3 / 78 / 0 / 43

HEX #8E2092

RGB 142 32 146

HSL 297.89, 0.64%, 0.35%

LAB 35.71, 58.04, -38.05

 

CMYK 2 / 89 / 0 / 50

HEX #7D0E7F

RGB 125 14 127

HSL 298.94, 0.8%, 0.28%

LAB 29.93, 55.94, -35.67

 

CMYK 0 / 100 / 0 / 58

HEX #6C006C

RGB 108 0 108

HSL 300, 1%, 0.21%

LAB 24.55, 52.2, -32.32

 

CMYK 0 / 100 / 2 / 64

HEX #5B0059

RGB 91 0 89

HSL 301.32, 1%, 0.18%

LAB 19.82, 45.96, -27.55

 

CMYK 0 / 100 / 5 / 71

HEX #4A0046

RGB 74 0 70

HSL 303.24, 1%, 0.15%

LAB 14.94, 39.52, -22.56

 

CMYK 3 / 78 / 0 / 43

HEX #8E2092

RGB 142 32 146

HSL 297.89, 0.64%, 0.35%

LAB 35.71, 58.04, -38.05

 

CMYK 0 / 78 / 18 / 43

HEX #922077

RGB 146 32 119

HSL 314.21, 0.64%, 0.35%

LAB 34.96, 54.71, -22.44

 

CMYK 0 / 78 / 40 / 43

HEX #922058

RGB 146 32 88

HSL 330.53, 0.64%, 0.35%

LAB 33.67, 50.81, -4.61

 

CMYK 0 / 78 / 61 / 43

HEX #922039

RGB 146 32 57

HSL 346.84, 0.64%, 0.35%

LAB 32.79, 48.04, 14.38

 

CMYK 0 / 78 / 78 / 43

HEX #922020

RGB 146 32 32

HSL 0, 0.64%, 0.35%

LAB 32.37, 46.68, 29.76

 

CMYK 3 / 78 / 0 / 43

HEX #8E2092

RGB 142 32 146

HSL 297.89, 0.64%, 0.35%

LAB 35.71, 58.04, -38.05

 

CMYK 24 / 78 / 0 / 43

HEX #6F2092

RGB 111 32 146

HSL 281.58, 0.64%, 0.35%

LAB 30.61, 51.72, -46.52

 

CMYK 45 / 78 / 0 / 43

HEX #502092

RGB 80 32 146

HSL 265.26, 0.64%, 0.35%

LAB 26.2, 46.12, -53.89

 

CMYK 66 / 78 / 0 / 43

HEX #312092

RGB 49 32 146

HSL 248.95, 0.64%, 0.35%

LAB 22.87, 41.77, -59.49

 

CMYK 78 / 78 / 0 / 43

HEX #202092

RGB 32 32 146

HSL 240, 0.64%, 0.35%

LAB 21.64, 40.13, -61.56

 

CMYK 3 / 78 / 0 / 43

HEX #8E2092

RGB 142 32 146

HSL 297.89, 0.64%, 0.35%

LAB 35.71, 58.04, -38.05

 

CMYK 3 / 89 / 0 / 37

HEX #9B11A0

RGB 155 17 160

HSL 297.9, 0.81%, 0.35%

LAB 37.68, 66.35, -43.29

 

CMYK 3 / 98 / 0 / 31

HEX #A903AF

RGB 169 3 175

HSL 297.91, 0.97%, 0.35%

LAB 40.57, 72.79, -47.51

 

CMYK 3 / 78 / 0 / 43

HEX #8E2092

RGB 142 32 146

HSL 297.89, 0.64%, 0.35%

LAB 35.71, 58.04, -38.05

 

CMYK 2 / 65 / 0 / 49

HEX #802E83

RGB 128 46 131

HSL 297.88, 0.48%, 0.35%

LAB 34.36, 46.84, -31.09

 

CMYK 2 / 48 / 0 / 54

HEX #733D75

RGB 115 61 117

HSL 297.86, 0.31%, 0.35%

LAB 34.53, 32.67, -22.22

 

CMYK 1 / 27 / 0 / 60

HEX #664B67

RGB 102 75 103

HSL 297.86, 0.16%, 0.35%

LAB 35.67, 16.78, -11.83

 

CMYK 1 / 0 / 1 / 65

HEX #585958

RGB 88 89 88

HSL 120, 0.01%, 0.35%

LAB 37.71, -0.61, 0.43

 

CMYK 46 / 78 / 0 / 43

HEX #4F2092

RGB 79 32 146

HSL 264.74, 0.64%, 0.35%

LAB 26.07, 45.96, -54.11

 

CMYK 25 / 78 / 0 / 43

HEX #6E2092

RGB 110 32 146

HSL 281.05, 0.64%, 0.35%

LAB 30.46, 51.53, -46.77

 

CMYK 4 / 78 / 0 / 43

HEX #8C2092

RGB 140 32 146

HSL 296.84, 0.64%, 0.35%

LAB 35.37, 57.62, -38.62

 

CMYK 0 / 78 / 17 / 43

HEX #922079

RGB 146 32 121

HSL 313.16, 0.64%, 0.35%

LAB 35.05, 55, -23.55

 

CMYK 0 / 78 / 38 / 43

HEX #92205B

RGB 146 32 91

HSL 328.95, 0.64%, 0.35%

LAB 33.77, 51.14, -6.39

 

CMYK 3 / 78 / 0 / 69

HEX #4C114E

RGB 76 17 78

HSL 298.03, 0.64%, 0.19%

LAB 17.86, 35.67, -23.41

 

CMYK 3 / 79 / 0 / 56

HEX #6D1870

RGB 109 24 112

HSL 297.95, 0.65%, 0.27%

LAB 26.95, 47.4, -31.07

 

CMYK 3 / 78 / 0 / 43

HEX #8E2092

RGB 142 32 146

HSL 297.89, 0.64%, 0.35%

LAB 35.71, 58.04, -38.05

 

CMYK 3 / 78 / 0 / 29

HEX #AF27B4

RGB 175 39 180

HSL 297.87, 0.64%, 0.43%

LAB 44.03, 68.47, -44.86

 

CMYK 3 / 76 / 0 / 18

HEX #CC32D2

RGB 204 50 210

HSL 297.75, 0.64%, 0.51%

LAB 51.58, 76.01, -49.97

 

CMYK 3 / 78 / 0 / 43

HEX #8E2092

RGB 142 32 146

HSL 297.89, 0.64%, 0.35%

LAB 35.71, 58.04, -38.05

 

CMYK 0 / 66 / 78 / 43

HEX #923120

RGB 146 49 32

HSL 8.95, 0.64%, 0.35%

LAB 34.83, 39.94, 32.4

 

CMYK 78 / 0 / 36 / 43

HEX #20925E

RGB 32 146 94

HSL 152.63, 0.64%, 0.35%

LAB 53.68, -43.42, 18.97

 

CMYK 3 / 78 / 0 / 43

HEX #8E2092

RGB 142 32 146

HSL 297.89, 0.64%, 0.35%

LAB 35.71, 58.04, -38.05

 

CMYK 0 / 4 / 78 / 43

HEX #928C20

RGB 146 140 32

HSL 56.84, 0.64%, 0.35%

LAB 57.05, -10.24, 54.07

 

CMYK 78 / 0 / 4 / 43

HEX #20928C

RGB 32 146 140

HSL 176.84, 0.64%, 0.35%

LAB 54.82, -31.46, -5.65

 

CMYK 3 / 78 / 0 / 43

HEX #8E2092

RGB 142 32 146

HSL 297.89, 0.64%, 0.35%

LAB 35.71, 58.04, -38.05

 

CMYK 0 / 66 / 78 / 43

HEX #923120

RGB 146 49 32

HSL 8.95, 0.64%, 0.35%

LAB 34.83, 39.94, 32.4

 

CMYK 75 / 0 / 78 / 43

HEX #259220

RGB 37 146 32

HSL 117.37, 0.64%, 0.35%

LAB 53.01, -51.58, 48.16

 

CMYK 78 / 12 / 0 / 43

HEX #208192

RGB 32 129 146

HSL 188.95, 0.64%, 0.35%

LAB 49.6, -21.01, -17

 

CMYK 3 / 78 / 0 / 43

HEX #8E2092

RGB 142 32 146

HSL 297.89, 0.64%, 0.35%

LAB 35.71, 58.04, -38.05

 

CMYK 0 / 43 / 78 / 43

HEX #925320

RGB 146 83 32

HSL 26.84, 0.64%, 0.35%

LAB 41.85, 22.1, 39.61

 

CMYK 75 / 0 / 78 / 43

HEX #259220

RGB 37 146 32

HSL 117.37, 0.64%, 0.35%

LAB 53.01, -51.58, 48.16

 

CMYK 78 / 36 / 0 / 43

HEX #205E92

RGB 32 94 146

HSL 207.37, 0.64%, 0.35%

LAB 38.53, -0.69, -34.19

 

Description

Color code: RGB 142 32 146 | qconv.com Color code: RGB 142 32 146 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 32 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 32 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 78 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 78% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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