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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 19 91 it is the complementary color RGB 112 236 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 19 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 19 91 shade: RGB 148 19 86, RGB 165 37 105, RGB 182 55 124, RGB 199 73 143 and RGB 216 91 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 19 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 19 91 shade: RGB 143 19 91, RGB 126 1 72, RGB 109 0 53, RGB 92 0 34 and RGB 75 0 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 19 91 shade: RGB 144 18 91, RGB 144 18 57, RGB 144 18 23 and RGB 144 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 19 91 shade: RGB 144 18 91, RGB 144 18 125, RGB 129 18 144, RGB 95 18 144 and RGB 61 18 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 19 91 shade matches the following richer shades: RGB 144 18 91 and RGB 157 5 93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 19 91 shade: RGB 144 18 91, RGB 131 31 89, RGB 118 45 87, RGB 104 58 85 and RGB 91 71 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 19 91 shade: RGB 129 18 144, RGB 144 18 125, RGB 144 18 92, RGB 144 18 58 and RGB 144 18 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 19 91 shade: RGB 71 9 45, RGB 107 14 68, RGB 144 18 91, RGB 180 23 114 and RGB 217 28 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 19 91 shade: RGB 143 19 91, RGB 144 96 18 and RGB 18 142 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 19 91 shade: RGB 143 19 91, RGB 92 144 18 and RGB 18 92 144

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 19 91 shade: RGB 143 19 91, RGB 144 96 18, RGB 18 144 71 and RGB 18 66 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 19 91 shade: RGB 143 19 91, RGB 144 133 18, RGB 18 144 71 and RGB 18 29 144

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 36 / 44

HEX #8F135B

RGB 143 19 91

HSL 325.16, 0.77%, 0.32%

LAB 31.94, 53.89, -9.2

 

Complementary color

CMYK 53 / 0 / 31 / 7

HEX #70ECA4

RGB 112 236 164

HSL 145.16, 0.77%, 0.68%

LAB 85.06, -50.62, 24.6

 

CMYK 0 / 87 / 42 / 42

HEX #941356

RGB 148 19 86

HSL 328.84, 0.77%, 0.33%

LAB 32.77, 54.61, -4.59

 

CMYK 0 / 78 / 36 / 35

HEX #A52569

RGB 165 37 105

HSL 328.13, 0.63%, 0.4%

LAB 38.45, 56.26, -7.96

 

CMYK 0 / 70 / 32 / 29

HEX #B6377C

RGB 182 55 124

HSL 327.4, 0.54%, 0.46%

LAB 44.42, 56.88, -10.48

 

CMYK 0 / 63 / 28 / 22

HEX #C7498F

RGB 199 73 143

HSL 326.67, 0.53%, 0.53%

LAB 50.56, 56.89, -12.43

 

CMYK 0 / 58 / 25 / 15

HEX #D85BA2

RGB 216 91 162

HSL 325.92, 0.62%, 0.6%

LAB 56.77, 56.54, -13.99

 

CMYK 0 / 87 / 36 / 44

HEX #8F135B

RGB 143 19 91

HSL 325.16, 0.77%, 0.32%

LAB 31.94, 53.89, -9.2

 

CMYK 0 / 99 / 43 / 51

HEX #7E0148

RGB 126 1 72

HSL 325.92, 0.98%, 0.25%

LAB 26.52, 51.06, -5.12

 

CMYK 0 / 100 / 51 / 57

HEX #6D0035

RGB 109 0 53

HSL 330.83, 1%, 0.21%

LAB 21.97, 45.39, 0.81

 

CMYK 0 / 100 / 63 / 64

HEX #5C0022

RGB 92 0 34

HSL 337.83, 1%, 0.18%

LAB 17.42, 39.51, 7.37

 

CMYK 0 / 100 / 80 / 71

HEX #4B000F

RGB 75 0 15

HSL 348, 1%, 0.15%

LAB 12.8, 33.66, 13.63

 

CMYK 0 / 88 / 37 / 44

HEX #90125B

RGB 144 18 91

HSL 325.24, 0.78%, 0.32%

LAB 32.07, 54.35, -8.99

 

CMYK 0 / 88 / 60 / 44

HEX #901239

RGB 144 18 57

HSL 341.43, 0.78%, 0.32%

LAB 31.01, 51.33, 11.91

 

CMYK 0 / 88 / 84 / 44

HEX #901217

RGB 144 18 23

HSL 357.62, 0.78%, 0.32%

LAB 30.46, 49.69, 32.97

 

CMYK 0 / 88 / 88 / 44

HEX #901212

RGB 144 18 18

HSL 0, 0.78%, 0.32%

LAB 30.41, 49.56, 35.7

 

CMYK 0 / 88 / 37 / 44

HEX #90125B

RGB 144 18 91

HSL 325.24, 0.78%, 0.32%

LAB 32.07, 54.35, -8.99

 

CMYK 0 / 88 / 13 / 44

HEX #90127D

RGB 144 18 125

HSL 309.05, 0.78%, 0.32%

LAB 33.65, 58.68, -28.28

 

CMYK 10 / 88 / 0 / 44

HEX #811290

RGB 129 18 144

HSL 292.86, 0.78%, 0.32%

LAB 32.06, 58.78, -42.79

 

CMYK 34 / 88 / 0 / 44

HEX #5F1290

RGB 95 18 144

HSL 276.67, 0.78%, 0.32%

LAB 26.39, 53.1, -52.26

 

CMYK 58 / 88 / 0 / 44

HEX #3D1290

RGB 61 18 144

HSL 260.48, 0.78%, 0.32%

LAB 21.72, 48.73, -60.1

 

CMYK 0 / 88 / 37 / 44

HEX #90125B

RGB 144 18 91

HSL 325.24, 0.78%, 0.32%

LAB 32.07, 54.35, -8.99

 

CMYK 0 / 97 / 41 / 38

HEX #9D055D

RGB 157 5 93

HSL 325.26, 0.94%, 0.32%

LAB 34.12, 59.66, -6.94

 

CMYK 0 / 88 / 37 / 44

HEX #90125B

RGB 144 18 91

HSL 325.24, 0.78%, 0.32%

LAB 32.07, 54.35, -8.99

 

CMYK 0 / 76 / 32 / 49

HEX #831F59

RGB 131 31 89

HSL 325.2, 0.62%, 0.32%

LAB 30.7, 47.08, -10

 

CMYK 0 / 62 / 26 / 54

HEX #762D57

RGB 118 45 87

HSL 325.48, 0.45%, 0.32%

LAB 30.44, 36.89, -9.32

 

CMYK 0 / 44 / 18 / 59

HEX #683A55

RGB 104 58 85

HSL 324.78, 0.28%, 0.32%

LAB 30.94, 24.41, -7.49

 

CMYK 0 / 22 / 9 / 64

HEX #5B4753

RGB 91 71 83

HSL 324, 0.12%, 0.32%

LAB 32.6, 10.8, -3.89

 

CMYK 10 / 88 / 0 / 44

HEX #811290

RGB 129 18 144

HSL 292.86, 0.78%, 0.32%

LAB 32.06, 58.78, -42.79

 

CMYK 0 / 88 / 13 / 44

HEX #90127D

RGB 144 18 125

HSL 309.05, 0.78%, 0.32%

LAB 33.65, 58.68, -28.28

 

CMYK 0 / 88 / 36 / 44

HEX #90125C

RGB 144 18 92

HSL 324.76, 0.78%, 0.32%

LAB 32.11, 54.46, -9.58

 

CMYK 0 / 88 / 60 / 44

HEX #90123A

RGB 144 18 58

HSL 340.95, 0.78%, 0.32%

LAB 31.04, 51.4, 11.28

 

CMYK 0 / 88 / 83 / 44

HEX #901219

RGB 144 18 25

HSL 356.67, 0.78%, 0.32%

LAB 30.48, 49.75, 31.83

 

CMYK 0 / 87 / 37 / 72

HEX #47092D

RGB 71 9 45

HSL 325.16, 0.78%, 0.16%

LAB 13.97, 31.77, -6.28

 

CMYK 0 / 87 / 36 / 58

HEX #6B0E44

RGB 107 14 68

HSL 325.16, 0.77%, 0.24%

LAB 23.19, 43.25, -7.81

 

CMYK 0 / 88 / 37 / 44

HEX #90125B

RGB 144 18 91

HSL 325.24, 0.78%, 0.32%

LAB 32.07, 54.35, -8.99

 

CMYK 0 / 87 / 37 / 29

HEX #B41772

RGB 180 23 114

HSL 325.22, 0.77%, 0.4%

LAB 40.46, 64.4, -10.3

 

CMYK 0 / 87 / 36 / 15

HEX #D91C8A

RGB 217 28 138

HSL 325.08, 0.77%, 0.48%

LAB 48.78, 74.37, -11.8

 

CMYK 0 / 87 / 36 / 44

HEX #8F135B

RGB 143 19 91

HSL 325.16, 0.77%, 0.32%

LAB 31.94, 53.89, -9.2

 

CMYK 0 / 33 / 88 / 44

HEX #906012

RGB 144 96 18

HSL 37.14, 0.78%, 0.32%

LAB 44.71, 13.18, 47.78

 

CMYK 88 / 1 / 0 / 44

HEX #128E90

RGB 18 142 144

HSL 180.95, 0.78%, 0.32%

LAB 53.48, -29.54, -9.98

 

CMYK 0 / 87 / 36 / 44

HEX #8F135B

RGB 143 19 91

HSL 325.16, 0.77%, 0.32%

LAB 31.94, 53.89, -9.2

 

CMYK 36 / 0 / 88 / 44

HEX #5C9012

RGB 92 144 18

HSL 84.76, 0.78%, 0.32%

LAB 54.31, -35.91, 54.15

 

CMYK 88 / 36 / 0 / 44

HEX #125C90

RGB 18 92 144

HSL 204.76, 0.78%, 0.32%

LAB 37.47, -1.67, -34.68

 

CMYK 0 / 87 / 36 / 44

HEX #8F135B

RGB 143 19 91

HSL 325.16, 0.77%, 0.32%

LAB 31.94, 53.89, -9.2

 

CMYK 0 / 33 / 88 / 44

HEX #906012

RGB 144 96 18

HSL 37.14, 0.78%, 0.32%

LAB 44.71, 13.18, 47.78

 

CMYK 88 / 0 / 51 / 44

HEX #129047

RGB 18 144 71

HSL 145.24, 0.78%, 0.32%

LAB 52.43, -48.67, 29.83

 

CMYK 88 / 54 / 0 / 44

HEX #124290

RGB 18 66 144

HSL 217.14, 0.78%, 0.32%

LAB 29.51, 15.71, -47.45

 

CMYK 0 / 87 / 36 / 44

HEX #8F135B

RGB 143 19 91

HSL 325.16, 0.77%, 0.32%

LAB 31.94, 53.89, -9.2

 

CMYK 0 / 8 / 88 / 44

HEX #908512

RGB 144 133 18

HSL 54.76, 0.78%, 0.32%

LAB 54.81, -7.84, 56.11

 

CMYK 88 / 0 / 51 / 44

HEX #129047

RGB 18 144 71

HSL 145.24, 0.78%, 0.32%

LAB 52.43, -48.67, 29.83

 

CMYK 88 / 80 / 0 / 44

HEX #121D90

RGB 18 29 144

HSL 234.76, 0.78%, 0.32%

LAB 20.13, 40.25, -62.84

 

Description

Color code: RGB 143 19 91 | qconv.com Color code: RGB 143 19 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 19 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 19 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 36 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 36% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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