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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 143 62 18 it is the complementary color RGB 112 193 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 143 62 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 143 62 18 shade: RGB 148 62 13, RGB 165 80 32, RGB 182 98 51, RGB 199 116 70 and RGB 216 134 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 143 62 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 143 62 18 shade: RGB 143 62 18, RGB 126 44 0, RGB 109 26 0, RGB 92 8 0 and RGB 75 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 143 62 18 shade: RGB 145 62 17, RGB 145 28 17 and RGB 145 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 143 62 18 shade: RGB 145 62 17, RGB 145 97 17, RGB 145 131 17, RGB 124 145 17 and RGB 90 145 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 143 62 18 shade matches the following richer shades: RGB 145 62 17 and RGB 158 58 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 143 62 18 shade: RGB 145 62 17, RGB 132 66 31, RGB 118 70 44, RGB 105 74 57 and RGB 92 78 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 143 62 18 shade: RGB 145 17 41, RGB 145 28 17, RGB 145 62 17, RGB 145 96 17 and RGB 145 130 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 143 62 18 shade: RGB 71 31 8, RGB 108 46 13, RGB 145 62 17, RGB 181 78 22 and RGB 218 94 27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 143 62 18 shade: RGB 143 62 18, RGB 75 145 17 and RGB 17 24 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 143 62 18 shade: RGB 143 62 18, RGB 17 145 62 and RGB 62 17 145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 143 62 18 shade: RGB 143 62 18, RGB 75 145 17, RGB 17 100 145 and RGB 87 17 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 143 62 18 shade: RGB 143 62 18, RGB 37 145 17, RGB 17 100 145 and RGB 126 17 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 87 / 44

HEX #8F3E12

RGB 143 62 18

HSL 21.12, 0.78%, 0.32%

LAB 36.61, 31.9, 40.92

 

Complementary color

CMYK 53 / 19 / 0 / 7

HEX #70C1ED

RGB 112 193 237

HSL 201.12, 0.78%, 0.68%

LAB 74.63, -12.76, -29.44

 

CMYK 0 / 58 / 91 / 42

HEX #943E0D

RGB 148 62 13

HSL 21.78, 0.84%, 0.32%

LAB 37.43, 33.82, 43.87

 

CMYK 0 / 52 / 81 / 35

HEX #A55020

RGB 165 80 32

HSL 21.65, 0.68%, 0.39%

LAB 44, 31.89, 42.68

 

CMYK 0 / 46 / 72 / 29

HEX #B66233

RGB 182 98 51

HSL 21.53, 0.56%, 0.46%

LAB 50.59, 30.11, 40.86

 

CMYK 0 / 42 / 65 / 22

HEX #C77446

RGB 199 116 70

HSL 21.4, 0.54%, 0.53%

LAB 57.15, 28.52, 38.98

 

CMYK 0 / 38 / 59 / 15

HEX #D88659

RGB 216 134 89

HSL 21.26, 0.62%, 0.6%

LAB 63.65, 27.11, 37.2

 

CMYK 0 / 57 / 87 / 44

HEX #8F3E12

RGB 143 62 18

HSL 21.12, 0.78%, 0.32%

LAB 36.61, 31.9, 40.92

 

CMYK 0 / 65 / 100 / 51

HEX #7E2C00

RGB 126 44 0

HSL 20.95, 1%, 0.25%

LAB 30, 33.79, 41.67

 

CMYK 0 / 76 / 100 / 57

HEX #6D1A00

RGB 109 26 0

HSL 14.31, 1%, 0.21%

LAB 23.64, 35.44, 34.77

 

CMYK 0 / 91 / 100 / 64

HEX #5C0800

RGB 92 8 0

HSL 5.22, 1%, 0.18%

LAB 17.69, 35.69, 27.13

 

CMYK 0 / 100 / 100 / 71

HEX #4B0000

RGB 75 0 0

HSL 0, 1%, 0.15%

LAB 12.58, 33.07, 19.75

 

CMYK 0 / 57 / 88 / 43

HEX #913E11

RGB 145 62 17

HSL 21.09, 0.79%, 0.32%

LAB 36.94, 32.69, 41.75

 

CMYK 0 / 81 / 88 / 43

HEX #911C11

RGB 145 28 17

HSL 5.16, 0.79%, 0.32%

LAB 31.56, 47.19, 37.27

 

CMYK 0 / 88 / 88 / 43

HEX #911111

RGB 145 17 17

HSL 0, 0.79%, 0.32%

LAB 30.55, 50.05, 36.42

 

CMYK 0 / 57 / 88 / 43

HEX #913E11

RGB 145 62 17

HSL 21.09, 0.79%, 0.32%

LAB 36.94, 32.69, 41.75

 

CMYK 0 / 33 / 88 / 43

HEX #916111

RGB 145 97 17

HSL 37.5, 0.79%, 0.32%

LAB 45.09, 13.04, 48.46

 

CMYK 0 / 10 / 88 / 43

HEX #918311

RGB 145 131 17

HSL 53.44, 0.79%, 0.32%

LAB 54.34, -6.3, 56

 

CMYK 14 / 0 / 88 / 43

HEX #7C9111

RGB 124 145 17

HSL 69.84, 0.79%, 0.32%

LAB 56.66, -23.22, 57.18

 

CMYK 38 / 0 / 88 / 43

HEX #5A9111

RGB 90 145 17

HSL 85.78, 0.79%, 0.32%

LAB 54.52, -37.14, 54.52

 

CMYK 0 / 57 / 88 / 43

HEX #913E11

RGB 145 62 17

HSL 21.09, 0.79%, 0.32%

LAB 36.94, 32.69, 41.75

 

CMYK 0 / 63 / 97 / 38

HEX #9E3A04

RGB 158 58 4

HSL 21.04, 0.95%, 0.32%

LAB 38.38, 39.56, 48.29

 

CMYK 0 / 57 / 88 / 43

HEX #913E11

RGB 145 62 17

HSL 21.09, 0.79%, 0.32%

LAB 36.94, 32.69, 41.75

 

CMYK 0 / 50 / 77 / 48

HEX #84421F

RGB 132 66 31

HSL 20.79, 0.62%, 0.32%

LAB 35.79, 25.56, 33.24

 

CMYK 0 / 41 / 63 / 54

HEX #76462C

RGB 118 70 44

HSL 21.08, 0.46%, 0.32%

LAB 34.83, 17.86, 24.21

 

CMYK 0 / 30 / 46 / 59

HEX #694A39

RGB 105 74 57

HSL 21.25, 0.3%, 0.32%

LAB 34.39, 10.82, 15.36

 

CMYK 0 / 15 / 24 / 64

HEX #5C4E46

RGB 92 78 70

HSL 21.82, 0.14%, 0.32%

LAB 34.33, 4.4, 6.89

 

CMYK 0 / 88 / 72 / 43

HEX #911129

RGB 145 17 41

HSL 348.75, 0.79%, 0.32%

LAB 30.83, 50.89, 22.27

 

CMYK 0 / 81 / 88 / 43

HEX #911C11

RGB 145 28 17

HSL 5.16, 0.79%, 0.32%

LAB 31.56, 47.19, 37.27

 

CMYK 0 / 57 / 88 / 43

HEX #913E11

RGB 145 62 17

HSL 21.09, 0.79%, 0.32%

LAB 36.94, 32.69, 41.75

 

CMYK 0 / 34 / 88 / 43

HEX #916011

RGB 145 96 17

HSL 37.03, 0.79%, 0.32%

LAB 44.84, 13.62, 48.25

 

CMYK 0 / 10 / 88 / 43

HEX #918211

RGB 145 130 17

HSL 52.97, 0.79%, 0.32%

LAB 54.05, -5.75, 55.77

 

CMYK 0 / 56 / 89 / 72

HEX #471F08

RGB 71 31 8

HSL 21.9, 0.8%, 0.15%

LAB 17.17, 17.35, 22.22

 

CMYK 0 / 57 / 88 / 58

HEX #6C2E0D

RGB 108 46 13

HSL 20.84, 0.79%, 0.24%

LAB 27.22, 25.61, 32.66

 

CMYK 0 / 57 / 88 / 43

HEX #913E11

RGB 145 62 17

HSL 21.09, 0.79%, 0.32%

LAB 36.94, 32.69, 41.75

 

CMYK 0 / 57 / 88 / 29

HEX #B54E16

RGB 181 78 22

HSL 21.13, 0.78%, 0.4%

LAB 46.08, 39.05, 49.73

 

CMYK 0 / 57 / 88 / 15

HEX #DA5E1B

RGB 218 94 27

HSL 21.05, 0.78%, 0.48%

LAB 55.06, 45.52, 57.57

 

CMYK 0 / 57 / 87 / 44

HEX #8F3E12

RGB 143 62 18

HSL 21.12, 0.78%, 0.32%

LAB 36.61, 31.9, 40.92

 

CMYK 48 / 0 / 88 / 43

HEX #4B9111

RGB 75 145 17

HSL 92.81, 0.79%, 0.32%

LAB 53.8, -42.4, 53.62

 

CMYK 88 / 83 / 0 / 43

HEX #111891

RGB 17 24 145

HSL 236.72, 0.79%, 0.32%

LAB 19.29, 43.22, -64.85

 

CMYK 0 / 57 / 87 / 44

HEX #8F3E12

RGB 143 62 18

HSL 21.12, 0.78%, 0.32%

LAB 36.61, 31.9, 40.92

 

CMYK 88 / 0 / 57 / 43

HEX #11913E

RGB 17 145 62

HSL 141.09, 0.79%, 0.32%

LAB 52.64, -50.54, 34.7

 

CMYK 57 / 88 / 0 / 43

HEX #3E1191

RGB 62 17 145

HSL 261.09, 0.79%, 0.32%

LAB 21.83, 49.44, -60.53

 

CMYK 0 / 57 / 87 / 44

HEX #8F3E12

RGB 143 62 18

HSL 21.12, 0.78%, 0.32%

LAB 36.61, 31.9, 40.92

 

CMYK 48 / 0 / 88 / 43

HEX #4B9111

RGB 75 145 17

HSL 92.81, 0.79%, 0.32%

LAB 53.8, -42.4, 53.62

 

CMYK 88 / 31 / 0 / 43

HEX #116491

RGB 17 100 145

HSL 201.09, 0.79%, 0.32%

LAB 40.04, -6.32, -31.22

 

CMYK 40 / 88 / 0 / 43

HEX #571191

RGB 87 17 145

HSL 272.81, 0.79%, 0.32%

LAB 25.17, 52.45, -54.92

 

CMYK 0 / 57 / 87 / 44

HEX #8F3E12

RGB 143 62 18

HSL 21.12, 0.78%, 0.32%

LAB 36.61, 31.9, 40.92

 

CMYK 74 / 0 / 88 / 43

HEX #259111

RGB 37 145 17

HSL 110.63, 0.79%, 0.32%

LAB 52.6, -52.12, 52.11

 

CMYK 88 / 31 / 0 / 43

HEX #116491

RGB 17 100 145

HSL 201.09, 0.79%, 0.32%

LAB 40.04, -6.32, -31.22

 

CMYK 13 / 88 / 0 / 43

HEX #7E1191

RGB 126 17 145

HSL 291.09, 0.79%, 0.32%

LAB 31.53, 58.64, -44.29

 

Description

Color code: RGB 143 62 18 | qconv.com Color code: RGB 143 62 18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 62 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 62 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 87 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 87% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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