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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 149 85 146 it is the complementary color RGB 106 170 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 149 85 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 149 85 146 shade: RGB 154 85 141, RGB 171 103 160, RGB 188 121 179, RGB 205 139 198 and RGB 222 157 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 149 85 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 149 85 146 shade: RGB 149 85 146, RGB 132 67 127, RGB 115 49 108, RGB 98 31 89 and RGB 81 13 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 149 85 146 shade: RGB 148 85 146, RGB 148 85 128, RGB 148 85 111, RGB 148 85 94 and RGB 148 85 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 149 85 146 shade: RGB 148 85 146, RGB 134 85 148, RGB 117 85 148, RGB 100 85 148 and RGB 85 85 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 149 85 146 shade matches the following richer shades: RGB 148 85 146, RGB 167 66 163, RGB 186 47 180, RGB 205 28 197 and RGB 224 9 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 149 85 146 shade: RGB 148 85 146, RGB 129 104 128, RGB 111 123 111, RGB 92 142 94 and RGB 73 161 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 149 85 146 shade: RGB 117 85 148, RGB 134 85 148, RGB 148 85 146, RGB 148 85 129 and RGB 148 85 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 149 85 146 shade: RGB 96 55 94, RGB 122 70 120, RGB 148 85 146, RGB 169 106 166 and RGB 184 132 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 149 85 146 shade: RGB 149 85 146, RGB 148 100 85 and RGB 85 148 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 149 85 146 shade: RGB 149 85 146, RGB 146 148 85 and RGB 85 146 148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 149 85 146 shade: RGB 149 85 146, RGB 148 100 85, RGB 85 148 87 and RGB 85 134 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 149 85 146 shade: RGB 149 85 146, RGB 148 119 85, RGB 85 148 87 and RGB 85 115 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 2 / 42

HEX #955592

RGB 149 85 146

HSL 302.81, 0.27%, 0.46%

LAB 45.58, 36.02, -22.48

 

Complementary color

CMYK 38 / 0 / 36 / 33

HEX #6AAA6D

RGB 106 170 109

HSL 122.81, 0.27%, 0.54%

LAB 64.09, -33.3, 25.16

 

CMYK 0 / 45 / 8 / 40

HEX #9A558D

RGB 154 85 141

HSL 311.3, 0.29%, 0.47%

LAB 46.03, 36.73, -18.74

 

CMYK 0 / 40 / 6 / 33

HEX #AB67A0

RGB 171 103 160

HSL 309.71, 0.29%, 0.54%

LAB 52.84, 35.95, -19.38

 

CMYK 0 / 36 / 5 / 26

HEX #BC79B3

RGB 188 121 179

HSL 308.06, 0.33%, 0.61%

LAB 59.54, 35.18, -19.93

 

CMYK 0 / 32 / 3 / 20

HEX #CD8BC6

RGB 205 139 198

HSL 306.36, 0.4%, 0.67%

LAB 66.15, 34.44, -20.42

 

CMYK 0 / 29 / 2 / 13

HEX #DE9DD9

RGB 222 157 217

HSL 304.62, 0.5%, 0.74%

LAB 72.66, 33.74, -20.87

 

CMYK 0 / 43 / 2 / 42

HEX #955592

RGB 149 85 146

HSL 302.81, 0.27%, 0.46%

LAB 45.58, 36.02, -22.48

 

CMYK 0 / 49 / 4 / 48

HEX #84437F

RGB 132 67 127

HSL 304.62, 0.33%, 0.39%

LAB 38.64, 36.78, -21.87

 

CMYK 0 / 57 / 6 / 55

HEX #73316C

RGB 115 49 108

HSL 306.36, 0.4%, 0.32%

LAB 31.63, 37.42, -21.05

 

CMYK 0 / 68 / 9 / 62

HEX #621F59

RGB 98 31 89

HSL 308.06, 0.52%, 0.25%

LAB 24.63, 37.69, -19.86

 

CMYK 0 / 84 / 14 / 68

HEX #510D46

RGB 81 13 70

HSL 309.71, 0.72%, 0.18%

LAB 17.83, 36.98, -17.91

 

CMYK 0 / 43 / 1 / 42

HEX #945592

RGB 148 85 146

HSL 301.9, 0.27%, 0.46%

LAB 45.45, 35.7, -22.69

 

CMYK 0 / 43 / 14 / 42

HEX #945580

RGB 148 85 128

HSL 319.05, 0.27%, 0.46%

LAB 44.73, 32.4, -12.95

 

CMYK 0 / 43 / 25 / 42

HEX #94556F

RGB 148 85 111

HSL 335.24, 0.27%, 0.46%

LAB 44.15, 29.62, -3.49

 

CMYK 0 / 43 / 36 / 42

HEX #94555E

RGB 148 85 94

HSL 351.43, 0.27%, 0.46%

LAB 43.66, 27.21, 6.19

 

CMYK 0 / 43 / 43 / 42

HEX #945555

RGB 148 85 85

HSL 0, 0.27%, 0.46%

LAB 43.43, 26.1, 11.37

 

CMYK 0 / 43 / 1 / 42

HEX #945592

RGB 148 85 146

HSL 301.9, 0.27%, 0.46%

LAB 45.45, 35.7, -22.69

 

CMYK 9 / 43 / 0 / 42

HEX #865594

RGB 134 85 148

HSL 286.67, 0.27%, 0.46%

LAB 43.8, 31.6, -26.58

 

CMYK 21 / 43 / 0 / 42

HEX #755594

RGB 117 85 148

HSL 270.48, 0.27%, 0.46%

LAB 41.87, 26.23, -29.74

 

CMYK 32 / 43 / 0 / 42

HEX #645594

RGB 100 85 148

HSL 254.29, 0.27%, 0.46%

LAB 40.15, 21.06, -32.56

 

CMYK 43 / 43 / 0 / 42

HEX #555594

RGB 85 85 148

HSL 240, 0.27%, 0.46%

LAB 38.84, 16.8, -34.72

 

CMYK 0 / 43 / 1 / 42

HEX #945592

RGB 148 85 146

HSL 301.9, 0.27%, 0.46%

LAB 45.45, 35.7, -22.69

 

CMYK 0 / 60 / 2 / 35

HEX #A742A3

RGB 167 66 163

HSL 302.38, 0.43%, 0.46%

LAB 45.3, 53.97, -32.87

 

CMYK 0 / 75 / 3 / 27

HEX #BA2FB4

RGB 186 47 180

HSL 302.59, 0.6%, 0.46%

LAB 46.67, 68.43, -40.56

 

CMYK 0 / 86 / 4 / 20

HEX #CD1CC5

RGB 205 28 197

HSL 302.71, 0.76%, 0.46%

LAB 49.3, 79.18, -46.1

 

CMYK 0 / 96 / 4 / 12

HEX #E009D6

RGB 224 9 214

HSL 302.79, 0.92%, 0.46%

LAB 52.84, 87.05, -50.05

 

CMYK 0 / 43 / 1 / 42

HEX #945592

RGB 148 85 146

HSL 301.9, 0.27%, 0.46%

LAB 45.45, 35.7, -22.69

 

CMYK 0 / 19 / 1 / 49

HEX #816880

RGB 129 104 128

HSL 302.4, 0.11%, 0.46%

LAB 47.14, 14.44, -9.54

 

CMYK 10 / 0 / 10 / 52

HEX #6F7B6F

RGB 111 123 111

HSL 120, 0.05%, 0.46%

LAB 50.33, -6.92, 5.04

 

CMYK 35 / 0 / 34 / 44

HEX #5C8E5E

RGB 92 142 94

HSL 122.4, 0.21%, 0.46%

LAB 54.48, -27.1, 20.4

 

CMYK 55 / 0 / 52 / 37

HEX #49A14D

RGB 73 161 77

HSL 122.73, 0.38%, 0.46%

LAB 59.38, -44.14, 35.62

 

CMYK 21 / 43 / 0 / 42

HEX #755594

RGB 117 85 148

HSL 270.48, 0.27%, 0.46%

LAB 41.87, 26.23, -29.74

 

CMYK 9 / 43 / 0 / 42

HEX #865594

RGB 134 85 148

HSL 286.67, 0.27%, 0.46%

LAB 43.8, 31.6, -26.58

 

CMYK 0 / 43 / 1 / 42

HEX #945592

RGB 148 85 146

HSL 301.9, 0.27%, 0.46%

LAB 45.45, 35.7, -22.69

 

CMYK 0 / 43 / 13 / 42

HEX #945581

RGB 148 85 129

HSL 318.1, 0.27%, 0.46%

LAB 44.77, 32.57, -13.5

 

CMYK 0 / 43 / 24 / 42

HEX #945571

RGB 148 85 113

HSL 333.33, 0.27%, 0.46%

LAB 44.21, 29.93, -4.62

 

CMYK 0 / 43 / 2 / 62

HEX #60375E

RGB 96 55 94

HSL 302.93, 0.27%, 0.3%

LAB 29.48, 24.99, -15.63

 

CMYK 0 / 43 / 2 / 52

HEX #7A4678

RGB 122 70 120

HSL 302.31, 0.27%, 0.38%

LAB 37.62, 30.46, -19.24

 

CMYK 0 / 43 / 1 / 42

HEX #945592

RGB 148 85 146

HSL 301.9, 0.27%, 0.46%

LAB 45.45, 35.7, -22.69

 

CMYK 0 / 37 / 2 / 34

HEX #A96AA6

RGB 169 106 166

HSL 302.86, 0.27%, 0.54%

LAB 53.49, 34.75, -21.9

 

CMYK 0 / 28 / 1 / 28

HEX #B884B6

RGB 184 132 182

HSL 302.31, 0.27%, 0.62%

LAB 61.71, 28.33, -18.37

 

CMYK 0 / 43 / 2 / 42

HEX #955592

RGB 149 85 146

HSL 302.81, 0.27%, 0.46%

LAB 45.58, 36.02, -22.48

 

CMYK 0 / 32 / 43 / 42

HEX #946455

RGB 148 100 85

HSL 14.29, 0.27%, 0.46%

LAB 47.06, 17.48, 16.36

 

CMYK 43 / 0 / 16 / 42

HEX #55947D

RGB 85 148 125

HSL 158.1, 0.27%, 0.46%

LAB 56.68, -25.92, 5.85

 

CMYK 0 / 43 / 2 / 42

HEX #955592

RGB 149 85 146

HSL 302.81, 0.27%, 0.46%

LAB 45.58, 36.02, -22.48

 

CMYK 1 / 0 / 43 / 42

HEX #929455

RGB 146 148 85

HSL 61.9, 0.27%, 0.46%

LAB 59.84, -10.5, 32.99

 

CMYK 43 / 1 / 0 / 42

HEX #559294

RGB 85 146 148

HSL 181.9, 0.27%, 0.46%

LAB 56.71, -19.17, -7.26

 

CMYK 0 / 43 / 2 / 42

HEX #955592

RGB 149 85 146

HSL 302.81, 0.27%, 0.46%

LAB 45.58, 36.02, -22.48

 

CMYK 0 / 32 / 43 / 42

HEX #946455

RGB 148 100 85

HSL 14.29, 0.27%, 0.46%

LAB 47.06, 17.48, 16.36

 

CMYK 43 / 0 / 41 / 42

HEX #559457

RGB 85 148 87

HSL 121.9, 0.27%, 0.46%

LAB 55.89, -33.45, 26.06

 

CMYK 43 / 9 / 0 / 42

HEX #558694

RGB 85 134 148

HSL 193.33, 0.27%, 0.46%

LAB 53.08, -12.68, -12.7

 

CMYK 0 / 43 / 2 / 42

HEX #955592

RGB 149 85 146

HSL 302.81, 0.27%, 0.46%

LAB 45.58, 36.02, -22.48

 

CMYK 0 / 20 / 43 / 42

HEX #947755

RGB 148 119 85

HSL 32.38, 0.27%, 0.46%

LAB 52, 6.5, 22.97

 

CMYK 43 / 0 / 41 / 42

HEX #559457

RGB 85 148 87

HSL 121.9, 0.27%, 0.46%

LAB 55.89, -33.45, 26.06

 

CMYK 43 / 22 / 0 / 42

HEX #557394

RGB 85 115 148

HSL 211.43, 0.27%, 0.46%

LAB 47.41, -1.77, -21.35

 

Description

Color code: RGB 149 85 146 | qconv.com Color code: RGB 149 85 146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 85 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 85 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 2 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 2% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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