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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 151 127 94 it is the complementary color RGB 104 128 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 151 127 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 151 127 94 shade: RGB 156 127 89, RGB 173 145 108, RGB 190 163 127, RGB 207 181 146 and RGB 224 199 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 151 127 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 151 127 94 shade: RGB 151 127 94, RGB 134 109 75, RGB 117 91 56, RGB 100 73 37 and RGB 83 55 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 151 127 94 shade: RGB 150 126 94, RGB 150 111 94, RGB 150 96 94 and RGB 150 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 151 127 94 shade: RGB 150 126 94, RGB 150 142 94, RGB 143 150 94, RGB 128 150 94 and RGB 113 150 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 151 127 94 shade matches the following richer shades: RGB 150 126 94, RGB 170 129 74, RGB 190 133 54, RGB 209 136 34 and RGB 229 139 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 151 127 94 shade: RGB 150 126 94, RGB 130 123 114, RGB 110 120 133, RGB 91 117 153 and RGB 71 114 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 151 127 94 shade: RGB 150 96 94, RGB 150 111 94, RGB 150 126 94, RGB 150 141 94 and RGB 144 150 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 151 127 94 shade: RGB 99 84 62, RGB 125 105 78, RGB 150 126 94, RGB 168 147 117 and RGB 184 166 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 151 127 94 shade: RGB 151 127 94, RGB 107 150 94 and RGB 103 94 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 151 127 94 shade: RGB 151 127 94, RGB 94 150 126 and RGB 126 94 150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 151 127 94 shade: RGB 151 127 94, RGB 107 150 94, RGB 94 118 150 and RGB 137 94 150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 151 127 94 shade: RGB 151 127 94, RGB 94 150 98, RGB 94 118 150 and RGB 150 94 146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 38 / 41

HEX #977F5E

RGB 151 127 94

HSL 34.74, 0.23%, 0.48%

LAB 54.62, 4.31, 21.38

 

Complementary color

CMYK 35 / 20 / 0 / 37

HEX #6880A1

RGB 104 128 161

HSL 214.74, 0.23%, 0.52%

LAB 52.9, -0.28, -20.41

 

CMYK 0 / 19 / 43 / 39

HEX #9C7F59

RGB 156 127 89

HSL 34.03, 0.27%, 0.48%

LAB 55.04, 5.84, 24.85

 

CMYK 0 / 16 / 38 / 32

HEX #AD916C

RGB 173 145 108

HSL 34.15, 0.28%, 0.55%

LAB 61.84, 5.16, 23.57

 

CMYK 0 / 14 / 33 / 25

HEX #BEA37F

RGB 190 163 127

HSL 34.29, 0.33%, 0.62%

LAB 68.51, 4.58, 22.38

 

CMYK 0 / 13 / 29 / 19

HEX #CFB592

RGB 207 181 146

HSL 34.43, 0.39%, 0.69%

LAB 75.07, 4.09, 21.29

 

CMYK 0 / 11 / 26 / 12

HEX #E0C7A5

RGB 224 199 165

HSL 34.58, 0.49%, 0.76%

LAB 81.52, 3.66, 20.26

 

CMYK 0 / 16 / 38 / 41

HEX #977F5E

RGB 151 127 94

HSL 34.74, 0.23%, 0.48%

LAB 54.62, 4.31, 21.38

 

CMYK 0 / 19 / 44 / 47

HEX #866D4B

RGB 134 109 75

HSL 34.58, 0.28%, 0.41%

LAB 47.64, 5, 22.7

RGB 134 109 75

CMYK 0 / 22 / 52 / 54

HEX #755B38

RGB 117 91 56

HSL 34.43, 0.35%, 0.34%

LAB 40.49, 5.87, 24.15

RGB 117 91 56

CMYK 0 / 27 / 63 / 61

HEX #644925

RGB 100 73 37

HSL 34.29, 0.46%, 0.27%

LAB 33.15, 7, 25.72

RGB 100 73 37

CMYK 0 / 34 / 78 / 67

HEX #533712

RGB 83 55 18

HSL 34.15, 0.64%, 0.2%

LAB 25.61, 8.53, 27.26

RGB 83 55 18

CMYK 0 / 16 / 37 / 41

HEX #967E5E

RGB 150 126 94

HSL 34.29, 0.23%, 0.48%

LAB 54.25, 4.45, 20.87

 

CMYK 0 / 26 / 37 / 41

HEX #966F5E

RGB 150 111 94

HSL 18.21, 0.23%, 0.48%

LAB 50.29, 13.06, 15.5

 

CMYK 0 / 36 / 37 / 41

HEX #96605E

RGB 150 96 94

HSL 2.14, 0.23%, 0.48%

LAB 46.52, 21.73, 10.28

 

CMYK 0 / 37 / 37 / 41

HEX #965E5E

RGB 150 94 94

HSL 0, 0.23%, 0.48%

LAB 46.04, 22.88, 9.6

 

CMYK 0 / 16 / 37 / 41

HEX #967E5E

RGB 150 126 94

HSL 34.29, 0.23%, 0.48%

LAB 54.25, 4.45, 20.87

 

CMYK 0 / 5 / 37 / 41

HEX #968E5E

RGB 150 142 94

HSL 51.43, 0.23%, 0.48%

LAB 58.64, -4.5, 26.67

 

CMYK 5 / 0 / 37 / 41

HEX #8F965E

RGB 143 150 94

HSL 67.5, 0.23%, 0.48%

LAB 60.3, -11.75, 28.71

 

CMYK 15 / 0 / 37 / 41

HEX #80965E

RGB 128 150 94

HSL 83.57, 0.23%, 0.48%

LAB 59.17, -17.8, 27.02

 

CMYK 25 / 0 / 37 / 41

HEX #71965E

RGB 113 150 94

HSL 99.64, 0.23%, 0.48%

LAB 58.16, -23.58, 25.51

 

CMYK 0 / 16 / 37 / 41

HEX #967E5E

RGB 150 126 94

HSL 34.29, 0.23%, 0.48%

LAB 54.25, 4.45, 20.87

 

CMYK 0 / 24 / 56 / 33

HEX #AA814A

RGB 170 129 74

HSL 34.38, 0.39%, 0.48%

LAB 56.82, 9.28, 35.62

 

CMYK 0 / 30 / 72 / 25

HEX #BE8536

RGB 190 133 54

HSL 34.85, 0.56%, 0.48%

LAB 59.88, 14.46, 49.59

 

CMYK 0 / 35 / 84 / 18

HEX #D18822

RGB 209 136 34

HSL 34.97, 0.72%, 0.48%

LAB 62.74, 20.29, 61.01

 

CMYK 0 / 39 / 93 / 10

HEX #E58B0F

RGB 229 139 15

HSL 34.77, 0.88%, 0.48%

LAB 65.87, 26.83, 69.33

 

CMYK 0 / 16 / 37 / 41

HEX #967E5E

RGB 150 126 94

HSL 34.29, 0.23%, 0.48%

LAB 54.25, 4.45, 20.87

 

CMYK 0 / 5 / 12 / 49

HEX #827B72

RGB 130 123 114

HSL 33.75, 0.07%, 0.48%

LAB 51.98, 1, 5.87

 

CMYK 17 / 10 / 0 / 48

HEX #6E7885

RGB 110 120 133

HSL 213.91, 0.09%, 0.48%

LAB 50.03, -0.8, -8.36

 

CMYK 41 / 24 / 0 / 40

HEX #5B7599

RGB 91 117 153

HSL 214.84, 0.25%, 0.48%

LAB 48.57, 0.19, -22.47

 

CMYK 59 / 34 / 0 / 32

HEX #4772AD

RGB 71 114 173

HSL 214.71, 0.42%, 0.48%

LAB 47.48, 3.35, -35.96

 

CMYK 0 / 36 / 37 / 41

HEX #96605E

RGB 150 96 94

HSL 2.14, 0.23%, 0.48%

LAB 46.52, 21.73, 10.28

 

CMYK 0 / 26 / 37 / 41

HEX #966F5E

RGB 150 111 94

HSL 18.21, 0.23%, 0.48%

LAB 50.29, 13.06, 15.5

 

CMYK 0 / 16 / 37 / 41

HEX #967E5E

RGB 150 126 94

HSL 34.29, 0.23%, 0.48%

LAB 54.25, 4.45, 20.87

 

CMYK 0 / 6 / 37 / 41

HEX #968D5E

RGB 150 141 94

HSL 50.36, 0.23%, 0.48%

LAB 58.36, -3.95, 26.3

 

CMYK 4 / 0 / 37 / 41

HEX #90965E

RGB 144 150 94

HSL 66.43, 0.23%, 0.48%

LAB 60.38, -11.34, 28.83

 

CMYK 0 / 15 / 37 / 61

HEX #63543E

RGB 99 84 62

HSL 35.68, 0.23%, 0.32%

LAB 36.63, 2.59, 15.17

 

CMYK 0 / 16 / 38 / 51

HEX #7D694E

RGB 125 105 78

HSL 34.47, 0.23%, 0.4%

LAB 45.65, 3.76, 18.15

 

CMYK 0 / 16 / 37 / 41

HEX #967E5E

RGB 150 126 94

HSL 34.29, 0.23%, 0.48%

LAB 54.25, 4.45, 20.87

 

CMYK 0 / 13 / 30 / 34

HEX #A89375

RGB 168 147 117

HSL 35.29, 0.23%, 0.56%

LAB 62.06, 3.17, 18.78

 

CMYK 0 / 10 / 23 / 28

HEX #B8A68E

RGB 184 166 142

HSL 34.29, 0.23%, 0.64%

LAB 69.05, 2.66, 14.81

 

CMYK 0 / 16 / 38 / 41

HEX #977F5E

RGB 151 127 94

HSL 34.74, 0.23%, 0.48%

LAB 54.62, 4.31, 21.38

 

CMYK 29 / 0 / 37 / 41

HEX #6B965E

RGB 107 150 94

HSL 106.07, 0.23%, 0.48%

LAB 57.8, -25.78, 24.96

 

CMYK 31 / 37 / 0 / 41

HEX #675E96

RGB 103 94 150

HSL 249.64, 0.23%, 0.48%

LAB 42.9, 16.93, -29.43

 

CMYK 0 / 16 / 38 / 41

HEX #977F5E

RGB 151 127 94

HSL 34.74, 0.23%, 0.48%

LAB 54.62, 4.31, 21.38

 

CMYK 37 / 0 / 16 / 41

HEX #5E967E

RGB 94 150 126

HSL 154.29, 0.23%, 0.48%

LAB 57.75, -24.06, 6.88

 

CMYK 16 / 37 / 0 / 41

HEX #7E5E96

RGB 126 94 150

HSL 274.29, 0.23%, 0.48%

LAB 45.14, 24.19, -25.77

 

CMYK 0 / 16 / 38 / 41

HEX #977F5E

RGB 151 127 94

HSL 34.74, 0.23%, 0.48%

LAB 54.62, 4.31, 21.38

 

CMYK 29 / 0 / 37 / 41

HEX #6B965E

RGB 107 150 94

HSL 106.07, 0.23%, 0.48%

LAB 57.8, -25.78, 24.96

 

CMYK 37 / 21 / 0 / 41

HEX #5E7696

RGB 94 118 150

HSL 214.29, 0.23%, 0.48%

LAB 48.93, -0.39, -20.13

 

CMYK 9 / 37 / 0 / 41

HEX #895E96

RGB 137 94 150

HSL 286.07, 0.23%, 0.48%

LAB 46.35, 27.79, -23.8

 

CMYK 0 / 16 / 38 / 41

HEX #977F5E

RGB 151 127 94

HSL 34.74, 0.23%, 0.48%

LAB 54.62, 4.31, 21.38

 

CMYK 37 / 0 / 35 / 41

HEX #5E9662

RGB 94 150 98

HSL 124.29, 0.23%, 0.48%

LAB 57.15, -29.62, 21.78

 

CMYK 37 / 21 / 0 / 41

HEX #5E7696

RGB 94 118 150

HSL 214.29, 0.23%, 0.48%

LAB 48.93, -0.39, -20.13

 

CMYK 0 / 37 / 3 / 41

HEX #965E92

RGB 150 94 146

HSL 304.29, 0.23%, 0.48%

LAB 47.71, 31.32, -19.2

 

Description

Color code: RGB 151 127 94 | qconv.com Color code: RGB 151 127 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 127 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 127 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 38 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 38% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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