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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 155 213 16 it is the complementary color RGB 100 42 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 155 213 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 155 213 16 shade: RGB 160 213 11, RGB 177 231 30, RGB 194 249 49, RGB 211 255 68 and RGB 228 255 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 155 213 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 155 213 16 shade: RGB 155 213 16, RGB 138 195 0, RGB 121 177 0, RGB 104 159 0 and RGB 87 141 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 155 213 16 shade: RGB 155 213 16, RGB 208 213 16, RGB 213 165 16, RGB 213 111 16 and RGB 213 58 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 155 213 16 shade: RGB 155 213 16, RGB 102 213 16, RGB 48 213 16, RGB 16 213 36 and RGB 16 213 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 155 213 16 shade matches the following richer shades: RGB 155 213 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 155 213 16 shade: RGB 155 213 16, RGB 147 194 34, RGB 140 176 53, RGB 132 157 71 and RGB 124 139 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 155 213 16 shade: RGB 213 164 16, RGB 210 213 16, RGB 157 213 16, RGB 104 213 16 and RGB 52 213 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 155 213 16 shade: RGB 99 136 10, RGB 127 175 13, RGB 155 213 16, RGB 177 238 32 and RGB 191 241 70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 155 213 16 shade: RGB 155 213 16, RGB 16 213 111 and RGB 190 16 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 155 213 16 shade: RGB 155 213 16, RGB 16 157 213 and RGB 213 16 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 155 213 16 shade: RGB 155 213 16, RGB 16 213 111, RGB 71 16 213 and RGB 213 16 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 155 213 16 shade: RGB 155 213 16, RGB 16 213 170, RGB 71 16 213 and RGB 213 16 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 92 / 16

HEX #9BD510

RGB 155 213 16

HSL 77.66, 0.86%, 0.45%

LAB 78.81, -42.24, 76.16

 

Complementary color

CMYK 58 / 82 / 0 / 6

HEX #642AEF

RGB 100 42 239

HSL 257.66, 0.86%, 0.55%

LAB 38.89, 68.81, -87.73

 

CMYK 25 / 0 / 95 / 16

HEX #A0D50B

RGB 160 213 11

HSL 75.74, 0.9%, 0.44%

LAB 79.09, -40.4, 77.06

 

CMYK 23 / 0 / 87 / 9

HEX #B1E71E

RGB 177 231 30

HSL 76.12, 0.81%, 0.51%

LAB 85.3, -41.4, 79.82

 

CMYK 22 / 0 / 80 / 2

HEX #C2F931

RGB 194 249 49

HSL 76.5, 0.94%, 0.58%

LAB 91.43, -42.23, 81.36

 

CMYK 17 / 0 / 73 / 0

HEX #D3FF44

RGB 211 255 68

HSL 74.12, 1%, 0.63%

LAB 94.22, -37.61, 78.92

 

CMYK 11 / 0 / 66 / 0

HEX #E4FF57

RGB 228 255 87

HSL 69.64, 1%, 0.67%

LAB 95.46, -30.01, 73.96

 

CMYK 27 / 0 / 92 / 16

HEX #9BD510

RGB 155 213 16

HSL 77.66, 0.86%, 0.45%

LAB 78.81, -42.24, 76.16

 

CMYK 29 / 0 / 100 / 24

HEX #8AC300

RGB 138 195 0

HSL 77.54, 1%, 0.38%

LAB 72.52, -41.12, 72.51

 

CMYK 32 / 0 / 100 / 31

HEX #79B100

RGB 121 177 0

HSL 78.98, 1%, 0.35%

LAB 66.14, -39.77, 67.21

 

CMYK 35 / 0 / 100 / 38

HEX #689F00

RGB 104 159 0

HSL 80.75, 1%, 0.31%

LAB 59.65, -38.39, 61.8

 

CMYK 38 / 0 / 100 / 45

HEX #578D00

RGB 87 141 0

HSL 82.98, 1%, 0.28%

LAB 53.03, -36.97, 56.3

 

CMYK 27 / 0 / 92 / 16

HEX #9BD510

RGB 155 213 16

HSL 77.66, 0.86%, 0.45%

LAB 78.81, -42.24, 76.16

 

CMYK 2 / 0 / 92 / 16

HEX #D0D510

RGB 208 213 16

HSL 61.52, 0.86%, 0.45%

LAB 82.4, -20.77, 80.51

 

CMYK 0 / 23 / 92 / 16

HEX #D5A510

RGB 213 165 16

HSL 45.38, 0.86%, 0.45%

LAB 70.24, 6.03, 71.49

 

CMYK 0 / 48 / 92 / 16

HEX #D56F10

RGB 213 111 16

HSL 28.93, 0.86%, 0.45%

LAB 57.61, 34.91, 62.3

 

CMYK 0 / 73 / 92 / 16

HEX #D53A10

RGB 213 58 16

HSL 12.79, 0.86%, 0.45%

LAB 48.52, 58.67, 56.11

 

CMYK 27 / 0 / 92 / 16

HEX #9BD510

RGB 155 213 16

HSL 77.66, 0.86%, 0.45%

LAB 78.81, -42.24, 76.16

 

CMYK 52 / 0 / 92 / 16

HEX #66D510

RGB 102 213 16

HSL 93.81, 0.86%, 0.45%

LAB 76.35, -60.02, 73.14

 

CMYK 77 / 0 / 92 / 16

HEX #30D510

RGB 48 213 16

HSL 110.25, 0.86%, 0.45%

LAB 74.99, -71.36, 71.46

 

CMYK 92 / 0 / 83 / 16

HEX #10D524

RGB 16 213 36

HSL 126.09, 0.86%, 0.45%

LAB 74.72, -73.56, 67.33

 

CMYK 92 / 0 / 58 / 16

HEX #10D559

RGB 16 213 89

HSL 142.23, 0.86%, 0.45%

LAB 75.09, -68.84, 48.44

 

CMYK 27 / 0 / 92 / 16

HEX #9BD510

RGB 155 213 16

HSL 77.66, 0.86%, 0.45%

LAB 78.81, -42.24, 76.16

 

CMYK 27 / 0 / 92 / 16

HEX #9BD510

RGB 155 213 16

HSL 77.66, 0.86%, 0.45%

LAB 78.81, -42.24, 76.16

 

CMYK 24 / 0 / 82 / 24

HEX #93C222

RGB 147 194 34

HSL 77.63, 0.7%, 0.45%

LAB 72.83, -36.45, 67.63

 

CMYK 20 / 0 / 70 / 31

HEX #8CB035

RGB 140 176 53

HSL 77.56, 0.54%, 0.45%

LAB 67.19, -29.96, 56.1

 

CMYK 16 / 0 / 55 / 38

HEX #849D47

RGB 132 157 71

HSL 77.44, 0.38%, 0.45%

LAB 61.2, -22.49, 41.52

 

CMYK 11 / 0 / 35 / 45

HEX #7C8B5A

RGB 124 139 90

HSL 78.37, 0.21%, 0.45%

LAB 55.57, -14.16, 24.45

 

CMYK 0 / 23 / 92 / 16

HEX #D5A410

RGB 213 164 16

HSL 45.08, 0.86%, 0.45%

LAB 69.99, 6.56, 71.31

 

CMYK 1 / 0 / 92 / 16

HEX #D2D510

RGB 210 213 16

HSL 60.91, 0.86%, 0.45%

LAB 82.55, -19.93, 80.7

 

CMYK 26 / 0 / 92 / 16

HEX #9DD510

RGB 157 213 16

HSL 77.06, 0.86%, 0.45%

LAB 78.92, -41.48, 76.3

 

CMYK 51 / 0 / 92 / 16

HEX #68D510

RGB 104 213 16

HSL 93.2, 0.86%, 0.45%

LAB 76.42, -59.45, 73.23

 

CMYK 76 / 0 / 92 / 16

HEX #34D510

RGB 52 213 16

HSL 109.04, 0.86%, 0.45%

LAB 75.05, -70.8, 71.54

 

CMYK 27 / 0 / 93 / 47

HEX #63880A

RGB 99 136 10

HSL 77.62, 0.86%, 0.29%

LAB 52.16, -29.69, 54.14

 

CMYK 27 / 0 / 93 / 31

HEX #7FAF0D

RGB 127 175 13

HSL 77.78, 0.86%, 0.37%

LAB 65.9, -36.33, 65.52

 

CMYK 27 / 0 / 92 / 16

HEX #9BD510

RGB 155 213 16

HSL 77.66, 0.86%, 0.45%

LAB 78.81, -42.24, 76.16

 

CMYK 26 / 0 / 87 / 7

HEX #B1EE20

RGB 177 238 32

HSL 77.77, 0.86%, 0.53%

LAB 87.29, -44.39, 81.11

 

CMYK 21 / 0 / 71 / 5

HEX #BFF146

RGB 191 241 70

HSL 77.54, 0.86%, 0.61%

LAB 89.12, -38.89, 72.9

 

CMYK 27 / 0 / 92 / 16

HEX #9BD510

RGB 155 213 16

HSL 77.66, 0.86%, 0.45%

LAB 78.81, -42.24, 76.16

 

CMYK 92 / 0 / 48 / 16

HEX #10D56F

RGB 16 213 111

HSL 148.93, 0.86%, 0.45%

LAB 75.36, -65.59, 38.31

 

CMYK 11 / 92 / 0 / 16

HEX #BE10D5

RGB 190 16 213

HSL 292.99, 0.86%, 0.45%

LAB 47.13, 80.82, -58.94

 

CMYK 27 / 0 / 92 / 16

HEX #9BD510

RGB 155 213 16

HSL 77.66, 0.86%, 0.45%

LAB 78.81, -42.24, 76.16

 

CMYK 92 / 26 / 0 / 16

HEX #109DD5

RGB 16 157 213

HSL 197.06, 0.86%, 0.45%

LAB 60.81, -13.8, -37.92

 

CMYK 0 / 92 / 26 / 16

HEX #D5109D

RGB 213 16 157

HSL 317.06, 0.86%, 0.45%

LAB 48.2, 77.21, -24.19

 

CMYK 27 / 0 / 92 / 16

HEX #9BD510

RGB 155 213 16

HSL 77.66, 0.86%, 0.45%

LAB 78.81, -42.24, 76.16

 

CMYK 92 / 0 / 48 / 16

HEX #10D56F

RGB 16 213 111

HSL 148.93, 0.86%, 0.45%

LAB 75.36, -65.59, 38.31

 

CMYK 67 / 92 / 0 / 16

HEX #4710D5

RGB 71 16 213

HSL 256.75, 0.86%, 0.45%

LAB 30.67, 67.78, -86.56

 

CMYK 0 / 92 / 45 / 16

HEX #D51076

RGB 213 16 118

HSL 328.93, 0.86%, 0.45%

LAB 46.74, 73.34, -2.73

 

CMYK 27 / 0 / 92 / 16

HEX #9BD510

RGB 155 213 16

HSL 77.66, 0.86%, 0.45%

LAB 78.81, -42.24, 76.16

 

CMYK 92 / 0 / 20 / 16

HEX #10D5AA

RGB 16 213 170

HSL 166.9, 0.86%, 0.45%

LAB 76.44, -53.29, 9.14

 

CMYK 67 / 92 / 0 / 16

HEX #4710D5

RGB 71 16 213

HSL 256.75, 0.86%, 0.45%

LAB 30.67, 67.78, -86.56

 

CMYK 0 / 92 / 73 / 16

HEX #D5103A

RGB 213 16 58

HSL 347.21, 0.86%, 0.45%

LAB 45.39, 69.62, 32.51

 

Description

Color code: RGB 155 213 16 | qconv.com Color code: RGB 155 213 16 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 213 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 213 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 92 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 92% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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