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Color name
RGB 156 72 126

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 156 72 126 it is the complementary color RGB 99 183 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 156 72 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 156 72 126 shade: RGB 161 72 121, RGB 178 90 140, RGB 195 108 159, RGB 212 126 178 and RGB 229 144 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 156 72 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 156 72 126 shade: RGB 156 72 126, RGB 139 54 107, RGB 122 36 88, RGB 105 18 69 and RGB 88 0 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 156 72 126 shade: RGB 157 72 126, RGB 157 72 103, RGB 157 72 81 and RGB 157 72 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 156 72 126 shade: RGB 157 72 126, RGB 157 72 149, RGB 141 72 157, RGB 118 72 157 and RGB 95 72 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 156 72 126 shade matches the following richer shades: RGB 157 72 126, RGB 175 53 132, RGB 194 35 137 and RGB 212 16 142

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 156 72 126 shade: RGB 157 72 126, RGB 138 90 121, RGB 120 109 116, RGB 101 127 110 and RGB 82 146 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 156 72 126 shade: RGB 141 72 157, RGB 157 72 150, RGB 157 72 127, RGB 157 72 104 and RGB 157 72 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 156 72 126 shade: RGB 100 46 81, RGB 128 59 104, RGB 157 72 126, RGB 179 91 148 and RGB 192 119 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 156 72 126 shade: RGB 156 72 126, RGB 157 118 72 and RGB 72 157 152

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 156 72 126 shade: RGB 156 72 126, RGB 127 157 72 and RGB 72 127 157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 156 72 126 shade: RGB 156 72 126, RGB 157 118 72, RGB 72 157 102 and RGB 72 110 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 156 72 126 shade: RGB 156 72 126, RGB 157 144 72, RGB 72 157 102 and RGB 72 85 157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 19 / 39

HEX #9C487E

RGB 156 72 126

HSL 321.43, 0.37%, 0.45%

LAB 43.08, 41.73, -14.15

 

Complementary color

CMYK 46 / 0 / 30 / 28

HEX #63B781

RGB 99 183 129

HSL 141.43, 0.37%, 0.55%

LAB 68.1, -37.74, 19.73

 

CMYK 0 / 55 / 25 / 37

HEX #A14879

RGB 161 72 121

HSL 326.97, 0.38%, 0.46%

LAB 43.64, 42.61, -10.16

 

CMYK 0 / 49 / 21 / 30

HEX #B25A8C

RGB 178 90 140

HSL 325.91, 0.36%, 0.53%

LAB 50.3, 41.89, -11.35

 

CMYK 0 / 45 / 18 / 24

HEX #C36C9F

RGB 195 108 159

HSL 324.83, 0.42%, 0.59%

LAB 56.91, 41.11, -12.33

 

CMYK 0 / 41 / 16 / 17

HEX #D47EB2

RGB 212 126 178

HSL 323.72, 0.5%, 0.66%

LAB 63.45, 40.32, -13.16

 

CMYK 0 / 37 / 14 / 10

HEX #E590C5

RGB 229 144 197

HSL 322.59, 0.62%, 0.73%

LAB 69.92, 39.55, -13.9

 

CMYK 0 / 54 / 19 / 39

HEX #9C487E

RGB 156 72 126

HSL 321.43, 0.37%, 0.45%

LAB 43.08, 41.73, -14.15

 

CMYK 0 / 61 / 23 / 45

HEX #8B366B

RGB 139 54 107

HSL 322.59, 0.44%, 0.38%

LAB 36.35, 42.28, -12.84

 

CMYK 0 / 70 / 28 / 52

HEX #7A2458

RGB 122 36 88

HSL 323.72, 0.54%, 0.31%

LAB 29.67, 42.42, -11.07

 

CMYK 0 / 83 / 34 / 59

HEX #691245

RGB 105 18 69

HSL 324.83, 0.71%, 0.24%

LAB 23.22, 41.68, -8.49

 

CMYK 0 / 100 / 43 / 65

HEX #580032

RGB 88 0 50

HSL 325.91, 1%, 0.17%

LAB 17.01, 39.92, -4.93

 

CMYK 0 / 54 / 20 / 38

HEX #9D487E

RGB 157 72 126

HSL 321.88, 0.37%, 0.45%

LAB 43.23, 42.05, -13.9

 

CMYK 0 / 54 / 34 / 38

HEX #9D4867

RGB 157 72 103

HSL 338.12, 0.37%, 0.45%

LAB 42.43, 38.79, -0.95

 

CMYK 0 / 54 / 48 / 38

HEX #9D4851

RGB 157 72 81

HSL 353.65, 0.37%, 0.45%

LAB 41.84, 36.26, 11.82

 

CMYK 0 / 54 / 54 / 38

HEX #9D4848

RGB 157 72 72

HSL 0, 0.37%, 0.45%

LAB 41.64, 35.4, 17.1

 

CMYK 0 / 54 / 20 / 38

HEX #9D487E

RGB 157 72 126

HSL 321.88, 0.37%, 0.45%

LAB 43.23, 42.05, -13.9

 

CMYK 0 / 54 / 5 / 38

HEX #9D4895

RGB 157 72 149

HSL 305.65, 0.37%, 0.45%

LAB 44.19, 45.89, -26.34

 

CMYK 10 / 54 / 0 / 38

HEX #8D489D

RGB 141 72 157

HSL 288.71, 0.37%, 0.45%

LAB 42.36, 42.79, -34.18

 

CMYK 25 / 54 / 0 / 38

HEX #76489D

RGB 118 72 157

HSL 272.47, 0.37%, 0.45%

LAB 39.45, 36.36, -38.98

 

CMYK 39 / 54 / 0 / 38

HEX #5F489D

RGB 95 72 157

HSL 256.24, 0.37%, 0.45%

LAB 36.93, 30.26, -43.13

 

CMYK 0 / 54 / 20 / 38

HEX #9D487E

RGB 157 72 126

HSL 321.88, 0.37%, 0.45%

LAB 43.23, 42.05, -13.9

 

CMYK 0 / 70 / 25 / 31

HEX #AF3584

RGB 175 53 132

HSL 321.15, 0.54%, 0.45%

LAB 43.25, 56.72, -17.27

 

CMYK 0 / 82 / 29 / 24

HEX #C22389

RGB 194 35 137

HSL 321.51, 0.69%, 0.45%

LAB 44.91, 67.61, -17.48

 

CMYK 0 / 92 / 33 / 17

HEX #D4108E

RGB 212 16 142

HSL 321.43, 0.86%, 0.45%

LAB 47.39, 75.38, -16.42

 

CMYK 0 / 54 / 20 / 38

HEX #9D487E

RGB 157 72 126

HSL 321.88, 0.37%, 0.45%

LAB 43.23, 42.05, -13.9

 

CMYK 0 / 35 / 12 / 46

HEX #8A5A79

RGB 138 90 121

HSL 321.25, 0.21%, 0.45%

LAB 44.37, 24.71, -9.38

 

CMYK 0 / 9 / 3 / 53

HEX #786D74

RGB 120 109 116

HSL 321.82, 0.05%, 0.45%

LAB 47.22, 5.65, -2.33

 

CMYK 20 / 0 / 13 / 50

HEX #657F6E

RGB 101 127 110

HSL 140.77, 0.11%, 0.45%

LAB 50.77, -13.05, 6.17

 

CMYK 44 / 0 / 28 / 43

HEX #529269

RGB 82 146 105

HSL 141.56, 0.28%, 0.45%

LAB 55.45, -30.15, 15.47

 

CMYK 10 / 54 / 0 / 38

HEX #8D489D

RGB 141 72 157

HSL 288.71, 0.37%, 0.45%

LAB 42.36, 42.79, -34.18

 

CMYK 0 / 54 / 4 / 38

HEX #9D4896

RGB 157 72 150

HSL 304.94, 0.37%, 0.45%

LAB 44.24, 46.07, -26.87

 

CMYK 0 / 54 / 19 / 38

HEX #9D487F

RGB 157 72 127

HSL 321.18, 0.37%, 0.45%

LAB 43.26, 42.21, -14.46

 

CMYK 0 / 54 / 34 / 38

HEX #9D4868

RGB 157 72 104

HSL 337.41, 0.37%, 0.45%

LAB 42.46, 38.91, -1.52

 

CMYK 0 / 54 / 48 / 38

HEX #9D4852

RGB 157 72 82

HSL 352.94, 0.37%, 0.45%

LAB 41.86, 36.36, 11.24

 

CMYK 0 / 54 / 19 / 61

HEX #642E51

RGB 100 46 81

HSL 321.11, 0.37%, 0.29%

LAB 27.46, 29.2, -10.19

 

CMYK 0 / 54 / 19 / 50

HEX #803B68

RGB 128 59 104

HSL 320.87, 0.37%, 0.37%

LAB 35.43, 35.69, -12.5

 

CMYK 0 / 54 / 20 / 38

HEX #9D487E

RGB 157 72 126

HSL 321.88, 0.37%, 0.45%

LAB 43.23, 42.05, -13.9

 

CMYK 0 / 49 / 17 / 30

HEX #B35B94

RGB 179 91 148

HSL 321.14, 0.37%, 0.53%

LAB 50.93, 42.94, -15.14

 

CMYK 0 / 38 / 14 / 25

HEX #C077A6

RGB 192 119 166

HSL 321.37, 0.37%, 0.61%

LAB 59.12, 35.35, -13.08

 

CMYK 0 / 54 / 19 / 39

HEX #9C487E

RGB 156 72 126

HSL 321.43, 0.37%, 0.45%

LAB 43.08, 41.73, -14.15

 

CMYK 0 / 25 / 54 / 38

HEX #9D7648

RGB 157 118 72

HSL 32.47, 0.37%, 0.45%

LAB 52.5, 9.64, 31.08

 

CMYK 54 / 0 / 3 / 38

HEX #489D98

RGB 72 157 152

HSL 176.47, 0.37%, 0.45%

LAB 59.67, -26.81, -5.21

 

CMYK 0 / 54 / 19 / 39

HEX #9C487E

RGB 156 72 126

HSL 321.43, 0.37%, 0.45%

LAB 43.08, 41.73, -14.15

 

CMYK 19 / 0 / 54 / 38

HEX #7F9D48

RGB 127 157 72

HSL 81.18, 0.37%, 0.45%

LAB 60.86, -24.41, 40.55

 

CMYK 54 / 19 / 0 / 38

HEX #487F9D

RGB 72 127 157

HSL 201.18, 0.37%, 0.45%

LAB 50.68, -9.34, -21.65

 

CMYK 0 / 54 / 19 / 39

HEX #9C487E

RGB 156 72 126

HSL 321.43, 0.37%, 0.45%

LAB 43.08, 41.73, -14.15

 

CMYK 0 / 25 / 54 / 38

HEX #9D7648

RGB 157 118 72

HSL 32.47, 0.37%, 0.45%

LAB 52.5, 9.64, 31.08

 

CMYK 54 / 0 / 35 / 38

HEX #489D66

RGB 72 157 102

HSL 141.18, 0.37%, 0.45%

LAB 58.46, -38.54, 21.17

 

CMYK 54 / 30 / 0 / 38

HEX #486E9D

RGB 72 110 157

HSL 213.18, 0.37%, 0.45%

LAB 45.58, 0.69, -29.55

 

CMYK 0 / 54 / 19 / 39

HEX #9C487E

RGB 156 72 126

HSL 321.43, 0.37%, 0.45%

LAB 43.08, 41.73, -14.15

 

CMYK 0 / 8 / 54 / 38

HEX #9D9048

RGB 157 144 72

HSL 50.82, 0.37%, 0.45%

LAB 59.51, -4.91, 39.55

 

CMYK 54 / 0 / 35 / 38

HEX #489D66

RGB 72 157 102

HSL 141.18, 0.37%, 0.45%

LAB 58.46, -38.54, 21.17

 

CMYK 54 / 46 / 0 / 38

HEX #48559D

RGB 72 85 157

HSL 230.82, 0.37%, 0.45%

LAB 38.39, 16.43, -40.91

 

Description

Color code: RGB 156 72 126 | qconv.com Color code: RGB 156 72 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 72 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 72 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 19 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 19% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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