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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 157 80 141 it is the complementary color RGB 98 175 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 157 80 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 157 80 141 shade: RGB 162 80 136, RGB 179 98 155, RGB 196 116 174, RGB 213 134 193 and RGB 230 152 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 157 80 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 157 80 141 shade: RGB 157 80 141, RGB 140 62 122, RGB 123 44 103, RGB 106 26 84 and RGB 89 8 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 157 80 141 shade: RGB 154 79 139, RGB 154 79 118, RGB 154 79 98 and RGB 154 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 157 80 141 shade: RGB 154 79 139, RGB 150 79 154, RGB 129 79 154, RGB 109 79 154 and RGB 89 79 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 157 80 141 shade matches the following richer shades: RGB 154 79 139, RGB 173 60 150, RGB 192 41 161, RGB 211 22 172 and RGB 230 3 183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 157 80 141 shade: RGB 154 79 139, RGB 135 98 128, RGB 116 117 117, RGB 97 136 105 and RGB 78 155 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 157 80 141 shade: RGB 129 79 154, RGB 149 79 154, RGB 154 79 139, RGB 154 79 119 and RGB 154 79 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 157 80 141 shade: RGB 100 51 90, RGB 127 65 114, RGB 154 79 139, RGB 175 100 159 and RGB 189 127 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 157 80 141 shade: RGB 157 80 141, RGB 154 109 79 and RGB 79 154 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 157 80 141 shade: RGB 157 80 141, RGB 139 154 79 and RGB 79 139 154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 157 80 141 shade: RGB 157 80 141, RGB 154 109 79, RGB 79 154 94 and RGB 79 124 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 157 80 141 shade: RGB 157 80 141, RGB 154 132 79, RGB 79 154 94 and RGB 79 102 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 10 / 38

HEX #9D508D

RGB 157 80 141

HSL 312.47, 0.32%, 0.46%

LAB 45.4, 40.39, -19.67

 

Complementary color

CMYK 44 / 0 / 35 / 31

HEX #62AF72

RGB 98 175 114

HSL 132.47, 0.32%, 0.54%

LAB 65.34, -37.19, 24.06

 

CMYK 0 / 51 / 16 / 36

HEX #A25088

RGB 162 80 136

HSL 319.02, 0.34%, 0.47%

LAB 45.9, 41.16, -15.83

 

CMYK 0 / 45 / 13 / 30

HEX #B3629B

RGB 179 98 155

HSL 317.78, 0.35%, 0.54%

LAB 52.6, 40.42, -16.71

 

CMYK 0 / 41 / 11 / 23

HEX #C474AE

RGB 196 116 174

HSL 316.5, 0.4%, 0.61%

LAB 59.23, 39.64, -17.45

 

CMYK 0 / 37 / 9 / 16

HEX #D586C1

RGB 213 134 193

HSL 315.19, 0.48%, 0.68%

LAB 65.78, 38.88, -18.09

 

CMYK 0 / 34 / 8 / 10

HEX #E698D4

RGB 230 152 212

HSL 313.85, 0.61%, 0.75%

LAB 72.25, 38.14, -18.67

 

CMYK 0 / 49 / 10 / 38

HEX #9D508D

RGB 157 80 141

HSL 312.47, 0.32%, 0.46%

LAB 45.4, 40.39, -19.67

 

CMYK 0 / 56 / 13 / 45

HEX #8C3E7A

RGB 140 62 122

HSL 313.85, 0.39%, 0.4%

LAB 38.6, 41.04, -18.75

 

CMYK 0 / 64 / 16 / 52

HEX #7B2C67

RGB 123 44 103

HSL 315.19, 0.47%, 0.33%

LAB 31.79, 41.44, -17.52

 

CMYK 0 / 75 / 21 / 58

HEX #6A1A54

RGB 106 26 84

HSL 316.5, 0.61%, 0.26%

LAB 25.09, 41.24, -15.73

 

CMYK 0 / 91 / 27 / 65

HEX #590841

RGB 89 8 65

HSL 317.78, 0.84%, 0.19%

LAB 18.71, 39.72, -12.93

 

CMYK 0 / 49 / 10 / 40

HEX #9A4F8B

RGB 154 79 139

HSL 312, 0.32%, 0.46%

LAB 44.7, 39.6, -19.58

 

CMYK 0 / 49 / 23 / 40

HEX #9A4F76

RGB 154 79 118

HSL 328.8, 0.32%, 0.46%

LAB 43.9, 36.16, -8.04

 

CMYK 0 / 49 / 36 / 40

HEX #9A4F62

RGB 154 79 98

HSL 344.8, 0.32%, 0.46%

LAB 43.28, 33.36, 3.3

 

CMYK 0 / 49 / 49 / 40

HEX #9A4F4F

RGB 154 79 79

HSL 0, 0.32%, 0.46%

LAB 42.8, 31.17, 14.3

 

CMYK 0 / 49 / 10 / 40

HEX #9A4F8B

RGB 154 79 139

HSL 312, 0.32%, 0.46%

LAB 44.7, 39.6, -19.58

 

CMYK 3 / 49 / 0 / 40

HEX #964F9A

RGB 150 79 154

HSL 296.8, 0.32%, 0.46%

LAB 44.81, 41.13, -28.45

 

CMYK 16 / 49 / 0 / 40

HEX #814F9A

RGB 129 79 154

HSL 280, 0.32%, 0.46%

LAB 42.14, 34.82, -32.82

 

CMYK 29 / 49 / 0 / 40

HEX #6D4F9A

RGB 109 79 154

HSL 264, 0.32%, 0.46%

LAB 39.88, 28.97, -36.55

 

CMYK 42 / 49 / 0 / 40

HEX #594F9A

RGB 89 79 154

HSL 248, 0.32%, 0.46%

LAB 37.93, 23.49, -39.77

 

CMYK 0 / 49 / 10 / 40

HEX #9A4F8B

RGB 154 79 139

HSL 312, 0.32%, 0.46%

LAB 44.7, 39.6, -19.58

 

CMYK 0 / 65 / 13 / 32

HEX #AD3C96

RGB 173 60 150

HSL 312.21, 0.48%, 0.46%

LAB 44.69, 56, -25.99

 

CMYK 0 / 79 / 16 / 25

HEX #C029A1

RGB 192 41 161

HSL 312.32, 0.65%, 0.46%

LAB 46.13, 68.66, -30.09

 

CMYK 0 / 90 / 18 / 17

HEX #D316AC

RGB 211 22 172

HSL 312.38, 0.81%, 0.46%

LAB 48.76, 77.86, -32.25

 

CMYK 0 / 99 / 20 / 10

HEX #E603B7

RGB 230 3 183

HSL 312.42, 0.97%, 0.46%

LAB 52.18, 84.55, -33.11

 

CMYK 0 / 49 / 10 / 40

HEX #9A4F8B

RGB 154 79 139

HSL 312, 0.32%, 0.46%

LAB 44.7, 39.6, -19.58

 

CMYK 0 / 27 / 5 / 47

HEX #876280

RGB 135 98 128

HSL 311.35, 0.16%, 0.46%

LAB 46.24, 20.22, -10.83

 

CMYK 1 / 0 / 0 / 54

HEX #747575

RGB 116 117 117

HSL 180, 0%, 0.46%

LAB 49.15, -0.38, -0.14

 

CMYK 29 / 0 / 23 / 47

HEX #618869

RGB 97 136 105

HSL 132.31, 0.17%, 0.46%

LAB 53.13, -20.29, 12.37

 

CMYK 50 / 0 / 39 / 39

HEX #4E9B5E

RGB 78 155 94

HSL 132.47, 0.33%, 0.46%

LAB 57.91, -37.53, 24.85

 

CMYK 16 / 49 / 0 / 40

HEX #814F9A

RGB 129 79 154

HSL 280, 0.32%, 0.46%

LAB 42.14, 34.82, -32.82

 

CMYK 3 / 49 / 0 / 40

HEX #954F9A

RGB 149 79 154

HSL 296, 0.32%, 0.46%

LAB 44.68, 40.83, -28.66

 

CMYK 0 / 49 / 10 / 40

HEX #9A4F8B

RGB 154 79 139

HSL 312, 0.32%, 0.46%

LAB 44.7, 39.6, -19.58

 

CMYK 0 / 49 / 23 / 40

HEX #9A4F77

RGB 154 79 119

HSL 328, 0.32%, 0.46%

LAB 43.94, 36.31, -8.6

 

CMYK 0 / 49 / 36 / 40

HEX #9A4F63

RGB 154 79 99

HSL 344, 0.32%, 0.46%

LAB 43.3, 33.48, 2.73

 

CMYK 0 / 49 / 10 / 61

HEX #64335A

RGB 100 51 90

HSL 312.24, 0.32%, 0.3%

LAB 28.94, 27.98, -13.82

 

CMYK 0 / 49 / 10 / 50

HEX #7F4172

RGB 127 65 114

HSL 312.58, 0.32%, 0.38%

LAB 36.94, 33.83, -16.48

 

CMYK 0 / 49 / 10 / 40

HEX #9A4F8B

RGB 154 79 139

HSL 312, 0.32%, 0.46%

LAB 44.7, 39.6, -19.58

 

CMYK 0 / 43 / 9 / 31

HEX #AF649F

RGB 175 100 159

HSL 312.8, 0.32%, 0.54%

LAB 52.65, 38.72, -19.03

 

CMYK 0 / 33 / 7 / 26

HEX #BD7FB0

RGB 189 127 176

HSL 312.58, 0.32%, 0.62%

LAB 60.9, 31.68, -16.15

 

CMYK 0 / 49 / 10 / 38

HEX #9D508D

RGB 157 80 141

HSL 312.47, 0.32%, 0.46%

LAB 45.4, 40.39, -19.67

 

CMYK 0 / 29 / 49 / 40

HEX #9A6D4F

RGB 154 109 79

HSL 24, 0.32%, 0.46%

LAB 49.94, 14.17, 23.83

 

CMYK 49 / 0 / 10 / 40

HEX #4F9A8B

RGB 79 154 139

HSL 168, 0.32%, 0.46%

LAB 58.64, -27.12, 0.69

 

CMYK 0 / 49 / 10 / 38

HEX #9D508D

RGB 157 80 141

HSL 312.47, 0.32%, 0.46%

LAB 45.4, 40.39, -19.67

 

CMYK 10 / 0 / 49 / 40

HEX #8B9A4F

RGB 139 154 79

HSL 72, 0.32%, 0.46%

LAB 60.93, -17.25, 37.33

 

CMYK 49 / 10 / 0 / 40

HEX #4F8B9A

RGB 79 139 154

HSL 192, 0.32%, 0.46%

LAB 54.51, -15.27, -14.04

 

CMYK 0 / 49 / 10 / 38

HEX #9D508D

RGB 157 80 141

HSL 312.47, 0.32%, 0.46%

LAB 45.4, 40.39, -19.67

 

CMYK 0 / 29 / 49 / 40

HEX #9A6D4F

RGB 154 109 79

HSL 24, 0.32%, 0.46%

LAB 49.94, 14.17, 23.83

 

CMYK 49 / 0 / 39 / 40

HEX #4F9A5E

RGB 79 154 94

HSL 132, 0.32%, 0.46%

LAB 57.64, -36.8, 24.5

 

CMYK 49 / 19 / 0 / 40

HEX #4F7C9A

RGB 79 124 154

HSL 204, 0.32%, 0.46%

LAB 49.99, -6.85, -20.93

 

CMYK 0 / 49 / 10 / 38

HEX #9D508D

RGB 157 80 141

HSL 312.47, 0.32%, 0.46%

LAB 45.4, 40.39, -19.67

 

CMYK 0 / 14 / 49 / 40

HEX #9A844F

RGB 154 132 79

HSL 42.4, 0.32%, 0.46%

LAB 56.02, 1.08, 31.58

 

CMYK 49 / 0 / 39 / 40

HEX #4F9A5E

RGB 79 154 94

HSL 132, 0.32%, 0.46%

LAB 57.64, -36.8, 24.5

 

CMYK 49 / 34 / 0 / 40

HEX #4F669A

RGB 79 102 154

HSL 221.6, 0.32%, 0.46%

LAB 43.5, 6.36, -31

 

Description

Color code: RGB 157 80 141 | qconv.com Color code: RGB 157 80 141 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 80 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 80 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 10 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 10% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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