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Color name
RGB 163 149 29

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 149 29 it is the complementary color RGB 92 106 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 149 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 149 29 shade: RGB 168 149 24, RGB 185 167 43, RGB 202 185 62, RGB 219 203 81 and RGB 236 221 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 149 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 149 29 shade: RGB 163 149 29, RGB 146 131 10, RGB 129 113 0, RGB 112 95 0 and RGB 95 77 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 149 29 shade: RGB 164 150 29, RGB 164 113 29, RGB 164 77 29, RGB 164 40 29 and RGB 164 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 149 29 shade: RGB 164 150 29, RGB 142 164 29, RGB 105 164 29, RGB 69 164 29 and RGB 32 164 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 149 29 shade matches the following richer shades: RGB 164 150 29 and RGB 180 162 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 149 29 shade: RGB 164 150 29, RGB 149 138 44, RGB 133 125 60, RGB 117 113 76 and RGB 102 100 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 149 29 shade: RGB 164 76 29, RGB 164 112 29, RGB 164 148 29, RGB 144 164 29 and RGB 108 164 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 149 29 shade: RGB 94 86 16, RGB 129 118 22, RGB 164 150 29, RGB 199 182 35 and RGB 219 202 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 149 29 shade: RGB 163 149 29, RGB 29 164 40 and RGB 94 29 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 149 29 shade: RGB 163 149 29, RGB 29 164 148 and RGB 148 29 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 149 29 shade: RGB 163 149 29, RGB 29 164 40, RGB 29 44 164 and RGB 164 29 153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 149 29 shade: RGB 163 149 29, RGB 29 164 81, RGB 29 44 164 and RGB 164 29 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 82 / 36

HEX #A3951D

RGB 163 149 29

HSL 53.73, 0.7%, 0.38%

LAB 61.11, -7.48, 59.2

 

Complementary color

CMYK 59 / 53 / 0 / 11

HEX #5C6AE2

RGB 92 106 226

HSL 233.73, 0.7%, 0.62%

LAB 49.59, 30.21, -62.93

 

CMYK 0 / 11 / 86 / 34

HEX #A89518

RGB 168 149 24

HSL 52.08, 0.75%, 0.38%

LAB 61.56, -5.36, 61.12

 

CMYK 0 / 10 / 77 / 27

HEX #B9A72B

RGB 185 167 43

HSL 52.39, 0.62%, 0.45%

LAB 68.11, -6.71, 61.82

 

CMYK 0 / 8 / 69 / 21

HEX #CAB93E

RGB 202 185 62

HSL 52.71, 0.57%, 0.52%

LAB 74.57, -7.83, 61.62

 

CMYK 0 / 7 / 63 / 14

HEX #DBCB51

RGB 219 203 81

HSL 53.04, 0.66%, 0.59%

LAB 80.94, -8.77, 60.93

 

CMYK 0 / 6 / 58 / 7

HEX #ECDD64

RGB 236 221 100

HSL 53.38, 0.78%, 0.66%

LAB 87.22, -9.56, 59.99

 

CMYK 0 / 9 / 82 / 36

HEX #A3951D

RGB 163 149 29

HSL 53.73, 0.7%, 0.38%

LAB 61.11, -7.48, 59.2

 

CMYK 0 / 10 / 93 / 43

HEX #92830A

RGB 146 131 10

HSL 53.38, 0.87%, 0.31%

LAB 54.41, -5.98, 57.52

 

CMYK 0 / 12 / 100 / 49

HEX #817100

RGB 129 113 0

HSL 52.56, 1%, 0.25%

LAB 47.59, -4.16, 53.63

 

CMYK 0 / 15 / 100 / 56

HEX #705F00

RGB 112 95 0

HSL 50.89, 1%, 0.22%

LAB 40.62, -2.07, 47.86

 

CMYK 0 / 19 / 100 / 63

HEX #5F4D00

RGB 95 77 0

HSL 48.63, 1%, 0.19%

LAB 33.44, 0.15, 41.93

 

CMYK 0 / 9 / 82 / 36

HEX #A4961D

RGB 164 150 29

HSL 53.78, 0.7%, 0.38%

LAB 61.48, -7.56, 59.56

 

CMYK 0 / 31 / 82 / 36

HEX #A4711D

RGB 164 113 29

HSL 37.33, 0.7%, 0.38%

LAB 51.6, 12.97, 50.89

 

CMYK 0 / 53 / 82 / 36

HEX #A44D1D

RGB 164 77 29

HSL 21.33, 0.7%, 0.38%

LAB 43.2, 32.96, 43.25

 

CMYK 0 / 76 / 82 / 36

HEX #A4281D

RGB 164 40 29

HSL 4.89, 0.7%, 0.38%

LAB 36.93, 49.6, 37.3

 

CMYK 0 / 82 / 82 / 36

HEX #A41D1D

RGB 164 29 29

HSL 0, 0.7%, 0.38%

LAB 35.71, 53.01, 36.12

 

CMYK 0 / 9 / 82 / 36

HEX #A4961D

RGB 164 150 29

HSL 53.78, 0.7%, 0.38%

LAB 61.48, -7.56, 59.56

 

CMYK 13 / 0 / 82 / 36

HEX #8EA41D

RGB 142 164 29

HSL 69.78, 0.7%, 0.38%

LAB 63.66, -24.51, 60.76

 

CMYK 36 / 0 / 82 / 36

HEX #69A41D

RGB 105 164 29

HSL 86.22, 0.7%, 0.38%

LAB 61.34, -39.38, 57.82

 

CMYK 58 / 0 / 82 / 36

HEX #45A41D

RGB 69 164 29

HSL 102.22, 0.7%, 0.38%

LAB 59.8, -50.94, 55.84

 

CMYK 80 / 0 / 82 / 36

HEX #20A41D

RGB 32 164 29

HSL 118.67, 0.7%, 0.38%

LAB 58.92, -58.31, 54.71

 

CMYK 0 / 9 / 82 / 36

HEX #A4961D

RGB 164 150 29

HSL 53.78, 0.7%, 0.38%

LAB 61.48, -7.56, 59.56

 

CMYK 0 / 10 / 93 / 29

HEX #B4A20D

RGB 180 162 13

HSL 53.53, 0.87%, 0.38%

LAB 66.19, -7.11, 67.47

 

CMYK 0 / 9 / 82 / 36

HEX #A4961D

RGB 164 150 29

HSL 53.78, 0.7%, 0.38%

LAB 61.48, -7.56, 59.56

 

CMYK 0 / 7 / 70 / 42

HEX #958A2C

RGB 149 138 44

HSL 53.71, 0.54%, 0.38%

LAB 56.83, -7.22, 49.45

 

CMYK 0 / 6 / 55 / 48

HEX #857D3C

RGB 133 125 60

HSL 53.42, 0.38%, 0.38%

LAB 51.81, -6.12, 36.07

 

CMYK 0 / 3 / 35 / 54

HEX #75714C

RGB 117 113 76

HSL 54.15, 0.21%, 0.38%

LAB 47.12, -4.64, 21.13

 

CMYK 0 / 2 / 11 / 60

HEX #66645B

RGB 102 100 91

HSL 49.09, 0.06%, 0.38%

LAB 42.3, -0.98, 5.38

 

CMYK 0 / 54 / 82 / 36

HEX #A44C1D

RGB 164 76 29

HSL 20.89, 0.7%, 0.38%

LAB 42.99, 33.49, 43.05

 

CMYK 0 / 32 / 82 / 36

HEX #A4701D

RGB 164 112 29

HSL 36.89, 0.7%, 0.38%

LAB 51.35, 13.54, 50.67

 

CMYK 0 / 10 / 82 / 36

HEX #A4941D

RGB 164 148 29

HSL 52.89, 0.7%, 0.38%

LAB 60.92, -6.49, 59.08

 

CMYK 12 / 0 / 82 / 36

HEX #90A41D

RGB 144 164 29

HSL 68.89, 0.7%, 0.38%

LAB 63.81, -23.66, 60.95

 

CMYK 34 / 0 / 82 / 36

HEX #6CA41D

RGB 108 164 29

HSL 84.89, 0.7%, 0.38%

LAB 61.51, -38.27, 58.02

 

CMYK 0 / 9 / 83 / 63

HEX #5E5610

RGB 94 86 16

HSL 53.85, 0.71%, 0.22%

LAB 36.12, -5.21, 38.75

 

CMYK 0 / 9 / 83 / 49

HEX #817616

RGB 129 118 22

HSL 53.83, 0.71%, 0.3%

LAB 49.11, -6.43, 49.61

 

CMYK 0 / 9 / 82 / 36

HEX #A4961D

RGB 164 150 29

HSL 53.78, 0.7%, 0.38%

LAB 61.48, -7.56, 59.56

 

CMYK 0 / 9 / 82 / 22

HEX #C7B623

RGB 199 182 35

HSL 53.78, 0.7%, 0.46%

LAB 73.36, -8.67, 69.36

 

CMYK 0 / 8 / 74 / 14

HEX #DBCA38

RGB 219 202 56

HSL 53.74, 0.69%, 0.54%

LAB 80.51, -9.56, 70.06

 

CMYK 0 / 9 / 82 / 36

HEX #A3951D

RGB 163 149 29

HSL 53.73, 0.7%, 0.38%

LAB 61.11, -7.48, 59.2

 

CMYK 82 / 0 / 76 / 36

HEX #1DA428

RGB 29 164 40

HSL 124.89, 0.7%, 0.38%

LAB 58.94, -57.93, 51.18

 

CMYK 43 / 82 / 0 / 36

HEX #5E1DA4

RGB 94 29 164

HSL 268.89, 0.7%, 0.38%

LAB 29.26, 54.05, -59.81

 

CMYK 0 / 9 / 82 / 36

HEX #A3951D

RGB 163 149 29

HSL 53.73, 0.7%, 0.38%

LAB 61.11, -7.48, 59.2

 

CMYK 82 / 0 / 10 / 36

HEX #1DA494

RGB 29 164 148

HSL 172.89, 0.7%, 0.38%

LAB 60.74, -37.76, -1.49

 

CMYK 10 / 82 / 0 / 36

HEX #941DA4

RGB 148 29 164

HSL 292.89, 0.7%, 0.38%

LAB 37.58, 63.2, -45.92

 

CMYK 0 / 9 / 82 / 36

HEX #A3951D

RGB 163 149 29

HSL 53.73, 0.7%, 0.38%

LAB 61.11, -7.48, 59.2

 

CMYK 82 / 0 / 76 / 36

HEX #1DA428

RGB 29 164 40

HSL 124.89, 0.7%, 0.38%

LAB 58.94, -57.93, 51.18

 

CMYK 82 / 73 / 0 / 36

HEX #1D2CA4

RGB 29 44 164

HSL 233.33, 0.7%, 0.38%

LAB 25.99, 39.12, -65.4

 

CMYK 0 / 82 / 7 / 36

HEX #A41D99

RGB 164 29 153

HSL 304.89, 0.7%, 0.38%

LAB 39.7, 64.56, -35.74

 

CMYK 0 / 9 / 82 / 36

HEX #A3951D

RGB 163 149 29

HSL 53.73, 0.7%, 0.38%

LAB 61.11, -7.48, 59.2

 

CMYK 82 / 0 / 51 / 36

HEX #1DA451

RGB 29 164 81

HSL 143.11, 0.7%, 0.38%

LAB 59.35, -52.98, 33.31

 

CMYK 82 / 73 / 0 / 36

HEX #1D2CA4

RGB 29 44 164

HSL 233.33, 0.7%, 0.38%

LAB 25.99, 39.12, -65.4

 

CMYK 0 / 82 / 32 / 36

HEX #A41D70

RGB 164 29 112

HSL 323.11, 0.7%, 0.38%

LAB 37.74, 59.05, -13.47

 

Description

Color code: RGB 163 149 29 | qconv.com Color code: RGB 163 149 29 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 149 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 149 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 82 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 82% 36% C M Y K

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