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Color name
RGB 164 141 150

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 141 150 it is the complementary color RGB 91 114 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 141 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 141 150 shade: RGB 169 141 145, RGB 186 159 164, RGB 203 177 183, RGB 220 195 202 and RGB 237 213 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 141 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 141 150 shade: RGB 164 141 150, RGB 147 123 131, RGB 130 105 112, RGB 113 87 93 and RGB 96 69 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 141 150 shade: RGB 164 141 150, RGB 164 141 144 and RGB 164 141 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 141 150 shade: RGB 164 141 150, RGB 164 141 156, RGB 164 141 162, RGB 159 141 164 and RGB 153 141 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 141 150 shade matches the following richer shades: RGB 164 141 150, RGB 180 125 146, RGB 197 108 143, RGB 213 92 139 and RGB 230 75 136

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 141 150 shade: RGB 164 141 150, RGB 147 158 154, RGB 131 174 157, RGB 114 191 161 and RGB 98 207 164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 141 150 shade: RGB 164 141 162, RGB 164 141 156, RGB 164 141 150, RGB 164 141 144 and RGB 164 144 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 141 150 shade: RGB 124 99 109, RGB 145 118 129, RGB 164 141 150, RGB 182 164 171 and RGB 200 187 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 141 150 shade: RGB 164 141 150, RGB 164 159 141 and RGB 141 159 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 141 150 shade: RGB 164 141 150, RGB 150 164 141 and RGB 141 150 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 141 150 shade: RGB 164 141 150, RGB 164 159 141, RGB 141 164 155 and RGB 141 146 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 141 150 shade: RGB 164 141 150, RGB 161 164 141, RGB 141 164 155 and RGB 144 141 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 9 / 36

HEX #A48D96

RGB 164 141 150

HSL 336.52, 0.11%, 0.6%

LAB 60.91, 10.21, -1.58

 

Complementary color

CMYK 20 / 0 / 8 / 55

HEX #5B7269

RGB 91 114 105

HSL 156.52, 0.11%, 0.4%

LAB 46.01, -10.47, 2.19

 

CMYK 0 / 17 / 14 / 34

HEX #A98D91

RGB 169 141 145

HSL 351.43, 0.14%, 0.61%

LAB 61.25, 11.21, 1.82

 

CMYK 0 / 15 / 12 / 27

HEX #BA9FA4

RGB 186 159 164

HSL 348.89, 0.16%, 0.68%

LAB 67.96, 10.76, 1.08

 

CMYK 0 / 13 / 10 / 20

HEX #CBB1B7

RGB 203 177 183

HSL 346.15, 0.2%, 0.75%

LAB 74.55, 10.35, 0.38

 

CMYK 0 / 11 / 8 / 14

HEX #DCC3CA

RGB 220 195 202

HSL 343.2, 0.26%, 0.81%

LAB 81.02, 9.98, -0.28

 

CMYK 0 / 10 / 7 / 7

HEX #EDD5DD

RGB 237 213 221

HSL 340, 0.4%, 0.88%

LAB 87.39, 9.64, -0.91

RGB 237 213 221

CMYK 0 / 14 / 9 / 36

HEX #A48D96

RGB 164 141 150

HSL 336.52, 0.11%, 0.6%

LAB 60.91, 10.21, -1.58

 

CMYK 0 / 16 / 11 / 42

HEX #937B83

RGB 147 123 131

HSL 340, 0.1%, 0.53%

LAB 54.04, 10.66, -0.89

 

CMYK 0 / 19 / 14 / 49

HEX #826970

RGB 130 105 112

HSL 343.2, 0.11%, 0.46%

LAB 47, 11.17, -0.15

 

CMYK 0 / 23 / 18 / 56

HEX #71575D

RGB 113 87 93

HSL 346.15, 0.13%, 0.39%

LAB 39.78, 11.76, 0.66

 

CMYK 0 / 28 / 23 / 62

HEX #60454A

RGB 96 69 74

HSL 348.89, 0.16%, 0.32%

LAB 32.34, 12.46, 1.57

 

CMYK 0 / 14 / 9 / 36

HEX #A48D96

RGB 164 141 150

HSL 336.52, 0.11%, 0.6%

LAB 60.91, 10.21, -1.58

 

CMYK 0 / 14 / 12 / 36

HEX #A48D90

RGB 164 141 144

HSL 352.17, 0.11%, 0.6%

LAB 60.74, 9.15, 1.6

 

CMYK 0 / 14 / 14 / 36

HEX #A48D8D

RGB 164 141 141

HSL 0, 0.11%, 0.6%

LAB 60.66, 8.63, 3.19

 

CMYK 0 / 14 / 9 / 36

HEX #A48D96

RGB 164 141 150

HSL 336.52, 0.11%, 0.6%

LAB 60.91, 10.21, -1.58

 

CMYK 0 / 14 / 5 / 36

HEX #A48D9C

RGB 164 141 156

HSL 320.87, 0.11%, 0.6%

LAB 61.08, 11.31, -4.74

 

CMYK 0 / 14 / 1 / 36

HEX #A48DA2

RGB 164 141 162

HSL 305.22, 0.11%, 0.6%

LAB 61.26, 12.45, -7.88

 

CMYK 3 / 14 / 0 / 36

HEX #9F8DA4

RGB 159 141 164

HSL 286.96, 0.11%, 0.6%

LAB 60.87, 11.06, -9.66

 

CMYK 7 / 14 / 0 / 36

HEX #998DA4

RGB 153 141 164

HSL 271.3, 0.11%, 0.6%

LAB 60.34, 8.95, -10.51

 

CMYK 0 / 14 / 9 / 36

HEX #A48D96

RGB 164 141 150

HSL 336.52, 0.11%, 0.6%

LAB 60.91, 10.21, -1.58

 

CMYK 0 / 31 / 19 / 29

HEX #B47D92

RGB 180 125 146

HSL 337.09, 0.27%, 0.6%

LAB 58.46, 24.5, -2.69

 

CMYK 0 / 45 / 27 / 23

HEX #C56C8F

RGB 197 108 143

HSL 336.4, 0.43%, 0.6%

LAB 56.66, 39.45, -3.36

 

CMYK 0 / 57 / 35 / 16

HEX #D55C8B

RGB 213 92 139

HSL 336.69, 0.59%, 0.6%

LAB 55.75, 52.25, -2.1

 

CMYK 0 / 67 / 41 / 10

HEX #E64B88

RGB 230 75 136

HSL 336.39, 0.76%, 0.6%

LAB 55.72, 64.29, -0.06

 

CMYK 0 / 14 / 9 / 36

HEX #A48D96

RGB 164 141 150

HSL 336.52, 0.11%, 0.6%

LAB 60.91, 10.21, -1.58

 

CMYK 7 / 0 / 3 / 38

HEX #939E9A

RGB 147 158 154

HSL 158.18, 0.05%, 0.6%

LAB 64.15, -4.7, 0.73

 

CMYK 25 / 0 / 10 / 32

HEX #83AE9D

RGB 131 174 157

HSL 156.28, 0.21%, 0.6%

LAB 67.67, -18.04, 4.04

 

CMYK 40 / 0 / 16 / 25

HEX #72BFA1

RGB 114 191 161

HSL 156.62, 0.38%, 0.6%

LAB 71.83, -30.75, 7.71

 

CMYK 53 / 0 / 21 / 19

HEX #62CFA4

RGB 98 207 164

HSL 156.33, 0.53%, 0.6%

LAB 76.01, -41.48, 11.95

 

CMYK 0 / 14 / 1 / 36

HEX #A48DA2

RGB 164 141 162

HSL 305.22, 0.11%, 0.6%

LAB 61.26, 12.45, -7.88

 

CMYK 0 / 14 / 5 / 36

HEX #A48D9C

RGB 164 141 156

HSL 320.87, 0.11%, 0.6%

LAB 61.08, 11.31, -4.74

 

CMYK 0 / 14 / 9 / 36

HEX #A48D96

RGB 164 141 150

HSL 336.52, 0.11%, 0.6%

LAB 60.91, 10.21, -1.58

 

CMYK 0 / 14 / 12 / 36

HEX #A48D90

RGB 164 141 144

HSL 352.17, 0.11%, 0.6%

LAB 60.74, 9.15, 1.6

 

CMYK 0 / 12 / 14 / 36

HEX #A4908D

RGB 164 144 141

HSL 7.83, 0.11%, 0.6%

LAB 61.45, 6.95, 4.32

 

CMYK 0 / 20 / 12 / 51

HEX #7C636D

RGB 124 99 109

HSL 336, 0.11%, 0.44%

LAB 44.68, 11.83, -1.82

 

CMYK 0 / 19 / 11 / 43

HEX #917681

RGB 145 118 129

HSL 335.56, 0.11%, 0.52%

LAB 52.47, 12.43, -2.05

 

CMYK 0 / 14 / 9 / 36

HEX #A48D96

RGB 164 141 150

HSL 336.52, 0.11%, 0.6%

LAB 60.91, 10.21, -1.58

 

CMYK 0 / 10 / 6 / 29

HEX #B6A4AB

RGB 182 164 171

HSL 336.67, 0.11%, 0.68%

LAB 69.07, 7.77, -1.24

 

CMYK 0 / 7 / 4 / 22

HEX #C8BBC0

RGB 200 187 192

HSL 336.92, 0.11%, 0.76%

LAB 77.06, 5.47, -0.88

 

CMYK 0 / 14 / 9 / 36

HEX #A48D96

RGB 164 141 150

HSL 336.52, 0.11%, 0.6%

LAB 60.91, 10.21, -1.58

 

CMYK 0 / 3 / 14 / 36

HEX #A49F8D

RGB 164 159 141

HSL 46.96, 0.11%, 0.6%

LAB 65.45, -1.36, 10.04

 

CMYK 14 / 3 / 0 / 36

HEX #8D9FA4

RGB 141 159 164

HSL 193.04, 0.11%, 0.6%

LAB 64.27, -5.26, -4.76

 

CMYK 0 / 14 / 9 / 36

HEX #A48D96

RGB 164 141 150

HSL 336.52, 0.11%, 0.6%

LAB 60.91, 10.21, -1.58

 

CMYK 9 / 0 / 14 / 36

HEX #96A48D

RGB 150 164 141

HSL 96.52, 0.11%, 0.6%

LAB 65.72, -9.31, 10.27

 

CMYK 14 / 9 / 0 / 36

HEX #8D96A4

RGB 141 150 164

HSL 216.52, 0.11%, 0.6%

LAB 61.79, -0.27, -8.44

 

CMYK 0 / 14 / 9 / 36

HEX #A48D96

RGB 164 141 150

HSL 336.52, 0.11%, 0.6%

LAB 60.91, 10.21, -1.58

 

CMYK 0 / 3 / 14 / 36

HEX #A49F8D

RGB 164 159 141

HSL 46.96, 0.11%, 0.6%

LAB 65.45, -1.36, 10.04

 

CMYK 14 / 0 / 5 / 36

HEX #8DA49B

RGB 141 164 155

HSL 156.52, 0.11%, 0.6%

LAB 65.42, -9.85, 1.96

 

CMYK 14 / 11 / 0 / 36

HEX #8D92A4

RGB 141 146 164

HSL 226.96, 0.11%, 0.6%

LAB 60.69, 1.97, -10.08

 

CMYK 0 / 14 / 9 / 36

HEX #A48D96

RGB 164 141 150

HSL 336.52, 0.11%, 0.6%

LAB 60.91, 10.21, -1.58

 

CMYK 2 / 0 / 14 / 36

HEX #A1A48D

RGB 161 164 141

HSL 67.83, 0.11%, 0.6%

LAB 66.56, -5.21, 11.58

 

CMYK 14 / 0 / 5 / 36

HEX #8DA49B

RGB 141 164 155

HSL 156.52, 0.11%, 0.6%

LAB 65.42, -9.85, 1.96

 

CMYK 12 / 14 / 0 / 36

HEX #908DA4

RGB 144 141 164

HSL 247.83, 0.11%, 0.6%

LAB 59.58, 5.83, -11.73

 

Description

Color code: RGB 164 141 150 | qconv.com Color code: RGB 164 141 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 141 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 141 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 9 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 9% 36% C M Y K

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Provide designers and agencies with accurate color values.

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