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Color name
RGB 164 73 39

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 73 39 it is the complementary color RGB 91 182 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 73 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 73 39 shade: RGB 169 73 34, RGB 186 91 53, RGB 203 109 72, RGB 220 127 91 and RGB 237 145 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 73 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 73 39 shade: RGB 164 73 39, RGB 147 55 20, RGB 130 37 1, RGB 113 19 0 and RGB 96 1 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 73 39 shade: RGB 165 73 38, RGB 165 39 38 and RGB 165 38 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 73 39 shade: RGB 165 73 38, RGB 165 107 38, RGB 165 141 38, RGB 154 165 38 and RGB 120 165 38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 73 39 shade matches the following richer shades: RGB 165 73 38, RGB 181 65 22 and RGB 198 58 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 73 39 shade: RGB 165 73 38, RGB 148 80 55, RGB 132 88 71, RGB 115 95 88 and RGB 99 103 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 73 39 shade: RGB 165 38 72, RGB 165 38 38, RGB 165 72 38, RGB 165 106 38 and RGB 165 139 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 73 39 shade: RGB 98 43 23, RGB 131 58 30, RGB 165 73 38, RGB 198 87 46 and RGB 212 111 73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 73 39 shade: RGB 164 73 39, RGB 106 165 38 and RGB 38 55 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 73 39 shade: RGB 164 73 39, RGB 38 165 72 and RGB 72 38 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 73 39 shade: RGB 164 73 39, RGB 106 165 38, RGB 38 131 165 and RGB 97 38 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 73 39 shade: RGB 164 73 39, RGB 68 165 38, RGB 38 131 165 and RGB 135 38 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 76 / 36

HEX #A44927

RGB 164 73 39

HSL 16.32, 0.62%, 0.4%

LAB 42.47, 35.43, 37.58

 

Complementary color

CMYK 58 / 16 / 0 / 15

HEX #5BB6D8

RGB 91 182 216

HSL 196.32, 0.62%, 0.6%

LAB 69.92, -17.39, -25.33

 

CMYK 0 / 57 / 80 / 34

HEX #A94922

RGB 169 73 34

HSL 17.33, 0.67%, 0.4%

LAB 43.23, 37.2, 41.19

 

CMYK 0 / 51 / 72 / 27

HEX #BA5B35

RGB 186 91 53

HSL 17.14, 0.56%, 0.47%

LAB 49.71, 35.55, 39.01

 

CMYK 0 / 46 / 65 / 20

HEX #CB6D48

RGB 203 109 72

HSL 16.95, 0.56%, 0.54%

LAB 56.19, 34, 36.91

 

CMYK 0 / 42 / 59 / 14

HEX #DC7F5B

RGB 220 127 91

HSL 16.74, 0.65%, 0.61%

LAB 62.63, 32.58, 34.98

 

CMYK 0 / 39 / 54 / 7

HEX #ED916E

RGB 237 145 110

HSL 16.54, 0.78%, 0.68%

LAB 69.03, 31.31, 33.23

 

CMYK 0 / 55 / 76 / 36

HEX #A44927

RGB 164 73 39

HSL 16.32, 0.62%, 0.4%

LAB 42.47, 35.43, 37.58

 

CMYK 0 / 63 / 86 / 42

HEX #933714

RGB 147 55 20

HSL 16.54, 0.76%, 0.33%

LAB 35.96, 37.08, 39.76

 

CMYK 0 / 72 / 99 / 49

HEX #822501

RGB 130 37 1

HSL 16.74, 0.98%, 0.26%

LAB 29.59, 38.52, 41.29

 

CMYK 0 / 83 / 100 / 56

HEX #711300

RGB 113 19 0

HSL 10.09, 1%, 0.22%

LAB 23.59, 39.35, 35.01

 

CMYK 0 / 99 / 100 / 62

HEX #600100

RGB 96 1 0

HSL 0.63, 1%, 0.19%

LAB 17.96, 38.89, 27.68

 

CMYK 0 / 56 / 77 / 35

HEX #A54926

RGB 165 73 38

HSL 16.54, 0.63%, 0.4%

LAB 42.62, 35.78, 38.32

 

CMYK 0 / 76 / 77 / 35

HEX #A52726

RGB 165 39 38

HSL 0.47, 0.63%, 0.4%

LAB 37.1, 50.58, 32.44

 

CMYK 0 / 77 / 77 / 35

HEX #A52626

RGB 165 38 38

HSL 0, 0.63%, 0.4%

LAB 36.98, 50.91, 32.31

 

CMYK 0 / 56 / 77 / 35

HEX #A54926

RGB 165 73 38

HSL 16.54, 0.63%, 0.4%

LAB 42.62, 35.78, 38.32

 

CMYK 0 / 35 / 77 / 35

HEX #A56B26

RGB 165 107 38

HSL 32.6, 0.63%, 0.4%

LAB 50.28, 17.18, 46.06

 

CMYK 0 / 15 / 77 / 35

HEX #A58D26

RGB 165 141 38

HSL 48.66, 0.63%, 0.4%

LAB 59.15, -1.89, 54.56

 

CMYK 7 / 0 / 77 / 35

HEX #9AA526

RGB 154 165 38

HSL 65.2, 0.63%, 0.4%

LAB 64.9, -19.49, 59.55

 

CMYK 27 / 0 / 77 / 35

HEX #78A526

RGB 120 165 38

HSL 81.26, 0.63%, 0.4%

LAB 62.54, -33.66, 56.5

 

CMYK 0 / 56 / 77 / 35

HEX #A54926

RGB 165 73 38

HSL 16.54, 0.63%, 0.4%

LAB 42.62, 35.78, 38.32

 

CMYK 0 / 64 / 88 / 29

HEX #B54116

RGB 181 65 22

HSL 16.23, 0.78%, 0.4%

LAB 43.74, 45.19, 47.85

 

CMYK 0 / 71 / 97 / 22

HEX #C63A05

RGB 198 58 5

HSL 16.48, 0.95%, 0.4%

LAB 45.69, 53.71, 56.01

 

CMYK 0 / 56 / 77 / 35

HEX #A54926

RGB 165 73 38

HSL 16.54, 0.63%, 0.4%

LAB 42.62, 35.78, 38.32

 

CMYK 0 / 46 / 63 / 42

HEX #945037

RGB 148 80 55

HSL 16.13, 0.46%, 0.4%

LAB 41.7, 26.03, 27.12

 

CMYK 0 / 33 / 46 / 48

HEX #845847

RGB 132 88 71

HSL 16.72, 0.3%, 0.4%

LAB 41.75, 16.02, 17.23

 

CMYK 0 / 17 / 23 / 55

HEX #735F58

RGB 115 95 88

HSL 15.56, 0.13%, 0.4%

LAB 42.05, 6.89, 7.02

 

CMYK 5 / 1 / 0 / 59

HEX #636768

RGB 99 103 104

HSL 192, 0.02%, 0.4%

LAB 43.29, -1.33, -1.11

 

CMYK 0 / 77 / 56 / 35

HEX #A52648

RGB 165 38 72

HSL 343.94, 0.63%, 0.4%

LAB 37.58, 52.86, 11.81

 

CMYK 0 / 77 / 77 / 35

HEX #A52626

RGB 165 38 38

HSL 0, 0.63%, 0.4%

LAB 36.98, 50.91, 32.31

 

CMYK 0 / 56 / 77 / 35

HEX #A54826

RGB 165 72 38

HSL 16.06, 0.63%, 0.4%

LAB 42.42, 36.29, 38.11

 

CMYK 0 / 36 / 77 / 35

HEX #A56A26

RGB 165 106 38

HSL 32.13, 0.63%, 0.4%

LAB 50.03, 17.74, 45.82

 

CMYK 0 / 16 / 77 / 35

HEX #A58B26

RGB 165 139 38

HSL 47.72, 0.63%, 0.4%

LAB 58.61, -0.8, 54.05

 

CMYK 0 / 56 / 77 / 62

HEX #622B17

RGB 98 43 23

HSL 16, 0.62%, 0.24%

LAB 24.91, 23.36, 24.38

 

CMYK 0 / 56 / 77 / 49

HEX #833A1E

RGB 131 58 30

HSL 16.63, 0.63%, 0.32%

LAB 33.87, 29.5, 31.7

 

CMYK 0 / 56 / 77 / 35

HEX #A54926

RGB 165 73 38

HSL 16.54, 0.63%, 0.4%

LAB 42.62, 35.78, 38.32

 

CMYK 0 / 56 / 77 / 22

HEX #C6572E

RGB 198 87 46

HSL 16.18, 0.62%, 0.48%

LAB 50.71, 41.91, 44.25

 

CMYK 0 / 48 / 66 / 17

HEX #D46F49

RGB 212 111 73

HSL 16.4, 0.62%, 0.56%

LAB 57.89, 36.57, 38.7

 

CMYK 0 / 55 / 76 / 36

HEX #A44927

RGB 164 73 39

HSL 16.32, 0.62%, 0.4%

LAB 42.47, 35.43, 37.58

 

CMYK 36 / 0 / 77 / 35

HEX #6AA526

RGB 106 165 38

HSL 87.87, 0.63%, 0.4%

LAB 61.75, -39, 55.47

 

CMYK 77 / 67 / 0 / 35

HEX #2637A5

RGB 38 55 165

HSL 231.97, 0.63%, 0.4%

LAB 29.06, 33.31, -60.94

 

CMYK 0 / 55 / 76 / 36

HEX #A44927

RGB 164 73 39

HSL 16.32, 0.62%, 0.4%

LAB 42.47, 35.43, 37.58

 

CMYK 77 / 0 / 56 / 35

HEX #26A548

RGB 38 165 72

HSL 136.06, 0.63%, 0.4%

LAB 59.7, -53.56, 38.27

 

CMYK 56 / 77 / 0 / 35

HEX #4826A5

RGB 72 38 165

HSL 256.06, 0.63%, 0.4%

LAB 28.06, 47.35, -62.48

 

CMYK 0 / 55 / 76 / 36

HEX #A44927

RGB 164 73 39

HSL 16.32, 0.62%, 0.4%

LAB 42.47, 35.43, 37.58

 

CMYK 36 / 0 / 77 / 35

HEX #6AA526

RGB 106 165 38

HSL 87.87, 0.63%, 0.4%

LAB 61.75, -39, 55.47

 

CMYK 77 / 21 / 0 / 35

HEX #2683A5

RGB 38 131 165

HSL 196.06, 0.63%, 0.4%

LAB 51.11, -14.87, -25.73

 

CMYK 41 / 77 / 0 / 35

HEX #6126A5

RGB 97 38 165

HSL 267.87, 0.63%, 0.4%

LAB 30.98, 51.18, -57.58

 

CMYK 0 / 55 / 76 / 36

HEX #A44927

RGB 164 73 39

HSL 16.32, 0.62%, 0.4%

LAB 42.47, 35.43, 37.58

 

CMYK 59 / 0 / 77 / 35

HEX #44A526

RGB 68 165 38

HSL 105.83, 0.63%, 0.4%

LAB 60.14, -51.03, 53.36

 

CMYK 77 / 21 / 0 / 35

HEX #2683A5

RGB 38 131 165

HSL 196.06, 0.63%, 0.4%

LAB 51.11, -14.87, -25.73

 

CMYK 18 / 77 / 0 / 35

HEX #8726A5

RGB 135 38 165

HSL 285.83, 0.63%, 0.4%

LAB 36.47, 58.16, -48.42

 

Description

Color code: RGB 164 73 39 | qconv.com Color code: RGB 164 73 39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 73 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 73 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 76 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 76% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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