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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 202 187 it is the complementary color RGB 90 53 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 202 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 202 187 shade: RGB 170 202 182, RGB 187 220 201, RGB 204 238 220, RGB 221 255 239 and RGB 238 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 202 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 202 187 shade: RGB 165 202 187, RGB 148 184 168, RGB 131 166 149, RGB 114 148 130 and RGB 97 130 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 202 187 shade: RGB 165 202 187, RGB 165 202 177, RGB 165 202 167, RGB 172 202 165 and RGB 183 202 165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 202 187 shade: RGB 165 202 187, RGB 165 202 197, RGB 165 197 202, RGB 165 187 202 and RGB 165 177 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 202 187 shade matches the following richer shades: RGB 165 202 187, RGB 153 213 189, RGB 141 225 191, RGB 130 236 193 and RGB 118 248 195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 202 187 shade: RGB 165 202 187, RGB 176 190 184, RGB 188 179 182, RGB 199 167 180 and RGB 211 155 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 202 187 shade: RGB 165 202 166, RGB 165 202 176, RGB 165 202 186, RGB 165 202 196 and RGB 165 197 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 202 187 shade: RGB 113 171 147, RGB 139 186 167, RGB 165 202 187, RGB 191 217 206 and RGB 217 232 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 202 187 shade: RGB 165 202 187, RGB 165 173 202 and RGB 202 171 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 202 187 shade: RGB 165 202 187, RGB 186 165 202 and RGB 202 186 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 202 187 shade: RGB 165 202 187, RGB 165 173 202, RGB 202 165 180 and RGB 202 194 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 202 187 shade: RGB 165 202 187, RGB 168 165 202, RGB 202 165 180 and RGB 199 202 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 7 / 21

HEX #A5CABB

RGB 165 202 187

HSL 155.68, 0.26%, 0.72%

LAB 78.36, -15.29, 3.41

 

Complementary color

CMYK 0 / 41 / 24 / 65

HEX #5A3544

RGB 90 53 68

HSL 335.68, 0.26%, 0.28%

LAB 27.12, 18.94, -2.25

 

CMYK 16 / 0 / 10 / 21

HEX #AACAB6

RGB 170 202 182

HSL 142.5, 0.23%, 0.73%

LAB 78.56, -14.61, 6.42

 

CMYK 15 / 0 / 9 / 14

HEX #BBDCC9

RGB 187 220 201

HSL 145.45, 0.32%, 0.8%

LAB 84.98, -14.53, 5.7

 

CMYK 14 / 0 / 8 / 7

HEX #CCEEDC

RGB 204 238 220

HSL 148.24, 0.5%, 0.87%

LAB 91.3, -14.46, 5

 

CMYK 13 / 0 / 6 / 0

HEX #DDFFEF

RGB 221 255 239

HSL 151.76, 1%, 0.93%

LAB 97.28, -13.91, 3.96

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 18 / 0 / 7 / 21

HEX #A5CABB

RGB 165 202 187

HSL 155.68, 0.26%, 0.72%

LAB 78.36, -15.29, 3.41

 

CMYK 20 / 0 / 9 / 28

HEX #94B8A8

RGB 148 184 168

HSL 153.33, 0.2%, 0.65%

LAB 71.83, -15.4, 4.12

 

CMYK 21 / 0 / 10 / 35

HEX #83A695

RGB 131 166 149

HSL 150.86, 0.16%, 0.58%

LAB 65.17, -15.54, 4.87

 

CMYK 23 / 0 / 12 / 42

HEX #729482

RGB 114 148 130

HSL 148.24, 0.14%, 0.51%

LAB 58.39, -15.7, 5.66

 

CMYK 25 / 0 / 15 / 49

HEX #61826F

RGB 97 130 111

HSL 145.45, 0.15%, 0.45%

LAB 51.44, -15.89, 6.52

 

CMYK 18 / 0 / 7 / 21

HEX #A5CABB

RGB 165 202 187

HSL 155.68, 0.26%, 0.72%

LAB 78.36, -15.29, 3.41

 

CMYK 18 / 0 / 12 / 21

HEX #A5CAB1

RGB 165 202 177

HSL 139.46, 0.26%, 0.72%

LAB 78.12, -17.22, 8.43

 

CMYK 18 / 0 / 17 / 21

HEX #A5CAA7

RGB 165 202 167

HSL 123.24, 0.26%, 0.72%

LAB 77.89, -19.06, 13.47

 

CMYK 15 / 0 / 18 / 21

HEX #ACCAA5

RGB 172 202 165

HSL 108.65, 0.26%, 0.72%

LAB 78.3, -17, 15.18

 

CMYK 9 / 0 / 18 / 21

HEX #B7CAA5

RGB 183 202 165

HSL 90.81, 0.26%, 0.72%

LAB 79.06, -13.1, 16.34

 

CMYK 18 / 0 / 7 / 21

HEX #A5CABB

RGB 165 202 187

HSL 155.68, 0.26%, 0.72%

LAB 78.36, -15.29, 3.41

 

CMYK 18 / 0 / 2 / 21

HEX #A5CAC5

RGB 165 202 197

HSL 171.89, 0.26%, 0.72%

LAB 78.62, -13.26, -1.59

 

CMYK 18 / 2 / 0 / 21

HEX #A5C5CA

RGB 165 197 202

HSL 188.11, 0.26%, 0.72%

LAB 77.4, -9.6, -6.08

 

CMYK 18 / 7 / 0 / 21

HEX #A5BBCA

RGB 165 187 202

HSL 204.32, 0.26%, 0.72%

LAB 74.7, -4.32, -10.09

 

CMYK 18 / 12 / 0 / 21

HEX #A5B1CA

RGB 165 177 202

HSL 220.54, 0.26%, 0.72%

LAB 72.03, 1.08, -14.08

 

CMYK 18 / 0 / 7 / 21

HEX #A5CABB

RGB 165 202 187

HSL 155.68, 0.26%, 0.72%

LAB 78.36, -15.29, 3.41

 

CMYK 28 / 0 / 11 / 16

HEX #99D5BD

RGB 153 213 189

HSL 156, 0.42%, 0.72%

LAB 80.76, -24.17, 5.72

 

CMYK 37 / 0 / 15 / 12

HEX #8DE1BF

RGB 141 225 191

HSL 155.71, 0.58%, 0.72%

LAB 83.59, -32.99, 8.64

 

CMYK 45 / 0 / 18 / 7

HEX #82ECC1

RGB 130 236 193

HSL 155.66, 0.74%, 0.72%

LAB 86.3, -40.5, 11.4

 

CMYK 52 / 0 / 21 / 3

HEX #76F8C3

RGB 118 248 195

HSL 155.54, 0.9%, 0.72%

LAB 89.36, -48.13, 14.64

 

CMYK 18 / 0 / 7 / 21

HEX #A5CABB

RGB 165 202 187

HSL 155.68, 0.26%, 0.72%

LAB 78.36, -15.29, 3.41

 

CMYK 7 / 0 / 3 / 25

HEX #B0BEB8

RGB 176 190 184

HSL 154.29, 0.1%, 0.72%

LAB 75.77, -5.96, 1.36

 

CMYK 0 / 5 / 3 / 26

HEX #BCB3B6

RGB 188 179 182

HSL 340, 0.06%, 0.72%

LAB 73.75, 3.74, -0.39

 

CMYK 0 / 16 / 10 / 22

HEX #C7A7B4

RGB 199 167 180

HSL 335.63, 0.22%, 0.72%

LAB 71.61, 13.84, -2.31

 

CMYK 0 / 27 / 16 / 17

HEX #D39BB2

RGB 211 155 178

HSL 335.36, 0.39%, 0.72%

LAB 69.83, 24.37, -3.68

 

CMYK 18 / 0 / 18 / 21

HEX #A5CAA6

RGB 165 202 166

HSL 121.62, 0.26%, 0.72%

LAB 77.87, -19.24, 13.97

 

CMYK 18 / 0 / 13 / 21

HEX #A5CAB0

RGB 165 202 176

HSL 137.84, 0.26%, 0.72%

LAB 78.1, -17.41, 8.94

 

CMYK 18 / 0 / 8 / 21

HEX #A5CABA

RGB 165 202 186

HSL 154.05, 0.26%, 0.72%

LAB 78.34, -15.49, 3.91

 

CMYK 18 / 0 / 3 / 21

HEX #A5CAC4

RGB 165 202 196

HSL 170.27, 0.26%, 0.72%

LAB 78.59, -13.46, -1.09

 

CMYK 18 / 2 / 0 / 21

HEX #A5C5CA

RGB 165 197 202

HSL 188.11, 0.26%, 0.72%

LAB 77.4, -9.6, -6.08

 

CMYK 34 / 0 / 14 / 33

HEX #71AB93

RGB 113 171 147

HSL 155.17, 0.26%, 0.56%

LAB 65.55, -24.29, 6.39

 

CMYK 25 / 0 / 10 / 27

HEX #8BBAA7

RGB 139 186 167

HSL 155.74, 0.25%, 0.64%

LAB 71.82, -19.55, 4.59

 

CMYK 18 / 0 / 7 / 21

HEX #A5CABB

RGB 165 202 187

HSL 155.68, 0.26%, 0.72%

LAB 78.36, -15.29, 3.41

 

CMYK 12 / 0 / 5 / 15

HEX #BFD9CE

RGB 191 217 206

HSL 154.62, 0.25%, 0.8%

LAB 84.57, -10.74, 2.48

 

CMYK 6 / 0 / 3 / 9

HEX #D9E8E2

RGB 217 232 226

HSL 156, 0.25%, 0.88%

LAB 90.76, -6.07, 1.19

 

CMYK 18 / 0 / 7 / 21

HEX #A5CABB

RGB 165 202 187

HSL 155.68, 0.26%, 0.72%

LAB 78.36, -15.29, 3.41

 

CMYK 18 / 14 / 0 / 21

HEX #A5ADCA

RGB 165 173 202

HSL 227.03, 0.26%, 0.72%

LAB 70.97, 3.27, -15.68

 

CMYK 0 / 15 / 18 / 21

HEX #CAABA5

RGB 202 171 165

HSL 9.73, 0.26%, 0.72%

LAB 72.49, 10.3, 7.27

 

CMYK 18 / 0 / 7 / 21

HEX #A5CABB

RGB 165 202 187

HSL 155.68, 0.26%, 0.72%

LAB 78.36, -15.29, 3.41

 

CMYK 8 / 18 / 0 / 21

HEX #BAA5CA

RGB 186 165 202

HSL 274.05, 0.26%, 0.72%

LAB 70.6, 14.57, -16.07

 

CMYK 0 / 8 / 18 / 21

HEX #CABAA5

RGB 202 186 165

HSL 34.05, 0.26%, 0.72%

LAB 76.31, 2.24, 12.7

 

CMYK 18 / 0 / 7 / 21

HEX #A5CABB

RGB 165 202 187

HSL 155.68, 0.26%, 0.72%

LAB 78.36, -15.29, 3.41

 

CMYK 18 / 14 / 0 / 21

HEX #A5ADCA

RGB 165 173 202

HSL 227.03, 0.26%, 0.72%

LAB 70.97, 3.27, -15.68

 

CMYK 0 / 18 / 11 / 21

HEX #CAA5B4

RGB 202 165 180

HSL 335.68, 0.26%, 0.72%

LAB 71.39, 16.01, -2.59

 

CMYK 0 / 4 / 18 / 21

HEX #CAC2A5

RGB 202 194 165

HSL 47.03, 0.26%, 0.72%

LAB 78.38, -1.99, 15.61

 

CMYK 18 / 0 / 7 / 21

HEX #A5CABB

RGB 165 202 187

HSL 155.68, 0.26%, 0.72%

LAB 78.36, -15.29, 3.41

 

CMYK 17 / 18 / 0 / 21

HEX #A8A5CA

RGB 168 165 202

HSL 244.86, 0.26%, 0.72%

LAB 69.11, 8.66, -18.47

 

CMYK 0 / 18 / 11 / 21

HEX #CAA5B4

RGB 202 165 180

HSL 335.68, 0.26%, 0.72%

LAB 71.39, 16.01, -2.59

 

CMYK 1 / 0 / 18 / 21

HEX #C7CAA5

RGB 199 202 165

HSL 64.86, 0.26%, 0.72%

LAB 80.24, -7.28, 18.17

 

Description

Color code: RGB 165 202 187 | qconv.com Color code: RGB 165 202 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 202 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 202 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 7 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 7% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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