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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 155 69 it is the complementary color RGB 85 100 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 155 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 155 69 shade: RGB 175 155 64, RGB 192 173 83, RGB 209 191 102, RGB 226 209 121 and RGB 243 227 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 155 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 155 69 shade: RGB 170 155 69, RGB 153 137 50, RGB 136 119 31, RGB 119 101 12 and RGB 102 83 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 155 69 shade: RGB 170 155 69, RGB 170 128 69, RGB 170 100 69, RGB 170 73 69 and RGB 170 69 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 155 69 shade: RGB 170 155 69, RGB 157 170 69, RGB 130 170 69, RGB 103 170 69 and RGB 76 170 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 155 69 shade matches the following richer shades: RGB 170 155 69, RGB 189 168 50, RGB 208 182 30 and RGB 228 196 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 155 69 shade: RGB 170 155 69, RGB 150 141 88, RGB 131 127 108, RGB 112 114 127 and RGB 92 100 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 155 69 shade: RGB 170 101 69, RGB 170 128 69, RGB 170 155 69, RGB 158 170 69 and RGB 131 170 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 155 69 shade: RGB 111 101 45, RGB 140 128 57, RGB 170 155 69, RGB 188 174 92 and RGB 200 188 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 155 69 shade: RGB 170 155 69, RGB 69 170 74 and RGB 114 69 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 155 69 shade: RGB 170 155 69, RGB 69 170 155 and RGB 155 69 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 155 69 shade: RGB 170 155 69, RGB 69 170 74, RGB 69 84 170 and RGB 170 69 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 155 69 shade: RGB 170 155 69, RGB 69 170 104, RGB 69 84 170 and RGB 170 69 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 59 / 33

HEX #AA9B45

RGB 170 155 69

HSL 51.09, 0.42%, 0.47%

LAB 63.69, -5.43, 46.15

 

Complementary color

CMYK 54 / 46 / 0 / 27

HEX #5564BA

RGB 85 100 186

HSL 231.09, 0.42%, 0.53%

LAB 45.07, 19.4, -47.31

 

CMYK 0 / 11 / 63 / 31

HEX #AF9B40

RGB 175 155 64

HSL 49.19, 0.46%, 0.47%

LAB 64.1, -3.6, 49.07

 

CMYK 0 / 10 / 57 / 25

HEX #C0AD53

RGB 192 173 83

HSL 49.54, 0.46%, 0.54%

LAB 70.68, -4.48, 47.97

 

CMYK 0 / 9 / 51 / 18

HEX #D1BF66

RGB 209 191 102

HSL 49.91, 0.54%, 0.61%

LAB 77.15, -5.2, 46.78

 

CMYK 0 / 8 / 46 / 11

HEX #E2D179

RGB 226 209 121

HSL 50.29, 0.64%, 0.68%

LAB 83.52, -5.81, 45.56

 

CMYK 0 / 7 / 42 / 5

HEX #F3E38C

RGB 243 227 140

HSL 50.68, 0.81%, 0.75%

LAB 89.81, -6.33, 44.37

 

CMYK 0 / 9 / 59 / 33

HEX #AA9B45

RGB 170 155 69

HSL 51.09, 0.42%, 0.47%

LAB 63.69, -5.43, 46.15

 

CMYK 0 / 10 / 67 / 40

HEX #998932

RGB 153 137 50

HSL 50.68, 0.51%, 0.4%

LAB 56.97, -4.51, 47.14

 

CMYK 0 / 13 / 77 / 47

HEX #88771F

RGB 136 119 31

HSL 50.29, 0.63%, 0.33%

LAB 50.13, -3.34, 47.66

 

CMYK 0 / 15 / 90 / 53

HEX #77650C

RGB 119 101 12

HSL 49.91, 0.82%, 0.26%

LAB 43.15, -1.84, 47.04

 

CMYK 0 / 19 / 100 / 60

HEX #665300

RGB 102 83 0

HSL 48.82, 1%, 0.2%

LAB 36.01, 0.07, 44.1

 

CMYK 0 / 9 / 59 / 33

HEX #AA9B45

RGB 170 155 69

HSL 51.09, 0.42%, 0.47%

LAB 63.69, -5.43, 46.15

 

CMYK 0 / 25 / 59 / 33

HEX #AA8045

RGB 170 128 69

HSL 35.05, 0.42%, 0.47%

LAB 56.5, 9.44, 37.86

 

CMYK 0 / 41 / 59 / 33

HEX #AA6445

RGB 170 100 69

HSL 18.42, 0.42%, 0.47%

LAB 49.61, 25.18, 29.52

 

CMYK 0 / 57 / 59 / 33

HEX #AA4945

RGB 170 73 69

HSL 2.38, 0.42%, 0.47%

LAB 43.86, 39.55, 22.23

 

CMYK 0 / 59 / 59 / 33

HEX #AA4545

RGB 170 69 69

HSL 0, 0.42%, 0.47%

LAB 43.11, 41.51, 21.26

 

CMYK 0 / 9 / 59 / 33

HEX #AA9B45

RGB 170 155 69

HSL 51.09, 0.42%, 0.47%

LAB 63.69, -5.43, 46.15

 

CMYK 8 / 0 / 59 / 33

HEX #9DAA45

RGB 157 170 69

HSL 67.72, 0.42%, 0.47%

LAB 66.78, -18.86, 49.31

 

CMYK 24 / 0 / 59 / 33

HEX #82AA45

RGB 130 170 69

HSL 83.76, 0.42%, 0.47%

LAB 64.9, -29.84, 46.68

 

CMYK 39 / 0 / 59 / 33

HEX #67AA45

RGB 103 170 69

HSL 99.8, 0.42%, 0.47%

LAB 63.39, -39.74, 44.57

 

CMYK 55 / 0 / 59 / 33

HEX #4CAA45

RGB 76 170 69

HSL 115.84, 0.42%, 0.47%

LAB 62.27, -47.96, 42.97

 

CMYK 0 / 9 / 59 / 33

HEX #AA9B45

RGB 170 155 69

HSL 51.09, 0.42%, 0.47%

LAB 63.69, -5.43, 46.15

 

CMYK 0 / 11 / 74 / 26

HEX #BDA832

RGB 189 168 50

HSL 50.94, 0.58%, 0.47%

LAB 68.79, -5.18, 60.11

 

CMYK 0 / 13 / 86 / 18

HEX #D0B61E

RGB 208 182 30

HSL 51.24, 0.75%, 0.47%

LAB 74.16, -4.88, 71.59

 

CMYK 0 / 14 / 95 / 11

HEX #E4C40B

RGB 228 196 11

HSL 51.15, 0.91%, 0.47%

LAB 79.61, -3.72, 79.72

 

CMYK 0 / 9 / 59 / 33

HEX #AA9B45

RGB 170 155 69

HSL 51.09, 0.42%, 0.47%

LAB 63.69, -5.43, 46.15

 

CMYK 0 / 6 / 41 / 41

HEX #968D58

RGB 150 141 88

HSL 51.29, 0.26%, 0.47%

LAB 58.26, -4.67, 29.46

 

CMYK 0 / 3 / 18 / 49

HEX #837F6C

RGB 131 127 108

HSL 49.57, 0.1%, 0.47%

LAB 53.04, -1.92, 10.88

 

CMYK 12 / 10 / 0 / 50

HEX #70727F

RGB 112 114 127

HSL 232, 0.06%, 0.47%

LAB 48.27, 2.05, -7.41

 

CMYK 37 / 32 / 0 / 42

HEX #5C6493

RGB 92 100 147

HSL 231.27, 0.23%, 0.47%

LAB 43.5, 9.07, -26.76

 

CMYK 0 / 41 / 59 / 33

HEX #AA6545

RGB 170 101 69

HSL 19.01, 0.42%, 0.47%

LAB 49.84, 24.63, 29.8

 

CMYK 0 / 25 / 59 / 33

HEX #AA8045

RGB 170 128 69

HSL 35.05, 0.42%, 0.47%

LAB 56.5, 9.44, 37.86

 

CMYK 0 / 9 / 59 / 33

HEX #AA9B45

RGB 170 155 69

HSL 51.09, 0.42%, 0.47%

LAB 63.69, -5.43, 46.15

 

CMYK 7 / 0 / 59 / 33

HEX #9EAA45

RGB 158 170 69

HSL 67.13, 0.42%, 0.47%

LAB 66.86, -18.44, 49.41

 

CMYK 23 / 0 / 59 / 33

HEX #83AA45

RGB 131 170 69

HSL 83.17, 0.42%, 0.47%

LAB 64.97, -29.45, 46.77

 

CMYK 0 / 9 / 59 / 56

HEX #6F652D

RGB 111 101 45

HSL 50.91, 0.42%, 0.31%

LAB 42.58, -3.88, 32.61

 

CMYK 0 / 9 / 59 / 45

HEX #8C8039

RGB 140 128 57

HSL 51.33, 0.42%, 0.39%

LAB 53.29, -4.9, 39.46

 

CMYK 0 / 9 / 59 / 33

HEX #AA9B45

RGB 170 155 69

HSL 51.09, 0.42%, 0.47%

LAB 63.69, -5.43, 46.15

 

CMYK 0 / 7 / 51 / 26

HEX #BCAE5C

RGB 188 174 92

HSL 51.25, 0.42%, 0.55%

LAB 70.69, -5.94, 43.51

 

CMYK 0 / 6 / 40 / 22

HEX #C8BC79

RGB 200 188 121

HSL 50.89, 0.42%, 0.63%

LAB 75.84, -5.43, 35.42

 

CMYK 0 / 9 / 59 / 33

HEX #AA9B45

RGB 170 155 69

HSL 51.09, 0.42%, 0.47%

LAB 63.69, -5.43, 46.15

 

CMYK 59 / 0 / 56 / 33

HEX #45AA4A

RGB 69 170 74

HSL 122.97, 0.42%, 0.47%

LAB 62.09, -49.12, 40.33

 

CMYK 33 / 59 / 0 / 33

HEX #7245AA

RGB 114 69 170

HSL 266.73, 0.42%, 0.47%

LAB 39.13, 40.29, -47.27

 

CMYK 0 / 9 / 59 / 33

HEX #AA9B45

RGB 170 155 69

HSL 51.09, 0.42%, 0.47%

LAB 63.69, -5.43, 46.15

 

CMYK 59 / 0 / 9 / 33

HEX #45AA9B

RGB 69 170 155

HSL 171.09, 0.42%, 0.47%

LAB 63.66, -32.92, -1.04

 

CMYK 9 / 59 / 0 / 33

HEX #9B45AA

RGB 155 69 170

HSL 291.09, 0.42%, 0.47%

LAB 44.41, 50.72, -38.54

 

CMYK 0 / 9 / 59 / 33

HEX #AA9B45

RGB 170 155 69

HSL 51.09, 0.42%, 0.47%

LAB 63.69, -5.43, 46.15

 

CMYK 59 / 0 / 56 / 33

HEX #45AA4A

RGB 69 170 74

HSL 122.97, 0.42%, 0.47%

LAB 62.09, -49.12, 40.33

 

CMYK 59 / 51 / 0 / 33

HEX #4554AA

RGB 69 84 170

HSL 231.09, 0.42%, 0.47%

LAB 38.74, 20.88, -48.12

 

CMYK 0 / 59 / 3 / 33

HEX #AA45A5

RGB 170 69 165

HSL 302.97, 0.42%, 0.47%

LAB 46.34, 53.78, -32.4

 

CMYK 0 / 9 / 59 / 33

HEX #AA9B45

RGB 170 155 69

HSL 51.09, 0.42%, 0.47%

LAB 63.69, -5.43, 46.15

 

CMYK 59 / 0 / 39 / 33

HEX #45AA68

RGB 69 170 104

HSL 140.79, 0.42%, 0.47%

LAB 62.52, -44.42, 25.48

 

CMYK 59 / 51 / 0 / 33

HEX #4554AA

RGB 69 84 170

HSL 231.09, 0.42%, 0.47%

LAB 38.74, 20.88, -48.12

 

CMYK 0 / 59 / 21 / 33

HEX #AA4586

RGB 170 69 134

HSL 321.39, 0.42%, 0.47%

LAB 44.97, 48.8, -15.93

 

Description

Color code: RGB 170 155 69 | qconv.com Color code: RGB 170 155 69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 155 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 155 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 59 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 59% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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