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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 108 201 it is the complementary color RGB 84 147 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 108 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 108 201 shade: RGB 176 108 196, RGB 193 126 215, RGB 210 144 234, RGB 227 162 253 and RGB 244 180 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 108 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 108 201 shade: RGB 171 108 201, RGB 154 90 182, RGB 137 72 163, RGB 120 54 144 and RGB 103 36 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 108 201 shade: RGB 171 109 201, RGB 196 109 201, RGB 201 109 181, RGB 201 109 156 and RGB 201 109 132

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 108 201 shade: RGB 171 109 201, RGB 147 109 201, RGB 122 109 201 and RGB 109 109 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 108 201 shade matches the following richer shades: RGB 171 109 201, RGB 177 93 217, RGB 183 77 233 and RGB 188 61 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 108 201 shade: RGB 171 109 201, RGB 166 125 185, RGB 160 141 169, RGB 154 158 153 and RGB 148 174 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 108 201 shade: RGB 122 109 201, RGB 146 109 201, RGB 170 109 201, RGB 195 109 201 and RGB 201 109 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 108 201 shade: RGB 132 61 166, RGB 154 79 190, RGB 171 109 201, RGB 189 139 212 and RGB 206 170 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 108 201 shade: RGB 171 108 201, RGB 201 109 122 and RGB 109 201 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 108 201 shade: RGB 171 108 201, RGB 201 170 109 and RGB 109 201 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 108 201 shade: RGB 171 108 201, RGB 201 109 122, RGB 140 201 109 and RGB 109 201 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 108 201 shade: RGB 171 108 201, RGB 201 125 109, RGB 140 201 109 and RGB 109 186 201

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 46 / 0 / 21

HEX #AB6CC9

RGB 171 108 201

HSL 280.65, 0.46%, 0.61%

LAB 55.69, 41.36, -38.61

 

Complementary color

CMYK 43 / 0 / 63 / 42

HEX #549336

RGB 84 147 54

HSL 100.65, 0.46%, 0.39%

LAB 55.09, -37.7, 41.86

 

CMYK 10 / 45 / 0 / 23

HEX #B06CC4

RGB 176 108 196

HSL 286.36, 0.43%, 0.6%

LAB 56.03, 41.77, -35.18

 

CMYK 10 / 41 / 0 / 16

HEX #C17ED7

RGB 193 126 215

HSL 285.17, 0.53%, 0.67%

LAB 62.65, 40.99, -35.45

 

CMYK 10 / 38 / 0 / 8

HEX #D290EA

RGB 210 144 234

HSL 284, 0.68%, 0.74%

LAB 69.18, 40.23, -35.68

 

CMYK 10 / 36 / 0 / 1

HEX #E3A2FD

RGB 227 162 253

HSL 282.86, 0.96%, 0.81%

LAB 75.61, 39.5, -35.9

 

CMYK 4 / 29 / 0 / 0

HEX #F4B4FF

RGB 244 180 255

HSL 291.2, 1%, 0.85%

LAB 81.34, 35.53, -28.01

 

CMYK 15 / 46 / 0 / 21

HEX #AB6CC9

RGB 171 108 201

HSL 280.65, 0.46%, 0.61%

LAB 55.69, 41.36, -38.61

 

CMYK 15 / 51 / 0 / 29

HEX #9A5AB6

RGB 154 90 182

HSL 281.74, 0.39%, 0.53%

LAB 48.96, 42.18, -38.41

 

CMYK 16 / 56 / 0 / 36

HEX #8948A3

RGB 137 72 163

HSL 282.86, 0.39%, 0.46%

LAB 42.15, 42.96, -38.12

 

CMYK 17 / 63 / 0 / 44

HEX #783690

RGB 120 54 144

HSL 284, 0.45%, 0.39%

LAB 35.29, 43.59, -37.7

 

CMYK 18 / 71 / 0 / 51

HEX #67247D

RGB 103 36 125

HSL 285.17, 0.55%, 0.32%

LAB 28.45, 43.87, -36.99

 

CMYK 15 / 46 / 0 / 21

HEX #AB6DC9

RGB 171 109 201

HSL 280.43, 0.46%, 0.61%

LAB 55.9, 40.82, -38.28

 

CMYK 2 / 46 / 0 / 21

HEX #C46DC9

RGB 196 109 201

HSL 296.74, 0.46%, 0.61%

LAB 58.87, 48.11, -33.41

 

CMYK 0 / 46 / 10 / 21

HEX #C96DB5

RGB 201 109 181

HSL 313.04, 0.46%, 0.61%

LAB 58.69, 46.08, -22.24

 

CMYK 0 / 46 / 22 / 21

HEX #C96D9C

RGB 201 109 156

HSL 329.35, 0.46%, 0.61%

LAB 57.8, 42.15, -9.17

 

CMYK 0 / 46 / 34 / 21

HEX #C96D84

RGB 201 109 132

HSL 345, 0.46%, 0.61%

LAB 57.1, 38.89, 3.75

 

CMYK 15 / 46 / 0 / 21

HEX #AB6DC9

RGB 171 109 201

HSL 280.43, 0.46%, 0.61%

LAB 55.9, 40.82, -38.28

 

CMYK 27 / 46 / 0 / 21

HEX #936DC9

RGB 147 109 201

HSL 264.78, 0.46%, 0.61%

LAB 53.34, 33.99, -42.49

 

CMYK 39 / 46 / 0 / 21

HEX #7A6DC9

RGB 122 109 201

HSL 248.48, 0.46%, 0.61%

LAB 51.03, 27.28, -46.3

 

CMYK 46 / 46 / 0 / 21

HEX #6D6DC9

RGB 109 109 201

HSL 240, 0.46%, 0.61%

LAB 49.98, 24.05, -48.02

 

CMYK 15 / 46 / 0 / 21

HEX #AB6DC9

RGB 171 109 201

HSL 280.43, 0.46%, 0.61%

LAB 55.9, 40.82, -38.28

 

CMYK 18 / 57 / 0 / 15

HEX #B15DD9

RGB 177 93 217

HSL 280.65, 0.62%, 0.61%

LAB 54.22, 54.22, -49.97

 

CMYK 21 / 67 / 0 / 9

HEX #B74DE9

RGB 183 77 233

HSL 280.77, 0.78%, 0.61%

LAB 53.23, 66.31, -60.54

 

CMYK 24 / 76 / 0 / 2

HEX #BC3DF9

RGB 188 61 249

HSL 280.53, 0.94%, 0.61%

LAB 52.81, 76.57, -70.15

 

CMYK 15 / 46 / 0 / 21

HEX #AB6DC9

RGB 171 109 201

HSL 280.43, 0.46%, 0.61%

LAB 55.9, 40.82, -38.28

 

CMYK 10 / 32 / 0 / 27

HEX #A67DB9

RGB 166 125 185

HSL 281, 0.3%, 0.61%

LAB 58.3, 26.91, -25.47

 

CMYK 5 / 17 / 0 / 34

HEX #A08DA9

RGB 160 141 169

HSL 280.71, 0.14%, 0.61%

LAB 61.12, 12.43, -12.11

 

CMYK 3 / 0 / 3 / 38

HEX #9A9E99

RGB 154 158 153

HSL 108, 0.03%, 0.61%

LAB 64.66, -2.39, 2.1

 

CMYK 15 / 0 / 22 / 32

HEX #94AE88

RGB 148 174 136

HSL 101.05, 0.19%, 0.61%

LAB 68.27, -16.17, 16.59

 

CMYK 39 / 46 / 0 / 21

HEX #7A6DC9

RGB 122 109 201

HSL 248.48, 0.46%, 0.61%

LAB 51.03, 27.28, -46.3

 

CMYK 27 / 46 / 0 / 21

HEX #926DC9

RGB 146 109 201

HSL 264.13, 0.46%, 0.61%

LAB 53.24, 33.72, -42.65

 

CMYK 15 / 46 / 0 / 21

HEX #AA6DC9

RGB 170 109 201

HSL 279.78, 0.46%, 0.61%

LAB 55.79, 40.53, -38.46

 

CMYK 3 / 46 / 0 / 21

HEX #C36DC9

RGB 195 109 201

HSL 296.09, 0.46%, 0.61%

LAB 58.75, 47.81, -33.61

 

CMYK 0 / 46 / 9 / 21

HEX #C96DB6

RGB 201 109 182

HSL 312.39, 0.46%, 0.61%

LAB 58.73, 46.25, -22.75

 

CMYK 20 / 63 / 0 / 35

HEX #843DA6

RGB 132 61 166

HSL 280.57, 0.46%, 0.45%

LAB 39.57, 47.95, -44.06

 

CMYK 19 / 58 / 0 / 25

HEX #9A4FBE

RGB 154 79 190

HSL 280.54, 0.46%, 0.53%

LAB 47.21, 49.68, -45.83

 

CMYK 15 / 46 / 0 / 21

HEX #AB6DC9

RGB 171 109 201

HSL 280.43, 0.46%, 0.61%

LAB 55.9, 40.82, -38.28

 

CMYK 11 / 34 / 0 / 17

HEX #BD8BD4

RGB 189 139 212

HSL 281.1, 0.46%, 0.69%

LAB 64.99, 32.04, -30.16

 

CMYK 8 / 24 / 0 / 13

HEX #CEAADF

RGB 206 170 223

HSL 280.75, 0.45%, 0.77%

LAB 74.32, 22.63, -21.79

 

CMYK 15 / 46 / 0 / 21

HEX #AB6CC9

RGB 171 108 201

HSL 280.65, 0.46%, 0.61%

LAB 55.69, 41.36, -38.61

 

CMYK 0 / 46 / 39 / 21

HEX #C96D7A

RGB 201 109 122

HSL 351.52, 0.46%, 0.61%

LAB 56.84, 37.7, 9.22

 

CMYK 46 / 0 / 33 / 21

HEX #6DC986

RGB 109 201 134

HSL 136.3, 0.46%, 0.61%

LAB 74.03, -42.05, 25.2

 

CMYK 15 / 46 / 0 / 21

HEX #AB6CC9

RGB 171 108 201

HSL 280.65, 0.46%, 0.61%

LAB 55.69, 41.36, -38.61

 

CMYK 0 / 15 / 46 / 21

HEX #C9AA6D

RGB 201 170 109

HSL 39.78, 0.46%, 0.61%

LAB 71.06, 3.23, 35.55

 

CMYK 46 / 0 / 15 / 21

HEX #6DC9AA

RGB 109 201 170

HSL 159.78, 0.46%, 0.61%

LAB 74.78, -34.8, 7.03

 

CMYK 15 / 46 / 0 / 21

HEX #AB6CC9

RGB 171 108 201

HSL 280.65, 0.46%, 0.61%

LAB 55.69, 41.36, -38.61

 

CMYK 0 / 46 / 39 / 21

HEX #C96D7A

RGB 201 109 122

HSL 351.52, 0.46%, 0.61%

LAB 56.84, 37.7, 9.22

 

CMYK 30 / 0 / 46 / 21

HEX #8CC96D

RGB 140 201 109

HSL 99.78, 0.46%, 0.61%

LAB 75.11, -36.18, 39.72

 

CMYK 46 / 0 / 6 / 21

HEX #6DC9BD

RGB 109 201 189

HSL 172.17, 0.46%, 0.61%

LAB 75.26, -30.35, -2.53

 

CMYK 15 / 46 / 0 / 21

HEX #AB6CC9

RGB 171 108 201

HSL 280.65, 0.46%, 0.61%

LAB 55.69, 41.36, -38.61

 

CMYK 0 / 38 / 46 / 21

HEX #C97D6D

RGB 201 125 109

HSL 10.43, 0.46%, 0.61%

LAB 60.06, 27.73, 21.15

 

CMYK 30 / 0 / 46 / 21

HEX #8CC96D

RGB 140 201 109

HSL 99.78, 0.46%, 0.61%

LAB 75.11, -36.18, 39.72

 

CMYK 46 / 7 / 0 / 21

HEX #6DBAC9

RGB 109 186 201

HSL 189.78, 0.46%, 0.61%

LAB 71.27, -19.83, -15

 

Description

Color code: RGB 171 108 201 | qconv.com Color code: RGB 171 108 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 108 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 108 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 46 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 46% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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