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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 103 158 it is the complementary color RGB 84 152 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 103 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 103 158 shade: RGB 176 103 153, RGB 193 121 172, RGB 210 139 191, RGB 227 157 210 and RGB 244 175 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 103 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 103 158 shade: RGB 171 103 158, RGB 154 85 139, RGB 137 67 120, RGB 120 49 101 and RGB 103 31 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 103 158 shade: RGB 171 103 158, RGB 171 103 140, RGB 171 103 122 and RGB 171 103 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 103 158 shade: RGB 171 103 158, RGB 166 103 171, RGB 148 103 171, RGB 129 103 171 and RGB 111 103 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 103 158 shade matches the following richer shades: RGB 171 103 158, RGB 190 84 170, RGB 209 65 182, RGB 228 46 193 and RGB 247 27 205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 103 158 shade: RGB 171 103 158, RGB 152 122 146, RGB 133 141 135, RGB 114 160 123 and RGB 95 179 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 103 158 shade: RGB 147 103 171, RGB 166 103 171, RGB 171 103 159, RGB 171 103 141 and RGB 171 103 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 103 158 shade: RGB 124 68 113, RGB 151 83 138, RGB 171 103 158, RGB 186 130 175 and RGB 201 156 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 103 158 shade: RGB 171 103 158, RGB 171 129 103 and RGB 103 171 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 103 158 shade: RGB 171 103 158, RGB 159 171 103 and RGB 103 159 171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 103 158 shade: RGB 171 103 158, RGB 171 129 103, RGB 103 171 116 and RGB 103 145 171

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 103 158 shade: RGB 171 103 158, RGB 171 150 103, RGB 103 171 116 and RGB 103 125 171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 8 / 33

HEX #AB679E

RGB 171 103 158

HSL 311.47, 0.29%, 0.54%

LAB 52.76, 35.59, -18.32

 

Complementary color

CMYK 45 / 0 / 36 / 40

HEX #549861

RGB 84 152 97

HSL 131.47, 0.29%, 0.46%

LAB 57.27, -33.89, 22.41

 

CMYK 0 / 41 / 13 / 31

HEX #B06799

RGB 176 103 153

HSL 318.9, 0.32%, 0.55%

LAB 53.2, 36.4, -14.67

 

CMYK 0 / 37 / 11 / 24

HEX #C179AC

RGB 193 121 172

HSL 317.5, 0.37%, 0.62%

LAB 59.88, 35.62, -15.36

 

CMYK 0 / 34 / 9 / 18

HEX #D28BBF

RGB 210 139 191

HSL 316.06, 0.44%, 0.68%

LAB 66.47, 34.86, -15.97

 

CMYK 0 / 31 / 7 / 11

HEX #E39DD2

RGB 227 157 210

HSL 314.57, 0.56%, 0.75%

LAB 72.96, 34.15, -16.54

 

CMYK 0 / 28 / 6 / 4

HEX #F4AFE5

RGB 244 175 229

HSL 313.04, 0.76%, 0.82%

LAB 79.36, 33.48, -17.06

 

CMYK 0 / 40 / 8 / 33

HEX #AB679E

RGB 171 103 158

HSL 311.47, 0.29%, 0.54%

LAB 52.76, 35.59, -18.32

 

CMYK 0 / 45 / 10 / 40

HEX #9A558B

RGB 154 85 139

HSL 313.04, 0.29%, 0.47%

LAB 45.95, 36.37, -17.66

 

CMYK 0 / 51 / 12 / 46

HEX #894378

RGB 137 67 120

HSL 314.57, 0.34%, 0.4%

LAB 39.05, 37.13, -16.85

 

CMYK 0 / 59 / 16 / 53

HEX #783165

RGB 120 49 101

HSL 316.06, 0.42%, 0.33%

LAB 32.1, 37.75, -15.8

 

CMYK 0 / 70 / 20 / 60

HEX #671F52

RGB 103 31 82

HSL 317.5, 0.54%, 0.26%

LAB 25.18, 37.98, -14.3

 

CMYK 0 / 40 / 8 / 33

HEX #AB679E

RGB 171 103 158

HSL 311.47, 0.29%, 0.54%

LAB 52.76, 35.59, -18.32

 

CMYK 0 / 40 / 18 / 33

HEX #AB678C

RGB 171 103 140

HSL 327.35, 0.29%, 0.54%

LAB 52.12, 32.52, -8.71

 

CMYK 0 / 40 / 29 / 33

HEX #AB677A

RGB 171 103 122

HSL 343.24, 0.29%, 0.54%

LAB 51.57, 29.79, 1.13

 

CMYK 0 / 40 / 40 / 33

HEX #AB6767

RGB 171 103 103

HSL 0, 0.29%, 0.54%

LAB 51.08, 27.3, 11.69

 

CMYK 0 / 40 / 8 / 33

HEX #AB679E

RGB 171 103 158

HSL 311.47, 0.29%, 0.54%

LAB 52.76, 35.59, -18.32

 

CMYK 3 / 40 / 0 / 33

HEX #A667AB

RGB 166 103 171

HSL 295.59, 0.29%, 0.54%

LAB 52.67, 36.4, -26.09

 

CMYK 13 / 40 / 0 / 33

HEX #9467AB

RGB 148 103 171

HSL 279.71, 0.29%, 0.54%

LAB 50.61, 30.71, -29.45

 

CMYK 25 / 40 / 0 / 33

HEX #8167AB

RGB 129 103 171

HSL 262.94, 0.29%, 0.54%

LAB 48.65, 24.84, -32.67

 

CMYK 35 / 40 / 0 / 33

HEX #6F67AB

RGB 111 103 171

HSL 247.06, 0.29%, 0.54%

LAB 47, 19.54, -35.37

 

CMYK 0 / 40 / 8 / 33

HEX #AB679E

RGB 171 103 158

HSL 311.47, 0.29%, 0.54%

LAB 52.76, 35.59, -18.32

 

CMYK 0 / 56 / 11 / 25

HEX #BE54AA

RGB 190 84 170

HSL 311.32, 0.45%, 0.54%

LAB 52.05, 53.28, -26.22

 

CMYK 0 / 69 / 13 / 18

HEX #D141B6

RGB 209 65 182

HSL 311.25, 0.61%, 0.54%

LAB 52.63, 68.02, -32.09

 

CMYK 0 / 80 / 15 / 11

HEX #E42EC1

RGB 228 46 193

HSL 311.54, 0.77%, 0.54%

LAB 54.34, 79.44, -35.56

 

CMYK 0 / 89 / 17 / 3

HEX #F71BCD

RGB 247 27 205

HSL 311.45, 0.93%, 0.54%

LAB 57.04, 88.17, -37.99

 

CMYK 0 / 40 / 8 / 33

HEX #AB679E

RGB 171 103 158

HSL 311.47, 0.29%, 0.54%

LAB 52.76, 35.59, -18.32

 

CMYK 0 / 20 / 4 / 40

HEX #987A92

RGB 152 122 146

HSL 312, 0.13%, 0.54%

LAB 54.73, 15.9, -8.55

 

CMYK 6 / 0 / 4 / 45

HEX #858D87

RGB 133 141 135

HSL 135, 0.03%, 0.54%

LAB 57.83, -4.11, 2.18

 

CMYK 29 / 0 / 23 / 37

HEX #72A07B

RGB 114 160 123

HSL 131.74, 0.19%, 0.54%

LAB 61.78, -23.31, 14.41

 

CMYK 47 / 0 / 38 / 30

HEX #5FB36F

RGB 95 179 111

HSL 131.43, 0.36%, 0.54%

LAB 66.38, -40.35, 27.03

 

CMYK 14 / 40 / 0 / 33

HEX #9367AB

RGB 147 103 171

HSL 278.82, 0.29%, 0.54%

LAB 50.5, 30.4, -29.63

 

CMYK 3 / 40 / 0 / 33

HEX #A667AB

RGB 166 103 171

HSL 295.59, 0.29%, 0.54%

LAB 52.67, 36.4, -26.09

 

CMYK 0 / 40 / 7 / 33

HEX #AB679F

RGB 171 103 159

HSL 310.59, 0.29%, 0.54%

LAB 52.8, 35.77, -18.85

 

CMYK 0 / 40 / 18 / 33

HEX #AB678D

RGB 171 103 141

HSL 326.47, 0.29%, 0.54%

LAB 52.15, 32.68, -9.25

 

CMYK 0 / 40 / 29 / 33

HEX #AB677A

RGB 171 103 122

HSL 343.24, 0.29%, 0.54%

LAB 51.57, 29.79, 1.13

 

CMYK 0 / 45 / 9 / 51

HEX #7C4471

RGB 124 68 113

HSL 311.79, 0.29%, 0.38%

LAB 37.14, 30.94, -15.6

 

CMYK 0 / 45 / 9 / 41

HEX #97538A

RGB 151 83 138

HSL 311.47, 0.29%, 0.46%

LAB 45.08, 36.29, -18.42

 

CMYK 0 / 40 / 8 / 33

HEX #AB679E

RGB 171 103 158

HSL 311.47, 0.29%, 0.54%

LAB 52.76, 35.59, -18.32

 

CMYK 0 / 30 / 6 / 27

HEX #BA82AF

RGB 186 130 175

HSL 311.79, 0.29%, 0.62%

LAB 61.22, 28.82, -15.12

 

CMYK 0 / 22 / 4 / 21

HEX #C99CC0

RGB 201 156 192

HSL 312, 0.29%, 0.7%

LAB 69.47, 22.7, -12.11

 

CMYK 0 / 40 / 8 / 33

HEX #AB679E

RGB 171 103 158

HSL 311.47, 0.29%, 0.54%

LAB 52.76, 35.59, -18.32

 

CMYK 0 / 25 / 40 / 33

HEX #AB8167

RGB 171 129 103

HSL 22.94, 0.29%, 0.54%

LAB 57.4, 12.67, 20.37

 

CMYK 40 / 0 / 9 / 33

HEX #67AB9C

RGB 103 171 156

HSL 166.76, 0.29%, 0.54%

LAB 65.29, -25.15, 0.94

 

CMYK 0 / 40 / 8 / 33

HEX #AB679E

RGB 171 103 158

HSL 311.47, 0.29%, 0.54%

LAB 52.76, 35.59, -18.32

 

CMYK 7 / 0 / 40 / 33

HEX #9FAB67

RGB 159 171 103

HSL 70.59, 0.29%, 0.54%

LAB 67.63, -15.17, 33.59

 

CMYK 40 / 7 / 0 / 33

HEX #679FAB

RGB 103 159 171

HSL 190.59, 0.29%, 0.54%

LAB 62.19, -15.19, -12.05

 

CMYK 0 / 40 / 8 / 33

HEX #AB679E

RGB 171 103 158

HSL 311.47, 0.29%, 0.54%

LAB 52.76, 35.59, -18.32

 

CMYK 0 / 25 / 40 / 33

HEX #AB8167

RGB 171 129 103

HSL 22.94, 0.29%, 0.54%

LAB 57.4, 12.67, 20.37

 

CMYK 40 / 0 / 32 / 33

HEX #67AB74

RGB 103 171 116

HSL 131.47, 0.29%, 0.54%

LAB 64.38, -33.5, 21.73

 

CMYK 40 / 15 / 0 / 33

HEX #6791AB

RGB 103 145 171

HSL 202.94, 0.29%, 0.54%

LAB 58.11, -7.54, -18.21

 

CMYK 0 / 40 / 8 / 33

HEX #AB679E

RGB 171 103 158

HSL 311.47, 0.29%, 0.54%

LAB 52.76, 35.59, -18.32

 

CMYK 0 / 12 / 40 / 33

HEX #AB9667

RGB 171 150 103

HSL 41.47, 0.29%, 0.54%

LAB 62.89, 0.97, 27.66

 

CMYK 40 / 0 / 32 / 33

HEX #67AB74

RGB 103 171 116

HSL 131.47, 0.29%, 0.54%

LAB 64.38, -33.5, 21.73

 

CMYK 40 / 27 / 0 / 33

HEX #677DAB

RGB 103 125 171

HSL 220.59, 0.29%, 0.54%

LAB 52.39, 3.99, -27

 

Description

Color code: RGB 171 103 158 | qconv.com Color code: RGB 171 103 158 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 103 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 103 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 8 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 8% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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