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Color name
RGB 171 57 108

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 171 57 108 it is the complementary color RGB 84 198 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 171 57 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 171 57 108 shade: RGB 176 57 103, RGB 193 75 122, RGB 210 93 141, RGB 227 111 160 and RGB 244 129 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 171 57 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 171 57 108 shade: RGB 171 57 108, RGB 154 39 89, RGB 137 21 70, RGB 120 3 51 and RGB 103 0 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 171 57 108 shade: RGB 172 57 108, RGB 172 57 77 and RGB 172 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 171 57 108 shade: RGB 172 57 108, RGB 172 57 139, RGB 172 57 170, RGB 142 57 172 and RGB 111 57 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 171 57 108 shade matches the following richer shades: RGB 172 57 108, RGB 190 38 106, RGB 209 20 104 and RGB 227 1 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 171 57 108 shade: RGB 172 57 108, RGB 153 75 110, RGB 134 94 112, RGB 116 113 114 and RGB 97 131 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 171 57 108 shade: RGB 172 57 170, RGB 172 57 139, RGB 172 57 109, RGB 172 57 78 and RGB 172 66 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 171 57 108 shade: RGB 110 36 69, RGB 141 47 89, RGB 172 57 108, RGB 195 75 129 and RGB 205 106 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 171 57 108 shade: RGB 171 57 108, RGB 172 143 57 and RGB 57 154 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 171 57 108 shade: RGB 171 57 108, RGB 109 172 57 and RGB 57 109 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 171 57 108 shade: RGB 171 57 108, RGB 172 143 57, RGB 57 172 120 and RGB 57 86 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 171 57 108 shade: RGB 171 57 108, RGB 166 172 57, RGB 57 172 120 and RGB 63 57 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 37 / 33

HEX #AB396C

RGB 171 57 108

HSL 333.16, 0.5%, 0.45%

LAB 42.26, 50.99, -4.05

 

Complementary color

CMYK 58 / 0 / 26 / 22

HEX #54C693

RGB 84 198 147

HSL 153.16, 0.5%, 0.55%

LAB 72.48, -44.33, 16.03

 

CMYK 0 / 68 / 41 / 31

HEX #B03967

RGB 176 57 103

HSL 336.81, 0.51%, 0.46%

LAB 42.97, 51.97, 0.2

 

CMYK 0 / 61 / 37 / 24

HEX #C14B7A

RGB 193 75 122

HSL 336.1, 0.49%, 0.53%

LAB 49.22, 51.65, -1.93

 

CMYK 0 / 56 / 33 / 18

HEX #D25D8D

RGB 210 93 141

HSL 335.38, 0.57%, 0.59%

LAB 55.54, 51.06, -3.64

 

CMYK 0 / 51 / 30 / 11

HEX #E36FA0

RGB 227 111 160

HSL 334.66, 0.67%, 0.66%

LAB 61.86, 50.33, -5.06

 

CMYK 0 / 47 / 27 / 4

HEX #F481B3

RGB 244 129 179

HSL 333.91, 0.84%, 0.73%

LAB 68.16, 49.55, -6.27

 

CMYK 0 / 67 / 37 / 33

HEX #AB396C

RGB 171 57 108

HSL 333.16, 0.5%, 0.45%

LAB 42.26, 50.99, -4.05

 

CMYK 0 / 75 / 42 / 40

HEX #9A2759

RGB 154 39 89

HSL 333.91, 0.6%, 0.38%

LAB 36.07, 50.82, -1.54

 

CMYK 0 / 85 / 49 / 46

HEX #891546

RGB 137 21 70

HSL 334.66, 0.73%, 0.31%

LAB 30.15, 49.74, 1.83

 

CMYK 0 / 98 / 58 / 53

HEX #780333

RGB 120 3 51

HSL 335.38, 0.95%, 0.24%

LAB 24.63, 47.37, 6.34

 

CMYK 0 / 100 / 69 / 60

HEX #670020

RGB 103 0 32

HSL 341.36, 1%, 0.2%

LAB 20, 42.31, 12.72

 

CMYK 0 / 67 / 37 / 33

HEX #AC396C

RGB 172 57 108

HSL 333.39, 0.5%, 0.45%

LAB 42.43, 51.3, -3.77

 

CMYK 0 / 67 / 55 / 33

HEX #AC394D

RGB 172 57 77

HSL 349.57, 0.5%, 0.45%

LAB 41.58, 48.27, 14.35

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 67 / 37 / 33

HEX #AC396C

RGB 172 57 108

HSL 333.39, 0.5%, 0.45%

LAB 42.43, 51.3, -3.77

 

CMYK 0 / 67 / 19 / 33

HEX #AC398B

RGB 172 57 139

HSL 317.22, 0.5%, 0.45%

LAB 43.6, 55.31, -21.05

 

CMYK 0 / 67 / 1 / 33

HEX #AC39AA

RGB 172 57 170

HSL 301.04, 0.5%, 0.45%

LAB 45.08, 60.18, -37.32

 

CMYK 17 / 67 / 0 / 33

HEX #8E39AC

RGB 142 57 172

HSL 284.35, 0.5%, 0.45%

LAB 40.66, 53.48, -45.81

 

CMYK 35 / 67 / 0 / 33

HEX #6F39AC

RGB 111 57 172

HSL 268.17, 0.5%, 0.45%

LAB 36.53, 46.56, -52.69

 

CMYK 0 / 67 / 37 / 33

HEX #AC396C

RGB 172 57 108

HSL 333.39, 0.5%, 0.45%

LAB 42.43, 51.3, -3.77

 

CMYK 0 / 80 / 44 / 25

HEX #BE266A

RGB 190 38 106

HSL 333.16, 0.67%, 0.45%

LAB 43.32, 62.64, -0.84

 

CMYK 0 / 90 / 50 / 18

HEX #D11468

RGB 209 20 104

HSL 333.33, 0.83%, 0.45%

LAB 45.71, 70.79, 4.33

 

CMYK 0 / 100 / 55 / 11

HEX #E30166

RGB 227 1 102

HSL 333.19, 0.99%, 0.45%

LAB 48.65, 76.57, 10.25

 

CMYK 0 / 67 / 37 / 33

HEX #AC396C

RGB 172 57 108

HSL 333.39, 0.5%, 0.45%

LAB 42.43, 51.3, -3.77

 

CMYK 0 / 51 / 28 / 40

HEX #994B6E

RGB 153 75 110

HSL 333.08, 0.34%, 0.45%

LAB 42.66, 36.76, -5.01

 

CMYK 0 / 30 / 16 / 47

HEX #865E70

RGB 134 94 112

HSL 333, 0.18%, 0.45%

LAB 44.58, 19.25, -3.66

 

CMYK 0 / 3 / 2 / 55

HEX #747172

RGB 116 113 114

HSL 340, 0.01%, 0.45%

LAB 47.93, 1.35, -0.15

 

CMYK 26 / 0 / 11 / 49

HEX #618374

RGB 97 131 116

HSL 153.53, 0.15%, 0.45%

LAB 51.88, -15.36, 4.22

 

CMYK 0 / 67 / 1 / 33

HEX #AC39AA

RGB 172 57 170

HSL 301.04, 0.5%, 0.45%

LAB 45.08, 60.18, -37.32

 

CMYK 0 / 67 / 19 / 33

HEX #AC398B

RGB 172 57 139

HSL 317.22, 0.5%, 0.45%

LAB 43.6, 55.31, -21.05

 

CMYK 0 / 67 / 37 / 33

HEX #AC396D

RGB 172 57 109

HSL 332.87, 0.5%, 0.45%

LAB 42.46, 51.41, -4.35

 

CMYK 0 / 67 / 55 / 33

HEX #AC394E

RGB 172 57 78

HSL 349.04, 0.5%, 0.45%

LAB 41.61, 48.36, 13.76

 

CMYK 0 / 62 / 67 / 33

HEX #AC4239

RGB 172 66 57

HSL 4.7, 0.5%, 0.45%

LAB 42.71, 42.85, 28.04

 

CMYK 0 / 67 / 37 / 57

HEX #6E2445

RGB 110 36 69

HSL 333.24, 0.51%, 0.29%

LAB 26.75, 36.07, -3.1

 

CMYK 0 / 67 / 37 / 45

HEX #8D2F59

RGB 141 47 89

HSL 333.19, 0.5%, 0.37%

LAB 34.84, 43.7, -3.62

 

CMYK 0 / 67 / 37 / 33

HEX #AC396C

RGB 172 57 108

HSL 333.39, 0.5%, 0.45%

LAB 42.43, 51.3, -3.77

 

CMYK 0 / 62 / 34 / 24

HEX #C34B81

RGB 195 75 129

HSL 333, 0.5%, 0.53%

LAB 49.76, 53.09, -5.31

 

CMYK 0 / 48 / 27 / 20

HEX #CD6A96

RGB 205 106 150

HSL 333.33, 0.5%, 0.61%

LAB 57.55, 44.19, -6

 

CMYK 0 / 67 / 37 / 33

HEX #AB396C

RGB 171 57 108

HSL 333.16, 0.5%, 0.45%

LAB 42.26, 50.99, -4.05

 

CMYK 0 / 17 / 67 / 33

HEX #AC8F39

RGB 172 143 57

HSL 44.87, 0.5%, 0.45%

LAB 60.53, 1.15, 48.32

 

CMYK 67 / 10 / 0 / 33

HEX #399AAC

RGB 57 154 172

HSL 189.39, 0.5%, 0.45%

LAB 58.94, -22.23, -17.7

 

CMYK 0 / 67 / 37 / 33

HEX #AB396C

RGB 171 57 108

HSL 333.16, 0.5%, 0.45%

LAB 42.26, 50.99, -4.05

 

CMYK 37 / 0 / 67 / 33

HEX #6DAC39

RGB 109 172 57

HSL 92.87, 0.5%, 0.45%

LAB 64.2, -39.65, 50.83

 

CMYK 67 / 37 / 0 / 33

HEX #396DAC

RGB 57 109 172

HSL 212.87, 0.5%, 0.45%

LAB 45.34, 3.4, -38.8

 

CMYK 0 / 67 / 37 / 33

HEX #AB396C

RGB 171 57 108

HSL 333.16, 0.5%, 0.45%

LAB 42.26, 50.99, -4.05

 

CMYK 0 / 17 / 67 / 33

HEX #AC8F39

RGB 172 143 57

HSL 44.87, 0.5%, 0.45%

LAB 60.53, 1.15, 48.32

 

CMYK 67 / 0 / 30 / 33

HEX #39AC78

RGB 57 172 120

HSL 152.87, 0.5%, 0.45%

LAB 63.12, -44.48, 17.56

 

CMYK 67 / 50 / 0 / 33

HEX #3956AC

RGB 57 86 172

HSL 224.87, 0.5%, 0.45%

LAB 38.73, 18.09, -49.35

 

CMYK 0 / 67 / 37 / 33

HEX #AB396C

RGB 171 57 108

HSL 333.16, 0.5%, 0.45%

LAB 42.26, 50.99, -4.05

 

CMYK 3 / 0 / 67 / 33

HEX #A6AC39

RGB 166 172 57

HSL 63.13, 0.5%, 0.45%

LAB 67.95, -16.89, 55.91

 

CMYK 67 / 0 / 30 / 33

HEX #39AC78

RGB 57 172 120

HSL 152.87, 0.5%, 0.45%

LAB 63.12, -44.48, 17.56

 

CMYK 63 / 67 / 0 / 33

HEX #3F39AC

RGB 63 57 172

HSL 243.13, 0.5%, 0.45%

LAB 31.72, 37.68, -60.72

 

Description

Color code: RGB 171 57 108 | qconv.com Color code: RGB 171 57 108 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 57 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 57 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 37 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 37% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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